Compact Jazz: The Sampler

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Mack the Knife
bass:
Wilfred Middlebrooks (jazz bassist) (on 1960-02-13)
drums (drum set):
Gus Johnson (drums) (on 1960-02-13)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1960-02-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1960-02-13)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1960-02-13)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1960-02-13)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald5:09
2April in Paris
producer:
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-07-26) and Marshall Royal (on 1955-07-26)
alto saxophone, clarinet, flute and tenor saxophone:
Frank Wess (on 1955-07-26)
baritone saxophone and bass clarinet:
Charlie Fowlkes (on 1955-07-26)
clarinet and tenor saxophone:
Frank Foster (saxophonist) (on 1955-07-26)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-07-26)
drums (drum set):
Sonny Payne (on 1955-07-26)
guitar:
Freddie Green (on 1955-07-26)
piano:
Count Basie (pianist) (on 1955-07-26)
trombone:
Henry Coker (on 1955-07-26), Bill Hughes (trombone) (on 1955-07-26) and Benny Powell (on 1955-07-26)
trumpet:
Wendell Culley (on 1955-07-26), Reunald Jones (on 1955-07-26), Thad Jones (on 1955-07-26) and Joe Newman (US jazz trumpeter) (on 1955-07-26)
arranger:
Wild Bill Davis
instrumental recording of:
April in Paris (on 1955-07-26)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Count Basie3:51
3The Shadow of Your Smile
bass:
Ray Brown (jazz bassist) (on 1966-05-04)
drums (drum set):
Louis Hayes (on 1966-05-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1966-05-04)
recording of:
The Shadow of Your Smile (on 1966-05-04)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 38)
Oscar Peterson5:03
4Bernie's Tune
baritone saxophone:
Gerry Mulligan (on 1955-09-22)
bass:
John "Peck" Morrison (Jazz bass player from the 60s) (on 1955-09-22)
drums (drum set):
Dave Bailey (on 1955-09-22)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1955-09-22)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1955-09-22)
valve trombone:
Bob Brookmeyer (on 1955-09-22)
recording of:
Bernie’s Tune (on 1955-09-22)
lyricist:
Jerry Leiber and Mike Stoller
composer:
Bernie Miller (jazz composer)
publisher:
Atlantic Music Corp. (BMI)
Gerry Mulligan2:39
5The Girl from Ipanema
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
recording of:
The Girl From Ipanema (from 1963-03-18 until 1963-03-19)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & Astrud Gilberto3.55:16
6Please Don't Talk About Me When I'm Gone
alto saxophone:
Benny Carter (on 1955-08-23)
bass:
John Simmons (bassist) (on 1955-08-23)
drums (drum set):
Larry Bunker (on 1955-08-23)
guitar:
Barney Kessel (on 1955-08-23)
piano:
Jimmy Rowles (on 1955-08-23)
trumpet:
Harry “Sweets” Edison (on 1955-08-23)
lead vocals:
Billie Holiday (on 1955-08-23)
recording of:
Please Don’t Talk About Me When I’m Gone (on 1955-08-23)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
Billie Holiday44:22
7Misty
bass:
Wyatt Ruther (on 1954-07-27)
drums (drum set):
Eugene "Fats" Heard (jazz drummer) (on 1954-07-27)
piano:
Erroll Garner (on 1954-07-27)
recording of:
Misty (on 1954-07-27)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Erroll Garner2:49
8Djangology
engineer:
Gibbs Platen
producer:
Joachim-Ernst Berendt
double bass:
Niels-Henning Ørsted Pedersen (Danish jazz upright bassist) (from 1979-01-19 until 1979-01-21)
guitar:
Philip Catherine (Belgian jazz guitarist) (from 1979-01-19 until 1979-01-21) and Larry Coryell (from 1979-01-19 until 1979-01-21)
violin:
Stéphane Grappelli (jazz violinist) (from 1979-01-19 until 1979-01-21)
recorded at:
Tonstudio Zuckerfabrik in Stuttgart, Baden-Württemberg, Germany (from 1979-01-19 until 1979-01-21)
recording of:
Djangology (from 1979-01-19 until 1979-01-21)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Stéphane Grappelli3:26
9Goin' Out of My Head
recording engineer:
Rudy van Gelder (on 1965-11-20)
producer:
Creed Taylor
alto saxophone and clarinet:
Jerry Dodgion (on 1965-11-20) and Phil Woods (US jazz woodwind player) (on 1965-11-20)
bass trombone:
Tony Studd (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-11-20)
drums (drum set):
Grady Tate (on 1965-11-20)
electric guitar [guitar]:
Wes Montgomery (on 1965-11-20)
flute and piccolo:
Jerry Dodgion (on 1965-11-20)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-11-20) and Roger Kellaway (on 1965-11-20)
trombone:
Wayne Andre (on 1965-11-20), Jimmy Cleveland (on 1965-11-20) and Quentin Jackson (on 1965-11-20)
trumpet:
Danny Moore (on 1964-11-20), Joe Newman (US jazz trumpeter) (on 1964-11-20), Donald Byrd (American jazz trumpeter) (on 1965-11-20) and Ernie Royal (on 1965-11-20)
woodwind:
Jerome Richardson (on 1964-11-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1964-11-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1965-11-20)
instrumental cover recording of:
Goin’ Out of My Head (on 1964-11-20)
lyricist:
Bobby Weinstein (US songwriter)
composer:
Teddy Randazzo
publisher:
EMI Partnership Musikverlag GmbH, Universal Songs Of Polygram Inc. and Songs of PolyGram International, Inc. (in 1964)
Wes Montgomery42:15
10Vendome
recorded in:
Paris, Île-de-France, France (from 1966-09-27 until 1966-10-30)
recording engineer and producer:
Pierre Fatosme (sound engineer)
mixer:
Tokiwa Kinoshita
double bass:
Percy Heath (in 1966-09)
double bass [bass]:
Percy Heath (from 1966-09-27 until 1966-10-30)
drums (drum set):
Connie Kay (in 1966-09, from 1966-09-27 until 1966-10-30)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1966-09, from 1966-09-27 until 1966-10-30)
vibraphone:
Milt Jackson (in 1966-09, from 1966-09-27 until 1966-10-30)
alto vocals:
Alice Herald (from 1966-09-27 until 1966-10-30) and Claudine Meunier (from 1966-09-27 until 1966-10-30)
bass vocals:
Jean Cussac (French kapellmeister, singer and choir director) (from 1966-09-27 until 1966-10-30) and José Germain (from 1966-09-27 until 1966-10-30)
soprano vocals:
Jeanette Baucomont (from 1966-09-27 until 1966-10-30) and Christiane Legrand (from 1966-09-27 until 1966-10-30)
tenor vocals:
Claude Germain (from 1966-09-27 until 1966-10-30) and Ward Swingle (from 1966-09-27 until 1966-10-30)
vocals:
The Swingle Singers (in 1966-09)
arranger:
John Lewis (pianist, member of Modern Jazz Quartet) and Ward Swingle
recording of:
Vendôme (from 1966-09-27 until 1966-10-30)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
The Swingle Singers with The Modern Jazz Quartet3:32
11What a Difference a Day Makes
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington & Belford Hendricks' Orchestra3.352:32
12Walk on the Wild Side
recorded in:
New Jersey, United States (on 1962-03-28)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and alto saxophone, flute and tenor saxophone:
Jerry Dodgion (on 1962-03-28) and Phil Woods (US jazz woodwind player) (on 1962-03-28)
baritone saxophone and baritone saxophone, flute and tenor saxophone:
George Barrow (on 1962-03-28)
bass trombone:
Thomas Mitchell (US jazz trombonist) (on 1962-03-28)
double bass:
George Duvivier (on 1962-03-28) and Milt Hinton (on 1962-03-28)
drums (drum set) and drums (drum set) and percussion:
Ed Shaughnessy (on 1962-03-28)
flute and tenor saxophone:
Robert Ashton (saxophonist) (on 1962-03-28) and Babe Clark (saxophonist) (on 1962-03-28)
guitar:
Barry Galbraith (on 1962-03-28)
Hammond organ and organ:
Jimmy Smith (US jazz organist) (on 1962-03-28)
tenor saxophone:
Bob Ashton (on 1962-03-28) and Arthur Clarke (baritone saxophonist) (on 1962-03-28)
trombone:
Jimmy Cleveland (on 1962-03-28), Urbie Green (on 1962-03-28) and Britt Woodman (on 1962-03-28)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-03-28), Ernie Royal (on 1962-03-28), Doc Severinsen (on 1962-03-28) and Joe Wilder (on 1962-03-28)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1962-03-28)
arranger and orchestrator:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Walk on the Wild Side (on 1962-03-28)
lyricist:
Mack David (American lyricist and songwriter)
composer:
Elmer Bernstein (American score composer)
publisher:
Columbia Pictures
part of:
The 35th Academy Award for Best Original Song (number: 2)
Jimmy Smith5:57
13Lullaby of Birdland
recorded in:
New York, New York, United States (on 1954-12-16)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-16)
flute:
Herbie Mann (on 1954-12-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-16)
saxophone and tenor saxophone:
Paul Quinichette (on 1954-12-16)
trumpet:
Clifford Brown (trumpet) (on 1954-12-16)
lead vocals:
Sarah Vaughan
vocals:
Sarah Vaughan (on 1954-12-16)
conductor:
Ernie Wilkins (on 1954-12-16)
arranger:
Ernie Wilkins
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1954-12-16)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
composer:
George Shearing (British jazz pianist)
publisher:
Good Music Limited and Planetary Nom (London) Ltd.
Sarah Vaughan4:02
14I've Got You Under My Skin
producer:
Creed Taylor
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1966-05-10)
piano:
Bill Evans (pianist) (on 1966-05-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1966-05-10)
recording of:
I’ve Got You Under My Skin (on 1966-05-10)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Bill Evans3:25
15Captain Marvel
bass:
Stanley Clarke (in 1972-10)
drums (drum set) and percussion:
Airto Moreira (percussionist) (in 1972-10)
electric piano:
Chick Corea (jazz pianist) (in 1972-10)
flute:
Joe Farrell (in 1972-10)
lead vocals:
Flora Purim (in 1972-10)
recording of:
Captain Marvel (in 1972-10)
composer:
Chick Corea (jazz pianist)
publisher:
Litha Music Co. (in 1972)
Chick Corea4:56
16Friends and Love
alto flute, flute, soprano saxophone and tenor saxophone:
Gerry Niewood (on 1970-05-09)
drums (drum set):
Joe LaBarbera (on 1970-05-09)
electric bass guitar:
Alphonso Johnson (on 1970-05-09)
electric piano, flugelhorn and piano:
Chuck Mangione (on 1970-05-09)
lead vocals:
Don Potter (on 1970-05-09)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (on 1970-05-09)
recording of:
Friends and Love (on 1970-05-09)
composer:
Chuck Mangione
Chuck Mangione4:05

Credits

Release

part of:Compact Jazz (order: 35)
ASIN:US: B000004735 [info]