Tracklist

CD 1
# Title Artist Rating Length
1 The Flying Dutchman: Overture
Richard Wagner 11:38
2 Oboe Concerto: Adagio
Alessandro Marcello 4:22
3 Piano Sonata D. 960: Scherzo. Allegro vivace con delicatezza
Franz Schubert 4:10
4 Missa Papae Marcelli: Agnus Dei
Giovanni Pierluigi da Palestrina 7:57
5 Tombeau pour Monsieur de Sainte-Colombe
Marin Marais 7:57
6 Concierto de Arajuez: Adagio
Joaquín Rodrigo 10:31
7 Miserere mei
Gregorio Allegri 10:15
8 Symphony no. 49 - La Passione: Allegro di molto
Joseph Haydn 4:39
9 The Fairy Queen: When I have often heard you maids complaining
Henry Purcell 3:16
10 The Barber of Seville: Largo al factotum della citta
Gioachino Rossini 4:35

Credits

CD 1

oboe:
József Kiss (1991-10-28 – 1991-11-01) (track 2)
piano:
Jenő Jandó (pianist) (track 3)
baritone vocals:
Roberto Servile (baritone) (track 10)
bass-baritone vocals:
Alfred Muff (bass-baritone) (track 1)
choir vocals:
Oxford Camerata (tracks 4, 7)
chorus master:
Jeremy Summerly (conductor) (track 7)
composer:
Gregorio Allegri (composer) (track 7)
Joseph Haydn (composer) (track 8)
Giovanni Pierluigi da Palestrina (composer) (track 4)
Gioachino Rossini (Italian composer 1792-1868) (track 10)
Marin Marais (composer) (1701) (track 5)
Franz Schubert (Austrian composer Franz Peter Schubert) (1828-09) (track 3)
Richard Wagner (composer) (1840 – 1841) (track 1)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1939) (track 6)
conductor:
Will Humburg (conductor) (track 10)
Pinchas Steinberg (track 1)
Jeremy Summerly (conductor) (tracks 4, 7)
Nicholas Ward (track 8)
Nicholas Ward (1992-10-07 – 1992-10-09) (track 6)
editor:
John Taylor (producer/engineer) (track 6)
engineer:
István Berényi (engineer) (1991-10) (track 2)
Don Hartridge (1992-10-07 – 1992-10-09) (track 6)
instruments:
Spectre de la Rose (British early music ensemble) (track 5)
librettist:
Cesare Sterbini (track 10)
mezzo-soprano vocals:
Sonia Ganassi (mezzo-soprano) (track 10)
orchestra:
ORF Symphony Orchestra, Vienna (previously ORF-Symphonieorchester) (track 1)
Ferenc Erkel Chamber Orchestra (1991-10-28 – 1991-11-01) (track 2)
Northern Chamber Orchestra (1992-10-07 – 1992-10-09) (track 6)
performer:
producer:
David Ellis (producer) (track 6)
Norbert Kraft (classical guitarist and producer) (track 6)
Ibolya Tóth (1991-10) (track 2)
solo oboe:
József Kiss (1991-10-28 – 1991-11-01) (track 2)
solo guitar:
Norbert Kraft (classical guitarist and producer) (1992-10-07 – 1992-10-09) (track 6)
soprano vocals:
Ingrid Haubold (track 1)
phonographic copyright by:
HNH International Ltd. (not for release label use!) (1993) (track 6)
recorded at:
Reformed Church in Budapest, Hungary (1991-10-28 – 1991-11-01) (track 2)
BBC Studio 7 (Manchester) in Manchester, Greater Manchester, England, United Kingdom (1992-10-07 – 1992-10-09) (track 6)
edits:
arrangements:
Concerto per oboe, archi e continuo in re minore: II. Adagio (catch-all for arrangements) (track 2)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements) (track 6)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (track 6)
Der fliegende Holländer: Ouvertüre (for piano 4-hands, Debussy) (track 1)
Figaro from “The Barber of Seville” (for violin and piano, Castelnuovo-Tedesco) (track 10)
Overture to “Der fliegende Holländer” (for organ, Lemare) (track 1)
is the basis for:
Concerto de Aranjuez: Adagio (Tomita arrangement) (track 6)
Figaro (track 10)
Spain (track 6)
À la Chapelle Sixtine, S. 360 (for orchestra) (track 7)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 7)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 7)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 7)
later parody versions:
Honneur aux barbus (track 10)
later versions:
part of:
Der fliegende Holländer (movement) (track 1)
Concierto de Aranjuez (movement) (track 6)
recording of:
Miserere mei, Deus (track 7)
Concerto per oboe, archi e continuo in re minore: II. Adagio (1991-10-28 – 1991-11-01) (track 2)
Concierto de Aranjuez: II. Adagio (1992-10-07 – 1992-10-09) (track 6)
referred to in medleys: