The Complete Billie Holiday on Verve 1945–1959

~ Release by Billie Holiday (see all versions of this release, 2 available)

Annotation

Includes a 220-page book.

Annotation last modified on 2014-08-21 20:44 UTC.

Tracklist

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▼ CD 1: Jazz at the Philharmonic Concerts 1945–1947 / 1952 Los Angeles Studio Session
#TitleArtistRatingLength
1Body and Soul
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1945-02-12)
double bass [bass]:
Charles Mingus (on 1945-02-12)
drums (drum set):
Davie Coleman (jazz drummer) (on 1945-02-12)
electric guitar:
Dave Barbour (on 1945-02-12)
piano:
Milt Raskin (Milton Raskin) (on 1945-02-12)
tenor saxophone:
Wardell Gray (on 1945-02-12), Illinois Jacquet (on 1945-02-12) and Charlie Ventura (on 1945-02-12)
trumpet:
Howard McGhee (on 1945-02-12)
vocals:
Billie Holiday (on 1945-02-12)
recorded at:
Billie Holliday at Philharmonic Auditorium (1945-02-12)
recorded at:
Philharmonic Auditorium in Los Angeles, California, United States (on 1945-02-12)
live recording of:
Body and Soul (on 1945-02-12)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Billie Holiday43:24
2Strange Fruit
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1945-02-12)
double bass [bass]:
Charles Mingus (on 1945-02-12)
drums (drum set):
Davie Coleman (jazz drummer) (on 1945-02-12)
electric guitar:
Dave Barbour (on 1945-02-12)
piano:
Milt Raskin (Milton Raskin) (on 1945-02-12)
tenor saxophone:
Wardell Gray (on 1945-02-12), Illinois Jacquet (on 1945-02-12) and Charlie Ventura (on 1945-02-12)
trumpet:
Howard McGhee (on 1945-02-12)
vocals:
Billie Holiday (on 1945-02-12)
recorded at:
Billie Holliday at Philharmonic Auditorium (1945-02-12)
recorded at:
Philharmonic Auditorium in Los Angeles, California, United States (on 1945-02-12)
live recording of:
Strange Fruit (on 1945-02-12)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday43:01
3I Cried for You
double bass [bass]:
Curly Russell (on 1946-05-27)
drums (drum set):
J.C. Heard (on 1946-05-27)
electric guitar:
John Collins (jazz guitarist) (on 1946-05-27)
piano:
Ken Kersey (on 1946-05-27)
tenor saxophone:
Coleman Hawkins (on 1946-05-27), Illinois Jacquet (on 1946-05-27) and Lester Young (saxophonist) (on 1946-05-27)
trumpet:
Buck Clayton (on 1946-05-27)
vocals:
Billie Holiday (on 1946-05-27)
recorded at:
Billie Holiday at Carnegie Hall (1946-05-27)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-05-27)
live recording of:
I Cried for You (on 1946-05-27)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
Billie Holiday32:18
4Fine and Mellow
double bass [bass]:
Curly Russell (on 1946-05-27)
drums (drum set):
J.C. Heard (on 1946-05-27)
electric guitar:
John Collins (jazz guitarist) (on 1946-05-27)
piano:
Ken Kersey (on 1946-05-27)
tenor saxophone:
Coleman Hawkins (on 1946-05-27), Illinois Jacquet (on 1946-05-27) and Lester Young (saxophonist) (on 1946-05-27)
trumpet:
Buck Clayton (on 1946-05-27)
vocals:
Billie Holiday (on 1946-05-27)
recorded at:
Billie Holiday at Carnegie Hall (1946-05-27)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-05-27)
live recording of:
Fine and Mellow (on 1946-05-27)
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday33:51
5He’s Funny That Way
double bass [bass]:
Curly Russell (on 1946-05-27)
drums (drum set):
J.C. Heard (on 1946-05-27)
electric guitar:
John Collins (jazz guitarist) (on 1946-05-27)
piano:
Ken Kersey (on 1946-05-27)
tenor saxophone:
Coleman Hawkins (on 1946-05-27), Illinois Jacquet (on 1946-05-27) and Lester Young (saxophonist) (on 1946-05-27)
trumpet:
Buck Clayton (on 1946-05-27)
vocals:
Billie Holiday (on 1946-05-27)
recorded at:
Billie Holiday at Carnegie Hall (1946-05-27)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-05-27)
live recording of:
She’s Funny That Way (on 1946-05-27)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
Billie Holiday33:22
6The Man I Love
alto saxophone:
Georgie Auld (on 1946-06-03)
double bass [bass]:
Al McKibbon (on 1946-06-03)
drums (drum set):
J.C. Heard (on 1946-06-03)
electric guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1946-06-03)
piano:
Ken Kersey (on 1946-06-03)
tenor saxophone:
Illinois Jacquet (on 1946-06-03) and Lester Young (saxophonist) (on 1946-06-03)
trumpet:
Joe Guy (trumpet) (on 1946-06-03)
vocals:
Billie Holiday (on 1946-06-03)
recorded at:
Billie Holiday at Carnegie Hall (1946-06-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-06-03)
live recording of:
The Man I Love (on 1946-06-03)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Billie Holiday43:04
7Gee Baby, Ain’t I Good to You
alto saxophone:
Georgie Auld (on 1946-06-03)
double bass [bass]:
Al McKibbon (on 1946-06-03)
drums (drum set):
J.C. Heard (on 1946-06-03)
electric guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1946-06-03)
piano:
Ken Kersey (on 1946-06-03)
tenor saxophone:
Illinois Jacquet (on 1946-06-03) and Lester Young (saxophonist) (on 1946-06-03)
trumpet:
Joe Guy (trumpet) (on 1946-06-03)
vocals:
Billie Holiday (on 1946-06-03)
recorded at:
Billie Holiday at Carnegie Hall (1946-06-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-06-03)
live recording of:
Gee, Baby Ain’t I Good to You (on 1946-06-03)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Billie Holiday42:20
8All of Me
alto saxophone:
Georgie Auld (on 1946-06-03)
double bass [bass]:
Al McKibbon (on 1946-06-03)
drums (drum set):
J.C. Heard (on 1946-06-03)
electric guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1946-06-03)
piano:
Ken Kersey (on 1946-06-03)
tenor saxophone:
Illinois Jacquet (on 1946-06-03) and Lester Young (saxophonist) (on 1946-06-03)
trumpet:
Joe Guy (trumpet) (on 1946-06-03)
vocals:
Billie Holiday (on 1946-06-03)
recorded at:
Billie Holiday at Carnegie Hall (1946-06-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-06-03)
live recording of:
All of Me (on 1946-06-03)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
Billie Holiday41:56
9Billie’s Blues (aka “I Love My Man”)
alto saxophone:
Georgie Auld (on 1946-06-03)
double bass [bass]:
Al McKibbon (on 1946-06-03)
drums (drum set):
J.C. Heard (on 1946-06-03)
electric guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1946-06-03)
piano:
Ken Kersey (on 1946-06-03)
tenor saxophone:
Illinois Jacquet (on 1946-06-03) and Lester Young (saxophonist) (on 1946-06-03)
trumpet:
Joe Guy (trumpet) (on 1946-06-03)
vocals:
Billie Holiday (on 1946-06-03)
recorded at:
Billie Holiday at Carnegie Hall (1946-06-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-06-03)
live recording of:
Billie’s Blues (on 1946-06-03)
lyricist:
Billie Holiday
composer:
Billie Holiday (until 1936-08-01)
publisher:
Basart Editions
Billie Holiday43:39
10Travelin’ Light
double bass [bass]:
Charlie Drayton (1930s-50s blues bassist) (on 1946-10-07)
drums (drum set):
Jackie Mills (on 1946-10-07)
electric guitar:
Barney Kessel (on 1946-10-07)
piano:
Ken Kersey (on 1946-10-07)
tenor saxophone:
Illinois Jacquet (on 1946-10-07)
trombone:
Trummy Young (on 1946-10-07)
trumpet:
Howard McGhee (on 1946-10-07)
vocals:
Billie Holiday (on 1946-10-07)
recorded at:
Billie Holiday at Shrine Auditorium (1946-10-07)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1946-10-07)
live recording of:
Travelin’ Light (on 1946-10-07)
lyricist:
Johnny Mercer
composer:
Jimmy Mundy and Trummy Young
Billie Holiday43:28
11He’s Funny That Way
double bass [bass]:
Charlie Drayton (1930s-50s blues bassist) (on 1946-10-07)
drums (drum set):
Jackie Mills (on 1946-10-07)
electric guitar:
Barney Kessel (on 1946-10-07)
piano:
Ken Kersey (on 1946-10-07)
tenor saxophone:
Illinois Jacquet (on 1946-10-07)
trombone:
Trummy Young (on 1946-10-07)
trumpet:
Howard McGhee (on 1946-10-07)
vocals:
Billie Holiday (on 1946-10-07)
recorded at:
Billie Holiday at Shrine Auditorium (1946-10-07)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1946-10-07)
live recording of:
She’s Funny That Way (on 1946-10-07)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
Billie Holiday52:56
12Norman Granz Announcement
spoken vocals:
Norman Granz (on 1947-05-24)
recorded at:
Billie Holiday at Carnegie Hall (1947-05-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1947-05-24)
Norman Granz10:09
13You Better Go Now
piano:
Bobby Tucker (on 1947-05-24)
vocals:
Billie Holiday (on 1947-05-24)
recorded at:
Billie Holiday at Carnegie Hall (1947-05-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1947-05-24)
live recording of:
You Better Go Now (on 1947-05-24)
writer:
Irvin Graham and Bickley Reichner
publisher:
Chappell Music, Inc. (publisher)
Billie Holiday32:56
14You’re Driving Me Crazy
piano:
Bobby Tucker (on 1947-05-24)
vocals:
Billie Holiday (on 1947-05-24)
recorded at:
Billie Holiday at Carnegie Hall (1947-05-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1947-05-24)
live recording of:
You’re Driving Me Crazy (on 1947-05-24)
lyricist and writer:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
Billie Holiday41:30
15There Is No Greater Love
piano:
Bobby Tucker (on 1947-05-24)
vocals:
Billie Holiday (on 1947-05-24)
recorded at:
Billie Holiday at Carnegie Hall (1947-05-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1947-05-24)
live recording of:
There Is No Greater Love (on 1947-05-24)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
Billie Holiday42:34
16I Cover the Waterfront
piano:
Bobby Tucker (on 1947-05-24)
vocals:
Billie Holiday (on 1947-05-24)
recorded at:
Billie Holiday at Carnegie Hall (1947-05-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1947-05-24)
live recording of:
I Cover the Waterfront (on 1947-05-24)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Billie Holiday42:58
17Norman Granz Announcement
spoken vocals:
Norman Granz (on 1947-05-24)
recorded at:
Billie Holiday at Carnegie Hall (1947-05-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1947-05-24)
Norman Granz10:29
18East of the Sun (and West of the Moon)
recording of:
East of the Sun (and West of the Moon) (on 1952-03-26)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
Billie Holiday42:56
19Blue Moon
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Blue Moon (on 1952-03-26)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (soundtrack of the 1977 film)
Billie Holiday4.53:31
20You Go to My Head
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
You Go to My Head (on 1952-03-26)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Billie Holiday52:57
21You Turn the Tables on Me
recording of:
You Turned the Tables on Me (on 1952-03-26)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
Billie Holiday53:28
22Easy to Love
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Easy to Love (on 1952-03-26)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Billie Holiday43:02
23These Foolish Things
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
orchestra:
Billie Holiday and Her Orchestra (in 1952)
recording of:
These Foolish Things (Remind Me of You) (on 1952-03-26)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Billie Holiday53:35
24I Only Have Eyes for You
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
electric guitar:
Barney Kessel
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
I Only Have Eyes for You (on 1952-03-26)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Billie Holiday42:54
25Solitude
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
(In My) Solitude (on 1952-03-26)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Billie Holiday53:29
▼ CD 2: 1952 Los Angeles & New York Studio Sessions / 1954 Jazz Club USA Concert - Germany
#TitleArtistRatingLength
1Everything I Have Is Yours
recorded in:
Los Angeles, California, United States (in 1952-04)
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
electric guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Everything I Have Is Yours (in 1952-04)
lyricist:
Harold Adamson
composer:
Burton Lane
Billie Holiday3.53:45
2Love for Sale
vocals:
Billie Holiday (in 1952-04)
recording of:
Love for Sale (in 1952-04)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Billie Holiday42:59
3Moonglow
recording of:
Moonglow (in 1952-04)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Billie Holiday53:00
4Tenderly
recording of:
Tenderly (in 1952-04)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Billie Holiday53:25
5If the Moon Turns Green
recording of:
If the Moon Turns Green (in 1952-04)
lyricist:
Paul Coates (songwriter; “If the Moon Turns Green”) (on 1934-11-27)
composer:
Bernie Hanighen (on 1934-11-27)
publisher:
Bourne Co. (not for release label use, this is a music publisher) (on 1934-11-27)
Billie Holiday42:47
6Remember
vocals:
Billie Holiday (in 1952-04)
recording of:
Remember (in 1952-04)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
Billie Holiday42:37
7Autumn in New York (common take — LP)
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Autumn in New York (1934) (in 1952-04)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Billie Holiday43:43
8Autumn in New York (rare take — 78)
recording of:
Autumn in New York (1934) (in 1952-04)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Billie Holiday43:56
9My Man
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1952-07-27)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
Billie Holiday42:39
10Lover, Come Back to Me
double bass [Bass]:
Ray Brown (jazz bassist)
drums (drum set):
Gus Johnson (drums)
instruments:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Paul Quinichette
trumpet:
Joe Newman (US jazz trumpeter)
vocals:
Billie Holiday
recording of:
Lover, Come Back to Me (The New Moon) (on 1952-07-27)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Billie Holiday53:37
11Stormy Weather
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
Stormy Weather (on 1952-07-27)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Billie Holiday53:43
12Yesterdays
vocals:
Billie Holiday (on 1952-07-27)
recording of:
Yesterdays (on 1952-07-27)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Billie Holiday42:50
13He’s Funny That Way
recorded in:
New York, New York, United States (on 1952-07-27)
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
She’s Funny That Way (on 1952-07-27)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
Billie Holiday3.53:14
14I Can’t Face the Music
recording of:
I Can’t Face the Music (on 1952-07-27)
lyricist:
Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist)
Billie Holiday43:19
15MC and Leonard Feather Announcements
spoken vocals:
Leonard Feather (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
Leonard Feather10:48
16Blue Moon
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-01-23)
drums (drum set):
Elaine Leighton (on 1954-01-23)
piano:
Carl Drinkard (pianist) (on 1954-01-23)
vocals:
Billie Holiday (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
live recording of:
Blue Moon (on 1954-01-23)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (soundtrack of the 1977 film)
Billie Holiday52:05
17All of Me
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-01-23)
drums (drum set):
Elaine Leighton (on 1954-01-23)
piano:
Carl Drinkard (pianist) (on 1954-01-23)
vocals:
Billie Holiday (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
live recording of:
All of Me (on 1954-01-23)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
Billie Holiday41:43
18My Man
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-01-23)
drums (drum set):
Elaine Leighton (on 1954-01-23)
piano:
Carl Drinkard (pianist) (on 1954-01-23)
vocals:
Billie Holiday (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
live recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1954-01-23)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
Billie Holiday52:52
19Them There Eyes
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-01-23)
drums (drum set):
Elaine Leighton (on 1954-01-23)
piano:
Carl Drinkard (pianist) (on 1954-01-23)
vocals:
Billie Holiday (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
live recording of:
Them There Eyes (on 1954-01-23)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019-present)
Billie Holiday41:40
20I Cried for You
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-01-23)
drums (drum set):
Elaine Leighton (on 1954-01-23)
piano:
Carl Drinkard (pianist) (on 1954-01-23)
vocals:
Billie Holiday (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
live recording of:
I Cried for You (on 1954-01-23)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
Billie Holiday43:23
21What a Little Moonlight Can Do
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-01-23)
drums (drum set):
Elaine Leighton (on 1954-01-23)
piano:
Carl Drinkard (pianist) (on 1954-01-23)
vocals:
Billie Holiday (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
live recording of:
What a Little Moonlight Can Do (on 1954-01-23)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
Billie Holiday42:41
22I Cover the Waterfront
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-01-23)
drums (drum set):
Elaine Leighton (on 1954-01-23)
piano:
Carl Drinkard (pianist) (on 1954-01-23)
vocals:
Billie Holiday (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
live recording of:
I Cover the Waterfront (on 1954-01-23)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Billie Holiday43:17
23Leonard Feather Announcement
spoken vocals:
Leonard Feather (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
Leonard Feather10:21
24Billie’s Blues (aka “I Love My Man”)
clarinet:
Buddy DeFranco (on 1954-01-23)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-01-23)
drums (drum set):
Elaine Leighton (on 1954-01-23)
electric guitar:
Jimmy Raney (on 1954-01-23)
piano:
Beryl Booker (on 1954-01-23) and Sonny Clark (on 1954-01-23)
vibraphone:
Red Norvo (on 1954-01-23)
vocals:
Billie Holiday (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
live recording of:
Billie’s Blues (on 1954-01-23)
lyricist:
Billie Holiday
composer:
Billie Holiday (until 1936-08-01)
publisher:
Basart Editions
Billie Holiday411:39
▼ CD 3: 1954 Jazz Club U.S.A. Concert (conclusion) / 1954 Los Angeles & New York Studio Sessions / 1955 New York Studio Session
#TitleRatingLength
1Lover, Come Back to Me
clarinet:
Buddy DeFranco (on 1954-01-23)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-01-23)
drums (drum set):
Elaine Leighton (on 1954-01-23)
electric guitar:
Jimmy Raney (on 1954-01-23)
piano:
Beryl Booker (on 1954-01-23) and Sonny Clark (on 1954-01-23)
vibraphone:
Red Norvo (on 1954-01-23)
vocals:
Billie Holiday (on 1954-01-23)
recorded at:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
recorded at:
Messehalle in Köln, Nordrhein-Westfalen, Germany (on 1954-01-23)
live recording of:
Lover, Come Back to Me (The New Moon) (on 1954-01-23)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
56:51
2How Deep Is the Ocean?
vocals:
Billie Holiday (on 1954-04-14)
recording of:
How Deep Is the Ocean? (on 1954-04-14)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
52:59
3What a Little Moonlight Can Do
recorded in:
New York, New York, United States (on 1954-04-14)
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-04-14)
drums (drum set):
Ed Shaughnessy (on 1954-04-14)
electric guitar:
Herb Ellis (jazz guitarist) (on 1954-04-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-14)
trumpet:
Charlie Shavers (on 1954-04-14)
vocals:
Billie Holiday (on 1954-04-14)
recording of:
What a Little Moonlight Can Do (on 1954-04-14)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
3.53:12
4I Cried for You
recording of:
I Cried for You (on 1954-04-14)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
32:31
5Love Me or Leave Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1954-09-03)
double bass:
Red Callender (on 1954-09-03)
drums (drum set):
Chico Hamilton (on 1954-09-03)
guitar:
Barney Kessel (on 1954-09-03)
piano:
Bobby Tucker (on 1954-09-03)
trumpet:
Harry “Sweets” Edison (on 1954-09-03)
vocals:
Billie Holiday (on 1954-09-03)
recording of:
Love Me or Leave Me (on 1954-09-03)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
42:35
6P.S. I Love You
recording of:
P.S. I Love You (on 1954-09-03)
lyricist:
Johnny Mercer
composer:
Gordon Jenkins
publisher:
La Salle Music Publishers, Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), The Jenkins Family Partnership, The Johnny Mercer Foundation and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
part of:
The Real Book (compilation of jazz standards, Volume I)
53:37
7Too Marvelous for Words
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1954-09-03)
double bass:
Red Callender (on 1954-09-03)
drums (drum set):
Chico Hamilton (on 1954-09-03)
guitar:
Barney Kessel (on 1954-09-03)
piano:
Bobby Tucker (on 1954-09-03)
trumpet:
Harry “Sweets” Edison (on 1954-09-03)
vocals:
Billie Holiday (on 1954-09-03)
recording of:
Too Marvelous for Words (on 1954-09-03)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
42:13
8Softly
recording of:
Softly (Eddie Beal/Joe Greene song) (on 1954-09-03)
writer:
Eddie Beal and Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
52:57
9I Thought About You
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1954-09-03)
double bass:
Red Callender (on 1954-09-03)
drums (drum set):
Chico Hamilton (on 1954-09-03)
guitar:
Barney Kessel (on 1954-09-03)
piano:
Bobby Tucker (on 1954-09-03)
trumpet:
Harry “Sweets” Edison (on 1954-09-03)
vocals:
Billie Holiday (on 1954-09-03)
recording of:
I Thought About You (on 1954-09-03)
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
52:48
10Willow Weep for Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1954-09-03)
double bass:
Red Callender (on 1954-09-03)
drums (drum set):
Chico Hamilton (on 1954-09-03)
guitar:
Barney Kessel (on 1954-09-03)
piano:
Bobby Tucker (on 1954-09-03)
trumpet:
Harry “Sweets” Edison (on 1954-09-03)
vocals:
Billie Holiday (on 1954-09-03)
recording of:
Willow Weep for Me (on 1954-09-03)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
43:08
11Stormy Blues
recording of:
Stormy Blues (on 1954-09-03)
writer:
Billie Holiday
53:31
12Say It Isn’t So
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
Say It Isn’t So (on 1955-02-14)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
4.53:04
13I’ve Got My Love to Keep Me Warm
recorded in:
New York, New York, United States (on 1955-02-14)
miscellaneous support:
Leroy Lovett (on 1955-02-14)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
I’ve Got My Love to Keep Me Warm (on 1955-02-14)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3.653:58
14I Wished on the Moon
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
I Wished on the Moon (on 1955-02-14)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
56:50
15Always
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
Always (on 1955-02-14)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
43:59
16Everything Happens to Me
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
Everything Happens to Me (on 1955-02-14)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
46:22
17Do Nothin’ Till You Hear From Me
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
Do Nothin’ Till You Hear From Me (on 1955-02-14)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
55:01
18Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’ (on 1955-02-14)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
54:39
▶ CD 4: 1955 Rehearsal at Artie Shapiro’s Home
▶ CD 5: 1955 Los Angeles Studio Sessions
▶ CD 6: 1955 Los Angeles Studio Session (conclusion) / 1956 Rehearsal at the Duftys’ Home
▶ CD 7: 1956 New York & Los Angeles Studio Sessions
▶ CD 8: 1956 Carnegie Hall Concert / 1957 Los Angeles Studio Sessions
▶ CD 9: 1957 Los Angeles Studio Sessions
▶ CD 10: 1957 Newport Jazz Festival / 1958 Seven Ages of Jazz Concert / 1959 New York Studio Sessions With Ray Ellis