| # | Title | Artist | Rating | Length |
|---|
| 1 | Pick Up the Pieces | Average White Band | 4.05 | 4:00 |
| 2 | That’s the Way (I Like It) | KC and the Sunshine Band | 4.2 | 3:04 |
| 3 | You’re the First, the Last, My Everything | Barry White | 3.65 | 3:24 |
| 4 | When Will I See You Again | The Three Degrees | | 2:35 |
| 5 | Don’t Leave Me This Way | Harold Melvin & The Blue Notes feat. Teddy Pendergrass | 5 | 3:54 |
| 6 | Young Hearts Run Free | Candi Staton | | 3:50 |
| 7 | Mamma Mia- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- additional guitar and guitar:
- Janne Schaffer (on 1975-03-16)
- bass guitar:
- Mike Watson (on 1975-03-12)
- cello:
- Kjell Bjurling (on 1975-03-15) and Olle Gustafsson (on 1975-03-15)
- drums (drum set):
- Roger Palm (on 1975-03-12)
- electric guitar:
- Finn Sjöberg (on 1975-03-12)
- marimba:
- Benny Andersson (in 1975-03)
- oboe:
- Lars-Erik Rönn (on 1975-03-15)
- viola:
- Nils Heie (on 1975-03-15) and Håkan Roos (on 1975-03-15)
- violin:
- Anders Dahl (on 1975-03-15), Inge Lindstedt (on 1975-03-15), Gunnar Michols (on 1975-03-15), Sixten Strömvall (on 1975-03-15), Harry Teike (on 1975-03-15) and Krzysztof Zdrzalka (on 1975-03-15)
- lead vocals:
- Agnetha Fältskog (on 1975-03-12) and Frida (on 1975-03-12)
- cello, viola and violin arranger:
- Sven-Olof Walldoff
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music AB (in 1975) and Polar Music International AB (in 2001, in 2014)
- recorded at:
- Metronome Studio in Stockholm, Stockholms län, Sweden (on 1975-03-12, on 1975-03-15, on 1975-03-16)
- mixed at:
- Metronome Studio in Stockholm, Stockholms län, Sweden
- part of:
- The Downloader’s Music Source Book (number: 54)
- recording of:
- Mamma Mia (from 1975-03-12 until 1975-03-16)
- written in:
- Lidingö municipality, Stockholms län, Sweden
- writer:
- Stig Anderson , Benny Andersson and Björn Ulvaeus
- publisher:
- Polar Music AB (ended), Union Songs AB (ended), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. and Universal/Union Songs Musikförlag AB
- part of:
- Mamma Mia!
| ABBA | 3.9 | 3:32 |
| 8 | Livin’ Thing- engineer:
- Mack , Dick Plant , John Richards and Duane Scott
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1976-07)
- cello:
- Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
- clavinet, Moog and piano:
- Richard Tandy (in 1976-07)
- drums (drum set) and percussion:
- Bev Bevan (in 1976-07)
- guitar:
- Jeff Lynne (in 1976-07) and Richard Tandy (in 1976-07)
- violin:
- Mik Kaminski (in 1976-07)
- background vocals:
- Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) and Patti Quatro (in 1976-07)
- lead vocals:
- Jeff Lynne (in 1976-07)
- conductor:
- Louis Clark (in 1976-07)
- choir vocals arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- orchestrator:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Jet Records (in 1976), Sony Music Entertainment (in 1976, in 2005) and United Artists Music and Records Group, Inc. (in 1976)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (in 1976-07) and Musicland Studios in München, Bayern, Germany (in 1976-07)
- mixed at:
- Musicland Studios in München, Bayern, Germany
- edited at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Livin’ Thing (in 1976-07)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc. , EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 4.15 | 3:31 |
| 9 | Make Me Smile (Come Up and See Me) | Steve Harley & Cockney Rebel | 4 | 3:56 |
| 10 | How Deep Is Your Love- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- bass:
- Maurice Gibb (in 1977)
- drums (drum set):
- Dennis Bryon (in 1977)
- electric guitar:
- Alan Kendall (in 1977)
- guitar [rhythm guitar]:
- Barry Gibb (in 1977)
- keyboard, piano and synthesizer:
- Blue Weaver (in 1977)
- percussion:
- Dennis Bryon (in 1977) and Joe Lala (in 1977)
- background vocals and other vocals [harmony vocals]:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- lead vocals:
- Barry Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (in 1977), PolyGram Records, Inc. (in 1977) and RSO Records, Inc. (in 1977)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 367)
- recording of:
- How Deep Is Your Love (in 1977)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc., Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. and Gibb Brothers Music (in 1977)
- sub-publisher:
- Universal Music Publishing Group Japan , Warner/Chappell Music Taiwan Ltd., シンコーミュージック・エンタテイメント, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Bee Gees | 4.3 | 4:00 |
| 11 | Wuthering Heights | Kate Bush | | 4:30 |
| 12 | Let’s Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
- recording of:
- Let’s Stick Together
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 2 | 2:59 |
| 13 | 2-4-6-8 Motorway | Tom Robinson Band | 4 | 3:18 |
| 14 | Peaches- engineer:
- Alan Winstanley
- producer:
- Martin Rushent
- assistant mixer:
- Benny King
- mixer:
- Doug Bennett
- bass guitar:
- Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
- drums (drum set):
- Jet Black (from 1976-12-20 until 1977-01-28)
- guitar and lead vocals:
- Hugh Cornwell (from 1976-12-20 until 1977-01-28)
- keyboard:
- Dave Greenfield (from 1976-12-20 until 1977-01-28)
- publisher:
- EMI April Music Inc.
- recorded at:
- T.W. Studios in Fulham, Hammersmith and Fulham, London , England, United Kingdom (from 1976-12-20 until 1977-01-28)
- mixed at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom
- produced at:
- T.W. Studios in Fulham, Hammersmith and Fulham, London , England, United Kingdom (from 1977-01 until 1977-02)
- recording of:
- Peaches (from 1976-12-20 until 1977-01-28)
- writer:
- Brian Duffy , Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
- publisher:
- Albion Music Ltd., April Music Ltd., Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
| The Stranglers | 4.2 | 4:06 |
| 15 | Spanish Stroll | Mink DeVille | | 3:38 |
| 16 | Heart of Glass- assistant engineer:
- Grey Russell
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison
- drums (drum set):
- Clem Burke
- guitar:
- Frank Infante and Chris Stein
- keyboard:
- Jimmy Destri
- vocals:
- Deborah Harry
- phonographic copyright (℗) by:
- Chrysalis (in 1978) and Chrysalis Records Ltd. (in 1978)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 2), Indie 88: Top 500 Indie Rock Songs (number: 138), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 138) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 255)
- recording of:
- Heart of Glass
- writer:
- Deborah Harry and Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation, フジパシフィックミュージック and Rare Blue Music Inc (in 1978)
- version of:
- Once I Had a Love
| Blondie | 4.6 | 3:55 |
| 17 | The Grease Megamix | John Travolta & Olivia Newton‐John | 3.65 | 4:50 |
| 18 | Blame It on the Boogie | The Jacksons | | 3:28 |
| 19 | One Step Beyond | Madness | 4.5 | 2:17 |
| 20 | Gangsters | The Special A.K.A. | 4 | 2:48 |
| 21 | Cars | Gary Numan | 4.15 | 3:39 |
| 22 | I Don’t Like Mondays | The Boomtown Rats | 5 | 3:46 |
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