Ultimate Verdi: The Essential Masterpieces

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: La traviata (highlights)
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1La traviata: Preludio
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Sir John Pritchard (conductor)
recording of:
La traviata: Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata (german lyrics)
part of:
La traviata (english lyrics)
part of:
La traviata
part of:
La traviata (french lyrics)
3:59
2La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi)
choir vocals:
Coro del Maggio Musicale Fiorentino (on 1962-11-16)
soprano vocals [Violetta]:
Joan Sutherland (soprano) (on 1962-11-16)
tenor vocals [Alfredo]:
Carlo Bergonzi (tenor) (on 1962-11-16)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1962-11-16)
conductor:
Sir John Pritchard (conductor) (on 1962-11-16)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (on 1962-11-16)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (on 1962-11-16)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
3:03
3La traviata: Atto I. “E strano!” … “Ah, fors’è lui”
soprano vocals [Violetta]:
Joan Sutherland (soprano) (in 1962)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962)
conductor:
Sir John Pritchard (conductor) (in 1962)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (in 1962)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
7:03
4La traviata: Atto I. “Follie! Delirio vano è questo!” … “Sempre libera”
soprano vocals [Violetta]:
Joan Sutherland (soprano) (in 1962)
tenor vocals [Alfredo]:
Carlo Bergonzi (tenor) (in 1962)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962)
conductor:
Sir John Pritchard (conductor) (in 1962)
recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo) (in 1962)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
4:58
5La traviata: Atto II. “Lunge da lei” … “De’ miei bollenti spiriti”
tenor vocals [Alfredo]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Sir John Pritchard (conductor)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
3:52
6La traviata: Atto II. “Pura, siccome un angelo … Un dì, quando le veneri”
baritone vocals [Germont]:
Robert Merrill (American operatic baritone)
soprano vocals [Violetta]:
Joan Sutherland (soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Sir John Pritchard (conductor)
recording of:
La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
recording of:
La traviata: Atto II, scena 1. Duetto “Pura siccome un angelo” (Germont, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
7:17
7La traviata: Atto II. “Ah! Dite alla giovine”
baritone vocals [Germont]:
Robert Merrill (American operatic baritone)
soprano vocals [Violetta]:
Joan Sutherland (soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Sir John Pritchard (conductor)
recording of:
La traviata: Atto II, scena 1. Duetto “Ah! Dite alla giovine” (Violetta, Germont)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
4:32
8La traviata: Atto II. “Dammi tu forza, o cielo!”
soprano vocals [Violetta]:
Joan Sutherland (soprano)
tenor vocals [Alfredo]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Sir John Pritchard (conductor)
recording of:
La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!” … “Che gli dirò?” … “Amami, Alfredo” (Violetta, Annina, Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
4:16
9La traviata: Atto II. “Di Provenza il mar, il suol”
baritone vocals [Germont]:
Robert Merrill (American operatic baritone)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Sir John Pritchard (conductor)
recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
4:14
10La traviata: Atto II. “Invitato a qui seguirmi”
choir vocals:
Coro del Maggio Musicale Fiorentino
soprano vocals [Violetta]:
Joan Sutherland (soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Sir John Pritchard (conductor)
recording of:
La traviata: Atto II, scena 2. “Invitato a qui seguirmi” (Violetta, Alfredo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
4:07
11La traviata: Atto II. “Di sprezzo degno se stesso rende”
baritone vocals [Barone Douphol]:
Paolo Pedani (baritone) (in 1962)
baritone vocals [Germont]:
Robert Merrill (American operatic baritone) (in 1962)
choir vocals:
Coro del Maggio Musicale Fiorentino (in 1962)
tenor vocals [Alfredo]:
Carlo Bergonzi (tenor) (in 1962)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962)
conductor:
Sir John Pritchard (conductor) (in 1962)
recording of:
La traviata: Atto II, scena 2. "Di sprezzo degno sè stesso rende" (Germont, Alfredo, Barone, Coro) (in 1962)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
6:27
12La traviata: Atto III. “Tenesta la promessa” … “Attendo, né a me giungon mai” … “Addio del passato”
soprano vocals [Violetta]:
Joan Sutherland (soprano) (in 1962)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962)
conductor:
Sir John Pritchard (conductor) (in 1962)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta) (in 1962)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
recording of:
La traviata: Atto III. Recitativo “Teneste la promessa” (Violetta) (in 1962)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
8:23
13La traviata: Atto III. “Parigi, o cara, noi lasceremo”
soprano vocals [Violetta]:
Joan Sutherland (soprano)
tenor vocals [Alfredo]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Sir John Pritchard (conductor)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
4:47
14La traviata: Atto III. “Ah, Violetta! … Se una pudica vergine”
baritone vocals [Germont]:
Robert Merrill (American operatic baritone) (in 1962)
bass vocals [Dottore Grenvil]:
Giovanni Foiani (operatic bass)
choir vocals:
Coro del Maggio Musicale Fiorentino
soprano vocals [Annina]:
Dora Carral (soprano)
soprano vocals [Violetta]:
Joan Sutherland (soprano) (in 1962)
tenor vocals [Alfredo]:
Carlo Bergonzi (tenor) (in 1962)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962)
conductor:
Sir John Pritchard (conductor) (in 1962)
recording of:
La traviata: Atto III. “Ah, Violetta!… Voi, Signor!” (Germont, Violetta, Alfredo) (in 1962)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
recording of:
La traviata: Atto III. Finale “Se una pudica vergine” (Violetta, Alfredo, Germont, Annina, Dottore, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
6:13
▼ CD 2: Rigoletto (highlights)
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1Rigoletto: Atto I. “Pari siamo”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto I, scena 2. N°4 Aria “Pari siamo!” (Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
4:20
2Rigoletto: Atto I. “Figlia! … Mio padre!”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
1:57
3Rigoletto: Atto I. “Deh, non parlare al misero”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
1:19
4Rigoletto: Atto I. “Quanto dolor”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
partial recording of:
Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
3:38
5Rigoletto: Atto I. “Veglia, o donna, questa fior”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
tenor vocals [Duca]:
Neil Shicoff (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Ah, veglia, o donna, questo fiore” (Rigoletto, Gilda, Duca, Giovanna)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
5:37
6Rigoletto: Atto I. “Gualtier Maldè … Caro nome”
soprano vocals [Gilda]:
Edita Gruberová (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
7:15
7Rigoletto: Atto II. “Ella mi fu rapita”
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:37
8Rigoletto: Atto II. “Parmi veder le lagrime”
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
3:09
9Rigoletto: Atto II. “Povero Rigoletto! … La rà, la rà”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto II. "Povero Rigoletto!" (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
4:00
10Rigoletto: Atto II. “Cortigiani, vil razza dannata”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
1:22
11Rigoletto: Atto II. “Ebben piango”
tenor vocals [Duca]:
Neil Shicoff (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
3:46
12Rigoletto: Atto II. Scena e duetto “Mio padre!” “Dio! Mia Gilda!”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto II. Duetto. "Mio padre!...Dio! mia Gilda!" (Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
1:50
13Rigoletto: Atto II. “Parla… siam soli” … “Tutte le feste al tiempo”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto II. Recitativo “Parla … Siam soli …” / “Tutte le feste al tempio” (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
4:36
14Rigoletto: Atto II. “Piangi, fanciulla”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto II. "Piangi, fanciulla, piangi" (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto II
3:17
15Rigoletto: Atto II. “Compiuto pur quanto” … “Schiudete …”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto II."Compiuto pur quanto" (Rigoletto, Gilda, Usciere, Monterone)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto II
1:21
16Rigoletto: Atto II. “Sì, vendetta”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto II. "Sì, vendetta, tremenda vendetta" (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:08
17Rigoletto: Atto III. Scena e canzone “E l’ami!”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
tenor vocals [Duca]:
Neil Shicoff (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto III. N°11 “E l'ami? … Sempre” (Rigoletto, Gilda, Duca, Sparafucile)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:32
18Rigoletto: Atto III. “La donna è mobile”
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
3:01
19Rigoletto: Atto III. Quartetto “Un dì, se ben rammentomi”
baritone vocals [Rigoletto]:
Renato Bruson (baritone) (in 1984-09)
mezzo-soprano vocals [Maddalena]:
Brigitte Fassbaender (mezzo-soprano) (in 1984-09)
soprano vocals [Gilda]:
Edita Gruberová (soprano) (in 1984-09)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
1:35
20Rigoletto: Atto III. “Bella figlia dell’amore”
baritone vocals [Rigoletto]:
Renato Bruson (baritone) (in 1984-09)
mezzo-soprano vocals [Maddalena]:
Brigitte Fassbaender (mezzo-soprano) (in 1984-09)
soprano vocals [Gilda]:
Edita Gruberová (soprano) (in 1984-09)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:32
21Rigoletto: Atto III. “Chi è mai”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto III. Scena e Duetto Finale. "Chi è mai, chi è qui in sua vece?" (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:00
22Rigoletto: Atto III. “V’ho ingannato … Lassù, in cielo”
baritone vocals [Rigoletto]:
Renato Bruson (baritone)
soprano vocals [Gilda]:
Edita Gruberová (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Rigoletto: Atto III. "Lassù... in cielo" (Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. "V'ho ingannato, colpevole fui" (Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:55
▼ CD 3: Il trovatore (highlights)
#TitleRatingLength
1Il trovatore: Atto I. “Vedi! le fosche notturne spoglie” (Anvil Chorus)
recorded in:
Great Britain (in 1980-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1980-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1980-07)
conductor:
Sir Colin Davis (English conductor) (in 1980-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1981)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1980-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:33
2Il trovatore: Atto I. “Stride la vampa!”
mezzo-soprano vocals [Azucena]:
Stefania Toczyska (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:31
3Il trovatore: Atto I. “Che più t’arresti?”: “Tacea la notte” … “Di tale amor”
mezzo-soprano vocals [Ines]:
Phyllis Cannan (mezzo soprano)
soprano vocals [Leonora]:
Katia Ricciarelli (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
9:02
4Il trovatore: Atto II. “Tutto è deserto” … “Il balen del suo sorriso”
baritone vocals [Conte]:
Yuri Mazurok (baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
4:38
5Il trovatore: Atto II. “E deggio e posso crederlo?”
baritone vocals [Conte]:
Yuri Mazurok (baritone)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Leonora]:
Katia Ricciarelli (soprano)
tenor vocals [Manrico]:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
4:25
6Il trovatore: Atto III. “Squilli, echeggi la tromba”
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:34
7Il trovatore: Atto III. “Quale d’armi fragor” … “Ah sì, ben mio”
soprano vocals [Leonora]:
Katia Ricciarelli (soprano)
tenor vocals [Manrico]:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Di qual tetra luce” (Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
5:34
8Il trovatore: Atto III. “L’onda de’suoni mistici” … “Di quella pira”
soprano vocals [Leonora]:
Katia Ricciarelli (soprano)
tenor vocals [Manrico]:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
5:02
9Il trovatore: Atto IV. “Timor di me” … “D’amor sull’ali rosee”
soprano vocals [Leonora]:
Katia Ricciarelli (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
4:57
10Il trovatore: Atto IV. “Miserere d’un’alma”
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Leonora]:
Katia Ricciarelli (soprano)
tenor vocals [Manrico]:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
8:42
11Il trovatore: Atto IV. “Madre, non dormi?”
mezzo-soprano vocals [Azucena]:
Stefania Toczyska (mezzo-soprano)
tenor vocals [Manrico]:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
3:29
12Il trovatore: Atto IV. “Un giorno”
mezzo-soprano vocals [Azucena]:
Stefania Toczyska (mezzo-soprano)
tenor vocals [Manrico]:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
1:43
13Il trovatore: Atto IV. “Sì; la stanchezza m’opprime”
mezzo-soprano vocals [Azucena]:
Stefania Toczyska (mezzo-soprano)
tenor vocals [Manrico]:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
3:21
14Il trovatore: Atto IV. “Che! Non m’inganno! Quel fioco lume …”
baritone vocals [Conte]:
Yuri Mazurok (baritone)
mezzo-soprano vocals [Azucena]:
Stefania Toczyska (mezzo-soprano)
soprano vocals [Leonora]:
Katia Ricciarelli (soprano)
tenor vocals [Manrico]:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
4:39
15Il trovatore: Atto IV. “Ti scosta!”
soprano vocals [Leonora]:
Katia Ricciarelli (soprano)
tenor vocals [Manrico]:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
4:46
▼ CD 4: Aida (highlights)
#TitleRatingLength
1Aida: Atto I. “Se quel guerrier io fossi!…Celeste Aida”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra dell'Opera, Roma (in 1961)
additional conductor:
Luigi Ricci (Assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
4:39
2Aida: Atto I. “Or di Vulcano…Su! del Nilo al sacro lido“
bass vocals [Il re]:
Plinio Clabassi (operatic bass) (in 1961)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1961)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
tenor vocals [Un messagero]:
Franco Ricciardi (Italian tenor) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
conductor:
Sir Georg Solti (conductor) (in 1961)
recording of:
Aida: Atto I, scena 1. “Or di Vulcano al tempio” (Il Re) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
2:55
3Aida: Atto I. “Ritorna vincitor!“
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
conductor:
Sir Georg Solti (conductor) (in 1961)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
8:05
4Aida: Atto II. “Gloria all’Egitto, ad Iside“
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1961)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (Assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
3:16
5Aida: Atto II. Marcia
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (Assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
6:03
6Aida: Atto II. “Vieni, o guerriero vindice”
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1962)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961, in 1962)
additional conductor:
Luigi Ricci (Assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961, in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1962)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:20
7Aida: Atto III. “Qui Radames verrà!…O Patria mia”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
conductor:
Sir Georg Solti (conductor) (in 1961)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
6:27
8Aida: Atto III. “Ciel! mio padre!“
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
baritone vocals [Amonasro]:
Robert Merrill (American operatic baritone) (in 1961)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (Assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
8:06
9Aida: Atto IV. “Già i Sacerdoti adunansi”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
soprano vocals [Sacerdotessa]:
Mietta Sighele (soprano)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (Assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
6:51
10Aida: Atto IV. “Ohimè!…morir mi sento! Oh! chi lo salva?”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals:
Giorgio Tozzi (operatic bass)
mezzo-soprano vocals:
Rita Gorr (Belgian operatic mezzo-soprano)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
conductor:
Sir Georg Solti (conductor) (in 1961)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
4:51
11Aida: Atto IV. “Radamès! Radamès! Radamès!”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1961)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (Assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Amneris, Ramfis, Sacerdoti) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Amneris, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
6:59
12Aida: Atto IV. “Presago il core della tua condonna”
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (Assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
4:20
13Aida: Atto IV. “O terra, addio; addio valle di pianti”
engineer:
René Boux and Lewis Layton (engineer) (in 1961)
producer:
Richard Mohr (producer)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (Assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
5:48
▼ CD 5: La forza del destino (highlights)
#TitleRatingLength
1La forza del destino: Overture (Sinfonia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Sinfonia (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
7:20
2La forza del destino: Atto II. “Son giunta … Madre pietosa vergine
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
soprano vocals [Leonora]:
Renata Tebaldi (soprano) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto II, scena 2. “Madre, Madre, pietosa Vergine” (Leonora) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “Son giunta!” - “Madre, Madre, pietosa Vergine” (Leonora, coro) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
6:20
3La forza del destino: Atto II. “Il santo nome di Dio … La vergine degli”
bass vocals [Guardiano]:
Cesare Siepi (operatic bass) (in 1955-07)
bass vocals [Melitone]:
Fernando Corena (operatic bass)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
soprano vocals [Leonora]:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto II, scena 2. “Il santo nome di Dio Signore sia benedetto” (Guardiano, coro) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “Il santo nome di Dio Signore sia benedetto” (Guardiano, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
7:44
4La forza del destino: Atto III. “La vita è inferno … Oh, tu che in seno agl’angeli”
tenor vocals [Alvaro]:
Mario Del Monaco (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
5:32
5La forza del destino: Atto III. “Solenne in quest’ora”
baritone vocals [Carlo]:
Ettore Bastianini (baritone) (in 1955-07)
tenor vocals [Alvaro]:
Mario Del Monaco (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto III, scena 1. “Solenne in quest'ora” (Alvaro, Don Carlo) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
4:03
6La forza del destino: Atto III. “Urna fatale del mio destino”
baritone vocals [Carlo] and baritone vocals [Don Carlo]:
Ettore Bastianini (baritone) (in 1955-07)
bass vocals [un chirurgo]:
Eraldo Coda (operatic bass / tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto III, scena 2. “Urna fatale del mio destino” (Don Carlo) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
5:13
7La forza del destino: Atto III. “Rataplan“
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
mezzo-soprano vocals [Preziosilla]:
Giulietta Simionato (mezzo soprano) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto III, scena 2. “Lasciatelo ch’ei vada” – “Rataplan, rataplan della gloria” (Preziosilla, vivandiere, soldati, reclute) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
2:58
8La forza del destino: Atto IV. “Fratello … Le minaccie, i fieri accenti”
baritone vocals [Carlo] and baritone vocals [Don Carlo]:
Ettore Bastianini (baritone) (in 1955-07)
tenor vocals [Alvaro]:
Mario Del Monaco (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto IV, scena 1. “Le minaccie, i fieri accenti” … “Ah, una suora me lasciasti” (Alvaro, Don Carlo) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
7:18
9La forza del destino: Atto IV. “Pace, pace, mio Dio”
soprano vocals [Leonora]:
Renata Tebaldi (soprano) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
5:50
10La forza del destino: Atto IV. “Non imprecare; umiliati”
bass vocals [Guardiano]:
Cesare Siepi (operatic bass) (in 1955-07)
soprano vocals [Leonora]:
Renata Tebaldi (soprano) (in 1955-07)
tenor vocals [Alvaro]:
Mario Del Monaco (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto IV, scena 2. “Non imprecare, umiliati a Lui ch'è giusto e santo” (Leonora, Alvaro, Guardiano) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
5:32