The Complete Blue Note and Roost Recordings

~ Release by Bud Powell (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1I'll Remember April
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
I’ll Remember April (on 1947-01-10)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music, MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
2:53
2Indiana
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1947-01-10)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
2:45
3Somebody Loves Me
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Somebody Loves Me (on 1947-01-10)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
2:55
4I Should Care
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
I Should Care (on 1947-01-10)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:01
5Bud's Bubble
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
recording of:
Bud's Bubble (on 1947-01-10)
composer:
Bud Powell
2:36
6Off Minor
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
recording of:
Off Minor (on 1947-01-10)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
2:23
7Nice Work If You Can Get It
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Nice Work If You Can Get It (on 1947-01-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:20
8Everything Happens to Me
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Everything Happens to Me (on 1947-01-10)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
2:41
9Bouncing With Bud (alternate take #1)
piano:
Bud Powell (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:05
10Bouncing With Bud (alternate take #2)
piano:
Bud Powell (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:14
11Bouncing With Bud
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:03
12Wail (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Wail (on 1949-08-08)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
2:43
13Wail
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Wail (on 1949-08-08)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
3:06
14Dance of Infidels (alternate take)
piano:
Bud Powell (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:51
15Dance of Infidels
recorded in:
New York, New York, United States (on 1949-08-08)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:54
1652nd Street Theme
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
52nd Street Theme (on 1949-08-08)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
2:49
17You Go to My Head
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
instrumental recording of:
You Go to My Head (on 1949-08-08)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:15
18Ornithology
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
2:23
19Ornithology (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
3:10
20Un Poco Loco (alternate take #1)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
3:50
21Un Poco Loco (alternate take #2)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:31
22Un Poco Loco
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:45
23Over the Rainbow
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1951-05-01)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
2:56
▼ CD 2
#TitleRatingLength
1A Night In Tunisia
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Night in Tunisia (instrumental) (on 1951-05-01)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
4:16
2A Night in Tunisia (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Night in Tunisia (instrumental) (on 1951-05-01)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
3:52
3It Could Happen to You (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
It Could Happen to You (on 1951-05-01)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
2:24
4It Could Happen To You
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
It Could Happen to You (on 1951-05-01)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
3:15
5Parisian Thoroughfare
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Parisian Thoroughfare (on 1951-05-01)
composer:
Bud Powell
3:26
6Autumn In New York
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
Autumn in New York (1934) (on 1953-08-14)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
2:55
7Reets And I
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Reets and I (on 1953-08-14)
composer:
Benny Harris
3:22
8Reets and I (alternate take)
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Reets and I (on 1953-08-14)
composer:
Benny Harris
2:33
9Sure Thing
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Sure Thing (on 1953-08-14)
composer:
Bud Powell
2:41
10Collard Greens and Black Eyed Peas (alternate take)
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Collard Greens and Black-Eyed Peas (on 1953-08-14)
composer:
Bud Powell
2:12
11Collard Greens and Black Eyed Peas
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Collard Greens and Black-Eyed Peas (on 1953-08-14)
composer:
Bud Powell
3:04
12Polka Dots And Moonbeams
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
Polka Dots and Moonbeams (on 1953-08-14)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部
4:03
13I Want To Be Happy
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1953-08-14)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
2:52
14Audrey
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Audrey (on 1953-08-14)
composer:
Bud Powell
2:57
15Glass Enclosure
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Glass Enclosure (on 1953-08-14)
composer:
Bud Powell
2:23
16Embraceable You
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
instrumental recording of:
Embraceable You (in 1953-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:51
17Burt Covers Bud
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
recording of:
Bean and the Boys (in 1953-09)
composer:
Coleman Hawkins
3:06
18My Heart Stood Still
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
instrumental recording of:
My Heart Stood Still (in 1953-09)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: File NO Releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
3:19
19You'd Be So Nice To Come Home To
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
instrumental recording of:
You’d Be So Nice to Come Home To (in 1953-09)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:40
20Bag's Groove
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
recording of:
Bags’ Groove (in 1953-09)
composer:
Milt Jackson
2:14
21My Devotion
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
instrumental recording of:
My Devotion (in 1953-09)
writer:
Roc Hillman (songwriter, arranger) and John Napton
3:04
22Stella By Starlight
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
instrumental recording of:
Stella by Starlight (in 1953-09)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:09
23Woody 'n You
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
recording of:
Woody ’n’ You (in 1953-09)
composer:
Dizzy Gillespie
2:59
▼ CD 3
#TitleRatingLength
1Blue Pearl
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Blue Pearl (on 1957-08-03)
composer:
Bud Powell
3:49
2Blue Pearl (alternate take)
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
recording of:
Blue Pearl (on 1957-08-03)
composer:
Bud Powell
4:04
3Keepin' In The Groove
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Keepin’ in the Groove (on 1957-08-03)
composer:
Bud Powell
2:55
4Some Soul
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Some Soul (on 1957-08-03)
composer:
Bud Powell
6:59
5Frantic Fancies
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Frantic Fancies (on 1957-08-03)
composer:
Bud Powell
4:54
6Bud On Bach
piano:
Bud Powell (on 1957-08-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Bud on Bach (on 1957-08-03)
composer:
Bud Powell
2:31
7Idaho
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
trombone:
Curtis Fuller (on 1957-08-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Idaho (on 1957-08-03)
lyricist and composer:
Jesse Stone
5:17
8Don't Blame Me
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
trombone:
Curtis Fuller (on 1957-08-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-08-03)
instrumental recording of:
Don’t Blame Me (on 1957-08-03)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
7:32
9Moose The Mooche
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
trombone:
Curtis Fuller (on 1957-08-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Moose the Mooche (on 1957-08-03)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
5:46
10John's Abbey (alternate take)
double bass:
Sam Jones (US jazz bassist) (on 1958-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-05-24)
piano:
Bud Powell
recording of:
John's Abbey (on 1958-05-24)
composer:
Bud Powell
2:26
11Sub City (alternate take)
double bass:
Sam Jones (US jazz bassist) (on 1958-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-05-24)
piano:
Bud Powell
recording of:
Sub City (on 1958-05-24)
composer:
Bud Powell
2:34
12Sub City
double bass:
Sam Jones (US jazz bassist) (on 1958-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-05-24)
piano:
Bud Powell (on 1958-05-24)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-05-24)
recording of:
Sub City (on 1958-05-24)
composer:
Bud Powell
4:33
13John's Abbey
double bass:
Sam Jones (US jazz bassist) (on 1958-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-05-24)
piano:
Bud Powell
recording of:
John's Abbey (on 1958-05-24)
composer:
Bud Powell
5:38
14Buster Rides Again
double bass:
Sam Jones (US jazz bassist) (on 1958-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-05-24)
piano:
Bud Powell
recording of:
Buster Rides Again (on 1958-05-24)
composer:
Bud Powell
5:29
▼ CD 4
#TitleRatingLength
1Dry Soul
double bass:
Sam Jones (US jazz bassist) (on 1958-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-05-24)
piano:
Bud Powell
recording of:
Dry Soul (on 1958-05-24)
composer:
Bud Powell
6:43
2Marmalade
double bass:
Sam Jones (US jazz bassist) (on 1958-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-05-24)
piano:
Bud Powell (on 1958-05-24)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-05-24)
recording of:
Marmalade (on 1958-05-24)
composer:
Bud Powell
4:31
3Monopoly
double bass:
Sam Jones (US jazz bassist) (on 1958-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-05-24)
piano:
Bud Powell
recording of:
Monopoly (on 1958-05-24)
composer:
Bud Powell
4:51
4Time Waits
double bass:
Sam Jones (US jazz bassist) (on 1958-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-05-24)
piano:
Bud Powell
recording of:
Time Waits (on 1958-05-24)
composer:
Bud Powell
5:06
5The Scene Changes
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
The Scene Changes (on 1958-12-28)
composer:
Bud Powell
4:04
6Down With It
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Down With It (on 1958-12-28)
composer:
Bud Powell
4:01
7Comin' Up (alternate take)
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Comin' Up (on 1958-12-28)
composer:
Bud Powell
5:30
8Comin' Up
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Comin' Up (on 1958-12-28)
composer:
Bud Powell
8:00
9Duid Deed
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Duid Deed (on 1958-12-28)
composer:
Bud Powell
5:09
10Cleopatra's Dream
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Cleopatra’s Dream (on 1958-12-28)
composer:
Bud Powell
4:24
11Gettin' There
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Gettin' There (on 1958-12-28)
composer:
Bud Powell
5:05
12Crossin' The Channel
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Crossin' the Channel (on 1958-12-28)
composer:
Bud Powell
3:32
13Danceland
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Danceland (on 1958-12-28)
composer:
Bud Powell
3:45
14Borderick
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Borderick (on 1958-12-28)
composer:
Bud Powell
2:01
15Like Someone In Love
double bass:
Pierre Michelot (on 1963-05-23)
drums (drum set):
Kenny Clarke (on 1963-05-23)
piano:
Bud Powell (on 1963-05-23)
instrumental recording of:
Like Someone in Love (on 1963-05-23)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
6:18

Credits

Release

ASIN:US: B000005GYC [info]