King of the Stroll

~ Release by Chuck Willis (see all versions of this release, 2 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Betty and Dupree
recorded in:
New York, New York, United States (on 1957-10-30)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-10-30)
bass:
Lloyd Trotman (US jazz bassist) (on 1957-10-30)
drums (drum set):
Joe Marshall (jazz drummer) (on 1957-10-30)
guitar:
Kenny Burrell (on 1957-10-30), Al Caiola (on 1957-10-30) and Chuck Willis (on 1957-10-30)
piano:
Mike Stoller (on 1957-10-30)
tenor saxophone:
King Curtis (saxophonist) (on 1957-10-30)
xylophone:
Harry Breuer (on 1957-10-30)
background vocals:
Elise Bretton (on 1957-10-30), Carter Farris (on 1957-10-30), Bob Harter (on 1957-10-30), Marcia Nell (on 1957-10-30), Rudy Williams (vocals) (on 1957-10-30) and Myriam Workman (on 1957-10-30)
vocals:
Chuck Willis (on 1957-10-30)
2:24
A2That Train Is Gone
recorded in:
New York, New York, United States (on 1957-04-11)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
alto saxophone:
Romeo Penque (on 1957-04-11)
bass:
Milt Hinton (on 1957-04-11)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1957-04-11)
guitar:
Al Caiola (on 1957-04-11) and Allen Hanlon (jazz guitarist) (on 1957-04-11)
piano:
Howard Biggs (on 1957-04-11)
tenor saxophone:
Budd Johnson (on 1957-04-11)
trombone:
Frank Saracco (on 1957-04-11)
trumpet:
James Harris (trumpet) (on 1957-04-11) and Jimmy Nottingham (on 1957-04-11)
vocals:
Chuck Willis (on 1957-04-11)
2:50
A3Love Me Cherry
recorded in:
New York, New York, United States (on 1957-04-11)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
alto saxophone:
Romeo Penque (on 1957-04-11)
bass:
Milt Hinton (on 1957-04-11)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1957-04-11)
guitar:
Al Caiola (on 1957-04-11) and Allen Hanlon (jazz guitarist) (on 1957-04-11)
piano:
Howard Biggs (on 1957-04-11)
tenor saxophone:
Budd Johnson (on 1957-04-11)
trombone:
Frank Saracco (on 1957-04-11)
trumpet:
James Harris (trumpet) (on 1957-04-11) and Jimmy Nottingham (on 1957-04-11)
vocals:
Chuck Willis (on 1957-04-11)
2:18
A4Juanita
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
2:31
A5It's Too Late
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 1956 to present)
recording of:
It’s Too Late
lyricist and composer:
Chuck Willis
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. and Unichappell Music, Inc.
2:34
A6C.C. Rider
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 12)
recording of:
C. C. Rider (Chuck Willis version)
lyricist and composer:
Chuck Willis
publisher:
Chuck Willis Music Co., Tideland Music Publishing Corporation and Unichappell Music, Inc.
version of:
See See Rider Blues
42:26
B1My Life
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
2:42
B2Whatcha Gonna Do When Your Baby Leaves You
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
2:36
B3Kansas City Woman
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
1:58
B4There's Got to Be a Way
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
2:10
B5Ease the Pain
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
2:17
B6Thunder and Lightning
recorded in:
New York, New York, United States (on 1957-10-30)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-10-30)
bass:
Lloyd Trotman (US jazz bassist) (on 1957-10-30)
drums (drum set):
Joe Marshall (jazz drummer) (on 1957-10-30)
guitar:
Kenny Burrell (on 1957-10-30), Al Caiola (on 1957-10-30) and Chuck Willis (on 1957-10-30)
piano:
Mike Stoller (on 1957-10-30)
tenor saxophone:
King Curtis (saxophonist) (on 1957-10-30)
xylophone:
Harry Breuer (on 1957-10-30)
background vocals:
Elise Bretton (on 1957-10-30), Carter Farris (on 1957-10-30), Bob Harter (on 1957-10-30), Marcia Nell (on 1957-10-30), Rudy Williams (vocals) (on 1957-10-30) and Myriam Workman (on 1957-10-30)
vocals:
Chuck Willis (on 1957-10-30)
2:40
B7My Crying Eyes
recorded in:
New York, New York, United States (on 1957-10-30)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-10-30)
bass:
Lloyd Trotman (US jazz bassist) (on 1957-10-30)
drums (drum set):
Joe Marshall (jazz drummer) (on 1957-10-30)
guitar:
Kenny Burrell (on 1957-10-30), Al Caiola (on 1957-10-30) and Chuck Willis (on 1957-10-30)
piano:
Mike Stoller (on 1957-10-30)
tenor saxophone:
King Curtis (saxophonist) (on 1957-10-30)
xylophone:
Harry Breuer (on 1957-10-30)
background vocals:
Elise Bretton (on 1957-10-30), Carter Farris (on 1957-10-30), Bob Harter (on 1957-10-30), Marcia Nell (on 1957-10-30), Rudy Williams (vocals) (on 1957-10-30) and Myriam Workman (on 1957-10-30)
vocals:
Chuck Willis (on 1957-10-30)
2:34

Credits

Release

liner notes:Guy Remark
design:Marvin Israel
mastered at:Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
Discogs:https://www.discogs.com/release/2674210 [info]