Mass in B minor

~ Release by Johann Sebastian Bach; Alarie, Merriman, Simoneau, Neidlinger, Vienna Academy Chamber Choir, Vienna State Opera Orchestra, Hermann Scherchen (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Mass in B minor, BWV 232: Kyrie Eleison
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach14:49
2Mass in B minor, BWV 232: Christe Eleison
solo mezzo-soprano vocals:
Nan Merriman (mezzo-soprano) (from 1959-04 until 1959-06)
solo soprano vocals:
Pierrette Alarie (French Canadian coloratura soprano) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:51
3Mass in B minor, BWV 232: Kyrie Eleison
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:24
4Mass in B minor, BWV 232: Gloria in Excelsis Deo
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:56
5Mass in B minor, BWV 232: Et in Terra Pax
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:23
6Mass in B minor, BWV 232: Laudamus Te
solo mezzo-soprano vocals:
Nan Merriman (mezzo-soprano) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:47
7Mass in B minor, BWV 232: Gratias Agimus Tibi
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:20
8Mass in B minor, BWV 232: Domine Deus
solo soprano vocals:
Pierrette Alarie (French Canadian coloratura soprano) (from 1959-04 until 1959-06)
solo tenor vocals:
Léopold Simoneau (tenor) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:45
9Mass in B minor, BWV 232: Qui Tollis Peccata Mundi
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:53
10Mass in B minor, BWV 232: Qui Sedes Ad Dexteram Patris
solo mezzo-soprano vocals:
Nan Merriman (mezzo-soprano) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:02
11Mass in B minor, BWV 232: Quoniam Tu Solus Sanctus
solo bass-baritone vocals:
Gustav Neidlinger (German bass-baritone) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:08
12Mass in B minor, BWV 232: Cum Sancto Spiritu
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:46
▼ CD 2
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Credo in Unum Deum
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:03
2Mass in B minor, BWV 232: Patrem Omnipotentem
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:47
3Mass in B minor, BWV 232: Et in Unum Dominum
solo mezzo-soprano vocals:
Nan Merriman (mezzo-soprano) (from 1959-04 until 1959-06)
solo soprano vocals:
Pierrette Alarie (French Canadian coloratura soprano) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:28
4Mass in B minor, BWV 232: Et Incarnatus Est
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:26
5Mass in B minor, BWV 232: Crucifixus
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:09
6Mass in B minor, BWV 232: Et Resurrexit
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:01
7Mass in B minor, BWV 232: Et in Spiritum Sanctum
solo bass-baritone vocals:
Gustav Neidlinger (German bass-baritone) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:46
8Mass in B minor, BWV 232: Confiteor Unum Baptisma
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach7:21
9Mass in B minor, BWV 232: Et Expecto Resurrectionem
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:55
10Mass in B minor, BWV 232: Sanctus
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach7:14
11Mass in B minor, BWV 232: Osanna in Excelsis
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:51
12Mass in B minor, BWV 232: Benedictus
solo tenor vocals:
Léopold Simoneau (tenor) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach7:10
13Mass in B minor, BWV 232: Osanna in Excelsis
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:50
14Mass in B minor, BWV 232: Agnus Dei
solo mezzo-soprano vocals:
Nan Merriman (mezzo-soprano) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:29
15Mass in B minor, BWV 232: Dona Nobis Pacem
choir vocals:
Wiener Kammerchor (choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:59