Die kompletten Werke, Volume 9: Kantaten, BWV 103-114

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Dezember 1980, März/Mai 1981 (BWV 103); September 1979, Februar 1979 (BWV 104); September/Dezember 1977, Januar 1978 (BWV 105)
CD2 Aufnahme: Gedächtniskirche Stuttgart. Januar/März/Juni 1975 (BWV 106); Februar/Oktober 1979 (BWV 107); August/Dezember 1980, Februar/März 1981 (BWV 108)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Februar 1971, Februar/März 1981 (BWV 109); Januar/Februar/Mai 1975 (BWV 110); Februar/April/Dezember 1980 (BWV 111)
CD4 Aufnahme: Gedächtniskirche Stuttgart. Dezember 1980, Februar 1981 (BWV 112); März 1973, Mai 1981 (No. 7) (BWV 113); Januar/Februar 1974, Februar 1981 (No. 5 & 7) (BWV 114)

Annotation last modified on 2014-06-19 18:07 UTC.

Tracklist

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▼ CD 1: BWV 103-105
#TitleArtistRatingLength
1Kantate, BWV 103 "Ihr werdet weinen und heulen": I. Coro (+ Bass) "Ihr werdet weinen und heulen"
bass vocals:
Walter Heldwein
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Kantate, BWV 103 "Ihr werdet weinen und heulen": I. Coro (+ Bass) "Ihr werdet weinen und heulen" (from 1980-12 until 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 103 "Ihr werdet weinen und heulen"
Johann Sebastian Bach6:12
2Kantate, BWV 103 "Ihr werdet weinen und heulen": II. Recitativo (Tenor) "Wer sollte nicht in Klagen untergehn"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Kantate, BWV 103 "Ihr werdet weinen und heulen": II. Recitativo (Tenor) "Wer sollte nicht in Klagen untergehn" (from 1980-12 until 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 103 "Ihr werdet weinen und heulen"
Johann Sebastian Bach0:42
3Kantate, BWV 103 "Ihr werdet weinen und heulen": III. Aria (Alt) "Kein Arzt ist außer dir zu finden"
vocals:
Doris Soffel (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Kantate, BWV 103 "Ihr werdet weinen und heulen": III. Aria (Alt) "Kein Arzt ist außer dir zu finden" (from 1980-12 until 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 103 "Ihr werdet weinen und heulen"
Johann Sebastian Bach4:07
4Kantate, BWV 103 "Ihr werdet weinen und heulen": IV. Recitativo (Alt) "Du wirst mich nach der Angst"
alto vocals:
Doris Soffel (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Kantate, BWV 103 "Ihr werdet weinen und heulen": IV. Recitativo (Alt) "Du wirst mich nach der Angst" (from 1980-12 until 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 103 "Ihr werdet weinen und heulen"
Johann Sebastian Bach0:49
5Kantate, BWV 103 "Ihr werdet weinen und heulen": V. Aria (Tenor) "Erholet euch, betrübte Sinnen"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Kantate, BWV 103 "Ihr werdet weinen und heulen": V. Aria (Tenor) "Erholet euch, betrübte Sinnen" (from 1980-12 until 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 103 "Ihr werdet weinen und heulen"
Johann Sebastian Bach3:03
6Kantate, BWV 103 "Ihr werdet weinen und heulen": VI. Choral "Ich hab dich einen Augenblick"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Kantate, BWV 103 "Ihr werdet weinen und heulen": VI. Choral "Ich hab dich einen Augenblick" (from 1980-12 until 1981-05)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 348)
part of:
Kantate, BWV 103 "Ihr werdet weinen und heulen"
Johann Sebastian Bach1:28
7Kantate, BWV 104 "Du Hirte Israel, höre": I. Coro "Du Hirte Israel, höre"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-09)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": I. Coro "Du Hirte Israel, höre" (from 1979-02 until 1979-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach4:09
8Kantate, BWV 104 "Du Hirte Israel, höre": II. Recitativo (Tenor) "Der höchste Hirte sorgt vor mich"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-09)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": II. Recitativo (Tenor) "Der höchste Hirte sorgt vor mich" (from 1979-02 until 1979-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach0:44
9Kantate, BWV 104 "Du Hirte Israel, höre": III. Aria (Tenor) "Verbirgt mein Hirte sich zu lange"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-09)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": III. Aria (Tenor) "Verbirgt mein Hirte sich zu lange" (from 1979-02 until 1979-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach3:53
10Kantate, BWV 104 "Du Hirte Israel, höre": IV. Recitativo (Bass) "Ja, dieses Wort ist meiner Seelen Speise"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-09)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": IV. Recitativo (Bass) "Ja, dieses Wort ist meiner Seelen Speise" (from 1979-02 until 1979-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach1:00
11Kantate, BWV 104 "Du Hirte Israel, höre": V. Aria (Bass) "Beglückte Herde, Jesu Schafe"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-09)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": V. Aria (Bass) "Beglückte Herde, Jesu Schafe" (from 1979-02 until 1979-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach5:56
12Kantate, BWV 104 "Du Hirte Israel, höre": VI. Choral "Der Herr ist mein getreuer Hirt"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-09)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": VI. Choral "Der Herr ist mein getreuer Hirt" (from 1979-02 until 1979-09)
lyricist:
Kornelius Becker (Lutheran pastor 1561-1604)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 13)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach1:05
13Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht"
bass vocals:
Walter Heldwein
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Adalbert Kraus (tenor)
vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:57
14Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:17
15Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach7:13
16Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:06
17Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen"
vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:15
18Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:30
▼ CD 2: BWV 106-108
#TitleArtistRatingLength
1Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (from 1975-01 until 1975-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:35
2Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (from 1975-01 until 1975-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:13
3Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (from 1975-01 until 1975-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:17
4Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (from 1975-01 until 1975-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:14
5Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund"
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Eva Csapó (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (from 1975-01 until 1975-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach4:04
6Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist"
alto vocals:
Hanna Schwarz (mezzo soprano)
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (from 1975-01 until 1975-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:05
7Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir"
bass vocals:
Wolfgang Schöne (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (from 1975-01 until 1975-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:37
8Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (from 1975-01 until 1975-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:30
9Kantate, BWV 107 "Was willst du dich betrüben": I. Coro "Was willst du dich betrüben"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": I. Coro "Was willst du dich betrüben" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
Johann Sebastian Bach3:26
10Kantate, BWV 107 "Was willst du dich betrüben": II. Recitativo (Bass) "Denn Gott verlässet keinen"
bass vocals:
John Bröcheler (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": II. Recitativo (Bass) "Denn Gott verlässet keinen" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
Johann Sebastian Bach1:09
11Kantate, BWV 107 "Was willst du dich betrüben": III. Aria (Bass) "Auf ihn magst du es wagen"
bass vocals:
John Bröcheler (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": III. Aria (Bass) "Auf ihn magst du es wagen" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
Johann Sebastian Bach2:59
12Kantate, BWV 107 "Was willst du dich betrüben": IV. Aria (Tenor) "Wenn auch gleich aus der Höllen"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": IV. Aria (Tenor) "Wenn auch gleich aus der Höllen" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
Johann Sebastian Bach2:34
13Kantate, BWV 107 "Was willst du dich betrüben": V. Aria (Sopran) "Er richts zu seinen Ehren"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": V. Aria (Sopran) "Er richts zu seinen Ehren" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
Johann Sebastian Bach2:08
14Kantate, BWV 107 "Was willst du dich betrüben": VI. Aria (Tenor) "Drum ich mich ihm ergebe"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": VI. Aria (Tenor) "Drum ich mich ihm ergebe" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
Johann Sebastian Bach2:53
15Kantate, BWV 107 "Was willst du dich betrüben": VII. Choral "Herr, gib, daß ich dein Ehre"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": VII. Choral "Herr, gib, daß ich dein Ehre" (from 1979-02 until 1979-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
Johann Sebastian Bach1:54
16Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": I. Aria (Bass) "Es ist euch gut, daß ich hingehe"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1981-03)
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": I. Aria (Bass) "Es ist euch gut, daß ich hingehe" (from 1980-08 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach4:22
17Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": II. Aria (Tenor) "Mich kann kein Zweifel stören"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1981-03)
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": II. Aria (Tenor) "Mich kann kein Zweifel stören" (from 1980-08 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach3:06
18Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": III. Recitativo (Tenor) "Dein Geist wird mich also regieren"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1981-03)
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": III. Recitativo (Tenor) "Dein Geist wird mich also regieren" (from 1980-08 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach0:44
19Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": IV. Coro "Wenn aber jener, der Geist der Wahrheit"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1981-03)
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": IV. Coro "Wenn aber jener, der Geist der Wahrheit" (from 1980-08 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach3:31
20Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": V. Aria (Alt) "Was mein Herz von dir begehrt"
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1981-03)
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": V. Aria (Alt) "Was mein Herz von dir begehrt" (from 1980-08 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach3:41
21Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": VI. Choral "Dein Geist, den Gott vom Himmel gibt"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-08 until 1981-03)
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": VI. Choral "Dein Geist, den Gott vom Himmel gibt" (from 1980-08 until 1981-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 224)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach1:13
▼ CD 3: BWV 109-111
#TitleArtistRatingLength
1Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": I. Coro "Ich glaube, lieber Herr, hilf meinem Unglauben"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": I. Coro "Ich glaube, lieber Herr, hilf meinem Unglauben" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach6:52
2Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": II. Recitativo (Tenor) "Des Herren Hand ist ja noch nicht verkürzt"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": II. Recitativo (Tenor) "Des Herren Hand ist ja noch nicht verkürzt" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach1:52
3Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": III. Aria (Tenor) "Wie zweifelhaftig ist mein Hoffen"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": III. Aria (Tenor) "Wie zweifelhaftig ist mein Hoffen" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach5:33
4Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": IV. Recitativo (Alt) "O fasse dich, du zweifelhafter Mut"
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": IV. Recitativo (Alt) "O fasse dich, du zweifelhafter Mut" (in 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach0:50
5Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": V. Aria (Alt) "Der Heiland kennt ja die Seinen"
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": V. Aria (Alt) "Der Heiland kennt ja die Seinen" (in 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach5:43
6Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": VI. Choral "Wer hofft in Gott und dem vertraut"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": VI. Choral "Wer hofft in Gott und dem vertraut" (in 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
Johann Sebastian Bach4:23
7Kantate, BWV 110 "Unser Mund sei voll Lachens": I. Coro "Unser Mund sei voll Lachens"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": I. Coro "Unser Mund sei voll Lachens" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach9:11
8Kantate, BWV 110 "Unser Mund sei voll Lachens": II. Aria (Tenor) "Ihr Gedanken und ihr Sinnen"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": II. Aria (Tenor) "Ihr Gedanken und ihr Sinnen" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach3:49
9Kantate, BWV 110 "Unser Mund sei voll Lachens": III. Recitativo (Bass) "Dir, Herr, ist niemand gleich"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": III. Recitativo (Bass) "Dir, Herr, ist niemand gleich" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach0:28
10Kantate, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (Tenor) "Ach Herr, was ist ein Menschenkind"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (Tenor) "Ach Herr, was ist ein Menschenkind" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:07
11Kantate, BWV 110 "Unser Mund sei voll Lachens": V. Duetto (Sopran, Tenor) "Ehre sei Gott in der Höhe"
soprano vocals:
Kathrin Graf (Swiss soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": V. Duetto (Sopran, Tenor) "Ehre sei Gott in der Höhe" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach3:39
12Kantate, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (Bass) "Wacht auf, ihr Adern und ihr Glieder"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (Bass) "Wacht auf, ihr Adern und ihr Glieder" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:17
13Kantate, BWV 110 "Unser Mund sei voll Lachens": VII. Choral "Alleluja! Gelobt sei Gott"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VII. Choral "Alleluja! Gelobt sei Gott" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Kaspar Füger (in 1592)
part of:
Breitkopf 389 Choralgesänge (number: 380)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach1:01
14Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": I. Coro "Was mein Gott will, das gscheh allzeit"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": I. Coro "Was mein Gott will, das gscheh allzeit" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach5:04
15Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": II. Aria (Bass) "Entsetze dich, mein Herze, nicht"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": II. Aria (Bass) "Entsetze dich, mein Herze, nicht" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach3:09
16Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": III. Recitativo (Alt) "O Törichter! der sich von Gott entzieht"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": III. Recitativo (Alt) "O Törichter! der sich von Gott entzieht" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach1:04
17Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": IV. Aria (Alt, Tenor) "So geh ich mit beherzten Schritten"
alto vocals:
Helen Watts (contralto)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": IV. Aria (Alt, Tenor) "So geh ich mit beherzten Schritten" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach7:47
18Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": V. Recitativo (Sopran) "Drum wenn der Tod zuletzt den Geist"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": V. Recitativo (Sopran) "Drum wenn der Tod zuletzt den Geist" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach1:24
19Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": VI. Choral "Noch eins, Herr, will ich bitten dich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-12)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": VI. Choral "Noch eins, Herr, will ich bitten dich" (in 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 345)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
Johann Sebastian Bach1:30
▼ CD 4: BWV 112-114
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1Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": I. Coro "Der Herr ist mein getreuer Hirt"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-02)
recording of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": I. Coro "Der Herr ist mein getreuer Hirt" (from 1980-12 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt"
Johann Sebastian Bach2:54
2Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": II. Aria (Alt) "Zum reinen Wasser er mich weist"
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-02)
recording of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": II. Aria (Alt) "Zum reinen Wasser er mich weist" (from 1980-12 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt"
Johann Sebastian Bach3:57
3Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": III. Recitativo (Bass) "Und ob ich wandert im finstern Tal"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-02)
recording of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": III. Recitativo (Bass) "Und ob ich wandert im finstern Tal" (from 1980-12 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt"
Johann Sebastian Bach1:48
4Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": IV. Duetto (Sopran, Tenor) "Du bereitest für mir einen Tisch"
soprano vocals:
Inga Nielsen (soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-02)
recording of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": IV. Duetto (Sopran, Tenor) "Du bereitest für mir einen Tisch" (from 1980-12 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt"
Johann Sebastian Bach3:48
5Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": V. Choral "Gutes und die Barmherzigkeit"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-02)
recording of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": V. Choral "Gutes und die Barmherzigkeit" (from 1980-12 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 14)
part of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt"
Johann Sebastian Bach1:22
6Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": I. Coro "Herr Jesu Christ, du höchstes Gut"
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": I. Coro "Herr Jesu Christ, du höchstes Gut" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach3:40
7Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": II. Aria (Choral, Alt) "Erbarm dich mein in solcher Last"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": II. Aria (Choral, Alt) "Erbarm dich mein in solcher Last" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach5:36
8Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": III. Aria (Bass) "Fürwahr, wenn mir das kömmet ein"
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": III. Aria (Bass) "Fürwahr, wenn mir das kömmet ein" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach3:36
9Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": IV. Recitativo (Bass) "Jedoch dein heilsam Wort, das macht"
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": IV. Recitativo (Bass) "Jedoch dein heilsam Wort, das macht" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach2:26
10Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": V. Aria (Tenor) "Jesus nimmt die Sünder an"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": V. Aria (Tenor) "Jesus nimmt die Sünder an" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach4:53
11Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VI. Recitativo (Tenor) "Der heiland nimmt die Sünder an"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VI. Recitativo (Tenor) "Der heiland nimmt die Sünder an" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach2:32
12Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VII. Aria (Duetto Sopran, Alt) "Ach Herr, mein Gott, vergib mirs doch"
alto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-05)
recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VII. Aria (Duetto Sopran, Alt) "Ach Herr, mein Gott, vergib mirs doch" (in 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach2:22
13Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VIII. Choral "Stärk mich mit deinem Freudengeist"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VIII. Choral "Stärk mich mit deinem Freudengeist" (from 1973-03 until 1973-04)
lyricist:
Bartholomäus Ringwaldt
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 142)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach1:09
14Kantate, BWV 114 "Ach lieben Christen, seid getrost": I. Coro "Ach, lieben Christen, seid getrost"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost": I. Coro "Ach, lieben Christen, seid getrost" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost"
Johann Sebastian Bach4:38
15Kantate, BWV 114 "Ach lieben Christen, seid getrost": II. Aria (Tenor) "Wo wird in diesem Jammertale"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost": II. Aria (Tenor) "Wo wird in diesem Jammertale" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost"
Johann Sebastian Bach9:31
16Kantate, BWV 114 "Ach lieben Christen, seid getrost": III. Recitativo (Bass) "O Sünder, trage mit Geduld"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost": III. Recitativo (Bass) "O Sünder, trage mit Geduld" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost"
Johann Sebastian Bach1:56
17Kantate, BWV 114 "Ach lieben Christen, seid getrost": IV. Choral (Sopran) "Kein Frucht das Weizenkörnlein bringt"
soprano vocals:
Gabriele Schnaut (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost": IV. Choral (Sopran) "Kein Frucht das Weizenkörnlein bringt" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost"
Johann Sebastian Bach2:33
18Kantate, BWV 114 "Ach lieben Christen, seid getrost": V. Aria (Alt) "Du machst, o Tod, mir nun nicht ferner bange"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost": V. Aria (Alt) "Du machst, o Tod, mir nun nicht ferner bange" (in 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost"
Johann Sebastian Bach5:42
19Kantate, BWV 114 "Ach lieben Christen, seid getrost": VI. Recitativo (Tenor) "Indes bedenke deine Seele"
vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost": VI. Recitativo (Tenor) "Indes bedenke deine Seele" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost"
Johann Sebastian Bach1:09
20Kantate, BWV 114 "Ach lieben Christen, seid getrost": VII. Choral "Wir wachen oder schlafen ein"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost": VII. Choral "Wir wachen oder schlafen ein" (in 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 386)
part of:
Kantate, BWV 114 "Ach lieben Christen, seid getrost"
Johann Sebastian Bach1:17