The Classic Verve Albums Collection

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Stan Getz and the Oscar Peterson Trio / Ben Webster Meets Oscar Peterson
#TitleRatingLength
1I Want To Be Happy
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-10-10)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1957-10-10)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1957-10-10)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
7:38
2Pennies From Heaven
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-10-10)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1957-10-10)
instrumental recording of:
Pennies From Heaven (on 1957-10-10)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
5:19
3Bewitched, Bothered, And Bewildered/Don't Know Why (I Just Do)/How Long Has This Been Going On/I Cant Get Started/Polka Dots And Moonbeams
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-10-10)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1957-10-10)
medley including a instrumental recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1957-10-10)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
medley including a instrumental recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1957-10-10)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
medley including a instrumental recording of:
I Can’t Get Started (on 1957-10-10)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
medley including a instrumental recording of:
I Don’t Know Why (on 1957-10-10)
lyricist:
Roy Turk (in 1931)
composer:
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. and Redwood Music
medley including a instrumental recording of:
Polka Dots and Moonbeams (on 1957-10-10)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部
10:13
4I'm Glad There Is You
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-10-10)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1957-10-10)
medley including a instrumental recording of:
I’m Glad There Is You (on 1957-10-10)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
recording of:
I’m Glad There Is You
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
4:41
5Tour's End
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-10-10)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1957-10-10)
recording of:
Tour's End (on 1957-10-10)
composer:
Stan Getz
4:58
6I Was Doing All Right
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-10-10)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1957-10-10)
instrumental recording of:
I Was Doing All Right (on 1957-10-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
recording of:
I Was Doing All Right
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
4:11
7Bronx Blues
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-10-10)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1957-10-10)
recording of:
Bronx Blues (on 1957-10-10)
composer:
Stan Getz
5:34
8The Touch Of Your Lips
recording of:
The Touch of Your Lips
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
4:02
9When Your Lover Has Gone
recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
6:49
10Bye Bye Blackbird
recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
2:38
11How Deep Is the Ocean
recording of:
How Deep Is the Ocean?
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:15
12In the Wee Small Hours Of The Morning
recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
4:00
13Sunday
recording of:
Sunday (famously sung by Frank Sinatra & others)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd.
9:53
14This Can't Be Love
recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
6:20
▼ CD 2: The Trio / Something Warm
#TitleRatingLength
1I've Never Been in Love Before
recording engineer:
Val Valentin (from 1961-09 until 1961-10)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-09 until 1961-10)
drums (drum set):
Ed Thigpen (from 1961-09 until 1961-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-09 until 1961-10)
recorded at:
London House, Chicago in Chicago, Illinois, United States (from 1961-09 until 1961-10)
live instrumental recording of:
I’ve Never Been in Love Before (from 1961-09 until 1961-10)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
5:39
2In the Wee Small Hours of the Morning
recording engineer:
Val Valentin (from 1961-09 until 1961-10)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-09 until 1961-10)
drums (drum set):
Ed Thigpen (from 1961-09 until 1961-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-09 until 1961-10)
recorded at:
London House, Chicago in Chicago, Illinois, United States (from 1961-09 until 1961-10)
live instrumental recording of:
In the Wee Small Hours of the Morning (from 1961-09 until 1961-10)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
8:06
3Chicago
recording engineer:
Val Valentin (from 1961-09 until 1961-10)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-09 until 1961-10)
drums (drum set):
Ed Thigpen (from 1961-09 until 1961-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-09 until 1961-10)
recorded at:
London House, Chicago in Chicago, Illinois, United States (from 1961-09 until 1961-10)
live instrumental recording of:
Chicago (That Toddlin’ Town) (from 1961-09 until 1961-10)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
8:52
4The Night We Called It A Day
recording engineer:
Val Valentin (from 1961-09 until 1961-10)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-09 until 1961-10)
drums (drum set):
Ed Thigpen (from 1961-09 until 1961-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-09 until 1961-10)
recorded at:
London House, Chicago in Chicago, Illinois, United States (from 1961-09 until 1961-10)
live instrumental recording of:
The Night We Called It a Day (from 1961-09 until 1961-10)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. and Dorsey Brothers Music
recording of:
The Night We Called It a Day
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. and Dorsey Brothers Music
4:46
5Sometimes I'm Happy
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
9:40
6Whisper Not
recording engineer:
Val Valentin (from 1961-09 until 1961-10)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-09 until 1961-10)
drums (drum set):
Ed Thigpen (from 1961-09 until 1961-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-09 until 1961-10)
recorded at:
London House, Chicago in Chicago, Illinois, United States (from 1961-09 until 1961-10)
live instrumental recording of:
Whisper Not (from 1961-09 until 1961-10)
lyricist:
Leonard Feather
composer:
Benny Golson
recording of:
Whisper Not
lyricist:
Leonard Feather
composer:
Benny Golson
5:50
7Billy Boy
recording engineer:
Val Valentin (from 1961-09 until 1961-10)
producer:
Jim Davis (jazz producer)
double bass [bass]:
Ray Brown (jazz bassist) (from 1961-09 until 1961-10)
drums (drum set):
Ed Thigpen (from 1961-09 until 1961-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1961-09 until 1961-10)
recorded at:
London House, Chicago in Chicago, Illinois, United States (from 1961-09 until 1961-10)
live recording of:
Billy Boy (from 1961-09 until 1961-10)
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
1:48
8(There Is) No Greater Love
5:02
9I Remember Clifford
recording of:
I Remember Clifford
lyricist:
Jon Hendricks
composer:
Benny Golson
9:50
10Autumn Leaves
recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
5:05
11Blues For Big Scotia
recording of:
Blues for Big Scotia
composer:
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
6:47
12Swamp Fire
3:59
13I Love You
recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
6:40
▼ CD 3: The Sound of the Trio / Put On a Happy Face
#TitleRatingLength
1Tricrotism
11:05
2On Green Dolphin Street
recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
8:50
3Thag's Dance
5:39
4Ill Wind
recording of:
Ill Wind
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
5:33
5Kadota's Blues
11:06
6Put On A Happy Face
8:05
7Old Folks
4:16
8Woody 'N' You
recording of:
Woody ’n’ You
composer:
Dizzy Gillespie
3:50
9Yesterdays
recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:22
10Diablo
6:36
11Soon
4:38
12The Lonesome One
6:42
▼ CD 4: Night Train / We Get Requests
#TitleRatingLength
1Night Train
recording of:
Night Train (Jimmy Forrest’s original instrumental version)
composer:
Jimmy Forrest
3:50
2C Jam Blues
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
3:26
3Georgia On My Mind
recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:47
4Bags' Groove
recording of:
Bags’ Groove
composer:
Milt Jackson
5:43
5Moten Swing
recording of:
Moten Swing
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
2:56
6Easy Does It
recording of:
Easy Does It
writer:
James Oliver Young and Sy Oliver
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Warock Corp.
2:46
7Honey Dripper
recording of:
The Honeydripper
lyricist and composer:
Joe Liggins
2:25
8Things Ain't What They Used To Be
recording of:
Things Ain’t What They Used to Be
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music Inc
4:39
9I Got It Bad (And That Ain't Good)
4:27
10Band Call
recording of:
Band Call
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:55
11Hymn To Freedom
recording of:
Hymn to Freedom
composer:
Oscar Peterson (Canadian jazz pianist and composer)
5:38
12Corcavado (Quiet Nights Of Quite Stars)
recording of:
Corcovado (original Portuguese version)
lyricist:
Chico Buarque (Brazilian singer/lyricist) and Antônio Carlos Jobim
2:52
13The Days Of Wine And Roses
recording of:
Days of Wine and Roses
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 35)
2:43
14My One And Only Love
recording of:
My One and Only Love
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京
version of:
Music from Beyond the Moon (My One and Only Love)
5:11
15People
recording of:
People (Funny Girl)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Funny Girl (Broadway musical)
3:33
16Have You Met Miss Jones
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
4:14
17You Look Good To Me
recording of:
You Look Good to Me
composer:
Clement A Wells, Jr and Seymour Lefco
4:23
18The Girl From Ipanema
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
3:55
19D & E
4:50
20Time and Again
recording of:
Time and Again
lyricist and composer:
Noël Coward
4:40
21Goodbye J.D
recording of:
Goodbye, J.D.
composer:
Oscar Peterson (Canadian jazz pianist and composer)
2:57