Anarchy in the U.K.

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

The established order of British pop and rock music was turned upside down in the autumn of 1976 when the first single from a then considered outrageous band called The Sex Pistols entered the charts and climbed to the modest position of number 38.

'Anarchy In The UK' was to have the same effect on what had become a largely stagnant pop music scene in the mid-seventies as Elvis Presley with Hound Dog had changed the face of Fifties popular music, and The Beatles with Love Me Do in the Sixties.

The music which many had predicted wouldn't last six months, is still to be reckoned with 15 years later, and the fact that many of it's key figures are still very much around is an endorsement of the powerful effect that Punk Rock and New Wave had on a pop music scene that back in the mid-seventies had lost much of it's excitement and creativity.

Perhaps the music did quite result in the Anarchy In The UK that the older generation reckoned it would, but it's shock wave brightened up the music scene considerably........

Chris White (from sleeve notes)

Annotation last modified on 2018-09-16 23:43 UTC.

Tracklist

CD 1
#TitleArtistRatingLength
1Anarchy in the UK
engineer:
Bill Price (UK producer/engineer)
producer:
Bill Price (UK producer/engineer) and Chris Thomas (UK record producer / remixer)
lead vocals:
Johnny Rotten (Johnny Rotten of the Sex Pistols)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (in 1976-11)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 120)
recording of:
Anarchy in the UK
lyricist:
Paul Cook (drummer for the Sex Pistols), John Lydon (Johnny Rotten of the Sex Pistols) and Glen Matlock
composer:
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) and Glen Matlock
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
Sex Pistols4.153:30
2The Modern World
producer:
Chris Parry and Vic Smith
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation)
recorded at:
Basing Street Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1977-09-21)
recording of:
The Modern World
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam2:30
3(Get a) Grip (on Yourself)
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
assistant mixer:
Benny King (engineer)
mixer:
Doug Bennett (producer, engineer)
bass guitar:
Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
drums (drum set):
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (from 1976-12-20 until 1977-01-28)
guitar and lead vocals:
Hugh Cornwell (from 1976-12-20 until 1977-01-28)
keyboard:
Dave Greenfield (from 1976-12-20 until 1977-01-28)
tenor saxophone:
Eric Clark (from 1976-12-20 until 1977-01-28)
publisher:
EMI April Music Inc.
phonographic copyright (℗) by:
A&M Records, Inc. and United Artists Records Ltd.
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1976-12-20 until 1977-01-28)
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1977-01 until 1977-02)
recording of:
(Get a) Grip (on Yourself) (from 1976-12-20 until 1977-01-28)
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music Ltd., Irving Music, Inc., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
The Stranglers54:04
4Like Clockwork
recording of:
Like Clockwork
lyricist and composer:
Pete Briquette, Simon Crowe and Bob Geldof
The Boomtown Rats3:45
5Everybody’s Happy Nowadays
engineer and producer:
Martin Rushent
recorded at and mixed at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
recording of:
Everybody’s Happy Nowadays
writer and composer:
Pete Shelley (Buzzcocks lead singer)
Buzzcocks53:11
6Hurry Up Harry
producer:
Jimmy Pursey (Founder member of Sham 69) and Peter Wilson (UK Producer)
recording of:
Hurry Up Harry
writer:
Dave Parsons (Sham 69 guitarist) and Jimmy Pursey (Founder member of Sham 69)
Sham 693:06
7Wednesday Week
producer:
Roger Bechirian
recording of:
Wednesday Week
lyricist and composer:
John O’Neill (of The Undertones)
The Undertones32:16
8Pretty Vacant
recording of:
Pretty Vacant
writer:
Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols), Glen Matlock and Paul Thomas Cook (drummer for the Sex Pistols)
publisher:
A Thousand Miles Long, Inc., Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
Sex Pistols3:14
9Down in the Tube Station at Midnight
producer:
Vic Coppersmith‐Heaven
edit of:
Down in the Tube Station at Midnight by The Jam (late 70s/early 80s UK punk/mod revival band)
recording of:
Down in the Tube Station at Midnight
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam4:02
10Duchess
producer:
Alan Winstanley (English record producer)
recording of:
Duchess
lyricist and composer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
The Stranglers2:33
11She’s So Modern
recording of:
She’s so Modern
lyricist and composer:
Johnnie Fingers and Bob Geldof
The Boomtown Rats2:57
12Harmony in My Head
live recording of:
Harmony in My Head
lyricist and composer:
Steve Diggle
Buzzcocks3:07
13Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
Blondie4.22:30
14God Save the Queen
engineer:
Bill Price (UK producer/engineer)
producer:
Bill Price (UK producer/engineer) and Chris Thomas (UK record producer / remixer)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (in 1977-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 21), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 173) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 365)
recording of:
God Save the Queen
writer:
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) and Glen Matlock
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
Sex Pistols4.43:17