Requiem / Krönungsmesse / Coronation Mass / Exsultate, jubilate / Litany K. 195

~ Release by Wolfgang Amadeus Mozart; Cotrubaş, Watts, Tear, Shirley‐Quirk, Academy of St Martin in the Fields, Sir Neville Marriner (see all versions of this release, 3 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Exsultate, jubilate, K. 165: I. Exsultate, jubilate
producer:
Michael Bremner (producer/engineer)
organ:
Philip Ledger (from 1966-11-08 until 1966-11-11)
soprano vocals:
Erna Spoorenberg (soprano) (from 1966-11-08 until 1966-11-11)
orchestra:
Academy of St Martin in the Fields (from 1966-11-08 until 1966-11-11)
conductor:
Neville Marriner (conductor) (from 1966-11-08 until 1966-11-11)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-08 until 1966-11-11)
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (from 1966-11-08 until 1966-11-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart4:38
2Exsultate, jubilate, K. 165: II. Fulget amica dies
producer:
Michael Bremner (producer/engineer)
organ:
Philip Ledger (from 1966-11-08 until 1966-11-11)
soprano vocals:
Erna Spoorenberg (soprano) (from 1966-11-08 until 1966-11-11)
orchestra:
Academy of St Martin in the Fields (from 1966-11-08 until 1966-11-11)
conductor:
Neville Marriner (conductor) (from 1966-11-08 until 1966-11-11)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-08 until 1966-11-11)
recording of:
Exsultate, jubilate, K. 158a/165: II. Fulget amica dies (from 1966-11-08 until 1966-11-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart0:58
3Exsultate, jubilate, K. 165: III. Tu virginum corona
producer:
Michael Bremner (producer/engineer)
organ:
Philip Ledger (from 1966-11-08 until 1966-11-11)
soprano vocals:
Erna Spoorenberg (soprano) (from 1966-11-08 until 1966-11-11)
orchestra:
Academy of St Martin in the Fields (from 1966-11-08 until 1966-11-11)
conductor:
Neville Marriner (conductor) (from 1966-11-08 until 1966-11-11)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-08 until 1966-11-11)
recording of:
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona (from 1966-11-08 until 1966-11-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart7:06
4Exsultate, jubilate, K. 165: IV. Alleluja
producer:
Michael Bremner (producer/engineer)
organ:
Philip Ledger (from 1966-11-08 until 1966-11-11)
soprano vocals:
Erna Spoorenberg (soprano) (from 1966-11-08 until 1966-11-11)
orchestra:
Academy of St Martin in the Fields (from 1966-11-08 until 1966-11-11)
conductor:
Neville Marriner (conductor) (from 1966-11-08 until 1966-11-11)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-08 until 1966-11-11)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (from 1966-11-08 until 1966-11-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:38
5Krönungsmesse, K. 317: I. Kyrie
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
mezzo-soprano vocals:
Helen Watts (contralto)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1971-05)
tenor vocals:
Robert Tear (tenor) (in 1971-05)
vocals:
Schola Cantorum of Oxford
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Neville Marriner (conductor) (in 1971-05)
chorus master:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe”
Wolfgang Amadeus Mozart2:52
6Krönungsmesse, K. 317: II. Gloria
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-05)
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
mezzo-soprano vocals:
Helen Watts (contralto)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1971-05)
tenor vocals:
Robert Tear (tenor) (in 1971-05)
vocals:
Schola Cantorum of Oxford
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Neville Marriner (conductor) (in 1971-05)
chorus master:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe”
Wolfgang Amadeus Mozart4:22
7Krönungsmesse, K. 317: III. Credo
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-05)
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
mezzo-soprano vocals:
Helen Watts (contralto)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1971-05)
tenor vocals:
Robert Tear (tenor) (in 1971-05)
vocals:
Schola Cantorum of Oxford
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Neville Marriner (conductor) (in 1971-05)
chorus master:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: III. Credo (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe”
Wolfgang Amadeus Mozart6:38
8Krönungsmesse, K. 317: IV. Sanctus
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
mezzo-soprano vocals:
Helen Watts (contralto)
soprano vocals:
Ileana Cotrubaș (Romanian soprano)
tenor vocals:
Robert Tear (tenor)
vocals:
Schola Cantorum of Oxford
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Neville Marriner (conductor) (in 1971-05)
chorus master:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: IV. Sanctus (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe”
Wolfgang Amadeus Mozart1:55
9Krönungsmesse, K. 317: V. Benedictus
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-05)
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
mezzo-soprano vocals:
Helen Watts (contralto)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1971-05)
tenor vocals:
Robert Tear (tenor) (in 1971-05)
vocals:
Schola Cantorum of Oxford
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Neville Marriner (conductor) (in 1971-05)
chorus master:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe”
Wolfgang Amadeus Mozart3:59
10Krönungsmesse, K. 317: VI. Agnus Dei
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-05)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
mezzo-soprano vocals:
Helen Watts (contralto)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1971-05)
tenor vocals:
Robert Tear (tenor) (in 1971-05)
vocals:
Schola Cantorum of Oxford
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Neville Marriner (conductor) (in 1971-05)
chorus master:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe”
Wolfgang Amadeus Mozart6:21
11Litaniae Lauretanae, K. 195: I. Kyrie eleison
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-05)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
contralto vocals:
Helen Watts (contralto) (in 1971-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1971-05)
tenor vocals:
Robert Tear (tenor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Litaniae Lauretanae B.M.V., K. 186d/195: I. Kyrie eleison (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Litaniae Lauretanae B.M.V., K. 186d/195
Wolfgang Amadeus Mozart6:12
12Litaniae Lauretanae, K. 195: II. Sancta Maria
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-05)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
contralto vocals:
Helen Watts (contralto) (in 1971-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1971-05)
tenor vocals:
Robert Tear (tenor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Litaniae Lauretanae B.M.V., K. 186d/195: II. Sancta Maria (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Litaniae Lauretanae B.M.V., K. 186d/195
Wolfgang Amadeus Mozart8:42
13Litaniae Lauretanae, K. 195: III. Salus infirmorum
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-05)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
contralto vocals:
Helen Watts (contralto) (in 1971-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1971-05)
tenor vocals:
Robert Tear (tenor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Litaniae Lauretanae B.M.V., K. 186d/195: III. Salus infirmorum (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Litaniae Lauretanae B.M.V., K. 186d/195
Wolfgang Amadeus Mozart3:32
14Litaniae Lauretanae, K. 195: IV. Regina angelorum
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-05)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
contralto vocals:
Helen Watts (contralto) (in 1971-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano)
tenor vocals:
Robert Tear (tenor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Litaniae Lauretanae B.M.V., K. 186d/195: IV. Regina angelorum (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Litaniae Lauretanae B.M.V., K. 186d/195
Wolfgang Amadeus Mozart5:33
15Litaniae Lauretanae, K. 195: V. Agnus Dei
organ:
George Malcolm (English harpsichordist, conductor) (in 1971-05)
choir vocals:
Schola Cantorum of Oxford (in 1971-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Litaniae Lauretanae B.M.V., K. 186d/195: V. Agnus Dei (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Litaniae Lauretanae B.M.V., K. 186d/195
Wolfgang Amadeus Mozart6:02
▼ CD 2
#TitleArtistRatingLength
1Requiem, K. 626 (Beyer edition): I. Introitus
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: I. Introitus: “Requiem aeternam” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart5:28
2Requiem, K. 626 (Beyer edition): II. Kyrie
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: II. “Kyrie eleison” (Beyer/Kunzelmann Edition) (in 1977-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:52
3Requiem, K. 626 (Beyer edition): III. Sequenz: Dies irae
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIa. Sequenz: “Dies irae” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz
Wolfgang Amadeus Mozart1:55
4Requiem, K. 626 (Beyer edition): III. Sequenz: Tuba mirum
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIb. Sequenz: “Tuba mirum” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz
Wolfgang Amadeus Mozart3:40
5Requiem, K. 626 (Beyer edition): III. Sequenz: Rex tremendae
producer:
Chris Hazell and Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05, in 1990-02)
orchestra:
Academy of St Martin in the Fields (in 1977-05, in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1977-05, in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-02)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05) and All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-02)
recording of:
Requiem in D minor, K. 626: IIIc. Sequenz: “Rex tremendae” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (Süßmayr Edition; choir) (in 1990-02)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart2:18
6Requiem, K. 626 (Beyer edition): III. Sequenz: Recordare
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIId. Sequenz: “Recordare” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz
Wolfgang Amadeus Mozart6:13
7Requiem, K. 626 (Beyer edition): III. Sequenz: Confutatis
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIe. Sequenz: “Confutatis” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz
Wolfgang Amadeus Mozart2:32
8Requiem, K. 626 (Beyer edition): III. Sequenz: Lacrimosa
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart4:11
9Requiem, K. 626 (Beyer edition): IV. Offertorium: Domine Jesu
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1977-05)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IVa. Offertorium: “Domine Jesu” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium
Wolfgang Amadeus Mozart3:55
10Requiem, K. 626 (Beyer edition): IV. Offertorium: Hostias
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IVb. Offertorium: “Hostias” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium
Wolfgang Amadeus Mozart4:30
11Requiem, K. 626 (Beyer edition): V. Sanctus
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: V. “Sanctus” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart1:27
12Requiem, K. 626 (Beyer edition): VI. Benedictus
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1977-05)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: VI. “Benedictus” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart5:58
13Requiem, K. 626 (Beyer edition): VII. Agnus Dei
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: VII. “Agnus Dei” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart3:42
14Requiem, K. 626 (Beyer edition): VIII. Communio
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: VIII. Communio: “Lux aeterna” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart6:09

Credits

Release

ASIN:UK: B000004236 [info]