Greatest Ever! Driving Songs: The Definitive Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1I Drove All Night
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1989)
cover recording of:
I Drove All Night
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Sony/ATV Music Publishing Ltd. and Warner Chappell Music Ltd.
Cyndi Lauper4.54:12
2Manic Monday
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michelle Steele
drums (drum set):
Debbi Peterson
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs
recording of:
Manic Monday
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
Bangles4.13:05
3AfricaToto4:26
4Stuck in the Middle With You
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd and PolyGram Music Publishing Ltd.
Stealers Wheel4.053:25
5Convoy
recording of:
Convoy
lyricist:
C.W. McCall
composer:
Chip Davis (founder of Mannheim Steamroller)
C.W. McCall3:49
6No Particular Place to Go
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-03-26)
guitar and lead vocals:
Chuck Berry (on 1964-03-26)
piano:
Paul Williams (US blues/jazz saxophonist) (on 1964-03-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-03-26)
recording of:
No Particular Place to Go (on 1964-03-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry52:42
7I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (“The Godfather of Soul”)
alto saxophone:
Nat Jones (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (on 1965-05-06)
lead vocals:
James Brown (“The Godfather of Soul”) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (“The Godfather of Soul”)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.652:47
8Dancing in the Street
producer:
William Stevenson (Motown songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 130)
recording of:
Dancing in the Street
writer:
Marvin Gaye, Ivy Jo Hunter and William Stevenson (Motown songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Martha Reeves & the Vandellas3.62:38
9Dancing on the Ceiling
recording of:
Dancing on the Ceiling
lyricist:
Lionel Richie
composer:
Michael Frenchik, Lionel Richie and Carlos Rios (producer/guitarist)
publisher:
Brenda Richie Publishing, Skegee Music and Brockman Music (in 1986)
Lionel Richie44:21
10Ocean Drive
mixer:
Phil Bodger (engineer)
recording of:
Ocean Drive
lyricist and composer:
Paul Tucker
publisher:
PolyGram Music Publishing
was commissioned by:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family3:46
11There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
bass guitar and background vocals:
John Power (of The La’s and Cast)
drums (drum set):
Chris Sharrock
electric guitar:
John Byrne (John 'Boo' Byrne, electric guitarist)
lead vocals:
Lee Mavers
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
The La’s3.952:43
12Itchycoo Park
recording of:
Itchycoo Park
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (ended)
Small Faces2:52
13California Dreamin'
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan
solo alto flute:
Bud Shank
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Mamas & the Papas4.452:41
14Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.654:28
15Up the Junction
producer:
Squeeze (UK new wave band) and John Wood (UK producer)
music videos:
Up the Junction by Squeeze (UK new wave band)
recording of:
Up the Junction
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Squeeze4.53:09
16Mmm Mmm Mmm Mmm
additional recording engineer:
David Vartanian
recording engineer:
Tommy Lipnick
engineer:
Dan Harjung
producer:
Crash Test Dummies and Jerry Harrison (Talking Heads)
mixer:
Tom Lord‐Alge
editor:
Patrick Murphy (engineer)
accordion, keyboard [keyboards], piano and background vocals [back-up vocals]:
Ellen Reid
acoustic guitar [acoustic guitars], electric guitar [electric guitars] and lead vocals:
Brad Roberts (of Crash Test Dummies)
phonographic copyright (℗) by:
BMG Music Canada Inc. (in 1993)
recorded at:
DV Productions in Milwaukee, Wisconsin, United States, Mindscape in Chicago, Illinois, United States and Music Head Recording in Lake Geneva, Wisconsin, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
produced at:
God Of Thunder Studios
music videos:
Mmm Mmm Mmm Mmm by Crash Test Dummies
recording of:
Mmm Mmm Mmm Mmm
lyricist and composer:
Brad Roberts (of Crash Test Dummies)
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1993)
Crash Test Dummies3.953:54
17Sunshine After the Rain
cover recording of:
The Sunshine After the Rain
lyricist and composer:
Ellie Greenwich
publisher:
EMI Unart Catalog Inc.
Elkie Brooks3:23
CD 2
#TitleArtistRatingLength
1(Is This the Way to) Amarillo
phonographic copyright (℗) by:
Geffen Records (in 1972) and JTC Music (in 2001)
recording of:
Is This the Way to Amarillo
writer:
Howard Greenfield and Neil Sedaka
publisher:
Kirshner-Warner Bros Music
Tony Christie23:11
2Wake Up Boo!
recording of:
Wake Up Boo!
lyricist and composer:
Martin Carr
The Boo Radleys3:37
3MMMbop
programming and engineer:
Mac Quale
additional producer:
Stephen Lironi
producer:
The Dust Brothers (production duo John King & Mike Simpson)
recording of:
MMMbop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.23:56
4Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (Producer. aka Merrick)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Phonogram Ltd. (in 1985) and Mercury Records Ltd. (not for release label use!) (in 2014)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (Producer. aka Merrick), Roland Orzabal and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use!) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Tears for Fears44:11
5Be Young, Be Foolish, Be Happy
cover recording of:
Be Young, Be Foolish, Be Happy
writer:
J. R. Cobb and Ray Whitley (60s/70s songwriter)
publisher:
Low Twi Music Inc (publisher) and Low-Sal Music, Inc.
The Tams2:06
6Fantastic Day
producer:
Bob Sargeant
recording of:
Fantastic Day
lyricist and composer:
Nick Heyward
Haircut 10023:14
7Breakfast at Tiffany'sDeep Blue Something3.74:19
8Common People
programming:
Olle Romo
assistant engineer:
Pete Lewis (engineer)
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1995)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1995-01-18 until 1995-01-24)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Common People by Pulp
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 3), Indie 88: Top 500 Indie Rock Songs (number: 63) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 75)
recording of:
Common People (from 1995-01-18 until 1995-01-24)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
premiered at:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2018-03-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Pulp4.655:53
9Size of a Cow
engineer:
Al Stone (UK engineer)
producer and mixer:
Mick Glossop (producer & engineer)
bass:
Paul Clifford (The Wonder Stuff)
fiddle and piano:
Martin Bell (violinist for The Wonder Stuff)
guitar:
Miles Hunt and Malcolm Treece
Hammond organ:
James Taylor (UK keyboardist)
membranophone:
Martin Gilks
vocals:
Miles Hunt and Malcolm Treece
recording of:
The Size of a Cow
writer:
The Wonder Stuff (UK alternative rock band)
The Wonder Stuff43:14
10Staying Out for the Summer
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1994)
recording of:
Staying Out for the Summer
lyricist:
Nigel Clark (singer and bassist of Dodgy) and Mathew Priest
composer:
Nigel Clark (singer and bassist of Dodgy) and Andy Miller (UK guitarist for Dodgy/Hey Gravity)
publisher:
BMG Music Publishing Ltd.
Dodgy3.753:05
11Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Publishing Ltd., Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Milk Money Music, Sony/ATV Harmony, Sony/ATV Melody and Sony/ATV Music Publishing Ltd.
part of:
The 57th Academy Award for Best Original Song (number: 2)
Kenny Loggins4.13:47
12A New England
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1985)
cover recording of:
A New England
lyricist and composer:
Billy Bragg
publisher:
BMG Music Publishing Ltd. and Chappell Music Ltd.
Kirsty MacColl43:49
13Steppin' Out
recording of:
Steppin’ Out
dedicated to:
New York, New York, United States
lyricist and composer:
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson4:14
14Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd. and Stylist Music Ltd.
The Jam4.752:52
15Killer
assistant producer:
Mark Tinley
producer:
Adamski
lead vocals:
Seal (English-born singer and songwriter)
part of:
The Downloader’s Music Source Book (number: 198)
recording of:
Killer (in 1990)
lyricist:
Seal (English-born singer and songwriter)
writer:
Seal (English-born singer and songwriter) and Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (ended), Virgin Music (Publishers) Ltd. (ended), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing GmbH
Adamski & Seal3.54:13
16Pop Muzik
recording of:
Pop Muzik
lyricist and composer:
Robin Scott
publisher:
BMG Music Publishing Ltd. and Pop Muzik Limited
M3.53:19
17This Town Ain't Big Enough for the Both of Us
producer:
Muff Winwood (bass player, songwriter, producer)
mixer:
Bill Price (UK producer/engineer)
bass:
Martin Gordon
drums (drum set):
Dinky Diamond
guitar:
Adrian Fisher
keyboard [keyboards]:
Ron Mael
vocals:
Russell Mael
music videos:
This Town Ain’t Big Enough for the Both of Us (silent film version) by Sparks (US rock and pop duo, The Mael Brothers) and This Town Ain’t Big Enough for the Both of Us (version 2) by Sparks (US rock and pop duo, The Mael Brothers)
recording of:
This Town Ain’t Big Enough for Both of Us
lyricist and composer:
Ron Mael
publisher:
Island Music Ltd.
Sparks3.753:03
CD 3
#TitleArtistRatingLength
1All Right Now
engineer:
Roy Thomas Baker (producer)
producer:
Free (60s/70s UK blues rock group) and John Kelly (producer)
remixer:
Bob Clearmountain
recording of:
All Right Now
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Catherine’s Peak Music and Irving Music, Inc.
Free4.654:14
2Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Lynyrd Skynyrd4.34:44
3Since You Been Gone
recording engineer:
Leigh Mantle and Dr. Michael Palmer (engineer)
engineer:
Gary Edwards (producer, engineer)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1979-04)
drums (drum set):
Cozy Powell (in 1979-04)
guitar:
Ritchie Blackmore (in 1979-04)
keyboard:
Don Airey (in 1979-04)
lead vocals:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographic copyright (℗) by:
Polydor Records Inc. (in 1979) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
recording of:
Since You Been Gone (in 1979-04)
lyricist and composer:
Russ Ballard
publisher:
Complete Music Ltd. and Union Square Music Songs Ltd.
cover recording of:
Since You Been Gone (in 1979-04)
lyricist and composer:
Russ Ballard
publisher:
Complete Music Ltd. and Union Square Music Songs Ltd.
Rainbow3.953:16
4You Ain’t Seen Nothing Yet
recorded at:
Oakbrook Terrace Forum in Chicago, Illinois, United States (in 1974-08)
live recording of:
You Ain’t Seen Nothing Yet (in 1974-08)
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Ranbach Music Ltd. and Sony Songs Inc.
Bachman–Turner Overdrive3:30
5Wild Thing
cover recording of:
Wild Thing
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present) and April Music (publisher) (in 1981)
The Troggs2:37
6Whiskey in the Jar
recording of:
Whiskey in the Jar (rock version, arranged by Thin Lizzy)
writer:
[traditional] (special purpose artist)
arranger:
Thin Lizzy
publisher:
Pippin The Friendly Ranger Music Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
version of:
Whiskey in the Jar (traditional)
Thin Lizzy3:42
7Hundred Mile High City
producer and mixer:
Brendan Lynch (London producer), Martin Heyes (Engineer) and Ocean Colour Scene
phonographic copyright (℗) by:
Universal Music (UK) Ltd. (in 1997)
recording of:
Hundred Mile High City
writer:
Steve Cradock, Simon Fowler (English singer), Oscar Harrison and Damon Minchella
publisher:
Island Music Ltd.
Ocean Colour Scene4.654:00
8Place Your Hands
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Place Your Hands
writer:
John Bessant, Dominic Greensmith, Kenwyn House and Gary Stringer (Reef, StringerBessant, Them Is Me lead singer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Reef43:40
9Cuddly Toy
recording of:
Cuddly Toy
lyricist and composer:
Andrew Roachford (the man)
Roachford3.753:51
10Ace of Spades
producer:
Vic Maile (from 1980-08-04 until 1980-09-15)
bass:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (from 1980-08-04 until 1980-09-15)
drums (drum set):
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (from 1980-08-04 until 1980-09-15)
guitar:
'Fast' Eddie Clarke (Motörhead guitarist) (from 1980-08-04 until 1980-09-15)
vocals:
'Fast' Eddie Clarke (Motörhead guitarist) (from 1980-08-04 until 1980-09-15) and Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (from 1980-08-04 until 1980-09-15)
performer:
Motörhead (from 1980-08-04 until 1980-09-15)
phonographic copyright (℗) by:
Universal Music (plain logo: “Universal Music”) (in 1980)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 3), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 33), TV Cream: Real 100 Best Singles Ever (number: 41) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 442)
recording of:
Ace of Spades (from 1980-08-04 until 1980-09-15)
writer:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) and Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.22:49
11Swords of a Thousand Men
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.52:58
12Black Betty
producer:
Jerry Kasenetz and Jeff Katz (music producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (from 1977 to present)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
strings arranger:
Mick Harvey
publisher:
Kensington Music Ltd., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam4.52:31
13Because the Night
producer:
Jimmy Iovine
mixer:
Jimmy Iovine and Shelly Yakus
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recording of:
Because the Night
publisher:
Bruce Springsteen
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music
Patti Smith Group4.653:22
14First Time
music videos:
First Time ("concept" version) by Robin Beck and First Time (band version) by Robin Beck
recording of:
First Time
lyricist:
Tom Anthony (wrote "First Time") and Terry Boyle
composer:
Gavin Spencer
publisher:
EMI Music Publishing Scandinavia AB
Robin Beck33:18
15Holding Out for a Hero
programming:
Phil Shenale
associate producer:
Arthur Pyson, Neil Dorfsman and John Jansen (US recording engineer and producer)
producer:
Jim Steinman
bass trombone:
Dave Taylor (US jazz bass trombonist)
drum machine [Linn Drums]:
Sterling Smith and Art Wood (US session drummer/percussionist)
electronic drum set [Simmons Drums]:
Art Wood (US session drummer/percussionist)
guitar:
Hiram Bullock
piano:
Sterling Smith
synthesizer:
Phil Shenale and Sterling Smith
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
trombone:
Jim Pugh (US trombonist) and Tom Malone (US trombonist)
trumpet:
Alan Rubin and Lew Soloff
background vocals:
Rory Dodd, Eric Thayer and Holly Sherwood
brass [horn] arranger:
Tom Malone (US trombonist)
additional vocals arranger:
Ellen Foley
vocals arranger:
Rory Dodd, Eric Thayer and Holly Sherwood
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2008)
recording of:
Holding Out for a Hero
lyricist:
Dean Pitchford
composer:
Jim Steinman
publisher:
Ensign Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing, LLC (1995–2020)
is based on:
Stark Raving Love
Bonnie Tyler45:50
16Jessica
engineer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks and Buddy Thornton
producer:
The Allman Brothers Band and Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
acoustic guitar:
Les Dudek (in 1972-12)
bass:
Lamar Williams (in 1972-12)
drums (drum set) and percussion:
Jai Johanny Johanson (in 1972-12) and Butch Trucks (in 1972-12)
electric piano and piano:
Chuck Leavell (in 1972-12)
guitar [lead guitar]:
Dickey Betts (in 1972-12)
organ and piano:
Gregg Allman (in 1972-12)
vocals:
Gregg Allman (in 1972-12)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
recorded at:
Capricorn Sound Studio in Macon, Georgia, United States (in 1972-12)
recording of:
Jessica (in 1972-12)
composer:
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
The Allman Brothers Band4.357:30