Tracklist

CD 1
# Title Artist Rating Length
1 Carmen: Seguidilla Georges Bizet 4:40
2 Carmen: Chanson Georges Bizet 4:44
3 Carmen: Habanera Georges Bizet 4:41
4 Lakmé: Flower Duet Léo Delibes 5:06
5 Samson et Dalila : Mon cœur s'ouvre à ta voix Camille Saint‐Saëns 6:15
6 Les Contes d'Hoffmann: Barcarolle Jacques Offenbach 3:47
7 Aria (Cantilena) Heitor Villa‐Lobos 3:23
8 Carceleras Ruperto Chapí 4:55
9 Nana Manuel de Falla 1:35
10 La clemenza di Tito: Parto, ma tu, ben mio Wolfgang Amadeus Mozart 6:44
11 La Favorite : Ô mon Fernand ! Gaetano Donizetti 3:40
12 Adelson e Salvini: Dopo I'oscuro nembo Vincenzo Bellini 6:31
13 ICapuleti e i Montecchi: Lieto del dolce incarco ... La tremenda ultrice spada Vincenzo Bellini 8:54

Credits

CD 1

additional librettist:
Caterino Mazzolà (track 10)
composer:
Vincenzo Bellini (Sicilian opera composer) (track 12)
Georges Bizet (French romantic composer) (tracks 1–3)
Ruperto Chapí (composer) (track 8)
Léo Delibes (composer) (track 4)
Gaetano Donizetti (Italian opera composer) (track 11)
Jacques Offenbach (track 6)
Camille Saint‐Saëns (composer) (track 5)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 10)
Vincenzo Bellini (Sicilian opera composer) (1830-01 – 1830-03) (track 13)
Manuel de Falla (Spanish composer) (1914) (track 9)
Heitor Villa‐Lobos (1938) (track 7)
conductor:
Marco Armiliato (conductor) (track 4)
librettist:
Philippe Gille (track 4)
Edmond Gondinet (track 4)
Pietro Metastasio (track 10)
Felice Romani (1830-01 – 1830-03) (track 13)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (tracks 1–13)
orchestra:
soprano vocals:
Anna Netrebko (soprano) (tracks 4, 6)
publisher:
Jenkinsongs Ltd. (track 4)
arrangements:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements) (track 7)
Flower Duet (Lakmé) (for brass band, Sparke) (track 4)
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann ») (track 6)
Mon cœur s’ouvre à ta voix (for cello and piano, Papin) (track 5)
Siete canciones populares españolas, G. 40, nº 5: Nana (for string quartet, arr. Andrew Haveron) (track 9)
Siete canciones populares españolas, G. 40, nº 5: Nana (catch-all for arrangements) (track 9)
Siete canciones populares españolas: N.º 5. Nana (for voice and guitar, Llobet/Pujol) (track 9)
Suite populaire espagnole: II. Nana (for violin and piano, arr. Kochanski) (track 9)
Suite populaire espagnole: IV. Nana (arr. Maréchal for cello and piano) (track 9)
“Mon cœur s’ouvre a ta voix” (Samson et Dalila) (catch-all for arrangements) (track 5)
is based on:
is the basis for:
Child of the Night (track 4)
Night Enchanted (track 4)
ピアノのおけいこ1 (Final Fantasy V) (track 3)
later translated versions:
later versions:
アリア (track 7)
orchestrations:
Siete canciones populares españolas: No. 5. Nana (orchestrated by Berio) (track 9)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order) (track 6)
Bachianas Brasileiras nº 5, W389 (for voice and cellos) (track 7)
Carmen Suite no. 2 (tracks 2–3)
Carmen Suite no. 1 (track 1)
Lakmé: Acte I (track 4)
La Favorite: Acte III (number) (track 11)
partial recording of:
Adelson e Salvini (2008-11) (track 12)
recording of:
Carmen Suite no. 1: IV. Séguedille (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») (track 1)
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos) (2006-07) (track 7)
referred to in medleys: