Weihnachtsoratorium BWV 248

~ Release by Johann Sebastian Bach; Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman (see all versions of this release, 1 available)

Tracklist

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1Weihnachtsoratorium, BWV 248: Erste Kantate am 1. Weihnachtstag: 1. Coro "Jauchzet, frohlocket, auf, preiset die Tage"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach7:46
2Weihnachtsoratorium, BWV 248: Erste Kantate am 1. Weihnachtstag: 2. Recitativo: Evangelista(tenor) "Es begab sich aber zu der Zeit"
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:17
3Weihnachtsoratorium, BWV 248: Erste Kantate am 1. Weihnachtstag: 3. Recitativo accompagnato: alto "Nun wird mein liebster Bräutigam"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:54
4Weihnachtsoratorium, BWV 248: Erste Kantate am 1. Weihnachtstag: 4. Aria: alto "Bereite dich, Zion, mit zärtlichen Trieben"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:11
5Weihnachtsoratorium, BWV 248: Erste Kantate am 1. Weihnachtstag: 5. Choral: "Wie soll ich dich empfangen"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:14
6Weihnachtsoratorium, BWV 248: Erste Kantate am 1. Weihnachtstag: 6. Recitativo: Evangelista(tenor) "Und sie gebar ihren ersten Sohn"
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:25
7Weihnachtsoratorium, BWV 248: Erste Kantate am 1. Weihnachtstag: 7. Choral: soprano - Recitativo: bass "Er ist auf Erden kommen arm"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:05
8Weihnachtsoratorium, BWV 248: Erste Kantate am 1. Weihnachtstag: 8. Aria: bass "Grosser Herr, o starker König"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:46
9Weihnachtsoratorium, BWV 248: Erste Kantate am 1. Weihnachtstag: 9. Choral "Ach, mein herzliebes Jesulein!"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:25
10Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 10. Sinfonia
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:26
11Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 11. Recitativo: Evangelista (tenor) "Und es waren Hirten in derselben gegend"
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:41
12Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 12. Choral "Brich an, o schönes Morgenlicht"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:00
13Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 13. Recitativo: Evangelista (tenor) - Angelus (soprano) "Und der Engel sprach zu ihnen"
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:44
14Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 14. Recitativo: bass "Was Gott dem Abraham verheißen"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:45
15Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 15. Aria: tenor "Frohe Hirten, eilt, ach eilet"
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:40
16Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 16. Recitativo Evangelista (tenor) "Und das habt zum Zeichen"
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:20
17Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 17. Choral "Schaut hin, dort liegt im finstern Stall"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:42
18Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 18. Recitativo: "So geht denn hin"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:52
19Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 19. Aria: "Schlafe mein Liebster"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach8:56
20Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 20. Recitativo: Evangelista (tenor) "Und alsobald war da bei dem Engel"
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:15
21Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 21. Chorus "Ehre sei Gott in der Höhe"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:38
22Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 22. Recitativo: "So recht, ihr Engel, jauchzt und singet"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:25
23Weihnachtsoratorium, BWV 248: Zweite Kantate am 2. Weihnachtstag: 23. Choral "Wir singen dir in deinem Heer"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 1996-04-12 until 1996-04-20)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:29
24Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 24. Coro "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:00
25Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 25. Recitativo: Evangelista (tenor) "Und da die Engel von ihnen gen Himmel fuhren"
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:09
26Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 26. Chorus "Lasset uns nun gehen gen Bethlehem"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:41
27Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 27. Recitativo: bass "Er hat sein Volk getröst't"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:44
28Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 28. Choral " Dies hat eralles uns getan"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:43
29Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 29. Duetto: soprano, bass "Herr, dein Mitleid, dein Erbarmen"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach7:26
30Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 30. Recitativo: Evangelista (tenor) "Und sie kamen eilend"
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:15
31Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 31. Aria: alto "Schließe, mein Herze"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:49
32Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 32. Recitativo: alto "Ja, ja, mein Herz"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:29
33Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 33. Choral "Ich will dich mit Fleiß bewahren"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:52
34Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 34. Recitativo: Evangelista (tenor) "Und die Hirten kehrten wieder um"
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:24
35Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 35. Choral "Seid froh, dieweil"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:41
36Weihnachtsoratorium, BWV 248: Dritte Kantate am 3. Weihnachtstag: 36. Coro (da capo) "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (from 1996-04-12 until 1996-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:01
▼ CD 2
#TitleArtistRatingLength
1Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 37. Fallt mit Danke, fallt mit Loben
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
performer:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20) and Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1996)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach6:02
2Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 38. Und da acht Tage um waren
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:32
3Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 39. Immanuel, mein süsses Wort
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:22
4Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 40. Flösst mein Heiland, flösst mein Namen
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:29
5Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 41. Wohlan, dein Name soll sein
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:24
6Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 42. Ich will nur Dir zu Ehren leben
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:37
7Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 43. Jesu richte mein Beginnen
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:51
8Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 44. Ehre sei Dir, Gott, gesungen
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach6:43
9Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 45. Da Jesus geboren war zu Bethlehem
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:22
10Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 46. Wo ist der neugeborene König der Juden
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1996-04-12 until 1996-04-20)
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:47
11Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 47. Dein Glanz all' Finsternis verzehrt
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:49
12Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 48. Erleuchte auch meine finstre Sinnen
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:22
13Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 49. Da das der König Herodes hörte
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:10
14Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 50. Warum wollt ihr erschrecken
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:27
15Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 51. Und liess versammeln alle Hohenpriester
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:15
16Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 53. Ach wann wird die Zeit erscheinen
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1996-04-12 until 1996-04-20)
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:36
17Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 54. Mein liebster herrschet schon
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:31
18Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 55. Zwar ist solche Herzenssache
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:03
19Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 56. Herr, wenn die stolzen Feinde schnauben
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:13
20Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 57. Da berief Herodes die Weisen heimlich
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:47
21Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 58. Du Falscher, suche nur den Herren zu fällen
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:53
22Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 59. Nur ein Wink von seinen Händen
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:06
23Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 60. Als sie nun den König gehöret hätten
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:09
24Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 61. Ich steh' an Deiner Krippe hier
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:03
25Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 62. Und Gott befahl Ihnen im Traum
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:23
26Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 63. So geht - Genug mein Schatz
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:47
27Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 64. Nun mögt ihr stolzen Feinde schrecken
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:19
28Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 65. Was will der Höhe schrecken
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (from 1996-04-12 until 1996-04-20)
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1996-04-12 until 1996-04-20)
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:45
29Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 66. Nun seid ihr wohl gerochen
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:10