| # | Title | Rating | Length |
|---|
| 1 | Cantata, BWV 211 "Schweigt stille, plaudert nicht": I. Rezitativo (Tenore): "Schweigt stille, plaudert nicht"- tenor vocals:
- Peter Schreier
- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 0:44 |
| 2 | Cantata, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Schlendrian): "Hat man nicht mit seinen Kindern"- bass vocals:
- Siegfried Lorenz
- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 3:21 |
| 3 | Cantata, BWV 211 "Schweigt stille, plaudert nicht": III. Rezitativo (Schlendrian, Liesgen): "Du böses Kind, du loses Mädchen"- bass vocals:
- Siegfried Lorenz
- soprano vocals:
- Edith Mathis
- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 0:42 |
| 4 | Cantata, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Liesgen): "Ei! wie schmeckt der Coffee süße"- soprano vocals:
- Edith Mathis
- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 4:51 |
| 5 | Cantata, BWV 211 "Schweigt stille, plaudert nicht": V. Rezitativo (Schlendrian, Liesgen): "Wenn du mir nicht den Coffee läßt"- bass vocals:
- Siegfried Lorenz
- soprano vocals:
- Edith Mathis
- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 1:12 |
| 6 | Cantata, BWV 211 "Schweigt stille, plaudert nicht": VI. Arie (Schlendrian): "Mädchen, die von harten Sinnen"- bass vocals:
- Siegfried Lorenz
- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 3:06 |
| 7 | Cantata, BWV 211 "Schweigt stille, plaudert nicht": VII. Rezitativ (Schlendrian, Liesgen):" Nun folge, was dein Vater spricht"- bass vocals:
- Siegfried Lorenz
- soprano vocals:
- Edith Mathis
- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 0:54 |
| 8 | Cantata, BWV 211 "Schweigt stille, plaudert nicht": VIII. Arie (Liesgen): "Heute noch, heute noch!"- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 7:25 |
| 9 | Cantata, BWV 211 "Schweigt stille, plaudert nicht": IX. Rezitativ (Tenore): "Nun geht und sucht der alte Schlendrian"- tenor vocals:
- Peter Schreier
- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- [anonymous]
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 0:47 |
| 10 | Cantata, BWV 211 "Schweigt stille, plaudert nicht": X. Chor: Terzetto "Die Katze läßt das Mausen nicht"- bass vocals:
- Theo Adam and Siegfried Lorenz
- soprano vocals:
- Edith Mathis
- tenor vocals:
- Peter Schreier
- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- [anonymous]
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| | 5:55 |
| 11 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": I. Sinfonia | | 2:34 |
| 12 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": II. Aria. Duetto (Soprano, Basso): "Mer hahn ein neue Oberkeet" | | 0:38 |
| 13 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": III. Rezitative (Basso, Soprano): "Nu, Mieke, gib dein Guschel immer her"- bass vocals:
- Siegfried Lorenz
- soprano vocals:
- Edith Mathis
- orchestra:
- Kammerorchester Berlin
- conductor:
- Peter Schreier
- recorded at:
- Studio Christuskirche in Berlin, Germany
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1975-10)
- premiered in:
- Leipzig, Sachsen, Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen, Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:56 |
| 14 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": IV. Aria (Soprano): "Ach, es schmeckt doch gar zu gut" | | 1:00 |
| 15 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": V. Rezitativo (Basso): "Der Herr ist gut" | | 0:21 |
| 16 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": VI. Aria (Basso) "Ach, Herr Schösser, geht nicht gar zu schlimm" | | 1:13 |
| 17 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": VII. Rezitativ (Soprano): "Es bleibt dabei" | | 0:25 |
| 18 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": VIII. Aria (Soprano): "Unser trefflicher lieber Kammerherr" | | 2:06 |
| 19 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": IX. Rezitative (Basso, Soprano): "Er hilft uns allen, alt und jung" | | 0:29 |
| 20 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": X. Aria (Soprano): "Das ist galant" | | 1:17 |
| 21 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XI. Rezitativo (Basso): "Und unsre gnäd'ge Frau" | | 0:42 |
| 22 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XII. Aria (Basso): "Fünfzig Taler bares Geld" | | 0:47 |
| 23 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XIII. Rezitative (Soprano): "Im Ernst kein Wort!" | | 0:31 |
| 24 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XIV. Aria (Soprano): "Klein-Zschocher müsse so zart und süße" | | 6:53 |
| 25 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XV. Rezitative (Basso): "Das ist zu klug vor dich" | | 0:19 |
| 26 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XVI. Aria (Basso): "Es nehme zehntausend Dukaten" | | 0:38 |
| 27 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XVII. Rezitative (Soprano): "Das klingt zu liederlich" | | 0:22 |
| 28 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XVIII. Aria (Soprano): "Gib, Schöne, viel Söhne" | | 0:48 |
| 29 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XIX. Rezitative (Basso): "Du hast wohl recht" | | 0:19 |
| 30 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XX. Aria (Basso): "Dein Wachstum sei feste" | | 6:24 |
| 31 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXI. Rezitative (Soprano, Basso): "Und damit sei es auch genug" | | 0:19 |
| 32 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXII. Aria (Soprano): "Und daß ihr's alle wißt" | | 0:51 |
| 33 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXIII. Rezitative (Basso, Soprano): "Mein Schatz, erraten!" | | 0:34 |
| 34 | Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXIV. Chor, Duetto (Soprano, Basso): "Wir gehn nun, wo der Tudelsack" | | 1:25 |
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