The Best of Pop-Jazz Saxophone

~ Release by Grover Washington, Jr. (see all versions of this release, 1 available)

Tracklist

▼ Medium 1
#TitleRatingLength
1Reaching Out
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
mixer:
Richard Alderson (Producer and engineer), Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1981-06 until 1981-09)
congas and percussion:
Ralph MacDonald (from 1981-06 until 1981-09)
drums (drum set):
Steve Gadd (drummer) (from 1981-06 until 1981-09)
guitar:
Eric Gale (from 1981-06 until 1981-09)
Rhodes piano:
Richard Tee (from 1981-06 until 1981-09)
saxophone:
Grover Washington, Jr. (from 1981-06 until 1981-09)
synthesizer:
Paul Griffin (American pianist, session musician) (from 1981-06 until 1981-09)
background vocals:
Vivian Cherry (from 1981-06 until 1981-09), Frank Floyd (US soul disco funk singer) (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
conductor:
William Eaton (US producer & arranger) (from 1981-06 until 1981-09)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at and mixed at:
Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
recording of:
Reaching Out (in 1981)
composer:
Grover Washington, Jr.
4:09
2Come Morning
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
mixer:
Richard Alderson (Producer and engineer), Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1981-06 until 1981-09)
congas and percussion:
Ralph MacDonald (from 1981-06 until 1981-09)
drums (drum set):
Steve Gadd (drummer) (from 1981-06 until 1981-09)
guitar:
Eric Gale (from 1981-06 until 1981-09)
Rhodes piano:
Richard Tee (from 1981-06 until 1981-09)
saxophone:
Grover Washington, Jr. (from 1981-06 until 1981-09)
synthesizer:
Paul Griffin (American pianist, session musician) (from 1981-06 until 1981-09)
background vocals:
Vivian Cherry (from 1981-06 until 1981-09), Frank Floyd (US soul disco funk singer) (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
conductor:
William Eaton (US producer & arranger) (from 1981-06 until 1981-09)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at and mixed at:
Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
recording of:
Come Morning (in 1981)
composer:
Grover Washington, Jr.
4:54
3Take Five
recording of:
Take Five (original instrumental version)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
5:00
4E Preciso Perdoar
recording engineer:
Rudy van Gelder (from 1994-02-22 until 1994-02-24)
assistant engineer:
Maureen Sickler
producer:
Todd Barkan (producer) and Grover Washington, Jr.
double bass:
George Mraz (jazz bassist) (from 1994-02-22 until 1994-02-24)
drums (drum set):
Billy Hart (US jazz drummer aka "Jabali" Billy Hart) (from 1994-02-22 until 1994-02-24)
guitar:
Romero Lubambo (from 1994-02-22 until 1994-02-24)
percussion:
Steve Berrios (from 1994-02-22 until 1994-02-24)
piano:
Hank Jones (piano) (from 1994-02-22 until 1994-02-24)
soprano saxophone:
Grover Washington, Jr. (from 1994-02-22 until 1994-02-24)
trumpet:
Eddie Henderson (from 1994-02-22 until 1994-02-24)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (from 1994-02-22 until 1994-02-24)
recording of:
É preciso perdoar (from 1994-02-22 until 1994-02-24)
writer:
Carlos Coqueijo and Alcivando Luz
8:57
5Ain't No Sunshine
engineer:
Rudy van Gelder (in 1971-09)
producer:
Creed Taylor
baritone saxophone:
Don Ashworth (woodwind) (in 1971-09)
bass:
Ron Carter (US jazz double-bassist) (in 1971-09)
cello:
Maurice Brown (jazz cellist) (in 1971-09), Charles McCracken (cellist) (in 1971-09), Alan Shulman (cellist and composer) (in 1971-09) and Anthony Sophos (in 1971-09)
drums (drum set):
Idris Muhammad (in 1971-09)
electric piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1971-09)
flugelhorn:
Eugene Young (in 1971-09)
French horn:
Thad Jones (in 1971-09)
organ:
Richard Tee (in 1971-09)
percussion:
Airto Moreira (percussionist) (in 1971-09)
saxophone:
Grover Washington, Jr. (in 1971-09)
trombone:
Wayne Andre (in 1971-09)
trumpet:
Thad Jones (in 1971-09) and Eugene Young (in 1971-09)
violin:
Julius Brand (in 1971-09), Paul Gershman (in 1971-09), Julius Held (in 1971-09), Leo Kahn (in 1971-09), Harry Katzman (in 1971-09), Raoul Polikian (in 1971-09), Max Pollikoff (in 1971-09) and Paul Winter (violin) (in 1971-09)
vocals:
Hilda Harris (in 1971-09), Marilyn Jackson (in 1971-09), Maretha Stewart (in 1971-09) and Tasha Thomas (in 1971-09)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1971-09)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (in 1971-09)
medley including a cover recording of:
Ain’t No Sunshine (in 1971-09)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
medley including a instrumental cover recording of:
Theme From "Man and Boy": Better Days (in 1971-09)
writer:
J.J. Johnson (Jazz/bop trombonist/session leader) and Bill Withers
8:33
6Winelight
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
clavinet:
Ray Chew (from 1980-06 until 1980-07) and Paul Griffin (American pianist, session musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (in 1980), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980) and Warner Music France (in 2010)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Winelight (from 1980-06 until 1980-07)
composer:
William Eaton (US producer & arranger)
4.57:33
7For Heaven's Sake
recording engineer:
Rudy van Gelder (from 1994-02-22 until 1994-02-24)
assistant engineer:
Maureen Sickler
producer:
Todd Barkan (producer) and Grover Washington, Jr.
double bass:
George Mraz (jazz bassist) (from 1994-02-22 until 1994-02-24)
drums (drum set):
Billy Hart (US jazz drummer aka "Jabali" Billy Hart) (from 1994-02-22 until 1994-02-24)
piano:
Hank Jones (piano) (from 1994-02-22 until 1994-02-24)
soprano saxophone:
Grover Washington, Jr. (from 1994-02-22 until 1994-02-24)
vocals:
Jeanie Bryson (from 1994-02-22 until 1994-02-24) and Freddy Cole (from 1994-02-22 until 1994-02-24)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (from 1994-02-22 until 1994-02-24)
recording of:
For Heaven’s Sake (from 1994-02-22 until 1994-02-24)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc.
7:13
8Bright Moments
engineer:
Richard Alderson (Producer and engineer)
producer:
Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (in 1979-10)
drums (drum set):
Idris Muhammad (in 1979-10)
guitar:
Eric Gale (in 1979-10)
percussion:
Ralph MacDonald (in 1979-10)
piano:
Richard Tee (in 1979-10)
woodwind:
Grover Washington, Jr. (in 1979-10)
recorded at:
Rosebud Recording Studio in New York, New York, United States (in 1979-10)
cover recording of:
Bright Moments Song (in 1979-10)
composer:
Rahsaan Roland Kirk
6:28
9Inner City Blues
2:29
10Mister Magic
engineer:
Rudy van Gelder (in 1974-11)
producer:
Creed Taylor
alto saxophone and soprano saxophone:
Grover Washington, Jr. (in 1974-11)
baritone saxophone:
Phil Bodner (Woodwind player) (in 1974-11)
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1974-11)
bass trombone:
Tony Studd (in 1974-11)
cello:
Charles McCracken (cellist) (in 1974-11) and Alan Shulman (cellist and composer) (in 1974-11)
drums (drum set):
Harvey Mason (jazz drummer) (in 1974-11)
electric piano and piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
flugelhorn and trumpet:
Jon Faddis (in 1974-11) and Marvin Stamm (in 1974-11)
guitar:
Eric Gale (in 1974-11)
percussion:
Ralph MacDonald (in 1974-11)
tenor saxophone:
Jerry Dodgion (in 1974-11) and Grover Washington, Jr. (in 1974-11)
trombone:
Wayne Andre (in 1974-11)
viola:
Al Brown (viola) (in 1974-11) and Manny Vardi (in 1974-11)
violin:
Max Ellen (in 1974-11), Paul Gershman (in 1974-11), Harry Glickman (in 1974-11), Harold Kohon (in 1974-11), Harry Lookofsky (in 1974-11), Joe Malin (in 1974-11), David Nadien (in 1974-11) and Matthew Raimondi (in 1974-11)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (in 1974-11)
recording of:
Mister Magic (Mr. Magic) (in 1974-11)
composer:
Ralph MacDonald and William Salter
9:02
11Flamingo
recording engineer:
Rudy van Gelder (from 1994-02-22 until 1994-02-24)
assistant engineer:
Maureen Sickler
producer:
Todd Barkan (producer) and Grover Washington, Jr.
alto saxophone:
Grover Washington, Jr. (from 1994-02-22 until 1994-02-24)
double bass:
George Mraz (jazz bassist) (from 1994-02-22 until 1994-02-24)
drums (drum set):
Billy Hart (US jazz drummer aka "Jabali" Billy Hart) (from 1994-02-22 until 1994-02-24)
piano:
Hank Jones (piano) (from 1994-02-22 until 1994-02-24)
trumpet:
Eddie Henderson (from 1994-02-22 until 1994-02-24)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (from 1994-02-22 until 1994-02-24)
cover recording of:
Flamingo (from 1994-02-22 until 1994-02-24)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
5:00
12Make Me a Memory
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Make Me a Memory (Sad Samba) (from 1980-06 until 1980-07)
writer:
Grover Washington, Jr.
56:31