Annotation

1991 Delta Music Inc.

Annotation last modified on 2012-10-04 00:53 UTC.

Tracklist

CD 1
# Title Artist Rating Length
1 Piano Concerto No. 1 in B-flat minor, Op. 23: 1st Movement (excerpt)
Пётр Ильич Чайковский 2.5 9:00
2 Cradle Song
Johannes Brahms 1:50
3 The Moldau
Bedřich Smetana 12:59
4 The Valkyrie: Ride of the Valkyries
Richard Wagner 5 5:26
5 Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
Edvard Grieg 3:35
6 Carmen: Les Toreadors
Georges Bizet 2:19
7 Coppelia: Notturno
Léo Delibes 2:30
8 Marche Slave, Op. 31
Пётр Ильич Чайковский 9:51
9 L'Arlesienne - Intermezzo
Georges Bizet 4:07
10 On the Beautiful Blue Danube, Op. 314
Johann Strauss II 10:54

Credits

CD 1

premiered in:
Wien, Austria (1867-02-15) (track 10)
Moskva, Russia (1876-11-18) (track 8)
piano:
Jenő Jandó (track 1)
additional conductor:
Carl Michalski (conductor) (track 10)
arranger:
Ernest Guiraud (track 9)
composer:
Georges Bizet (French romantic composer) (track 6)
Léo Delibes (track 7)
Richard Wagner (1854 – 1856) (track 4)
Johann Strauss (Austro-German composer, "Walzerkönig", Johann Strauss II, Sohn, Jr., the Younger, the Son) (1866) (track 10)
Johannes Brahms (1868) (track 2)
Georges Bizet (French romantic composer) (1872) (track 9)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1874-11 – 1875-02) (track 1)
Bedřich Smetana (1874-11-20 – 1874-12-08) (track 3)
Edvard Grieg (1875) (track 5)
Pyotr Ilyich Tchaikovsky (Tchaikovsky - Russian romantic composer) (1876-09 – 1876-10) (track 8)
conductor:
Yuri Ahronovich (track 3)
Loic Bertrand (track 6)
Cesare Cantieri (an Alfred Scholz pseudonym) (track 6)
Pietro di la Corona (Alfred Scholz pseudonym) (track 3)
Emil Edlinger (track 6)
Peter Falk (conductor) (track 10)
Joseph Francek (conductor, probably a pseudonym for Alfred Scholz) (track 10)
Heinz Fricke (track 7)
Paul Kantschieder (track 10)
György Lehel (track 4)
András Ligeti (track 1)
Carl Michalski (conductor) (track 10)
Alfred Scholz (tracks 3, 6)
János Sándor (tracks 5–6, 9)
Adam Fischer (Hungarian conductor) (1989) (track 8)
dedicated to:
Bertha Faber (track 2)
lyricist:
Georg Scherer (track 2)
[traditional] (Special Purpose Artist) (track 2)
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra) (tracks 1, 5–6, 9)
Budapesti Vonósok (Budapest String Orchestra) (track 2)
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related) (track 8)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 3, 6)
London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) (track 3)
Magyar Rádió Szimfonikus Zenekara (a.k.a. Budapest Symphony) (track 4)
Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) (track 6)
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (track 10)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (track 3)
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (track 7)
Symphonic Orchestra of the Ljubljana Radio (RTV Slovenia Symphony Orchestra) (track 6)
Strauss-Orchestra Wien (probably related to Alfred Scholz; to imitate the Wiener Johann Strauss Orchestra) (track 10)
The Vienna Symphony Orchestra (Alfred Scholz related) (track 3)
Wiener Symphoniker (track 3)
Hungarian State Orchestra (Hungarian National Philharmonic Orchestra) (1989) (track 8)
revised by:
Edvard Grieg (1888) (track 5)
premiered at:
[concert] (1869-12-22) (track 2)
publisher:
Schott Music International (publisher; do not use as label) (track 4)
part of:
B. number catalogue by František Bartoš (number: B. 111) (track 3)
The Tchaikovsky Handbook (number: TH 45) (track 8)
Works of Johann Strauss Jr. by opus number (number: op. 314) (track 10)
arrangement of:
Die Walküre: Walkürenritt (arr. Hutschenruyter) (track 4)
arrangements:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch-all for arrangements) (track 2)
Agnus Dei, for voice & piano (or orchestra) ((Intermezzo from L’arlésienne Suite No. 2/6, arr. Ernest Guirard)) (track 9)
An der schönen, blauen Donau, op. 314 (for piano, by Cziffra) (track 10)
Carmen (arrangement for strings by Louise-Andrée Baril) (track 6)
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements) (track 6)
Die Walküre: Der Ritt der Walküren (for piano solo, Stradal) (track 4)
Die Walküre: Walkürenritt (for piano, Brassin) (track 4)
L'Arlesienne: Intermezzo (catch-all for arrangements) (track 9)
L'Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet) (track 9)
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (catch-all for arrangements) (track 3)
Ride of the Valkyries (OpenBSD 5.6 theme) (track 4)
Ride of the Valkyries from "Die Walküre" (for organ, Lemare) (track 4)
Vltava (for baritone and orchestra) (track 3)
Vltava, op. 43 (track 3)
Wiegenlied (for violin and piano, Spalding) (track 2)
Wiegenlied (for piano, Cortot) (track 2)
ブラームスの子守歌 (translated) (track 2)
is based on:
Carmen: Prélude (track 6)
La Mantovana (track 3)
is the basis for:
AMERICA (STAGE 1) (City Connection) (track 1)
An der schönen blauen Donau (Comedian Harmonists version) (track 10)
Close Your Eyes (track 2)
Concerto (track 1)
Ma rivière (track 3)
Più delle valchirie (Il mio nome è Nessuno) (track 4)
Red Danube (track 10)
The Blue Danube (Spike Jones version) (track 10)
Tonight We Love (Freddy Martin 1941 hit) (track 1)
アマール (track 8)
ワルキューレの騎行 (スーパーロボット大戦F) (track 4)
later translated versions:
Berceuse de Brahms (French version (a.k.a. "Bonne nuit").) (track 2)
Le beau Danube bleu (track 10)
Lullaby (track 2)
later versions:
River of Light (track 10)
Wiegenlied (for piano solo, Grainger) (track 2)
part of:
L'Arlésienne Suite no. 2 (for orchestra) (track 9)
Má vlast, JB 1:112 (My Country / My Fatherland) (part of collection) (track 3)
5 Lieder, op. 49 (track 2)
Carmen Suite no. 1 (track 6)
partial recording of:
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (for voice and piano) (track 2)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 6)
L'Arlésienne Suite no. 2: II. Intermezzo (for orchestra) (track 9)
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (track 3)
referred to in medleys:
version of: