The Gipsy Genius

~ Release by Django Reinhardt (see all versions of this release, 3 available)

Annotation

DiscID 1: PH.bSAp6TuMv60_28tg_Lz8g14M-
DiscID 2: J1vsUiuhfSjSh4QUJtxOcHgVEpw-

Annotation last modified on 2014-03-12 20:24 UTC.

Tracklist

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CD 1
#TitleRatingLength
1Crazy Rhythm
instrumental recording of:
Crazy Rhythm
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
recording of:
Crazy Rhythm
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
3:02
2Honeysuckle Rose
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
2:47
3Out of Nowhere
recording of:
Out of Nowhere
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:19
4Sweet Georgia Brown
recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3:02
5Between the Devil and the Deep Blue Sea
double bass:
Richard Fullbright (on 1937-07-07)
drums (drum set):
Bill Beason (on 1937-07-07)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-07-07)
trombone:
Dicky Wells (on 1937-07-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1937-07-07), Shad Collins (on 1937-07-07) and Bill Dillard (on 1937-07-07)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1885-1) and Swing (by matrix number) (number: OLA 1885-1)
live instrumental recording of:
Between the Devil and the Deep Blue Sea (on 1937-07-07)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
recording of:
Between the Devil and the Deep Blue Sea
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
2:57
6Bugle Call Rag
double bass:
Richard Fullbright (on 1937-07-07)
drums (drum set):
Bill Beason (on 1937-07-07)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-07-07)
trombone:
Dicky Wells (on 1937-07-07)
trumpet:
Shad Collins, Bill Coleman (US jazz trumpeter) (on 1937-07-07) and Bill Dillard (on 1937-07-07)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1884-1) and Swing (by matrix number) (number: OLA 1884-1)
recording of:
Bugle Call Rag (on 1937-07-07)
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
2:42
7I Got Rhythm
double bass:
Richard Fullbright
drums (drum set):
Bill Beason
guitar:
Django Reinhardt (French jazz guitarist and composer)
trombone:
Dicky Wells
trumpet:
Bill Coleman (US jazz trumpeter), Shad Collins and Bill Dillard
instrumental recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:14
8Japanese Sandman
double bass:
Richard Fullbright
drums (drum set):
Bill Beason
guitar:
Django Reinhardt (French jazz guitarist and composer)
trombone:
Dicky Wells
trumpet:
Bill Coleman (US jazz trumpeter)
instrumental recording of:
The Japanese Sandman
lyricist:
Raymond B. Egan (in 1920)
composer:
Richard A. Whiting (in 1920)
recording of:
The Japanese Sandman
lyricist:
Raymond B. Egan (in 1920)
composer:
Richard A. Whiting (in 1920)
2:58
9Farewell Blues
alto saxophone:
Fletcher Allen (on 1938-03-07) and Benny Carter (on 1938-03-07)
double bass:
Len Harrison (on 1938-03-07)
drums (drum set):
Robert Montmarche (on 1938-03-07) and Robert Mommarche (on 1938-03-07)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1938-03-07)
piano:
De Sota (on 1938-03-07) and York de Souza (on 1938-03-07)
saxophone:
Fletcher Allen (on 1938-03-07), Benny Carter (on 1938-03-07), Alix Combelle (on 1938-03-07) and Bertie King (Jamaican alto/tenor saxophonist, clarinetist & flautist) (on 1938-03-07)
tenor saxophone:
Alix Combelle (on 1938-03-07) and Bertie King (Jamaican alto/tenor saxophonist, clarinetist & flautist) (on 1938-03-07)
part of:
Swing (by matrix number) (number: 0SW 5-1)
recording of:
Farewell Blues (on 1938-03-07)
composer:
Leon Rappolo (until 1922), Paul Mares (until 1922) and Elmer Schoebel (until 1922)
publisher:
Herman Darewski Music Publishing Co Ltd. and Lawrence Wright
3:16
10I Know That You Know
clarinet:
Barney Bigard
cornet:
Rex Stewart (on 1939-04-05)
double bass:
Billy Taylor (jazz bassist) (on 1939-04-05)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1939-04-05)
part of:
Swing (by matrix number) (number: 0SW 66-1)
recording of:
I Know That You Know (Caldwell & Youmans) (on 1939-04-05)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
2:33
11Finesse (Night Wind)
2:20
12Blue Light Blues
alto saxophone:
Fletcher Allen (on 1938-03-07)
clarinet:
Bertie King (Jamaican alto/tenor saxophonist, clarinetist & flautist) (on 1938-03-07)
double bass:
Len Harrison (on 1938-03-07)
drums (drum set):
Robert Montmarche (on 1938-03-07)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1938-03-07)
piano:
York de Souza (on 1938-03-07)
tenor saxophone:
Alix Combelle (on 1938-03-07)
trumpet:
Benny Carter (on 1938-03-07)
part of:
Swing (by matrix number) (number: 0SW 6-1)
recording of:
Blue Light Blues (on 1938-03-07)
composer:
Benny Carter
3:04
13I'm Coming Virginia3:02
14Sweet Sue
3:05
15Solid Old Man
clarinet and drums (drum set):
Barney Bigard
cornet:
Rex Stewart (on 1939-04-05)
double bass:
Billy Taylor (jazz bassist) (on 1939-04-05)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1939-04-05)
part of:
Swing (by matrix number) (number: 0SW 67-1)
recording of:
Solid Old Man (song recorded by Django Reinhardt and Rex Stewart, 1939-04-05)
3:03
16Hangin Around Boudon
2:52
17Avalon
alto saxophone and clarinet:
André Ekyan (on 1935-03-02) and Charles Lisée (on 1935-03-02)
clarinet and tenor saxophone:
Alix Combelle (on 1935-03-02)
double bass:
Eugène d’Hellemmes (on 1935-03-02)
drums (drum set):
Maurice Chaillou (on 1935-03-02)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-03-02)
piano:
Stéphane Grappelli (jazz violinist) (on 1935-03-02)
tenor saxophone:
Coleman Hawkins (on 1935-03-02)
trombone:
Guy Paquinet (on 1935-03-02)
trumpet:
Pierre Allier (on 1935-03-02), Arthur Briggs (on 1935-03-02) and Noël Chiboust (on 1935-03-02)
cover recording of:
Avalon (on 1935-03-02)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
2:59
18What a Difference a Day Made3:18
CD 2
#TitleRatingLength
1Limehouse Blues
recorded in:
Paris, Île-de-France, France (on 1932-05-04)
double bass:
Lucien Simoens (on 1936-05-04)
guitar:
Pierre “Baro” Ferret (on 1936-05-04), Django Reinhardt (French jazz guitarist and composer) (on 1936-05-04) and Joseph Reinhardt (on 1936-05-04)
violin:
Stéphane Grappelli (jazz violinist) (on 1936-05-04)
performer:
Quintette du Hot Club de France
live instrumental recording of:
Limehouse Blues (on 1936-05-04)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
2:46
2Nagasaki
recording of:
Nagasaki
lyricist:
Mort Dixon
composer:
Harry Warren (US composer and lyricist) (in 1928)
2:50
3After You've Gone
double bass:
Carlo Pecori (from 1949-01 until 1949-02)
drums (drum set):
Aurelio de Carolis (from 1949-01 until 1949-02)
guitar:
Django Reinhardt (French jazz guitarist and composer) (from 1949-01 until 1949-02)
piano:
Gianni Safred (from 1949-01 until 1949-02)
violin:
Stéphane Grappelli (jazz violinist) (from 1949-01 until 1949-02)
recording of:
After You’ve Gone (from 1949-01 until 1949-02)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
3:07
4You're Driving Me Crazy2:54
5Ain't Misbehavin'
double bass:
Louis Vola (on 1937-04-22)
guitar:
Marcel Bianchi (on 1937-04-22) and Pierre “Baro” Ferret (on 1937-04-22)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-22)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-22)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1708-1)
recording of:
Ain’t Misbehavin’ (on 1937-04-22)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
2:53
6Chicago
recorded in:
Paris, Île-de-France, France (on 1937-04-26)
double bass:
Louis Vola (on 1937-04-26)
guitar:
Marcel Bianchi (on 1937-04-26) and Pierre “Baro” Ferret (on 1937-04-26)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-26)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-26)
performer:
Django Reinhardt et son quintette (on 1937-04-26)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1713-1) and Swing (by matrix number) (number: OLA 1713-1)
recording of:
Chicago (That Toddlin’ Town) (on 1937-04-26)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
3:27
7Georgia on My Mind
recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:15
8Shine
recording of:
Shine
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (, in 1910)
2:57
9Exactly Like You
double bass:
Louis Vola (on 1937-04-21)
guitar:
Marcel Bianchi (on 1937-04-21), Pierre “Baro” Ferret (on 1937-04-21), Django Reinhardt (French jazz guitarist and composer) (on 1937-04-21) and Joseph Reinhardt (on 1937-04-21)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-21)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1702-1)
instrumental recording of:
Exactly Like You (on 1937-04-21)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1930)
composer:
Jimmy McHugh (songwriter) (in 1930)
2:29
10Charleston
double bass:
Louis Vola (on 1937-04-21)
guitar:
Marcel Bianchi (on 1937-04-21) and Pierre “Baro” Ferret (on 1937-04-21)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-21)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-21)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1703-1) and Swing (by matrix number) (number: OLA 1703-1)
recording of:
Charleston (on 1937-04-21)
lyricist:
Cecil Mack (in 1923)
composer:
James P. Johnson (in 1923)
publisher:
Salabert
2:53
11Rose Room
recorded in:
Paris, Île-de-France, France (on 1937-04-22)
double bass:
Louis Vola (on 1937-04-22)
guitar:
Marcel Bianchi (on 1937-04-22), Pierre “Baro” Ferret (on 1937-04-22) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-22)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-22)
recording of:
Rose Room (on 1937-04-22)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
2:43
12When Day Is Done
double bass:
Louis Vola (on 1937-04-22)
guitar:
Marcel Bianchi (on 1937-04-22), Pierre “Baro” Ferret (on 1937-04-22) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-22)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-22)
recording of:
When Day Is Done (on 1937-04-22)
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
3:11
13Runnin' Wild (Course Mouvementee)
double bass:
Louis Vola (on 1937-04-26)
guitar:
Marcel Bianchi (on 1937-04-26), Pierre “Baro” Ferret (on 1937-04-26) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-26)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-26)
instrumental recording of:
Runnin’ Wild (on 1937-04-26)
lyricist:
Joe Grey (in 1922) and Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
composer:
Arthur Harrington Gibbs (in 1922)
2:54
14Swing Guitars
recording of:
Swing Guitars
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
2:24
15Minor Swing
double bass:
Louis Vola (on 1937-11-25)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-11-25), Joseph Reinhardt (on 1937-11-25) and Eugène Vées (on 1937-11-25)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-11-25)
orchestra:
Quintette du Hot Club de France
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1990-1) and Swing (by matrix number) (number: OLA 1990-1)
recording of:
Minor Swing (on 1937-11-25)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
13:14
16Oriental Shuffle
recording of:
Oriental Shuffle
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
2:39
17I Can't Give You Anything but Love
double bass:
Lucien Simoens (on 1936-05-04)
guitar:
Pierre “Baro” Ferret (on 1936-05-04), Django Reinhardt (French jazz guitarist and composer) (on 1936-05-04) and Joseph Reinhardt (on 1936-05-04)
violin:
Stéphane Grappelli (jazz violinist) (on 1936-05-04)
vocals:
Freddy Taylor (jazz trumpeter) (on 1936-05-04)
cover recording of:
I Can’t Give You Anything but Love, Baby (on 1936-05-04)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:21
18Sweet Chorus
recording of:
Sweet Chorus
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
2:45