The Complete Pacific Jazz and Capitol Recordings of the Original Gerry Mulligan Quartet and Tentette With Chet Baker

~ Release by Gerry Mulligan Quartet (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: The Quartet
#TitleRatingLength
1Get Happy
baritone saxophone and piano:
Gerry Mulligan (on 1952-06-10)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1952-06-10)
drums (drum set):
Chico Hamilton (on 1952-06-10)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (on 1952-06-10)
instrumental recording of:
Get Happy (on 1952-06-10)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
recording of:
Get Happy (on 1952-06-10)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
2:34
2’S Wonderful
baritone saxophone and piano:
Gerry Mulligan (on 1952-06-10)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1952-06-10)
drums (drum set):
Chico Hamilton (on 1952-06-10)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (on 1952-06-10)
instrumental recording of:
’S Wonderful (on 1952-06-10)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
3:34
3Godchild
baritone saxophone and piano:
Gerry Mulligan (on 1952-06-10)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1952-06-10)
drums (drum set):
Chico Hamilton (on 1952-06-10)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (on 1952-06-10)
recording of:
Godchild (on 1952-06-10)
composer:
George Wallington
2:55
4Haig and Haig (Dinah)
baritone saxophone:
Gerry Mulligan (on 1952-07-09)
double bass:
Joe Mondragon (on 1952-07-09)
piano:
Jimmy Rowles (on 1952-07-09)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1952-07-09)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (on 1952-07-09)
recording of:
Haig and Haig (Dinah) (on 1952-07-09)
composer:
Gerry Mulligan
2:57
5She Didn’t Say Yes, She Didn’t Say No
baritone saxophone:
Gerry Mulligan (on 1952-07-09)
double bass:
Joe Mondragon (on 1952-07-09)
piano:
Jimmy Rowles (on 1952-07-09)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1952-07-09)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (on 1952-07-09)
instrumental recording of:
She Didn’t Say Yes (on 1952-07-09)
lyricist:
Otto Harbach (in 1931)
composer:
Jerome Kern (in 1931)
2:35
6Bernie’s Tune
recording engineer:
Phil Turetsky (on 1952-08-16)
baritone saxophone:
Gerry Mulligan (on 1952-08-16)
bass and double bass:
Bob Whitlock (Jazz bassist) (on 1952-08-16)
drums (drum set):
Chico Hamilton (on 1952-08-16)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1952-08-16)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (on 1952-08-16)
instrumental recording of:
Bernie’s Tune (on 1952-08-16)
lyricist:
Jerry Leiber and Mike Stoller
composer:
Bernie Miller (jazz composer)
publisher:
Atlantic Music Corp. (BMI)
2:52
7Lullaby of the Leaves
recording engineer:
Phil Turetsky (on 1952-08-16)
baritone saxophone:
Gerry Mulligan (on 1952-08-16)
bass and double bass:
Bob Whitlock (Jazz bassist) (on 1952-08-16)
drums (drum set):
Chico Hamilton (on 1952-08-16)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1952-08-16)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (on 1952-08-16)
instrumental recording of:
Lullaby of the Leaves (on 1952-08-16)
lyricist:
Joe Young (US lyricist)
composer:
Bernice Petkere
3:14
8Utter Chaos #1
baritone saxophone:
Gerry Mulligan (on 1952-08-16)
double bass:
Bob Whitlock (Jazz bassist) (on 1952-08-16)
drums (drum set):
Chico Hamilton (on 1952-08-16)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1952-08-16)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (on 1952-08-16)
recording of:
Utter Chaos
composer:
Gerry Mulligan
0:37
9Aren’t You Glad You're You
baritone saxophone:
Gerry Mulligan (from 1952-10-15 until 1952-10-16)
double bass:
Bob Whitlock (Jazz bassist) (from 1952-10-15 until 1952-10-16)
drums (drum set):
Chico Hamilton (from 1952-10-15 until 1952-10-16)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1952-10-15 until 1952-10-16)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1952-10-15 until 1952-10-16)
instrumental recording of:
Aren’t You Glad You’re You? (from 1952-10-15 until 1952-10-16)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1945)
composer:
Jimmy Van Heusen (in 1945)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:51
10Frenesi
recording engineer:
Stan Ross (1950s–1960s US rock’n’roll singer)
baritone saxophone:
Gerry Mulligan (from 1952-10-15 until 1952-10-16)
bass and double bass:
Bob Whitlock (Jazz bassist) (from 1952-10-15 until 1952-10-16)
drums (drum set):
Chico Hamilton (from 1952-10-15 until 1952-10-16)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1952-10-15 until 1952-10-16)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1952-10-15 until 1952-10-16)
recording of:
Frenesi (from 1952-10-15 until 1952-10-16)
lyricist and composer:
Alberto Domínguez
3:09
11Nights at the Turntable
recording engineer:
Stan Ross (1950s–1960s US rock’n’roll singer) (on 1952-10-15)
baritone saxophone:
Gerry Mulligan (on 1952-10-15)
bass and double bass:
Bob Whitlock (Jazz bassist) (on 1952-10-15)
drums (drum set):
Chico Hamilton (on 1952-10-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1952-10-15)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1952-10-15)
recording of:
Nights at the Turntable (on 1952-10-15)
composer:
Gerry Mulligan
2:53
12Freeway
recording engineer:
Stan Ross (1950s–1960s US rock’n’roll singer)
baritone saxophone:
Gerry Mulligan (from 1952-10-15 until 1952-10-16)
bass and double bass:
Bob Whitlock (Jazz bassist) (from 1952-10-15 until 1952-10-16)
drums (drum set):
Chico Hamilton (from 1952-10-15 until 1952-10-16)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1952-10-15 until 1952-10-16)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1952-10-15 until 1952-10-16)
recording of:
Freeway (from 1952-10-15 until 1952-10-16)
composer:
Chet Baker (American jazz trumpeter and vocalist)
2:45
13Soft Shoe
recording engineer:
Stan Ross (1950s–1960s US rock’n’roll singer)
baritone saxophone:
Gerry Mulligan (from 1952-10-15 until 1952-10-16)
bass and double bass:
Bob Whitlock (Jazz bassist) (from 1952-10-15 until 1952-10-16)
drums (drum set):
Chico Hamilton (from 1952-10-15 until 1952-10-16)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1952-10-15 until 1952-10-16)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1952-10-15 until 1952-10-16)
recording of:
Soft Shoe (from 1952-10-15 until 1952-10-16)
composer:
Gerry Mulligan
2:38
14Walkin’ Shoes
recording engineer:
Stan Ross (1950s–1960s US rock’n’roll singer)
baritone saxophone:
Gerry Mulligan (from 1952-10-15 until 1952-10-16)
bass and double bass:
Bob Whitlock (Jazz bassist) (from 1952-10-15 until 1952-10-16)
drums (drum set):
Chico Hamilton (from 1952-10-15 until 1952-10-16)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1952-10-15 until 1952-10-16)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1952-10-15 until 1952-10-16)
recording of:
Walkin’ Shoes (from 1952-10-15 until 1952-10-16)
composer:
Gerry Mulligan
3:13
15Aren’t You Glad You're You
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Chico Hamilton (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
The Haig in Los Angeles, California, United States (in 1953-01)
live instrumental recording of:
Aren’t You Glad You’re You? (in 1953-01)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1945)
composer:
Jimmy Van Heusen (in 1945)
part of:
The 18th Academy Award for Best Original Song (number: 2)
4:00
16Get Happy
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Chico Hamilton (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
The Haig in Los Angeles, California, United States (in 1953-01)
live instrumental recording of:
Get Happy (in 1953-01)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
5:53
17Poinciana
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Chico Hamilton (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
The Haig in Los Angeles, California, United States (in 1953-01)
live recording of:
Poinciana (Song of the Tree) (in 1953-01)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
3:52
18Godchild
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Chico Hamilton (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
The Haig in Los Angeles, California, United States (in 1953-01)
live recording of:
Godchild (in 1953-01)
composer:
George Wallington
3:59
19Makin’ Whoopee
baritone saxophone:
Gerry Mulligan (on 1953-02-24)
double bass:
Carson Smith (on 1953-02-24)
drums (drum set):
Larry Bunker (on 1953-02-24)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-02-24)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1953-02-24)
instrumental recording of:
Makin’ Whoopee! (on 1953-02-24)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
3:29
20Cherry
baritone saxophone:
Gerry Mulligan (on 1953-02-24)
double bass:
Carson Smith (on 1953-02-24)
drums (drum set):
Larry Bunker (on 1953-02-24)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-02-24)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1953-02-24)
instrumental recording of:
Cherry (on 1953-02-24)
composer:
Charles N. Daniels and Arthur Gillespie
2:57
21Motel
baritone saxophone:
Gerry Mulligan (on 1953-02-24)
double bass:
Carson Smith (on 1953-02-24)
drums (drum set):
Larry Bunker (on 1953-02-24)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-02-24)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1953-02-24)
recording of:
Motel (on 1953-02-24)
composer:
Gerry Mulligan
2:35
22Carson City Stage
baritone saxophone:
Gerry Mulligan (on 1953-02-24)
double bass:
Carson Smith (on 1953-02-24)
drums (drum set):
Larry Bunker (on 1953-02-24)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-02-24)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1953-02-24)
recording of:
Carson City Stage (on 1953-02-24)
composer:
Carson Smith
2:29
▼ CD 2: The Quartet
#TitleRatingLength
1Festive Minor
baritone saxophone:
Gerry Mulligan (on 1953-03-27)
double bass:
Carson Smith (on 1953-03-27)
drums (drum set):
Larry Bunker (on 1953-03-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-03-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-03-27)
recording of:
Festive Minor (on 1953-03-27)
composer:
Gerry Mulligan
4:10
2My Old Flame
baritone saxophone:
Gerry Mulligan (on 1953-03-27)
double bass:
Carson Smith (on 1953-03-27)
drums (drum set):
Larry Bunker (on 1953-03-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-03-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-03-27)
instrumental recording of:
My Old Flame (on 1953-03-27)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:12
3All the Things You Are
baritone saxophone:
Gerry Mulligan (on 1953-03-27)
double bass:
Carson Smith (on 1953-03-27)
drums (drum set):
Larry Bunker (on 1953-03-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-03-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-03-27)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1953-03-27)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
5:10
4Love Me or Leave Me (alternate take)
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
instrumental recording of:
Love Me or Leave Me (on 1953-04-27)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:48
5Love Me or Leave Me (master take)
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
instrumental recording of:
Love Me or Leave Me (on 1953-04-27)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:43
6Swinghouse (10″ take)
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
recording of:
Swing House (on 1953-04-27)
composer:
Gerry Mulligan
2:58
7Swinghouse (12″ take)
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
recording of:
Swing House (on 1953-04-27)
composer:
Gerry Mulligan
2:57
8Jeru
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
recording of:
Jeru (on 1953-04-27)
composer:
Gerry Mulligan
2:30
9Utter Chaos #2
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
recording of:
Utter Chaos
composer:
Gerry Mulligan
0:31
10Darn That Dream (master take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
Darn That Dream (from 1953-04-29 until 1953-04-30)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
3:49
11Darn That Dream (alternate take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
Darn That Dream (from 1953-04-29 until 1953-04-30)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
3:23
12I May Be Wrong (12″ take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
I May Be Wrong (from 1953-04-29 until 1953-04-30)
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
2:59
13I May Be Wrong (10″ take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
I May Be Wrong (from 1953-04-29 until 1953-04-30)
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
2:52
14I’m Beginning to See the Light (10″ take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
I’m Beginning to See the Light (from 1953-04-29 until 1953-04-30)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:35
15I’m Beginning to See the Light (12″ take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
I’m Beginning to See the Light (from 1953-04-29 until 1953-04-30)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:08
16The Nearness of You
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
The Nearness of You (from 1953-04-29 until 1953-04-30)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
2:52
17Tea for Two
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
Tea for Two (No, No, Nanette) (from 1953-04-29 until 1953-04-30)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
2:48
18Five Brothers
baritone saxophone:
Gerry Mulligan (on 1953-05-20)
double bass:
Carson Smith (on 1953-05-20)
drums (drum set):
Larry Bunker (on 1953-05-20)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-05-20)
recorded at:
The Haig in Los Angeles, California, United States (on 1953-05-20)
live recording of:
Five Brothers (on 1953-05-20)
composer:
Gerry Mulligan
3:00
19I Can’t Get Started
baritone saxophone:
Gerry Mulligan (on 1953-05-20)
double bass:
Carson Smith (on 1953-05-20)
drums (drum set):
Larry Bunker (on 1953-05-20)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-05-20)
recorded at:
The Haig in Los Angeles, California, United States (on 1953-05-20)
live instrumental recording of:
I Can’t Get Started (on 1953-05-20)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:02
20Ide’s Side
baritone saxophone:
Gerry Mulligan (on 1953-05-20)
double bass:
Carson Smith (on 1953-05-20)
drums (drum set):
Larry Bunker (on 1953-05-20)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-05-20)
recorded at:
The Haig in Los Angeles, California, United States (on 1953-05-20)
live recording of:
Ide’s Side (on 1953-05-20)
composer:
Gerry Mulligan
4:22
21Funhouse (Haig and Haig)
baritone saxophone:
Gerry Mulligan (on 1953-05-20)
double bass:
Carson Smith (on 1953-05-20)
drums (drum set):
Larry Bunker (on 1953-05-20)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-05-20)
recorded at:
The Haig in Los Angeles, California, United States (on 1953-05-20)
live recording of:
Funhouse (Haig and Haig) (on 1953-05-20)
composer:
Gerry Mulligan
3:29
22My Funny Valentine
baritone saxophone:
Gerry Mulligan (on 1953-05-20)
double bass:
Carson Smith (on 1953-05-20)
drums (drum set):
Larry Bunker (on 1953-05-20)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-05-20)
recorded at:
The Haig in Los Angeles, California, United States (on 1953-05-20)
live instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1953-05-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
5:17
▼ CD 3: The Tentette and Konitz Sessions
#TitleArtistRatingLength
1A Ballad
alto saxophone:
Bud Shank (on 1953-01-29)
baritone saxophone:
Don Davidson (on 1953-01-29) and Gerry Mulligan (on 1953-01-29)
baritone saxophone and piano and piano:
Gerry Mulligan (on 1953-01-29)
double bass:
Joe Mondragon (on 1953-01-29)
drums (drum set):
Chico Hamilton (on 1953-01-29)
French horn:
John Graas (on 1953-01-29)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-01-29) and Pete Candoli (on 1953-01-29)
tuba:
Ray Siegel (on 1953-01-29)
valve trombone:
Bob Enevoldsen (on 1953-01-29)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-01-29)
recording of:
A Ballad (on 1953-01-29)
composer:
Gerry Mulligan
The Gerry Mulligan Tentette2:55
2Westwood Walk
alto saxophone:
Bud Shank (on 1953-01-29)
baritone saxophone:
Don Davidson (on 1953-01-29) and Gerry Mulligan (on 1953-01-29)
baritone saxophone and piano and piano:
Gerry Mulligan (on 1953-01-29)
double bass:
Joe Mondragon (on 1953-01-29)
drums (drum set):
Chico Hamilton (on 1953-01-29)
French horn:
John Graas (on 1953-01-29)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-01-29) and Pete Candoli (on 1953-01-29)
tuba:
Ray Siegel (on 1953-01-29)
valve trombone:
Bob Enevoldsen (on 1953-01-29)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-01-29)
recording of:
Westwood Walk (on 1953-01-29)
composer:
Gerry Mulligan
The Gerry Mulligan Tentette2:36
3Walkin’ Shoes
alto saxophone:
Bud Shank (on 1953-01-29)
baritone saxophone:
Don Davidson (on 1953-01-29) and Gerry Mulligan (on 1953-01-29)
baritone saxophone and piano and piano:
Gerry Mulligan (on 1953-01-29)
double bass:
Joe Mondragon (on 1953-01-29)
drums (drum set):
Chico Hamilton (on 1953-01-29)
French horn:
John Graas (on 1953-01-29)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-01-29) and Pete Candoli (on 1953-01-29)
tuba:
Ray Siegel (on 1953-01-29)
valve trombone:
Bob Enevoldsen (on 1953-01-29)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-01-29)
recording of:
Walkin’ Shoes (on 1953-01-29)
composer:
Gerry Mulligan
The Gerry Mulligan Tentette3:41
4Rocker
alto saxophone:
Bud Shank (on 1953-01-29)
baritone saxophone:
Don Davidson (on 1953-01-29) and Gerry Mulligan (on 1953-01-29)
baritone saxophone and piano and piano:
Gerry Mulligan (on 1953-01-29)
double bass:
Joe Mondragon (on 1953-01-29)
drums (drum set):
Chico Hamilton (on 1953-01-29)
French horn:
John Graas (on 1953-01-29)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-01-29) and Pete Candoli (on 1953-01-29)
tuba:
Ray Siegel (on 1953-01-29)
valve trombone:
Bob Enevoldsen (on 1953-01-29)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-01-29)
recording of:
Rocker (on 1953-01-29)
composer:
Gerry Mulligan
The Gerry Mulligan Tentette2:28
5Takin’ a Chance on Love
producer:
Gene Norman
alto saxophone:
Bud Shank (on 1953-01-31)
baritone saxophone:
Don Davidson (on 1953-01-31) and Gerry Mulligan (on 1953-01-31)
double bass and double bass [bass]:
Joe Mondragon (on 1953-01-31)
drums (drum set):
Larry Bunker (on 1953-01-31)
French horn:
John Graas (on 1953-01-31)
piano:
Gerry Mulligan (on 1953-01-31)
trombone:
Bob Enevoldsen (on 1953-01-31) and Ray Siegel (on 1953-01-31)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-01-31) and Pete Candoli (on 1953-01-31)
tuba:
Ray Siegel (on 1953-01-31)
valve trombone and vibraphone:
Bob Enevoldsen (on 1953-01-31)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-01-31)
instrumental recording of:
Taking a Chance on Love (on 1953-01-31)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
The Gerry Mulligan Tentette2:52
6Flash
alto saxophone:
Bud Shank (on 1953-01-31)
baritone saxophone:
Don Davidson (on 1953-01-31) and Gerry Mulligan (on 1953-01-31)
double bass:
Joe Mondragon (on 1953-01-31)
drums (drum set):
Larry Bunker (on 1953-01-31)
French horn:
John Graas (on 1953-01-31)
piano:
Gerry Mulligan (on 1953-01-31)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-01-31) and Pete Candoli (on 1953-01-31)
tuba:
Ray Siegel (on 1953-01-31)
valve trombone:
Bob Enevoldsen (on 1953-01-31)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-01-31)
recording of:
Flash (on 1953-01-31)
composer:
Gerry Mulligan
The Gerry Mulligan Tentette3:06
7Simbah
alto saxophone:
Bud Shank (on 1953-01-31)
baritone saxophone:
Don Davidson (on 1953-01-31) and Gerry Mulligan (on 1953-01-31)
double bass:
Joe Mondragon (on 1953-01-31)
drums (drum set):
Larry Bunker (on 1953-01-31)
French horn:
John Graas (on 1953-01-31)
piano:
Gerry Mulligan (on 1953-01-31)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-01-31) and Pete Candoli (on 1953-01-31)
tuba:
Ray Siegel (on 1953-01-31)
valve trombone:
Bob Enevoldsen (on 1953-01-31)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-01-31)
recording of:
Simbah (on 1953-01-31)
composer:
Gerry Mulligan
The Gerry Mulligan Tentette3:00
8Ontet
alto saxophone:
Bud Shank (on 1953-01-31)
baritone saxophone:
Don Davidson (on 1953-01-31) and Gerry Mulligan (on 1953-01-31)
double bass:
Joe Mondragon (on 1953-01-31)
drums (drum set):
Larry Bunker (on 1953-01-31)
French horn:
John Graas (on 1953-01-31)
piano:
Gerry Mulligan (on 1953-01-31)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-01-31) and Pete Candoli (on 1953-01-31)
tuba:
Ray Siegel (on 1953-01-31)
valve trombone:
Bob Enevoldsen (on 1953-01-31)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-01-31)
recording of:
Ontet (on 1953-01-31)
composer:
Gerry Mulligan
The Gerry Mulligan Tentette3:18
9Too Marvelous for Words
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
The Haig in Los Angeles, California, United States (in 1953-01)
live instrumental recording of:
Too Marvelous for Words (in 1953-01)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Gerry Mulligan Quartet3:40
10Lover Man
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
The Haig in Los Angeles, California, United States (in 1953-01)
live instrumental recording of:
Lover Man (in 1953-01)
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Gerry Mulligan Quartet3:04
11I’ll Remember April
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
The Haig in Los Angeles, California, United States (in 1953-01)
live instrumental recording of:
I’ll Remember April (in 1953-01)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music, MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
Gerry Mulligan Quartet4:14
12These Foolish Things
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
The Haig in Los Angeles, California, United States (in 1953-01)
live instrumental recording of:
These Foolish Things (Remind Me of You) (in 1953-01)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Gerry Mulligan Quartet3:25
13All the Things You Are
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
The Haig in Los Angeles, California, United States (in 1953-01)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1953-01)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
Gerry Mulligan Quartet3:57
14Bernie’s Tune
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
The Haig in Los Angeles, California, United States (in 1953-01)
live instrumental recording of:
Bernie’s Tune (in 1953-01)
lyricist:
Jerry Leiber and Mike Stoller
composer:
Bernie Miller (jazz composer)
publisher:
Atlantic Music Corp. (BMI)
Gerry Mulligan Quartet3:34
15Almost Like Being in Love
recorded in:
Los Angeles, California, United States (in 1953-01)
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1953-01)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
Brigadoon (complete musical)
Gerry Mulligan Quartet2:59
16Sextet
recorded in:
Los Angeles, California, United States (in 1953-01)
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recording of:
Sextet (in 1953-01)
composer:
Gerry Mulligan
Gerry Mulligan Quartet3:00
17Broadway
recorded in:
Los Angeles, California, United States (in 1953-01)
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Carson Smith (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
instrumental recording of:
Broadway (in 1953-01)
writer:
Bill Bird (US composer mostly known for co-writing "Broadway" in 1940), Teddy McRae and William Henri Woode
publisher:
Rayven Music
Gerry Mulligan Quartet2:58
18I Can’t Believe That You're in Love With Me
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Joe Mondragon (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (in 1953-01)
instrumental recording of:
I Can’t Believe That You’re in Love With Me (in 1953-01)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
Gerry Mulligan Quartet3:09
19Lady Be Good (master take)
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Joe Mondragon (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (in 1953-01)
instrumental recording of:
Oh, Lady Be Good! (in 1953-01)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Gerry Mulligan Quartet2:31
20Lady Be Good (alternate take)
alto saxophone:
Lee Konitz (jazz saxophonist) (in 1953-01)
baritone saxophone:
Gerry Mulligan (in 1953-01)
double bass:
Joe Mondragon (in 1953-01)
drums (drum set):
Larry Bunker (in 1953-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1953-01)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (in 1953-01)
instrumental recording of:
Oh, Lady Be Good! (in 1953-01)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Gerry Mulligan Quartet1:53