The Greatest Classical Hits of Bach

~ Release by Johann Sebastian Bach; London Symphony Orchestra (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
orchestra:
London Symphony Orchestra
recording of:
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach9:21
2Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie
orchestra:
London Symphony Orchestra
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach1:29
3Meditation on Prelude No. 1 of Bach, for violin or cello & piano with organ or cello ad lib. (or other instrumental arrangement)
Johann Sebastian Bach1:56
4Concerto for violin, strings & continuo No. 2 in E major, BWV 1042: 1st Mvt.
orchestra:
London Symphony Orchestra
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042
Johann Sebastian Bach9:21
5Brandenburg Concerto No. 2 in F major, BWV 1047
orchestra:
London Symphony Orchestra
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
dedicated to:
Christian Ludwig (Margrave of Brandenburg)
part of:
Bach-Werke-Verzeichnis (number: BWV 1047)
part of:
Six concerts avec plusieurs instruments (Brandenburg concertos)
Johann Sebastian Bach12:19
6Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166): Sleepers, Wake!
orchestra:
London Symphony Orchestra
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral “Zion hört die Wächter singen” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
Johann Sebastian Bach5:08
7Orchestral Suite No. 3 in D major, BWV 1068 "Air on the G String"
recorded in:
London (Greater London), England, United Kingdom (in 1976-06)
producer:
Michael Bremner (producer/engineer) and Vittorio Negri (conductor)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
violin:
Henryk Szeryng (violinist) (in 1976-06)
orchestra:
Academy of St Martin in the Fields (in 1970-12, in 1976-06)
conductor:
Sir Neville Marriner (conductor) (in 1970-12) and Neville Marriner (conductor) (in 1976-06)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12) and Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (in 1976-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
Johann Sebastian Bach5:11
8Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise & Rondo
orchestra:
London Symphony Orchestra (in 1991-04)
conductor:
Philip Gibson (conductor) (in 1991-04)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach4:40
9Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesus bleibet meine Freude
orchestra:
The London Symphony Orchestra
conductor:
Adrian Leaper (conductor)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:26
10Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3): Sheep May Safely Graze
orchestra:
London Symphony Orchestra
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach5:30
11Brandenburg Concerto No. 1 in F major, BWV 1046 (Excerpt)
orchestra:
London Symphony Orchestra
partial recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
dedicated to:
Christian Ludwig (Margrave of Brandenburg)
part of:
Bach-Werke-Verzeichnis (number: BWV 1046)
version of:
Sinfonia in F major, BWV 1046a (formerly BWV 1071)
part of:
Six concerts avec plusieurs instruments (Brandenburg concertos)
Johann Sebastian Bach4:17

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