Lover Man

~ Release by Sarah Vaughan (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Lover Man
cover recording of:
Lover Man (on 1945-05-11)
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:23
2What a Difference a Day Made
vocals:
Sarah Vaughan (on 1947-12-29)
cover recording of:
What a Diff’rence a Day Made (on 1947-12-29)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
2:48
3Ain’t Missbehavin’
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
3:02
4Goodnight My Love
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell & His All Stars (on 1950-05-18)
cover recording of:
Goodnight, My Love (1936) (on 1950-05-18)
lyricist:
Harry Revel (British-born American composer)
composer:
Mack Gordon
3:30
5It Might as Well Be Spring
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1950-05-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 18)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair
part of:
State Fair (1962 film soundtrack)
3:14
6Mean to Me
bass:
Billy Taylor Jr. (jazz bassist)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
drums (drum set):
J.C. Heard
electric guitar:
Mundell Lowe
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
solo tenor saxophone:
Budd Johnson
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
trombone:
Bennie Green (jazz trombonist)
vocals:
Sarah Vaughan
cover recording of:
Mean to Me
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:57
7Come Rain or Come Shine
recorded in:
New York, New York, United States
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo electric guitar:
Mundell Lowe
solo tenor saxophone:
Budd Johnson
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Come Rain or Come Shine (on 1950-05-19)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
3:25
8Nice Work If You Can Get It
recorded in:
New York, New York, United States (on 1950-05-19)
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
George Treadwell & His All Stars and with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:37
9East of the Sun
producer:
Zev Feldman (producer and author) (on 1978-05-31)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
double bass:
Walter Booker (on 1978-05-31) and Billy Taylor Jr. (jazz bassist) (on 1978-05-31)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1978-05-31) and J.C. Heard (on 1978-05-31)
electric guitar:
Mundell Lowe (on 1978-05-31)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1978-05-31) and Carl Schroeder (pianist) (on 1978-05-31)
tenor saxophone:
Budd Johnson (on 1978-05-31)
trombone:
Bennie Green (jazz trombonist) (on 1978-05-31)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1978-05-31)
vocals:
Sarah Vaughan (on 1978-05-31)
live recording of:
East of the Sun (and West of the Moon) (on 1978-05-31)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
3:09
10Perdido
cover recording of:
Perdido (with lyrics)
lyricist:
Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music Inc
version of:
Perdido (original instrumental version)
2:32
11Deep Purple
cover recording of:
Deep Purple
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:10
12Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
composer:
George Shearing (British jazz pianist)
publisher:
Good Music Limited and Planetary Nom (London) Ltd.
4:03
13He’s My Guy
cover recording of:
He’s My Guy (on 1954-12-16)
lyricist:
Don Raye
composer:
Gene de Paul
4:15
14April in Paris
cover recording of:
April in Paris (on 1954-12-16)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
6:22
15Embraceable You
recorded in:
New York, New York, United States (on 1954-12-18)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-18) and Richard Davis (American jazz bassist) (on 1957-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-18, on 1957-08-08)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1957-08-08)
vocals:
Sarah Vaughan (on 1954-12-18, on 1957-08-08)
conductor:
Ernie Wilkins (on 1954-12-18)
arranger:
Ernie Wilkins
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1957-08-08)
cover recording of:
Embraceable You (on 1954-12-18)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
live cover recording of:
Embraceable You (on 1957-08-08)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:51
16Sometimes I’m Happy
cover recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1955 movie)
part of:
Hit the Deck (1927 musical)
3:00
17How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:38
18Over the Rainbow
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
3:30