Humair Urtreger Michelot

~ Release by Humair, Urtreger, Michelot (see all versions of this release, 1 available)

Tracklist

| |
CD 1: 1999
#TitleRatingLength
1Humeurs
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
5:02
2Peter’s Dream
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
3:43
3Ballade gourmande
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
3:32
4You’d Be So Nice to Come Home To
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
instrumental recording of:
You’d Be So Nice to Come Home To (from 1999-02-23 until 1999-02-25)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:08
5Impromptume
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
2:33
6Le Troisième HUM
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
3:49
7Serena
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
6:26
8Peter’s Dream II
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
4:15
9HUM‐Oiseau
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
3:20
10Promenade gourmande
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
3:56
11Everytime We Say Goodbye
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1999-02-23 until 1999-02-25)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:24
12Airegin
recording engineer:
Nicolas Baillard (French sound engineer) and Gérard de Haro
producer:
Philippe Ghielmetti (producer, designer)
double bass:
Pierre Michelot (from 1999-02-23 until 1999-02-25)
drums (drum set):
Daniel Humair (from 1999-02-23 until 1999-02-25)
piano:
René Urtreger (from 1999-02-23 until 1999-02-25)
recorded at:
Studio Damiens in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1999-02-23 until 1999-02-25)
mixed at:
Studios La Buissonne in Pernes-les-Fontaines, Vaucluse, Provence-Alpes-Côte-d'Azur, France
recording of:
Airegin (instrumental) (from 1999-02-23 until 1999-02-25)
composer:
Sonny Rollins (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music
5:25
CD 2: 1979
#TitleRatingLength
1Thème pour un ami
producer:
Jeanne de Mirbeck
double bass:
Pierre Michelot (in 1979-06)
drums (drum set):
Daniel Humair (in 1979-06)
piano:
René Urtreger (in 1979-06)
recorded at:
ARC-Auditorium in Paris, Île-de-France, France (in 1979-06) and Studio Spirales in Paris, Île-de-France, France (in 1979-06)
recording of:
Thème pour un ami (in 1979-06)
composer:
René Urtreger
publisher:
Carlyne Music
4:38
2All God’s Chillun Got Rhythm
producer:
Jeanne de Mirbeck
double bass:
Pierre Michelot (in 1979-06)
drums (drum set):
Daniel Humair (in 1979-06)
piano:
René Urtreger (in 1979-06)
recorded at:
ARC-Auditorium in Paris, Île-de-France, France (in 1979-06) and Studio Spirales in Paris, Île-de-France, France (in 1979-06)
instrumental recording of:
All God’s Chillun Got Rhythm (in 1979-06)
lyricist:
Gus Kahn
composer:
Walter Jurmann and Bronisław Kaper
1:53
3Ballade au musehum
producer:
Jeanne de Mirbeck
double bass:
Pierre Michelot (in 1979-06)
drums (drum set):
Daniel Humair (in 1979-06)
piano:
René Urtreger (in 1979-06)
recorded at:
ARC-Auditorium in Paris, Île-de-France, France (in 1979-06) and Studio Spirales in Paris, Île-de-France, France (in 1979-06)
recording of:
Ballade au musehum (in 1979-06)
composer:
Pierre Michelot
publisher:
Carlyne Music
6:05
4Blueshum
producer:
Jeanne de Mirbeck
double bass:
Pierre Michelot (in 1979-06)
drums (drum set):
Daniel Humair (in 1979-06)
piano:
René Urtreger (in 1979-06)
recorded at:
ARC-Auditorium in Paris, Île-de-France, France (in 1979-06) and Studio Spirales in Paris, Île-de-France, France (in 1979-06)
recording of:
Blueshum (in 1979-06)
composer:
Daniel Humair, Pierre Michelot and René Urtreger
publisher:
Carlyne Music
3:49
5The Duke
producer:
Jeanne de Mirbeck
double bass:
Pierre Michelot (in 1979-06)
drums (drum set):
Daniel Humair (in 1979-06)
piano:
René Urtreger (in 1979-06)
recorded at:
ARC-Auditorium in Paris, Île-de-France, France (in 1979-06) and Studio Spirales in Paris, Île-de-France, France (in 1979-06)
recording of:
The Duke (in 1979-06)
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
4:26
6Airegin
producer:
Jeanne de Mirbeck
double bass:
Pierre Michelot (in 1979-06)
drums (drum set):
Daniel Humair (in 1979-06)
piano:
René Urtreger (in 1979-06)
recorded at:
ARC-Auditorium in Paris, Île-de-France, France (in 1979-06) and Studio Spirales in Paris, Île-de-France, France (in 1979-06)
recording of:
Airegin (instrumental) (in 1979-06)
composer:
Sonny Rollins (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music
3:17
7Didi’s Bounce
producer:
Jeanne de Mirbeck
double bass:
Pierre Michelot (in 1979-06)
drums (drum set):
Daniel Humair (in 1979-06)
piano:
René Urtreger (in 1979-06)
recorded at:
ARC-Auditorium in Paris, Île-de-France, France (in 1979-06) and Studio Spirales in Paris, Île-de-France, France (in 1979-06)
recording of:
Didi’s Bounce (in 1979-06)
composer:
René Urtreger
publisher:
Carlyne Music
5:16
8Hum Calshum
producer:
Jeanne de Mirbeck
double bass:
Pierre Michelot (in 1979-06)
drums (drum set):
Daniel Humair (in 1979-06)
piano:
René Urtreger (in 1979-06)
recorded at:
ARC-Auditorium in Paris, Île-de-France, France (in 1979-06) and Studio Spirales in Paris, Île-de-France, France (in 1979-06)
recording of:
Hum Calshum (in 1979-06)
composer:
Daniel Humair
publisher:
Carlyne Music
4:32
9It Could Happen to You2:49
CD 3: 1960
#TitleRatingLength
1Just One of Those Things
recording engineer:
Jean‐Michel Pou‐Dubois
double bass:
Pierre Michelot (from 1960-09-05 until 1960-09-08)
drums (drum set):
Daniel Humair (from 1960-09-05 until 1960-09-08)
piano:
René Urtreger (from 1960-09-05 until 1960-09-08)
recorded at:
Club Saint-Germain in Paris, Île-de-France, France (from 1960-09-05 until 1960-09-08)
instrumental recording of:
Just One of Those Things (from 1960-09-05 until 1960-09-08)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
6:01
2Bye Bye Black Bird
recording engineer:
Jean‐Michel Pou‐Dubois
double bass:
Pierre Michelot (from 1960-09-05 until 1960-09-08)
drums (drum set):
Daniel Humair (from 1960-09-05 until 1960-09-08)
piano:
René Urtreger (from 1960-09-05 until 1960-09-08)
recorded at:
Club Saint-Germain in Paris, Île-de-France, France (from 1960-09-05 until 1960-09-08)
instrumental recording of:
Bye Bye Blackbird (from 1960-09-05 until 1960-09-08)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
7:20
3Ah Moore
recording engineer:
Jean‐Michel Pou‐Dubois
double bass:
Pierre Michelot (from 1960-09-05 until 1960-09-08)
drums (drum set):
Daniel Humair (from 1960-09-05 until 1960-09-08)
piano:
René Urtreger (from 1960-09-05 until 1960-09-08)
recorded at:
Club Saint-Germain in Paris, Île-de-France, France (from 1960-09-05 until 1960-09-08)
5:29
4Monsieur De…
recording engineer:
Jean‐Michel Pou‐Dubois
double bass:
Pierre Michelot (from 1960-09-05 until 1960-09-08)
drums (drum set):
Daniel Humair (from 1960-09-05 until 1960-09-08)
piano:
René Urtreger (from 1960-09-05 until 1960-09-08)
recorded at:
Club Saint-Germain in Paris, Île-de-France, France (from 1960-09-05 until 1960-09-08)
4:28
5Well, You Needn’t
recording engineer:
Jean‐Michel Pou‐Dubois
double bass:
Pierre Michelot (from 1960-09-05 until 1960-09-08)
drums (drum set):
Daniel Humair (from 1960-09-05 until 1960-09-08)
piano:
René Urtreger (from 1960-09-05 until 1960-09-08)
recorded at:
Club Saint-Germain in Paris, Île-de-France, France (from 1960-09-05 until 1960-09-08)
recording of:
Well, You Needn’t (from 1960-09-05 until 1960-09-08)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
7:57
6Laura
recording engineer:
Jean‐Michel Pou‐Dubois
double bass:
Pierre Michelot (from 1960-09-05 until 1960-09-08)
drums (drum set):
Daniel Humair (from 1960-09-05 until 1960-09-08)
piano:
René Urtreger (from 1960-09-05 until 1960-09-08)
recorded at:
Club Saint-Germain in Paris, Île-de-France, France (from 1960-09-05 until 1960-09-08)
instrumental recording of:
Laura (1945 song) (from 1960-09-05 until 1960-09-08)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
7:02
7Airegin
recording engineer:
Jean‐Michel Pou‐Dubois
double bass:
Pierre Michelot (from 1960-09-05 until 1960-09-08)
drums (drum set):
Daniel Humair (from 1960-09-05 until 1960-09-08)
piano:
René Urtreger (from 1960-09-05 until 1960-09-08)
recorded at:
Club Saint-Germain in Paris, Île-de-France, France (from 1960-09-05 until 1960-09-08)
recording of:
Airegin (instrumental) (from 1960-09-05 until 1960-09-08)
composer:
Sonny Rollins (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music
3:05
8C.T.A.
recording engineer:
Jean‐Michel Pou‐Dubois
double bass:
Pierre Michelot (from 1960-09-05 until 1960-09-08)
drums (drum set):
Daniel Humair (from 1960-09-05 until 1960-09-08)
piano:
René Urtreger (from 1960-09-05 until 1960-09-08)
recorded at:
Club Saint-Germain in Paris, Île-de-France, France (from 1960-09-05 until 1960-09-08)
recording of:
C.T.A. (from 1960-09-05 until 1960-09-08)
composer:
Jimmy Heath
4:42

Credits

Release

distributed by:Harmonia Mundi Distribution (not for release label use!)
phonographic copyright (℗) by:Sketch (French jazz label) (in 1999)
Discogs:https://www.discogs.com/release/1466773 [info]
ASIN:FR: B000035Q9Z [info]
other databases:https://rateyourmusic.com/release/comp/daniel_humair__rene_urtreger_and_pierre_michelot/hum.p/ [info]