Klavierwerke

~ Release by Franz Liszt; Tamás Vásáry (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Ungarische Rhapsodie Nr. 6 Des-dur, S. 244
producer:
Karl-Heinz Schneider (producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1957-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1957-07)
recorded at:
Laeiszhalle, Großer Saal in Hamburg, Germany (in 1957-07)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante - Allegro - Presto (in 1957-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt7:11
2Valse Impromptu, S. 213
producer:
Karl-Heinz Schneider (producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1957-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1957-07)
recorded at:
Laeiszhalle, Großer Saal in Hamburg, Germany (in 1957-07)
recording of:
Valse-Impromptu, S. 213 (in 1957-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
Franz Liszt5:53
3Consolation Nr. 2 E-dur, S. 172
producer:
Karl-Heinz Schneider (producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1957-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1957-07)
recorded at:
Laeiszhalle, Großer Saal in Hamburg, Germany (in 1957-07)
recording of:
Consolation in E major, S. 172 no. 2: Un poco più mosso (in 1957-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 2: Un poco più mosso (first, less common version)
Franz Liszt2:57
4Consolation Nr. 3 Des-dur, S. 172
producer:
Karl-Heinz Schneider (producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1957-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1957-07)
recorded at:
Laeiszhalle, Großer Saal in Hamburg, Germany (in 1957-07)
recording of:
Consolation in D-flat major, S. 172 no. 3: Lento placido (in 1957-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
Franz Liszt4:21
5»Rigoletto«-Paraphrase, S. 434
producer:
Karl-Heinz Schneider (producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1957-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1957-07)
recorded at:
Laeiszhalle, Großer Saal in Hamburg, Germany (in 1957-07)
recording of:
Konzert-Paraphrase über Verdis "Rigoletto", S. 434 (in 1957-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 434)
is based on:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
Franz Liszt6:53
6La Campanella, S. 140 Nr. 3
producer:
Karl-Heinz Schneider (producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1957-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1957-07)
recorded at:
Laeiszhalle, Großer Saal in Hamburg, Germany (in 1957-07)
recording of:
Grandes études de Paganini, S. 141: No. 3. La campanella in G-sharp minor (in 1957-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella”
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella”
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella”
part of:
Études d’exécution transcendante d’après Paganini, S. 140
Franz Liszt4:42
7Ungarische Rhapsodie Nr. 15 a-moll »Rákóczi-Marsch«, S. 244
producer:
Karl-Heinz Schneider (producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1957-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1957-07)
recorded at:
Laeiszhalle, Großer Saal in Hamburg, Germany (in 1957-07)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 15 in A minor, S. 244 no. 15 "Rákóczi March" (in 1957-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt4:58
8Polonaise Nr. 2 E-dur, S. 223
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1961-05)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1961-05)
recording of:
2 Polonaises, S. 223: no. 2 in E major (in 1961-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1850 until 1851)
part of:
2 Polonaises, S. 223
Franz Liszt9:01
9»Don Juan«-Fantasie, S. 418
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1961-05)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1961-05)
recording of:
Réminiscences de Don Juan, S. 418 (for piano solo) (in 1961-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1841)
dedicated to:
King Christian VIII of Denmark
is based on:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Franz Liszt17:34
10Der heilige Franziskus von Paula über den Wogen schreitend, S. 175 Nr. 2
producer:
Klaus Fischer-Dieskau
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1959-05)
balance engineer:
Harro-Hell Michna (in 1959-05)
recorded at:
Dominikanerbau in Bamberg, Bayern, Germany (in 1959-05)
recording of:
Deux légendes, S. 175: St. François de Paule: marchant sur les flots (for piano) (in 1959-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Deux légendes, S. 175 (for piano)
Franz Liszt8:50
11Etüde Nr. 2 Es-dur, S. 140
producer:
Klaus Fischer-Dieskau
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1959-05)
balance engineer:
Harro-Hell Michna (in 1959-05)
recorded at:
Dominikanerbau in Bamberg, Bayern, Germany (in 1959-05)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major (in 1959-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, MS 25, op. 1 no. 17 in E-flat major: Sostenuto – Andante
part of:
Études d’exécution transcendante d’après Paganini, S. 140
Franz Liszt4:49

Credits