More Greatest Classical Hits: The Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Individual CD cat#s run from 2411 through 2420.

Annotation last modified on 2015-11-04 01:26 UTC.

Tracklist

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▼ CD 1: Wagner
#	Title	Artist	Rating	Length
1	Rienzi: Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym) and Slowakische Philharmonie (Slovak Philharmonic, Bratislava) conductor: Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) and Alfred Scholz recording of: Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre composer: Richard Wagner (composer) (from 1838-07 until 1840-11) librettist: Richard Wagner (composer) part of: Rienzi, der letzte der Tribunen, WWV 49	Wagner		11:33
2	Tannhäuser: Entry of the guests "Freudig begrüssen wir" choir vocals: Choir of the Budapest State Opera orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) conductor: Iosif Conta (conductor) recording of: Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March) composer: Richard Wagner (composer) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)	Wagner		6:34
3	Tannhäuser: Pilgrim's Chorus: "Beglückt darf nun" choir vocals: Choir of the Budapest State Opera orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) conductor: Iosif Conta (conductor) partial recording of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. "Wohl wüsst ich hier sie im Gebet zu finden" composer: Richard Wagner (composer) (from 1843 until 1845-04-13) librettist: Richard Wagner (composer) (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III	Wagner		6:21
4	Lohengrin: Prelude Act 3 orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Lohengrin, WWV 75: Akt III. Vorspiel composer: Richard Wagner (composer) (from 1846 until 1848) part of: Lohengrin, WWV 75: Akt III	Wagner		3:06
5	Lohengrin: Bridal Chorus: "Treulich geführt" choir vocals: Choir of the Budapest State Opera orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) conductor: Iosif Conta (conductor) recording of: Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) composer: Richard Wagner (composer) (from 1846 until 1848) librettist: Richard Wagner (composer) part of: Lohengrin, WWV 75: Akt III	Wagner		4:38
6	Der fliegende Holländer: Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Der fliegende Holländer, WWV 63: Ouvertüre composer: Richard Wagner (composer) (from 1840 until 1841) part of: Der fliegende Holländer, WWV 63	Wagner		10:26
7	Tristan und Isolde: Brangänes Warning "Einsam wachend" mezzo-soprano vocals: Rita Noël (American operatic mezzo-soprano and trained violist) orchestra: Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Tristan und Isolde, WWV 90: Akt II, Szene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" composer: Richard Wagner (composer) (from 1857-10 until 1859-08) librettist: Richard Wagner (composer) (from 1857-08-20 until 1857-09-18) part of: Tristan und Isolde, WWV 90: Akt II	Wagner		2:32
8	Die Meistersinger von Nürnberg: Prelude Act 1 orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Die Meistersinger von Nürnberg, WWV 96: Vorspiel composer: Richard Wagner (composer) (from 1863 until 1867) part of: Die Meistersinger von Nürnberg, WWV 96	Wagner		10:02
9	Die Walküre: Aria of Frika "Wo in Bergen du dich birgst" mezzo-soprano vocals: Rita Noël (American operatic mezzo-soprano and trained violist) orchestra: Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) partial recording of: Die Walküre, WWV 86B: Akt II, Scene I "Nun zäume dein Roß, reisige Maid" composer: Richard Wagner (composer) (from 1854-06-28 until 1856-03-23) librettist: Richard Wagner (composer) part of: Die Walküre, WWV 86B: Akt II	Wagner		6:35

▼ CD 2: Verdi
#	Title	Artist	Rating	Length
1	Aida: Overture orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) conductor: Josif Conta (conductor) recording of: Aida: Preludio (standard opening to the opera, ~4min) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Ghislanzoni part of: Aida (German lyrics) part of: Aida	Verdi		4:41
2	Aida: Triumphal March and Chorus Act 2 orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) conductor: Josif Conta (conductor) recording of: Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Ghislanzoni part of: Aida: Atto II	Verdi		11:46
3	Aida: Ballet Music orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) and Sofia National Opera Orchestra conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Ivan Marinov (conductor) and Alfred Scholz recording of: Aida: Atto II, scena 2. Ballabile (orchestra) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Ghislanzoni part of: Aida: Akt II part of: Aida: Atto II	Verdi		4:42
4	Il trovatore: Gipsy Chorus choir vocals: Consortium Musicum Ljubljana orchestra: Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Marko Munih (conductor) recording of: Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) composer: Giuseppe Verdi (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Il trovatore: Atto II. La gitana	Verdi		2:57
5	La forza del destino: Overture orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra), Philharmonia Slavonica (Alfred Scholz pseudonym) and Philharmonic Orchestra Sofia conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Josif Conta (conductor) and Vassil Stefanov (Bulgarian conductor) recording of: La forza del destino: Sinfonia composer: Giuseppe Verdi (Italian opera composer) part of: La forza del destino	Verdi		8:05
6	La forza del destino: Soldier’s Chorus choir vocals: Choir of the Budapest State Opera orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) conductor: Josif Conta (conductor) recording of: La forza del destino: Atto III, scena 2. “Lasciatelo ch’ei vada” – “Rataplan, rataplan della gloria” (Preziosilla, vivandiere, soldati, reclute) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La forza del destino: Atto III	Verdi		3:07
7	Nabucco: Overture orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) conductor: Josif Conta (conductor) recording of: Nabucco: Sinfonia (Overture) composer: Giuseppe Verdi (Italian opera composer) librettist: Temistocle Solera part of: Nabucco	Verdi		7:50
8	Nabucco: Chorus of the Hebrew Slaves Act 3 choir vocals: Consortium Musicum Ljubljana orchestra: Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Marko Munih (conductor) recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Verdi		4:20
9	Nabucco: Gli arredi festivi choir vocals: Choir of the Budapest State Opera orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) conductor: Josif Conta (conductor) recording of: Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro) composer: Giuseppe Verdi (Italian opera composer) librettist: Temistocle Solera part of: Nabucco: Parte I. Gerusalemme	Verdi		5:07
10	La traviata: Overture to Act 3 orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) conductor: Josif Conta (conductor) recording of: La traviata: Atto III. Preludio composer: Giuseppe Verdi (Italian opera composer) part of: La traviata (german lyrics) part of: La traviata: Act III (english version) part of: La traviata: Atto III	Verdi		4:28
11	MacBeth: Patria oppressa! choir vocals: Choir of the Budapest State Opera orchestra: Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) conductor: Josif Conta (conductor) recording of: Macbeth: Atto IV. N°12 Coro “Patria oppressa! il dolce nome” (Profughi scozzesi) (Chorus of Scottish Exiles) composer: Giuseppe Verdi (Italian opera composer) (in 1847) librettist: Andrea Maffei (19th century poet, translator and librettist) and Francesco Maria Piave part of: Macbeth: Atto IV	Verdi		6:23

▼ CD 3: Mendelssohn
#	Title	Artist	Rating	Length
1	Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace orchestra: Bamberger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Walter Scholz and Hans Swarowsky (conductor) recording of: Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Mendelssohn		11:33
2	Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto orchestra: Bamberger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor) recording of: Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Mendelssohn		5:47
3	Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato orchestra: Bamberger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor) recording of: Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Mendelssohn		6:55
4	Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto orchestra: Bamberger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor) recording of: Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Mendelssohn		6:01
5	Violin Concerto in E minor, op. 64: I. Allegro molto appassionato violin: Jela Špitková (Slovak‐Austrian violinist) orchestra: New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) conductor: Milan Pohronec (conductor, Scholz related) recording of: Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato composer: Felix Mendelssohn (composer) (from 1838 until 1844-09-16) revised by: Felix Mendelssohn (composer) (in 1845) part of: Violinkonzert in e-Moll, op. 64	Mendelssohn		13:30
6	Violin Concerto in E minor, op. 64: II. Andante violin: Jela Špitková (Slovak‐Austrian violinist) orchestra: New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) conductor: Milan Pohronec (conductor, Scholz related) recording of: Violinkonzert in e-Moll, op. 64: II. Andante composer: Felix Mendelssohn (composer) (from 1838 until 1844-09-16) revised by: Felix Mendelssohn (composer) (in 1845) part of: Violinkonzert in e-Moll, op. 64	Mendelssohn		8:07
7	Violin Concerto in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace violin: Jela Špitková (Slovak‐Austrian violinist) orchestra: New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) conductor: Milan Pohronec (conductor, Scholz related) recording of: Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace composer: Felix Mendelssohn (composer) (from 1838 until 1844-09-16) revised by: Felix Mendelssohn (composer) (in 1845) part of: Violinkonzert in e-Moll, op. 64	Mendelssohn		7:12
8	Wedding March from “A Midsummer Night’s Dream” orchestra: London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61	Mendelssohn		4:48

▼ CD 4: Rossini
#	Title	Artist	Rating	Length
1	The Barber of Seville: Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra, Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Anton Nanut (conductor), Rouslan Raychev (conductor) and Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989) recording of: Il barbiere di Siviglia: Sinfonia composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Der Barbier von Sevilla (german lyrics) part of: Il barbiere di Siviglia part of: Le Barbier de Séville (french lyrics) part of: The Barber of Seville (english lyrics)	Rossini	4	7:44
2	William Tell: Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz	Rossini		12:49
3	La gazza ladra: Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989) recording of: La gazza ladra: Ouverture composer: Gioachino Rossini (composer) (in 1817) librettist: Giovanni Gherardini part of: La gazza ladra part of: The Thieving Magpie (English version by Sams)	Rossini		10:36
4	L'italiana in Algeri: Overture orchestra: London Philharmonic Orchestra (LPO) and Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz recording of: L’italiana in Algeri: Sinfonia composer: Gioachino Rossini (composer) part of: L’italiana in Algeri	Rossini		7:54
5	Semiramide: Overture orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989) recording of: Semiramide: Sinfonia (Overture) composer: Gioachino Rossini (composer) librettist: Gaetano Rossi (librettist) part of: Semiramide	Rossini		12:48
6	La danza: Tarantella tenor vocals: Ricardo Casinelli (Alfred Scholz related) orchestra: Stuttgart Opera Orchestra (Alfred Scholz related; not the “Orchester der Württembergischen Staatsoper Stuttgart”) conductor: Alexander von Pitamic (Alfred Scholz pseudonym) recording of: Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” lyricist: Carlo Pepoli (Italian librettist, 19th c.) composer: Gioachino Rossini (composer) part of: Soirées musicales	Rossini		3:13
7	La cenerentola: "Nacqui all'affano … Non piu mesta" Angelina in Act 2 mezzo-soprano vocals: Rita Noël (American operatic mezzo-soprano and trained violist) orchestra: Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) and Alfred Scholz recording of: La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) composer: Gioachino Rossini (composer) librettist: Jacopo Ferretti part of: La Cenerentola: Atto II partial recording of: La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) composer: Gioachino Rossini (composer) librettist: Jacopo Ferretti part of: La Cenerentola: Atto II	Rossini		7:06

▼ CD 5: Haydn
#	Title	Artist	Rating	Length
1	Symphony No. 94 in G major "Surprise": I. Adagio cantabile. Vivace assai orchestra: Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic, Bratislava) and Wiener Kammerorchester conductor: Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz recording of: Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai composer: Joseph Haydn (composer) (in 1791) part of: Symphony no. 94 in G major, Hob. I:94 “Surprise”	Haydn		9:05
2	Symphony No. 94 in G major "Surprise": II. Andante orchestra: Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic, Bratislava), Slovenský komorný orchester Bohdana Warchala and Wiener Kammerorchester conductor: Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz recording of: Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante composer: Joseph Haydn (composer) (in 1791) part of: Symphony no. 94 in G major, Hob. I:94 “Surprise”	Haydn		5:57
3	Symphony No. 94 in G major "Surprise": III. Menuetto. Allegro molto orchestra: Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic, Bratislava) and Wiener Kammerorchester conductor: Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz recording of: Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet composer: Joseph Haydn (composer) (in 1791) part of: Symphony no. 94 in G major, Hob. I:94 “Surprise”	Haydn		5:08
4	Symphony No. 94 in G major "Surprise": IV. Allegro di molto orchestra: Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic, Bratislava) and Wiener Kammerorchester conductor: Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz recording of: Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto composer: Joseph Haydn (composer) (in 1791) part of: Symphony no. 94 in G major, Hob. I:94 “Surprise”	Haydn		4:16
5	Concerto for King Ferdinand IV of Napoli HV 7/2 in G major: I. Vivace assai flute: Helmut Klöckl oboe: Gerhard Vetter orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto no. 2 in G major, Hob.:VIIh/2: I. Vivace assai composer: Joseph Haydn (composer) (in 1786) part of: Concerto no. 2 in G major, Hob.:VIIh/2 (for Ferdinand IV, King of Naples)	Haydn		6:10
6	Concerto for King Ferdinand IV of Napoli HV 7/2 in G major: II. Adagio ma non troppo flute: Helmut Klöckl oboe: Gerhard Vetter orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto no. 2 in G major, Hob.:VIIh/2: II. Adagio ma non troppo composer: Joseph Haydn (composer) (in 1786) part of: Concerto no. 2 in G major, Hob.:VIIh/2 (for Ferdinand IV, King of Naples)	Haydn		3:53
7	Concerto for King Ferdinand IV of Napoli HV 7/2 in G major: III. Rondo. Presto flute: Helmut Klöckl oboe: Gerhard Vetter orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto no. 2 in G major, Hob.:VIIh/2: III. Rondo. Presto composer: Joseph Haydn (composer) (in 1786) part of: Concerto no. 2 in G major, Hob.:VIIh/2 (for Ferdinand IV, King of Naples)	Haydn		3:44
8	Concerto for Flute and Orchestra No. 1 in D major: I. Allegro moderato orchestra: Camerata Romana (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Concerto for Flute and Orchestra no. 1 in D major: I. Allegro moderato composer: Joseph Haydn (composer)	Haydn		8:04
9	Concerto for Flute and Orchestra No. 1 in D major: II. Adagio orchestra: Camerata Romana (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Concerto for Flute and Orchestra no. 1 in D major: II. Adagio composer: Joseph Haydn (composer)	Haydn		7:52
10	Concerto for Flute and Orchestra No. 1 in D major: III. Allegro molto orchestra: Camerata Romana (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Concerto for Flute and Orchestra no. 1 in D major: III. Allegro molto composer: Joseph Haydn (composer)	Haydn		5:56
11	String Quartet in D major, Op. 64/5 "The Lark": Menuetto. Allegretto string quartet: Caspar da Salo Quartet (string quartet, Alfred Scholz related) and Quartetto Pressenda (an Alfred Scholz pseudonym) recording of: String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: III. Menuet. Allegretto composer: Joseph Haydn (composer) medley of: String Quartet no. 7 in D major, D. 94: III. Menuetto. Allegro part of: String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”	Haydn		3:33

▼ CD 6: Brahms
#	Title	Artist	Rating	Length
1	Hungarian Dances No. 1 in G minor: Allegro molto orchestra: Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym) recording of: 21 Hungarian Dances for Orchestra, WoO 1: No. 1 in G minor (Allegro molto) (catch-all for unknown and one-off orchestrations) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) (from 1858 until 1868) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto part of: 21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations) recording of: Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto part of: Hungarian Dances for orchestra, WoO 1, Book 1	Brahms		3:27
2	Hungarian Dances No. 3 in F major: Allegretto orchestra: Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym) recording of: 21 Hungarian Dances for Orchestra, WoO 1: No. 3 in F major (Allegretto) (catch-all for unknown and one-off orchestrations) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) (from 1858 until 1868) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto part of: 21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations) recording of: Hungarian Dances for orchestra, WoO 1, Book 1, no. 3 in F major: Allegretto (Brahms orchestration) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto part of: Hungarian Dances for orchestra, WoO 1, Book 1	Brahms		2:14
3	Hungarian Dances No. 4 in F-sharp minor: Allegro orchestra: Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz recording of: Hungarian Dances for orchestra, WoO 1, Book 1, no. 4 in F-sharp minor: Poco sostenuto - Vivace (Juon orchestration) publisher: Anton Bejamin orchestrator: Павел Фёдорович Юон composer: Johannes Brahms (German composer) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 4 in F minor: Poco sostenuto – Vivace	Brahms		5:05
4	Hungarian Dances No. 5 in G minor: Allegro orchestra: Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym) recording of: 21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations) composer: Johannes Brahms (German composer) (from 1858 until 1868) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace part of: 21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations) recording of: Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (orch. Schmeling) orchestrator: Martin Schmeling composer: Johannes Brahms (German composer) publisher: Breitkopf & Härtel orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace part of: Hungarian Dances for orchestra (Schmeling orchestration)	Brahms		2:21
5	Hungarian Dances No. 6 in D major: Vivace orchestra: Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym) recording of: 21 Hungarian Dances for Orchestra, WoO 1: No. 6 in D major (Vivace) (catch-all for unknown and one-off orchestrations) composer: Johannes Brahms (German composer) (from 1858 until 1868) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace part of: 21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations) recording of: Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Schmeling) orchestrator: Martin Schmeling composer: Johannes Brahms (German composer) publisher: Breitkopf & Härtel orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace part of: Hungarian Dances for orchestra (Schmeling orchestration)	Brahms		3:25
6	Hungarian Dances No. 10 in F major: Presto orchestra: Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym) recording of: 21 Hungarian Dances for Orchestra, WoO 1: No. 10 in F major (Presto) (catch-all for unknown and one-off orchestrations) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) (from 1858 until 1868) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 2, no. 10 in E major: Presto part of: 21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations) recording of: Hungarian Dances for orchestra, WoO 1, Book 2, no. 10 in F major: Presto (Brahms orchestration) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 2, no. 10 in E major: Presto part of: Hungarian Dances for orchestra, WoO 1, Book 2	Brahms		1:53
7	Variations on a Theme by Haydn ("St. Anthony Chorale") in B-flat major, Op. 56a orchestra: ORF-Symphonieorchester (Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Milan Horvat (Alfred Scholz pseudonym) and Carlo Pantelli (Alfred Scholz pseudonym) recording of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version) premiered in: Wien, Austria (on 1873-11-02) composer: Johannes Brahms (German composer) (in 1873) part of: Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 56a) arrangement of: Variations on a Theme by Joseph Haydn, op. 56b (for two pianos)	Brahms		17:34
8	Intermezzo in E-flat major, Op. 117 No. 1 piano: Dieter Goldman (pianist, Alfred Scholz related) recording of: 3 intermezzi, op. 117: Nr. 1 in Es-Dur. Andante moderato premiered in: London (Greater London), England, United Kingdom (on 1893-01-30) composer: Johannes Brahms (German composer) (in 1892) part of: 3 intermezzi, op. 117	Brahms		4:51
9	Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace. Poco più presto violin: Iwan Czerkow (violinist, an Alfred Scholz pseudonym) orchestra: Munich Symphony Orchestra (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) conductor: Helmut Bucher (conductor, an Alfred Scholz pseudonym) recording of: Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace composer: Johannes Brahms (German composer) (in 1878) part of: Konzert für Violine und Orchester D-Dur, op. 77	Brahms		8:04
10	Piano Concerto No. 1 in D minor, Op. 15: III. Rondo. Allegro non troppo piano: Dubravka Tomšič (pianist) orchestra: Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo composer: Johannes Brahms (German composer) (from 1854 until 1859) part of: Concerto for Piano and Orchestra no. 1 in D minor, op. 15	Brahms		11:57

▼ CD 7: Dvořák
#	Title	Artist	Rating	Length
1	Slavonic Dances, Op. 72 No. 1 orchestra: London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Royal Philharmonic Orchestra conductor: Alfred Scholz, Frank Shipway (British conductor) and Thomas Waldham phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984) recording of: Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) composer: Antonín Dvořák (composer) (from 1878-04 until 1878-08-22) part of: Slavonic Dances, op. 46, B. 83 (for orchestra) recording of: Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra) composer: Antonín Dvořák (composer) (from 1886-11 until 1887-01-05) premiered at: [concert] (1887-01-06) part of: Slawische Tänze, op. 72, B. 147 (for orchestra)	Dvořák		3:26
2	Slavonic Dances, Op. 72 No. 2 orchestra: London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym) and Royal Philharmonic Orchestra conductor: Alfred Scholz recording of: Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra) composer: Antonín Dvořák (composer) (from 1886-11 until 1887-01-05) premiered at: [concert] (1887-01-06) part of: Slawische Tänze, op. 72, B. 147 (for orchestra)	Dvořák		5:38
3	Slavonic Dances, Op. 72 No. 8 orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse (for orchestra) composer: Antonín Dvořák (composer) (from 1886-11 until 1887-01-05) part of: Slawische Tänze, op. 72, B. 147 (for orchestra)	Dvořák		4:43
4	Cello Concerto in B minor, Op. 104: I. Allegro cello: Herbert Krepela (cellist, an Alfred Scholz pseudonym) orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Cello Concerto in B minor, op. 104: I. Allegro composer: Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09) part of: Cello Concerto in B minor, op. 104	Dvořák		14:47
5	Humoresque in G-flat major, Op. 101 No. 7 piano: Leonard Hokanson (pianist) recording of: Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano) composer: Antonín Dvořák (composer) (from 1894-08-07 until 1894-08-27) part of: 8 Humoresques, B. 187, op. 101	Dvořák		2:48
6	Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo orchestra: London Philharmonic Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Victor de Stradelli (an Alfred Scholz pseudonym) recording of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo composer: Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24) part of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“	Dvořák		12:15
7	Stabat Mater, Op. 58: X. Quando corpus morietur (andante con moto) bass vocals: Franjo Petrušanec choir vocals: Chamber Choir of Radio-Television Ljubljana (RTV Slovenia Chamber Choir) and Consortium Musicum Ljubljana choir vocals [mixed choir]: Obala Koper mezzo-soprano vocals: Eva Novšak Houška soprano vocals: Ana Pusar Jerič tenor vocals: Jurij Rega orchestra: Consortium Musicum and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Marko Munih (conductor) recording of: Stabat Mater, op. 58, B. 71: X. Andante con moto "Quando corpus morietur" (Quartetto e Coro) lyricist: Jacopone da Todi composer: Antonín Dvořák (composer) (from 1876-02-19 until 1876-05-07, from 1877-10 until 1877-11-13) part of: Stabat Mater, op. 58, B. 71	Dvořák		7:12
8	Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo orchestra: O.R.F. Symphony Orchestra (Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien), Philharmonia Slavonica (Alfred Scholz pseudonym) and Stuttgarter Kammerorchester (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Milan Horvat (Alfred Scholz pseudonym), Alfred Scholz and Martin Sieghart (an Alfred Scholz pseudonym) phonographic copyright (℗) by: PILZ (German budget label) (in 1993) recording of: Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo composer: Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08) part of: Symphony no. 8 in G major, op. 88	Dvořák		9:54

▼ CD 8: Debussy
#	Title	Artist	Rating	Length
1	Prelude to the Afternoon of a Faun orchestra: ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) conductor: Milan Horvat (Croatian conductor, 1919-2014) recording of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra) composer: Claude Debussy (composer) (from 1891 until 1894-09) dedicated to: Raymond Bonheur (composer, 1861-1939) premiered at: [concert] (1894-12-22) publisher: Eugène Fromont (in 1895-10) part of: Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)	Debussy		10:43
2	The Sea (3 Symphonic Sketches): I. From Dawn to Mid Day at Sea orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz recording of: La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” composer: Claude Debussy (composer) (from 1903 until 1905) part of: La Mer, trois esquisses symphoniques pour orchestre, L. 109	Debussy		9:02
3	The Sea (3 Symphonic Sketches): II. The Play of the Waves orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz recording of: La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” composer: Claude Debussy (composer) (from 1903 until 1905) part of: La Mer, trois esquisses symphoniques pour orchestre, L. 109	Debussy		6:30
4	The Sea (3 Symphonic Sketches): III. Dialogue of the Wind and the Sea orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Radio Symphonique, ORF-Symphonic Orchestra (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz recording of: La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” composer: Claude Debussy (composer) (from 1903 until 1905) part of: La Mer, trois esquisses symphoniques pour orchestre, L. 109	Debussy		8:14
5	Suite bergamasque: III. Moonlight harp: Anna Lelkes recording of: Suite bergamasque : III. Clair de lune (catch-all for arrangements) composer: Claude Debussy (composer) (from 1890 until 1905) arrangement of: Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) recording of: Suite bergamasque, L75: III. Clair de Lune (Transcription for harp) composer: Claude Debussy (composer) arrangement of: Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)	Debussy		5:48
6	Iberia No. 2 from "Images" for Orchestra: I. Through the Streets and Roads orchestra: ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Milan Horvat (Croatian conductor, 1919-2014) and Carlo Pantelli (Alfred Scholz pseudonym) recording of: Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins composer: Claude Debussy (composer) (from 1905 until 1908) part of: Images pour orchestre, L. 122, CD 118: II. Ibéria	Debussy		7:38
7	Iberia No. 2 from "Images" for Orchestra: II. The Perfumes of the Night orchestra: ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Milan Horvat (Croatian conductor, 1919-2014) and Carlo Pantelli (Alfred Scholz pseudonym) recording of: Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit composer: Claude Debussy (composer) (from 1905 until 1908) part of: Images pour orchestre, L. 122, CD 118: II. Ibéria	Debussy		8:08
8	Iberia No. 2 from "Images" for Orchestra: III. The Morning of a Holiday orchestra: ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Milan Horvat (Croatian conductor, 1919-2014) and Carlo Pantelli (Alfred Scholz pseudonym) recording of: Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête composer: Claude Debussy (composer) (from 1905 until 1908) part of: Images pour orchestre, L. 122, CD 118: II. Ibéria	Debussy		4:17

▼ CD 9: Ravel
#	Title	Artist	Rating	Length
1	Boléro: Tempo di Boléro, moderato assai piano: Mee Chou Lee (pianist) orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect) conductor: Samo Hubad (conductor), Anton Nanut (Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) recording of: Boléro composer: Maurice Ravel (classical composer) (in 1928) publisher: Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?) premiered at: Palais Garnier in Paris, Île-de-France, France (on 1928-11-22) part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)	Ravel		13:55
2	La Valse Poème choréographique: Mouvement de Valse viennoise. Un peu plus modéré ler mouvement (Assez animé) orchestra: Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: La Valse (for orchestra) (ended) composer: Maurice Ravel (classical composer) (from 1919 until 1920) publisher: Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?) part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 72)	Ravel		12:52
3	Le tombeau de Couperin: I. Prélude (vif) orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Le Tombeau de Couperin: I. Prélude (for orchestra) (ended) orchestrator: Maurice Ravel (classical composer) (in 1919) composer: Maurice Ravel (classical composer) (from 1914 until 1917) orchestration of: Le tombeau de Couperin: I. Prélude (for solo piano) part of: Le Tombeau de Couperin (for orchestra)	Ravel		3:18
4	Le tombeau de Couperin: II. Forlane (allegretto) orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Le Tombeau de Couperin: II. Forlane (for orchestra) (ended) orchestrator: Maurice Ravel (classical composer) (in 1919) composer: Maurice Ravel (classical composer) (from 1914 until 1917) orchestration of: Le tombeau de Couperin: III. Forlane (for solo piano) part of: Le Tombeau de Couperin (for orchestra)	Ravel		5:45
5	Le tombeau de Couperin: III. Menuet (allegro moderato) orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Le Tombeau de Couperin: III. Menuet (for orchestra) (ended) orchestrator: Maurice Ravel (classical composer) (in 1919) composer: Maurice Ravel (classical composer) (from 1914 until 1917) orchestration of: Le tombeau de Couperin: V. Menuet (for solo piano) part of: Le Tombeau de Couperin (for orchestra)	Ravel		4:47
6	Le tombeau de Couperin: IV. Rigaudon (assez vif) orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra) (ended) orchestrator: Maurice Ravel (classical composer) (in 1919) composer: Maurice Ravel (classical composer) (from 1914 until 1917) orchestration of: Le tombeau de Couperin: IV. Rigaudon (for solo piano) part of: Le Tombeau de Couperin (for orchestra)	Ravel		3:14
7	Piano Concerto in G major: I. Allegramente piano: Mee Chou Lee (pianist) orchestra: Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) performer: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) recording of: Piano Concerto in G major: I. Allegramente composer: Maurice Ravel (classical composer) (from 1929 until 1931) part of: Piano Concerto in G major	Ravel		8:46
8	Piano Concerto in G major: II. Adagio assai piano: Mee Chou Lee (pianist) orchestra: Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) performer: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) recording of: Piano Concerto in G major: II. Adagio assai composer: Maurice Ravel (classical composer) (from 1929 until 1931) part of: Piano Concerto in G major	Ravel		8:46
9	Piano Concerto in G major: III. Presto piano: Mee Chou Lee (pianist) orchestra: Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) performer: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) recording of: Piano Concerto in G major: III. Presto composer: Maurice Ravel (classical composer) (from 1929 until 1931) part of: Piano Concerto in G major	Ravel		4:04

▼ CD 10: Schumann
#	Title	Artist	Rating	Length
1	"Manfred" Overture, Op. 115 orchestra: Nürnberger Symphoniker (the real orchestra) conductor: Max Loy recording of: Manfred: Dramatic Poem with Music in Three Parts, op. 115: Overture in E-flat major premiered in: Leipzig, Sachsen, Germany (on 1852-03-14) composer: Robert Schumann (German classical composer) (from 1848 until 1849) part of: Manfred: Dramatic Poem with Music in Three Parts, op. 115	Schumann		11:40
2	Piano Concerto in A minor, Op. 54: I. Allegro affettuoso piano: Marián Lapšanský (pianist), Witold Lipinsky (pianist), Maria Novak, Dubravka Tomšič (pianist) and Sylvia van der Linden solo piano: Magda Bergreich (pianst, probably related to Alfred Scholz) orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonisches Festspielorchester (an Alfred Scholz pseudonym), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra), Sinfonia Academica and Slovenská filharmónia (Slovak Philharmonic, Bratislava) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Marko Munih (conductor), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Bystrík Režucha (conductor) and Dudley Skinner (conductor) recording of: Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54	Schumann		15:49
3	Symphony No. 1 in B major, Op. 38 "Frühlingssymphonie": III. Scherzo. Molto Vivace. Allegro animato e grazioso orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace composer: Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20) part of: Symphonie Nr. 1 B-Dur, op. 38 “Frühlings” recording of: Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso composer: Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20) part of: Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”	Schumann		12:13
4	Concerto for Violoncello and Orchestra in A minor, Op. 129: III. Sehr lebhaft cello: Valter Dešpalj (cellist) orchestra: RTZ Symphony Orchestra (RTV Slovenia Symphony Orchestra) and Simfonijski orkestar HRT-a conductor: Josef Daniël recording of: Cello Concerto in A minor, op. 129: III. Sehr lebhaft composer: Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24) part of: Cello Concerto in A minor, op. 129	Schumann		8:22
5	Piano Trio No. 2 in F major, Op. 80: III. In mässiger Bewegung piano: Bamberg Piano Trio (an Alfred Scholz pseudonym, NOT the Trio Bamberg from Berlin) recording of: Piano Trio no. 2 in F major, op. 80: III. In mässiger Bewegung composer: Robert Schumann (German classical composer) (in 1847) part of: Piano Trio no. 2 in F major, op. 80	Schumann		4:47
6	Symphony No. 3 in E-flat major, Op. 97 "Rheinische": II. Scherzo. Sehr mäßig orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz recording of: Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig composer: Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09) part of: Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”	Schumann		5:38
7	Kinderszenen, Op. 15: VII. Träumerei piano: Silvia Čápová (pianist), Dieter Goldmann (pianist, Alfred Scholz related) and Marián Pivka (pianist) recording of: Kinderszenen, op. 15: No. 7. Träumerei (for piano) composer: Robert Schumann (German classical composer) (in 1838) part of: Kinderszenen, op. 15	Schumann		2:40

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manufactured in:	Germany

copyrighted (©) by and phonographic copyright (℗) by:	Selcor Ltd. (for copyrights use only) (in 1991)

Discogs:	https://www.discogs.com/release/933911 [info]

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Barcode:: [none]
Format:: 10×CD
Length:: 10:23:19

Additional details

Type:: Album + Compilation
Status:: Official
Language:: German
Script:: Latin
Data quality:: Normal

Labels

Selcor Ltd.
GCH 2411-2420
Selcor Ltd.
GCH 2502

Release events

Germany
1991

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Last updated on 2015-11-04 01:26 UTC