100 Piano Masterworks

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
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1Partita for Violin Solo no. 3 in E, BWV 1006 (arr for piano by Rachmaninov): 1. Preludio
assistant engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Stephan Flock (task: Tonmeister)
producer:
Stephan Flock
piano:
Hélène Grimaud (pianist) (in 2008-08)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2008-08)
recording of:
Suite from Partita for violin in E major, TN iii/1: I. Preludio (for piano, Rachmaninoff) (in 2008-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1933)
is based on:
Suite E-Dur, BWV 1006a: I. Prélude
part of:
Suite from Partita for violin in E major, TN iii/1 (for piano, Rachmaninoff)
Johann Sebastian Bach3:42
2Lyric Pieces Book X, op. 71: 3. Puck
recording engineer:
Wolf-Dieter Karwatky
producer:
Günther Breest (producer for classical music)
piano:
Emil Gilels (pianist) (in 1974-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1974-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1974-06)
recording of:
Lyriske stykker, hefte X, op. 71: No. 3: Smaatrold (Lyric Pieces Book 10, op. 71: III. Småtroll (Puck)) (in 1974-06)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte X, op. 71 (Lyric pieces, book X, op. 71)
Edvard Grieg1:43
3Waltz no. 1 in E-flat, op. 18 "Grande valse brillante"
recording engineer and producer:
Rainer Maillard
assistant engineer:
Evert Menting (engineer)
executive producer:
Christian Leins
piano:
Alice Sara Ott (pianist) (in 2009-08)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009, in 2010)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-08)
recording of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante” (in 2009-08)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1833)
dedicated to:
Laura Harsford
part of:
Works of Fryderyk Chopin by opus number (number: op. 18)
Fryderyk Chopin5:43
4Toccata, op. 11
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Toccata in D minor, op. 11 (in 1960-07)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1912)
part of:
Works of Sergei Prokofiev by opus number (number: op. 11)
Сергей Сергеевич Прокофьев4:09
5Ètudes: No. 6
engineer, producer and editor:
Christopher Tarnow
additional editor:
Karsten Zimmermann
piano:
Víkingur Ólafsson (pianist) (from 2016-10-24 until 2016-10-25)
piano technician:
Sigurður Kristinsson
recorded at:
Harpa Concert House in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (from 2016-10-24 until 2016-10-25)
recording of:
Etude no. 6 (from 2016-10-24 until 2016-10-25)
composer:
Philip Glass (US composer & pianist) (from 1994 until 1995)
part of:
Etudes for Piano, Volume 1
Philip Glass4:27
6Bagatelle in A minor, WoO 59 "Für Elise": Poco moto
piano:
Anatol Ugorski (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven4:02
7Lyric Pieces Book V, op. 54: 3. March of the Trolls
piano:
Alice Sara Ott (pianist) (in 2016-04)
recorded at:
Meistersaal in Berlin, Germany (in 2016-04)
recording of:
Lyriske stykker, hefte V, op. 54: No. 3: Troldtog (Lyric Pieces, Book V, op. 54 no. 3: March of the Dwarfs) (in 2016-04)
composer:
Edvard Grieg (composer) (in 1891)
part of:
Lyriske stykker, hefte V, op. 54
Edvard Grieg2:59
8Children's Corner, L. 113: 6. Golliwogg's Cakewalk
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake-Walk (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:57
9Gretchen am Spinnrade, D. 118 (arranged by Franz Liszt)
producer:
Sid McLauchlan (engineer/producer)
piano:
Yuja Wang (pianist) (in 2011-12)
balance engineer:
Stephan Flock (in 2011-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2011-12)
recording of:
Gretchen am Spinnrade, S. 558 Nr. 8 (for piano solo, Liszt) (in 2011-12)
composer:
Franz Schubert (composer)
arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Gretchen am Spinnrade, D. 118
part of:
12 Lieder von Franz Schubert, S. 558
Franz Schubert3:36
10Jeux d'eau, M. 30
producer:
Werner Mayer (classical producer)
piano:
Lilya Zilberstein (pianist) (in 1993-06)
balance engineer:
Andrew Wedman (producer and engineer) (in 1993-06: piano)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-06)
recording of:
Jeux d’eau (in 1993-06)
composer:
Maurice Ravel (classical composer) (in 1901)
premiered at:
Salle Pleyel (1839-1927) in Paris, Île-de-France, France (on 1902-04-05)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 30)
Maurice Ravel5:24
11Piano Sonata no. 11 in A, K. 331 "Alla Turca": 3. Alla Turca (Allegretto)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus Behrens (engineer)
piano:
Maria João Pires (pianist) (in 1990-05)
performer:
Maria João Pires (pianist)
balance engineer:
Helmut Burk (in 1990-05)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1990-05)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1990-05)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:44
12The Tale of Tsar Saltan: The Flight of the Bumble-Bee
producer:
Sid McLauchlan (engineer/producer)
piano:
Ingolf Wunder (pianist) (in 2012-06)
recorded at:
Theater Itzehoe: Großes Haus in Itzehoe, Schleswig-Holstein, Germany (in 2012-06)
recording of:
Flight of the Bumblebee, TN iii/9 (for piano solo, Rachmaninov) (in 2012-06)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky-Korsakov, Russian composer) (from 1899 until 1900)
piano arranger:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1929)
part of:
A Catalogue of the Compositions of S. Rachmaninoff (number: TN iii/9)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Николай Андреевич Римский‐Корсаков1:17
1316 Waltzes, op. 39: 1. in B
piano:
Alfons Kontarsky (pianist) (from 1980-10 until 1981-07) and Aloys Kontarsky (pianist) (from 1980-10 until 1981-07)
piano duo:
Klavierduo Kontarsky
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1980-10 until 1981-07)
recording of:
16 Waltzes, op. 39: No. 1 in B major (for piano four hands) (from 1980-10 until 1981-07)
composer:
Johannes Brahms (German composer) (in 1865)
part of:
16 Waltzes, op. 39 (for piano four hands)
Johannes Brahms0:54
1416 Waltzes, op. 39: 15. in A
piano:
Alfons Kontarsky (pianist) (from 1980-10 until 1981-07) and Aloys Kontarsky (pianist) (from 1980-10 until 1981-07)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1980-10 until 1981-07)
recording of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands) (from 1980-10 until 1981-07)
composer:
Johannes Brahms (German composer) (in 1865)
part of:
16 Waltzes, op. 39 (for piano four hands)
Johannes Brahms1:41
156 Moments musicaux, op. 94, D. 780: No. 3 in F minor (Allegro moderato)
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato (in 1989-02)
composer:
Franz Schubert (composer)
part of:
6 Moments musicaux for Piano, op. 94, D. 780
Franz Schubert1:53
16Suite bergamasque, L. 75: 4. Passepied
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer) and Klaus Scheibe (editor/engineer) (in 1969-04: piano)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82 : IV. Passepied (for piano) (in 1969-04)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy3:32
17Grandes ètudes de Paganini, S. 141: No. 3 in G-sharp minor "La Campanella"
producer:
Christian Gansch (conductor)
piano:
Yundi Li (pianist) (in 2002-10)
balance engineer:
Rainer Maillard (in 2002-10)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2002-10)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella” (in 2002-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella”
part of:
Études d’exécution transcendante d’après Paganini, S. 140
Franz Liszt4:40
183 Valses, op. 64: 1. Molto vivace in D major "Minuet Waltz"
recording engineer and producer:
Helmut Burk
assistant engineer:
Wolf-Dieter Karwatky
piano:
Maria João Pires (pianist) (in 2008-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Muziekcentrum van de Omroep (Hilversum) in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2008-07)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (in 2008-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Fryderyk Chopin1:56
19Prélude in C-sharp minor, op. 3 no. 2: No. 2. Lento
producer:
Werner Mayer (classical producer)
piano:
Anatol Ugorski, (Anatol Ugorski, pianist) (in 1994-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1994-11: piano)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1994-11)
recording of:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow) (in 1994-11)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer)
part of:
Morceaux de fantaisie, op. 3
Сергей Рахманинов5:01
20Ma Mère l'Oye, M. 60: 3. Laideronnette, Impératrice des pagodes
assistant engineer:
Rainer Maillard
associate producer:
Martin T:son Engstroem (producer)
producer:
Christian Gansch (conductor)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Martha Argerich (Argentine pianist) (in 2003-08) and Mikhail Pletnev (pianist & conductor) (in 2003-08)
balance engineer:
Rainer Maillard (in 2003-08)
recorded at:
Théâtre de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (in 2003-08)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains) (in 2003-08)
composer:
Maurice Ravel (classical composer) (from 1908 until 1910)
part of:
Ma mère l’Oye (pour piano à quatre mains)
Maurice Ravel2:59
21Piano Sonata no. 15 in C, K. 545 "Facile": 1. Allegro
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
performer:
Maria João Pires (pianist)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: 1. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro) (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
Wolfgang Amadeus Mozart4:15
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#TitleArtistRatingLength
1Suite bergamasque, L. 75: 3. Clair de lune
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1969-04)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:19
224 Préludes, op. 28: 15. in D-flat major
piano:
Seong‐Jin Cho (pianist) (in 2015-10)
recorded at:
XVII International Chopin Piano Competition: Stage III, 1st day (2015-10-14)
phonographic copyright (℗) by:
Polish Radio Channel 2 (in 2015) and The Fryderyk Chopin Institute (in 2015)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 2015-10-14)
live recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (on 2015-10-14)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin5:49
3Lieder ohne Worte, op. 19: No. 1 in E (Andante con moto) "Sweet Romance"
recording engineer:
Hans-Rudolf Müller
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann (in 1973-06)
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1973-06)
recording of:
Lied ohne Worte E-Dur, op. 19b Nr. 1 (Song Without Words in E major, Op. 19b No. 1) (in 1973-06)
composer:
Felix Mendelssohn (composer) (from 1829 until 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 86)
part of:
Lieder ohne Worte, op. 19b (Songs Without Words, op. 19b)
Felix Mendelssohn3:08
4Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 1. Adagio sostenuto
piano:
Emil Gilels (pianist) (from 1980-09-09 until 1980-09-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1980-09-09 until 1980-09-17)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27 No. 2 "Moonlight": I. Adagio sostenuto) (from 1980-09-09 until 1980-09-17)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight” (Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27 No. 2 "Moonlight")
Ludwig van Beethoven6:06
53 Etudes de Concer, S. 144: No. 3 in D-flat major "Un sospiro"
piano:
Daniil Trifonov (pianist) (in 2015-09)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2015-09)
recording of:
Trois études de concert, S. 144: III. "Un sospiro" in D-flat major (in 2015-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
Franz Liszt5:17
6Pour le piano, L. 95: 2. Sarabande
recording engineer:
Rainer Maillard
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2011-01)
piano technician:
Jan Höppner (piano tuner)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2012)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2011-01)
recording of:
Pour le piano, L. 95, CD 95: II. Sarabande. À Madame E. Rouart (née Y. Lerolle). Avec une élégance grave et lente (in 2011-01)
composer:
Claude Debussy (composer) (from 1894 until 1901)
dedicated to:
Yvonne Lerolle
is based on:
Images oubliées, L. 87, CD 94 : II. Dans le mouvement d’une ‘Sarabande’, c’est-à-dire avec une élégance grâve et lente, même un peu vieux portrait, souvenir du Louvre, etc. (for piano)
part of:
Pour le piano, L. 95, CD 95
Claude Debussy4:13
7Kinderszenen, op. 15: 7. Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann3:02
8Prelude & Fugue in C major (Well-Tempered Clavier, Book I, no. 1), BWV 846: 1. Prelude
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 2014-03)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2014-03)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2014-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846a: I. Prelude
Johann Sebastian Bach2:19
9Lyric Pieces Book V, op. 54: 4. Notturno
recording engineer:
Wolf-Dieter Karwatky
producer:
Günther Breest (producer for classical music)
piano:
Emil Gilels (pianist) (in 1974-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1974-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1974-06)
recording of:
Lyriske stykker, hefte V, op. 54: No. 4: Notturno (Lyric Pieces, Book V, op. 54 no. 4: Nocturne, original for piano) (in 1974-06)
composer:
Edvard Grieg (composer) (in 1891)
part of:
Lyriske stykker, hefte V, op. 54
Edvard Grieg4:09
103 Romanzen, op. 28: No. 2 in F-sharp (Einfach)
producer:
Sid McLauchlan (engineer/producer)
piano:
Jan Lisiecki (pianist) (in 2015-09)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 2015-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: II. Einfach (in 2015-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann3:40
11Schwanengesang, S. 560: No. 4. Ständchen
recorded in:
New York, New York, United States (from 1986-02-14 until 1986-03-06)
executive producer:
Günther Breest (producer for classical music)
producer:
Thomas Frost (classical music producer)
piano:
Vladimir Horowitz (Ukrainian-American pianist and composer) (from 1986-02-14 until 1986-03-06)
balance engineer:
Paul Goodman (engineer) and Tom Lazarus
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1986-02-14 until 1986-03-06)
recording of:
Schwanengesang, S. 560: No. 7. Ständchen (for solo piano, Liszt) (from 1986-02-14 until 1986-03-06)
composer:
Franz Schubert (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1839)
arrangement of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano)
part of:
Schwanengesang, S. 560 (for solo piano, Liszt)
Franz Liszt5:42
12Gnossiennes: No. 1. Lento (Jeanne Moreau version)
producer:
Arend Prohmann (producer / editor) and Roger Wright (pianist)
piano:
Jean‐Marc Luisada (pianist) (in 1994-07)
spoken vocals:
Jeanne Moreau (in 1994-07)
balance engineer:
Hans‐Peter Schweigmann (in 1994-07: piano)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1994-07)
recording of:
Gnossienne no. 1 (in 1994-07)
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:13
13Liebestraum no. 3 in A-flat, S. 541 no. 3
producer:
Christian Gansch (conductor)
piano:
Yundi Li (pianist) (in 2002-10)
balance engineer:
Rainer Maillard (in 2002-10: piano)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2002-10)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano) (in 2002-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:34
14Deux Arabesques, L. 66: No. 1. Andante con moto
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal (Plenarsaal der Akademie der Künste in Berlin) in Berlin, Germany (in 1969-04) and Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-04)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (in 1969-04)
composer:
Claude Debussy (composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy3:47
15Vladimir's Blues
piano:
Max Richter (German pianist and score composer)
recording of:
Vladimir’s Blues
composer:
Max Richter (German pianist and score composer) (in 2004)
Max Richter1:25
16Dolce Droga
recording engineer:
Ludovico Einaudi (Italian composer and pianist) and Michael Seberich (Italian engineer and producer)
producer:
Ludovico Einaudi (Italian composer and pianist)
mixer:
Michael Seberich (Italian engineer and producer)
piano:
Ludovico Einaudi (Italian composer and pianist) (in 2004-06)
recorded at:
Piccolo Teatro in Milano (Milan), Milano, Lombardia, Italy (in 2004-06)
produced at:
Piccolo Teatro Milan in Milano (Milan), Milano, Lombardia, Italy (in 2004-06)
recording of:
Dolce droga (in 2004-06)
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi3:40
17Préludes Book 1, L. 117: 8. La fille aux cheveux de lin
audio engineer:
Klaus Behrens (engineer)
executive producer:
Franz Christian Wulff
producer:
Cord Garben (pianist and conductor)
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans‐Peter Schweigmann (in 1972-04: piano) and Hans‐Peter Schweigmann (in 1972-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1972-04)
engineered at:
Plenarsaal (Plenarsaal der Akademie der Künste in Berlin) in Berlin, Germany (in 1972-04)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (in 1972-04)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:08
184 Impromptus, op. 90, D. 899: No. 3 in G-flat major (Andante)
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1996-07)
recorded at:
Philharmonie Haarlem in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-07)
recording of:
Impromptu in G-flat major, op. 90 no. 3, D. 899 no. 3. Andante (in 1996-07)
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert5:44
19French Suite no. 6 in E, BWV 817: 3. Sarabande
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
piano:
Murray Perahia (pianist and conductor) (in 2013-07)
balance engineer:
Martin Nagorni
piano technician:
Ulrich Gerhartz
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2013-07)
recording of:
French Suite no. 6 in E major, BWV 817: III. Sarabande (in 2013-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 6 E-dur, BWV 817 (French Suite No. 6 in E major, BWV 817)
Johann Sebastian Bach3:17
3▼CD
#TitleArtistRatingLength
1Piano Concerto no. 1 in B-flat minor, op. 23, TH 55: 1. Allegro non troppo e molto maestoso
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (ended, in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (ended, in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1970-12)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom (in 1970-12)
edit of:
Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito by Martha Argerich (Argentine pianist), Royal Philharmonic Orchestra, Charles Dutoit (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) (in 1970-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский3:38
2Piano Concerto in A minor, op. 54: 2. Intermezzo (Andantino grazioso)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1997-09)
orchestra:
Chamber Orchestra of Europe (in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-09)
balance engineer:
Ulrich Vette (engineer) (in 1997-09: piano)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1997-09)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso (in 1997-09)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann5:10
3Piano Concerto in A minor, op. 16: 1. Allegro molto moderato
producer:
Lennart Dehn
piano:
Lilya Zilberstein (pianist) (in 1993-03)
orchestra:
Gothenburg Symphony Orchestra (in 1993-03)
conductor:
Neeme Järvi (Estonian conductor) (in 1993-03)
balance engineer:
Michael Bergek (in 1993-03)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1993-03)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato (in 1993-03)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg13:01
4Piano Concerto no. 4 in G, op. 58: 2. Andante con moto
piano:
Mikhail Pletnev (pianist & conductor) (from 2006-09-02 until 2006-09-03)
orchestra:
Russian National Orchestra (from 2006-09-02 until 2006-09-03)
conductor:
Christian Gansch (conductor) (from 2006-09-02 until 2006-09-03)
balance engineer:
Bastian Schick (from 2006-09-02 until 2006-09-03)
recorded at:
Beethovenhalle in Bonn, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2006-09-02 until 2006-09-03)
live recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (from 2006-09-02 until 2006-09-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven5:07
5Piano Concerto no. 2 in C minor, op. 18: 1. Moderato
producer:
Hans Weber (producer/engineer)
editor:
Helmut Najda
piano:
Sviatoslav Richter (pianist) (from 1959-04-26 until 1959-05-02)
orchestra:
Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) (from 1959-04-26 until 1959-05-02)
conductor:
Stanisław Wisłocki (conductor) (from 1959-04-26 until 1959-05-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Philharmonic Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1959-04-26 until 1959-05-02)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (from 1959-04-26 until 1959-05-02)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Рахманинов4.511:11
6Piano Concerto in G major, M. 83: 3. Presto
recording engineer and editor:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
piano:
Yuja Wang (pianist) (in 2015-04)
orchestra:
Tonhalle-Orchester Zürich (in 2015-04)
conductor:
Lionel Bringuier (conductor, cellist and pianist) (in 2015-04)
piano technician:
Toni Daum (piano technician)
recorded at:
Tonhalle (Kongresshaus Zürich) in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 2015-04)
recording of:
Piano Concerto in G major: III. Presto (in 2015-04)
composer:
Maurice Ravel (classical composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel4:00
7Piano Concerto no. 21 in C, K. 467: 2. Andante
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Friedrich Gulda (pianist) (in 1974-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-09)
conductor:
Claudio Abbado (conductor) (in 1974-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-09)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:50
8Piano Concerto no. 27 in B-flat, K. 595: 3. Allegro
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Friedrich Gulda (pianist) (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-05)
conductor:
Claudio Abbado (conductor) (in 1975-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1975-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1975-05)
recording of:
Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro (in 1975-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Piano no. 27 in B-flat major, K. 595
Wolfgang Amadeus Mozart9:27
9Piano Concerto in F-sharp minor, op. 20: 1. Allegro
piano:
Anatol Ugorski (pianist) (in 1996-12)
orchestra:
Chicago Symphony Orchestra (in 1996-12)
conductor:
Pierre Boulez (composer and conductor) (in 1996-12)
balance engineer:
Ulrich Vette (engineer) (in 1996-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1996-12)
recording of:
Piano Concerto in F-sharp minor, op. 20: I. Allegro (in 1996-12)
composer:
Александр Николаевич Скрябин (Alexander Scriabin, pianist and composer)
part of:
Piano Concerto in F-sharp minor, op. 20
Александр Николаевич Скрябин7:42
10Concerto for Piano no. 1 in D minor, BWV 1052: 1. Allegro
assistant engineer:
Mark Buecker (engineer of classical recordings)
engineer:
Stephan Flock (task: Tonmeister)
producer:
Sid McLauchlan (engineer/producer)
piano:
Hélène Grimaud (pianist) (in 2008-05)
orchestra:
Deutsche Kammerphilharmonie Bremen (in 2008-05)
conductor:
Florian Donderer (violinist, conductor and concertmaster) (in 2008-05)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2008-05)
recording of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro (in 2008-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Harpsichord Concerto No.1 in D minor, BWV 1052a: I. Allegro (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
Johann Sebastian Bach7:37
4▼CD
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1Petrouchka - Three Movement for Piano (1921 version): 4. Russian Dance
producer:
Werner Mayer (classical producer)
piano:
Anatol Ugorski (pianist) (in 1991-10)
balance engineer:
Jochen Gottschall (in 1991-10)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
recording of:
Trois mouvements de Pétrouchka : I. Danse russe (arrangement for piano, 1921) (in 1991-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Trois mouvements de Pétrouchka (arrangement for piano, 1921)
Игорь Фёдорович Стравинский2:42
2Estampes, L. 100: 3. Jardins sous la pluie
producer:
Werner Mayer (classical producer)
piano:
Lilya Zilberstein (pianist) (in 1993-06)
balance engineer:
Andrew Wedman (producer and engineer) (in 1993-06: piano)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-06)
recording of:
Estampes, L. 100: III. Jardins sous la pluie. Net et vif (for piano) (in 1993-06)
composer:
Claude Debussy (composer) (in 1903-07)
is based on:
Images oubliées, L. 87, CD 94 : III. Quelques aspects de ‘Nous n’irons plus au bois’ parce qu’il fait un temps insupportable (for piano)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy3:22
3Waltz no. 9 in A-flat major, op. 69 no. 1 "Farewell"
recording engineer:
Rainer Maillard
assistant engineer:
Evert Menting (engineer)
producer:
Christian Leins and Rainer Maillard
piano:
Alice Sara Ott (pianist) (in 2009-08)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009, in 2010)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-08)
recording of:
Waltz no. 9 in A‐flat major, op. 69 no. 1 (in 2009-08)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1835)
part of:
Waltzes, op. 69
Fryderyk Chopin3:17
4Pictures at an Exhibition: 3. The Tuileries Gardens
producer:
Werner Mayer (classical producer)
piano:
Anatol Ugorski (pianist) (in 1991-10)
balance engineer:
Jochen Gottschall (in 1991-10)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
recording of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version) (in 1991-10)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
dedicated to:
Viktor Hartmann (Russian architect and painter)
part of:
Pictures at an Exhibition (original piano version)
Модест Петрович Мусоргский0:58
5Pictures at an Exhibition: 5. Ballet of the Chickens in Their Shells
producer:
Werner Mayer (classical producer)
piano:
Anatol Ugorski (pianist) (in 1991-10)
balance engineer:
Jochen Gottschall (in 1991-10)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
recording of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (original piano version) (in 1991-10)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
dedicated to:
Viktor Hartmann (Russian architect and painter)
part of:
Pictures at an Exhibition (original piano version)
Модест Петрович Мусоргский1:14
6Lyric Pieces Book IV, op. 47: No. 3. Melodie
recording engineer:
Wolf-Dieter Karwatky
producer:
Günther Breest (producer for classical music)
piano:
Emil Gilels (pianist) (in 1974-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1974-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1974-06)
recording of:
Lyriske stykker, hefte IV, op. 47: No. 3: Melodi (in 1974-06)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte IV, op. 47 (Lyric pieces, book IV, op. 47)
Edvard Grieg4:00
7Préludes: 1. La colombe
recording engineer:
Tobias Lehmann (in 2008-02)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 2008-02)
piano technician:
Stefan Knüpfer (piano technician)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 2008-02)
recording of:
Préludes: No. 1. La colombe (in 2008-02)
composer:
Olivier Messiaen (composer and organist) (from 1928 until 1929)
part of:
Huit préludes
Olivier Messiaen2:20
824 Préludes, op. 27: 3. in G minor
recording engineer:
Arend Prohmann (producer / editor) and Mark Buecker (engineer of classical recordings) (in 2007-07)
executive producer:
Christian Leins
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2007-07)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2007)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 2007-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin0:58
924 Préludes, op. 27: 4. in E minor
recording engineer:
Mark Buecker (engineer of classical recordings) (in 2007-07)
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2007-07)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2007)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (in 2007-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin2:09
1024 Préludes, op. 27: 7. in A major
recording engineer:
Mark Buecker (engineer of classical recordings) (in 2007-07)
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2007-07)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2007)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07)
recording of:
Prélude no. 7 in A major, op. 28: Andantino (in 2007-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin0:56
1124 Préludes, op. 27: 8. in F-sharp minor
recording engineer:
Mark Buecker (engineer of classical recordings) (in 2007-07)
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2007-07)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2007)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07)
recording of:
Prélude no. 8 in F‐sharp minor, op. 28: Molto agitato (in 2007-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin2:07
122 Etudes de Concert, S. 145: No. 2. Gnomenreigen
producer:
Sid McLauchlan (engineer/producer)
piano:
Daniil Trifonov (pianist) (in 2015-09)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2015-09)
recording of:
Zwei Konzertetüden, S. 145, Nr. 2: Gnomenreigen (in 2015-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
Franz Liszt2:53
13Piano Sonata no. 13 in E-flat, op. 27 no. 1: 2. Allegro molto e vivace
producer:
Werner Mayer (classical producer)
piano:
Emil Gilels (pianist) (from 1980-09-09 until 1980-09-17)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1980-09: piano)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1980-09-09 until 1980-09-17)
recording of:
Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace (from 1980-09-09 until 1980-09-17)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Piano no. 13 in E-flat major, op. 27 no. 1
Ludwig van Beethoven1:41
14Lyric Pieces Book VIII, op. 65: 6. Wedding Day at Troldhaugen
producer:
Sid McLauchlan (engineer/producer)
piano:
Alice Sara Ott (pianist) (in 2016-04)
recorded at:
Meistersaal in Berlin, Germany (in 2016-04)
recording of:
Lyriske stykker, hefte VIII, op. 65: No. 6: Bryllupsdag på Troldhaugen (Lyric Pieces, Book 8, op. 65: No. 6. Wedding Day at Troldhaugen, for piano) (in 2016-04)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte VIII, op. 65 (Lyric pieces, book VIII, op. 65)
Edvard Grieg5:20
15Miroirs, M. 43: 5. La vállee des cloches
producer:
Werner Mayer (classical producer)
piano:
Lilya Zilberstein (pianist) (in 1993-06)
balance engineer:
Andrew Wedman (producer and engineer) (in 1993-06: piano)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-06)
recording of:
Miroirs: V. La vallée des cloches (in 1993-06)
composer:
Maurice Ravel (classical composer) (from 1904 until 1905)
part of:
Miroirs
Maurice Ravel5:54
16Préludes: 5. Les sons impalpablesdu rêve
recording engineer:
Tobias Lehmann (in 2008-02)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 2008-02)
piano technician:
Stefan Knüpfer (piano technician)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 2008-02)
recording of:
Préludes: No. 5. Les sons impalpables du rêve (in 2008-02)
composer:
Olivier Messiaen (composer and organist) (from 1928 until 1929)
part of:
Huit préludes
Olivier Messiaen3:57
17Nocturne no. 2 in E-flat, op. 9 no. 2
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1995-01)
balance engineer:
Helmut Burk (in 1995-01)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1995-01)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (in 1995-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin4:30
1813 Préludes, op. 32: No. 12 in G-sharp minor: Allegro
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Lilya Zilberstein (pianist) (in 1988-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1988-11: piano)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1988-11)
recording of:
13 Preludes, op. 32: No. 12 in G-sharp minor. Allegro (in 1988-11)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910)
part of:
13 Preludes, op. 32
Сергей Рахманинов2:23
1924 Preludes for Piano, op. 11: No. 11 in B
producer:
Sid McLauchlan (engineer/producer)
piano:
Yuja Wang (pianist) (in 2011-12)
balance engineer:
Stephan Flock (in 2011-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2011-12)
recording of:
24 Preludes, op. 11: No. 11 in B major. Allegro assai (in 2011-12)
composer:
Александр Николаевич Скрябин (Alexander Scriabin, pianist and composer) (in 1895)
part of:
24 Preludes, op. 11
Александр Николаевич Скрябин1:32
206 Preludes, op. 13: No. 6 in B minor
producer:
Sid McLauchlan (engineer/producer)
piano:
Yuja Wang (pianist) (in 2011-12)
balance engineer:
Stephan Flock (in 2011-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2011-12)
recording of:
6 Preludes, op. 13: No. 6 in B minor. Presto (in 2011-12)
composer:
Александр Николаевич Скрябин (Alexander Scriabin, pianist and composer)
part of:
6 Preludes, op. 13
Александр Николаевич Скрябин1:20
21Etude-Tableau in G minor, op. 33: No. 8. Moderato
producer:
Christian Gansch (conductor)
piano:
Mikhail Pletnev (pianist & conductor) (in 1998-06)
balance engineer:
Rainer Maillard (in 1998-06)
recorded at:
Villa Senar in Weggis, Luzern (Canton of Lucerne), Switzerland (in 1998-06)
recording of:
Études-tableaux, op. 33: No. 7 in G minor: Moderato (sometimes no. 5 or no. 8) (in 1998-06)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1911-08 until 1911-09)
part of:
Études-tableaux, op. 33
Сергей Рахманинов3:55
22El amor brujo: Ritual Fire Dance (arr. for piano by de Falla)
producer:
Karl-Heinz Schneider (producer)
piano:
Andor Földes (pianist) (in 1958-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1958-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1958)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1958-03)
recording of:
El amor brujo, G. 69: IV. Danza ritual del fuego (for piano solo) (in 1958-03)
composer and arranger:
Manuel de Falla (Spanish composer)
arrangement of:
El amor brujo: VIII. Danza ritual del fuego
part of:
El amor brujo, G. 69 (piano suite)
Manuel de Falla3:33
23Iberia Book 2: 6. Triana
producer:
Sid McLauchlan (engineer/producer)
piano:
Yuja Wang (pianist) (in 2011-12)
balance engineer:
Stephan Flock (in 2011-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2011-12)
recording of:
Iberia, B. 47: Book II: III. Triana (in 2011-12)
premiered in:
Saint-Jean-de-Luz, Pyrénées-Atlantiques, Nouvelle-Aquitaine (New Aquitaine), France (on 1907-09-11)
composer:
Isaac Albéniz (Spanish composer) (in 1906)
part of:
Iberia, B. 47
Isaac Albéniz5:26
24Gaspard de la nuit, M. 55: 1. Ondine
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): I. Ondine (in 1974-11)
composer:
Maurice Ravel (classical composer) (in 1908)
is based on:
Ondine
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:16
25Berceuse in D-flat, op. 57
producer:
Sid McLauchlan (engineer/producer)
piano:
Hélène Grimaud (pianist) (in 2004-12)
balance engineer:
Stephan Flock (in 2004-12)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2004-12)
recording of:
Berceuse in D‐flat major, op. 57 (in 2004-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
dedicated to:
Elise Gavard
part of:
Works of Fryderyk Chopin by opus number (number: op. 57)
Fryderyk Chopin4:53
5▼CD
#TitleArtistRatingLength
1Lieder ohne Worte, op. 19: No. 3 in A (Molto allegro) "Hunting Song"
recording engineer:
Hans-Rudolf Müller
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann (in 1973-06)
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1973-06)
recording of:
Lied ohne Worte A-Dur, op. 19b Nr. 3 (Jägerlied) (Song Without Words in A major, Op. 19b No. 3) (in 1973-06)
composer:
Felix Mendelssohn (composer) (from 1829 until 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 89)
part of:
Lieder ohne Worte, op. 19b (Songs Without Words, op. 19b)
Felix Mendelssohn2:12
2Sonata in D minor, K. 9
executive producer:
Hanno Rinke
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff
piano:
Ivo Pogorelich (pianist) (in 1991-09)
balance engineer:
Gregor Zielinsky (Balance engineer) (in 1991-09: piano)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1991-09)
recording of:
Sonata in D minor, K 9, L 413: Allegro (in 1991-09)
composer:
Domenico Scarlatti (composer)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 9) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 413)
part of:
Essercizi per gravicembalo
Domenico Scarlatti4:13
3Partita no. 1 in B-flat majo, op. 1 no. 1, BWV 825: 1. Praeludium
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01: piano)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Partita no. 1 in B-flat major, BWV 825: I. Prelude (in 1994-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach1:58
44 Piano Pieces, op. 119: 3. Intermezzo in C
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1963-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1963-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-12)
recording of:
Klavierstücke, op. 119: Nr. 3. Intermezzo in C-Dur. Grazioso e giocoso (in 1963-12)
composer:
Johannes Brahms (German composer) (in 1893)
part of:
Klavierstücke, op. 119 (Piano Pieces, op. 119)
Johannes Brahms1:47
5Piano Sonata in E minor, Hob. XVI:34: 3. Vivace molto, innocentemente
recorded in:
Gran Canaria, Las Palmas (Province of Las Palmas), Canarias (Canary Islands), Spain (in 1974-07)
producer:
Franz Christian Wulff
piano:
Christoph Eschenbach (pianist and conductor) (in 1974-07)
balance engineer:
Karl-August Naegler (balance engineer) (in 1974-07)
recording of:
Piano Sonata no. 53 in E minor, Hob. XVI:34: III. Vivace molto, innocentemente (in 1974-07)
composer:
Joseph Haydn (composer) (from 1781 until 1782)
part of:
Piano Sonata no. 53 in E minor, Hob. XVI:34
Joseph Haydn3:04
6Prelude & Fugue in A major (Well-Tempered Clavier, Book I, no. 19), BWV 864: 1. Prelude
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 2014-03)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2014-03)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 19 in A major, BWV 864: Prelude (in 2014-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 19 in A major, BWV 864
Johann Sebastian Bach1:16
7Prelude & Fugue in D minor (Well-Tempered Clavier, Book I, no. 6), BWV 851: 1. Prelude
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 2014-03)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2014-03)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 6 in D minor, BWV 851: Prelude (in 2014-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 6 in D minor, BWV 851
Johann Sebastian Bach1:32
8Das Wohltemperierte Klavier: Book 2, BWV 870-893: 1. Prelude in D minor, BWV 875
assistant engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Stephan Flock (task: Tonmeister)
producer:
Stephan Flock
piano:
Hélène Grimaud (pianist) (in 2008-08)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2008-08)
recording of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 6 in D minor, BWV 875: Prelude (in 2008-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
part of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 6 in D minor, BWV 875
Johann Sebastian Bach1:29
9Das Wohltemperierte Klavier: Book 2, BWV 870-893: 2. Fugue D minor, BWV 875
assistant engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Stephan Flock (task: Tonmeister)
producer:
Stephan Flock
piano:
Hélène Grimaud (pianist) (in 2008-08)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2008-08)
recording of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 6 in D minor, BWV 875: Fugue (in 2008-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
part of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 6 in D minor, BWV 875
Johann Sebastian Bach1:48
10Lieder ohne Worte, op. 38: No. 2. Allegro non troppo in C minor "Lost Happiness"
recording engineer:
Hans-Rudolf Müller
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann (in 1973-06)
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1973-06)
recording of:
Lied ohne Worte c-Moll, op. 38 Nr. 2 (Song Without Words in C minor, Op. 38 No. 2) (in 1973-06)
composer:
Felix Mendelssohn (composer) (from 1836 until 1837)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 115)
part of:
Lieder ohne Worte, op. 38 (Songs Without Words, op. 38)
Felix Mendelssohn1:55
11Intermezzi, op. 117: 2. in B-flat minor
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1963-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1963-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-12)
recording of:
3 intermezzi, op. 117: Nr. 2 in b‐Moll. Andante non troppo e con molta espressione (3 intermezzi, op. 117: No. 2 in B-flat minor. Andante non troppo e con molta espressione) (in 1963-12)
premiered in:
Wien (Vienna), Austria (on 1893-01-30)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
Johannes Brahms4:01
12Kinderszenen, op. 15: 1. Vom fremden Ländern und Menschen
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:55
13Piano Sonata no. 8 in A minor, K. 310: 3. Presto
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
performer:
Maria João Pires (pianist)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto (in 1989-02)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Sonata for Piano no. 8 in A minor, K. 300d/310
Wolfgang Amadeus Mozart2:48
14Keyboard Sonata in D minor, K. 1
executive producer:
Hanno Rinke
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff
piano:
Ivo Pogorelich (pianist) (in 1991-09)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1991-09)
recording of:
Sonata in D minor, K 1, L 366: Allegro
composer:
Domenico Scarlatti (composer)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 1) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 366)
part of:
Essercizi per gravicembalo
Domenico Scarlatti2:31
154 Impromptus, op. 90, D. 899: No. 2 in E-flat
producer:
Werner Mayer (classical producer)
piano:
Andrei Gavrilov (pianist) (in 1991-02)
balance engineer:
Ulrich Vette (engineer) (in 1991-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-02)
recording of:
Impromptu in E-flat major, op. 90 no. 2, D. 899: Allegro (in 1991-02)
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert4:34
16Lieder ohne Worte, op. 67: No. 2. Allegro leggiero in F-sharp minor "Lost Illusions"
recording engineer:
Joachim Niss
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-12)
balance engineer:
Hans‐Peter Schweigmann (in 1973-12)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1973-12)
recording of:
Lied ohne Worte fis-Moll, op. 67 Nr. 2 (Song Without Words in F-sharp minor, Op. 67 No. 2) (in 1973-12)
composer:
Felix Mendelssohn (composer) (from 1843 until 1845)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 145)
part of:
Lieder ohne Worte, op. 67 (Songs Without Words, op. 67)
Felix Mendelssohn2:10
17Prelude & Fugue in E major (Well-Tempered Clavier, Book I, no. 2), BWV 847: 1. Prelude
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 2014-03)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2014-03)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847: Prelude (in 2014-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847
Johann Sebastian Bach1:30
18Prelude & Fugue in E major (Well-Tempered Clavier, Book I, no. 9), BWV 854: 1. Prelude
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 2014-03)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2014-03)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 9 in E major, BWV 854: Prelude (in 2014-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 9 in E major, BWV 854
Johann Sebastian Bach1:22
19Partita no. 1 in B-flat major, BWV 825: 3. Corrente
producer:
Klaus Fischer-Dieskau
piano:
Carl Seemann (pianist) (in 1958-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1958-07: piano)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1958-07)
recording of:
Partita no. 1 in B-flat major, BWV 825: III. Courante (in 1958-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach2:48
20Piano Sonata no. 30 in E, op. 109: 1. Vivace, ma non troppo
producer:
Werner Mayer (classical producer)
piano:
Emil Gilels (pianist) (from 1985-08 until 1985-09)
balance engineer:
Hans‐Peter Schweigmann (from 1955-08 until 1985-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1985-08 until 1985-09)
recording of:
Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo (from 1985-08 until 1985-09)
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Sonata for Piano no. 30 in E major, op. 109
Ludwig van Beethoven4:12
21Intermezzi, op. 117: No. 1 in E-flat major: Andante moderato
assistant engineer:
Andrew Mellor (engineer) (in 2012-01)
producer:
John Fraser (UK producer)
piano:
Maria João Pires (pianist) (in 2012-01)
balance engineer:
Daniel Kemper (in 2012-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (in 2012-01)
live recording of:
3 intermezzi, op. 117: Nr. 1 in Es‐Dur. Andante moderato (3 intermezzi, op. 117: No. 1 in E-flat major. Andante moderato) (in 2012-01)
premiered in:
London (Greater London), England, United Kingdom (on 1893-01-30)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
Johannes Brahms5:05
22Piano Sonata no. 2 in F, K. 280: 2. Adagio
producer:
Hans Weber (producer/engineer)
piano:
Clara Haskil (Romanian classical pianist) (in 1960-05)
balance engineer:
Walter Alfred Wettler (in 1960-05)
recorded at:
Lukaskirche (Lucerne) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 1960-05)
recording of:
Sonata for Piano no. 2 in F major, K. 189e/280: II. Adagio (in 1960-05)
composed in:
Salzburg, Salzburg, Austria (in 1774)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Sonata for Piano no. 2 in F major, K. 189e/280
Wolfgang Amadeus Mozart4:32
23Piano Sonata in D major, Hob. XVI:19: 3. Finale. Allegro assai
Joseph Haydn3:13
24Allegretto in C minor, D. 915
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Wolfgang Lohse
piano:
Wilhelm Kempff (pianist) (in 1967-01)
balance engineer:
Hans‐Peter Schweigmann (in 1967-01)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1967-01)
recording of:
Allegretto in C minor, D. 915 (in 1967-01)
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 915)
Franz Schubert4:55
252 Klavierstücke, WoO 19, MWV U 93-94: 2. Presto agitato
producer:
Christian Gansch (conductor)
piano:
Mikhail Pletnev (pianist & conductor) (in 1998-06)
balance engineer:
Rainer Maillard (in 1998-06)
recorded at:
Villa Senar in Weggis, Luzern (Canton of Lucerne), Switzerland (in 1998-06)
recording of:
2 Klavierstücke, WoO 19: No. 2. Presto agitato (in 1998-06)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 94)
part of:
2 Klavierstücke, WoO 19
Felix Mendelssohn2:35

Credits

Release group

part of:100 Masterworks (Deutsche Grammophon) (order: 1)
Allmusic:https://www.allmusic.com/album/mw0003031605 [info]