Secular Cantatas BWV 208, 209

~ Release by Johann Sebastian Bach; Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei, Bach Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 2 available)

Annotation

Volume 65

Annotation last modified on 2015-01-05 02:51 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Sinfonia in F major, BWV 1046a: I
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Sinfonia in F major, BWV 1046a: I. [no tempo indication] (in 1996-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1718)
part of:
Sinfonia in F major, BWV 1046a (formerly BWV 1071)
Johann Sebastian Bach4:04
2Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 1 Recitativo "Was mir behagt, ist nur die muntre Jagd!"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:40
3Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 2 Aria "Jagen ist die Lust der Götter"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:55
4Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 3 Recitativo "Wie? Schönste Göttin! Wie?"
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:05
5Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 4 Aira "Willst du dich nicht mehr ergötzen"
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:50
6Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 5 Recitativo "Ich liebe dich zwar noch!"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:12
7Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 6 Recitativo "Ich, der ich sonst ein Gott in diesen Feldern bin"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:38
8Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 7 Aria "Ein Fürst ist seines Landes Pan!"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:30
9Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 8. Recitativo "Soll denn der Pales Opfer hier das letzte sein?"
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:38
10Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 9 Aria "Schafe können sicher weiden"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:57
11Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 10 Recitativo "So stimmt mit ein"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:13
12Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 11 Chorus "Lebe, Sonne dieser Erden"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:46
13Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 12 Duetto "Entzücket uns beide"
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:43
14Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 13 Aria "Weil die wollenreichen Herden"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:15
15Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 14 Aria "Ihr Felder und Auen, laßt grunend euch schauen"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
choir vocals:
Gächinger Kantorei (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:57
16Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": No. 15 Chorus "Ihr lieblichste Blicke! ihr freudige Stunden"
bass vocals [Pan]:
Matthias Goerne (baritone) (in 1996-09)
choir vocals:
Gächinger Kantorei (in 1996-09)
soprano vocals [Diana]:
Sibylla Rubens (soprano) (in 1996-09)
soprano vocals [Pales]:
Eva Kirchner (in 1996-09)
tenor vocals [Endymion]:
James Taylor (operatic tenor) (in 1996-09)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-09)
conductor:
Helmuth Rilling (conductor) (in 1996-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:46
17Cantata, BWV 209 "Non sa che sia dolore": No. 1 Sinfonia
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-01)
conductor:
Helmuth Rilling (conductor) (in 1998-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach5:44
18Cantata, BWV 209 "Non sa che sia dolore": No. 2 Recitativo "Non sa che sia dolore"
soprano vocals:
Sibylla Rubens (soprano) (in 1998-01)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-01)
conductor:
Helmuth Rilling (conductor) (in 1998-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach0:54
19Cantata, BWV 209 "Non sa che sia dolore": No. 3 Aria "Parti pur e con dolore"
soprano vocals:
Sibylla Rubens (soprano) (in 1998-01)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-01)
conductor:
Helmuth Rilling (conductor) (in 1998-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach7:46
20Cantata, BWV 209 "Non sa che sia dolore": No. 4 Recitativo "Tuo saver al tempo"
soprano vocals:
Sibylla Rubens (soprano) (in 1998-01)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-01)
conductor:
Helmuth Rilling (conductor) (in 1998-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach0:27
21Cantata, BWV 209 "Non sa che sia dolore": No. 5 Aria "Ricetti gramezza e pavento"
soprano vocals:
Sibylla Rubens (soprano) (in 1998-01)
orchestra:
Bach Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-01)
conductor:
Helmuth Rilling (conductor) (in 1998-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach5:09

Credits

Release

ASIN:DE: B000026C0M [info]

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 65) (order: 65)
Discogs:https://www.discogs.com/master/1526541 [info]