| # | Title | Artist | Rating | Length |
|---|
| 1 | Messe H-Moll, BWV 232: XIII. Credo in unum deum | Johann Sebastian Bach | | 2:44 |
| 2 | Messe H-Moll, BWV 232: XIV. Patrem omnipotentem- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1977-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:18 |
| 3 | Messe H-Moll, BWV 232: XV. Et in unum dominum | Johann Sebastian Bach | | 5:51 |
| 4 | Messe H-Moll, BWV 232: XVI. Et incarnatus est | Johann Sebastian Bach | | 3:58 |
| 5 | Messe H-Moll, BWV 232: XVII. Crucifixus- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1977-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:03 |
| 6 | Messe H-Moll, BWV 232: XVIII. Et resurrexit | Johann Sebastian Bach | | 4:16 |
| 7 | Messe H-Moll, BWV 232: XIX. Et in spiritum sanctum dominum | Johann Sebastian Bach | | 6:21 |
| 8 | Messe H-Moll, BWV 232: XX. Confiteor | Johann Sebastian Bach | | 3:36 |
| 9 | Messe H-Moll, BWV 232: XXI. Et expecto | Johann Sebastian Bach | | 4:44 |
| 10 | Messe H-Moll, BWV 232: XXII. Sanctus | Johann Sebastian Bach | | 5:38 |
| 11 | Messe H-Moll, BWV 232: XXIII. Osanna in excelsis- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1977-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:51 |
| 12 | Messe H-Moll, BWV 232: XXIV. Benedictus | Johann Sebastian Bach | | 5:50 |
| 13 | Messe H-Moll, BWV 232: XXV. Osanna in excelsis- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1977-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:57 |
| 14 | Messe H-Moll, BWV 232: XXVI. Agnus dei | Johann Sebastian Bach | | 6:50 |
| 15 | Messe H-Moll, BWV 232: XXVII. Dona nobis pacem | Johann Sebastian Bach | | 3:45 |
Play on ListenBrainz