Tracklist

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CD 1
#TitleRatingLength
1The Mikado: Overture
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Overture (in 1957)
composer:
Arthur Sullivan (composer)
part of:
The Mikado
8:34
2The Mikado: Act I. “If you want to know who we are” (Nobles)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, No 1, Men’s Chorus, “If you want to Know who we are”
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
2:40
3The Mikado: Act I. “Gentlemen, I pray you tell me” (Nanki-Poo, A Noble)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no 2. “Gentlemen, I Pray You Tell Me” (Nanki-Poo, a Noble) (recitative only, preceding song)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I, no 2. “A wand’ring minstrel I…” (Nanki-Poo, Men)
0:46
4The Mikado: Act I. “A wand’ring minstrel, I” (Nanki-Poo, Nobles)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no 2. “A wand’ring minstrel I…” (Nanki-Poo, Men)
composer:
Arthur Sullivan (composer)
librettist:
William Gilbert (librettist)
part of:
The Mikado: Act I
recording of:
The Mikado: Act I, no 2. “A Wand’ring Minstrel I” (Nanki-Poo, Chorus)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I, no 2. “A wand’ring minstrel I…” (Nanki-Poo, Men)
4:15
5The Mikado: Act I. “Our great Mikado, virtous man” (Pish-Tush, Nobles)
baritone vocals:
John Cameron (baritone) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no. 3, “Our Great Mikado, Virtuous Man” (Pish-Tush and Men)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
3:09
6The Mikado: Act I. “Young man, despair” (Poo-Bah, Nanki-Poo, Pish-Tush)
baritone vocals:
John Cameron (baritone) (in 1957) and Ian Wallace (English bass-baritone opera singer) (in 1957)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no. 4, “Young Man, Despair” (Pooh-Bah, Nanki-Poo and Pish-Tush)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
2:40
7The Mikado: Act I. “And have I journey’d for a month” (Nanki-Poo, Poo-Bah)
baritone vocals:
Ian Wallace (English bass-baritone opera singer) (in 1957)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no. 4a, “And Have I Journey’d for a Month” (Pooh-Bah and Nanki-Poo)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
0:50
8The Mikado: Act I. “Behold the Lord High Executioner!” (Nobles, Ko-Ko)
baritone vocals:
Geraint Evans (baritone) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no. 5, “Behold the Lord High Executioner…” (Ko-Ko and Men)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
2:55
9The Mikado: Act I. “As some day it may happen” (Ko-Ko, Nobles)
baritone vocals:
Geraint Evans (baritone) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no. 5a “As someday it may happen” (Ko-Ko and Men) (I’ve got a little list)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
2:26
10The Mikado: Act I. “Comes a train of little ladies” (Girls)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no. 6, “Comes a Train of Little Ladies” (Girls)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
2:12
11The Mikado: Act I. “Three little maids from school” (Yum-Yum, Peep-Bo, Pitti-Sing, Girls)
contralto vocals:
Marjorie Thomas (contralto) (in 1957)
soprano vocals:
Elsie Morison (soprano) (in 1957) and Jeannette Sinclair (soprano) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no. 7. “Three little maids from school are we” (Yum-Yum, Peep-Bo, Pitti-Sing, and Girls)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
1:31
12The Mikado: Act I. “So please you, sir, we much regret” (Yum-Yum, Peep-Bo, Pitti-Sing, Poo-Bah, Girls)
baritone vocals:
Ian Wallace (English bass-baritone opera singer) (in 1957)
contralto vocals:
Marjorie Thomas (contralto) (in 1957)
soprano vocals:
Elsie Morison (soprano) (in 1957) and Jeannette Sinclair (soprano) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no. 8, “So Please You Sir, We Much Regret” (Yum-Yum, Peep-Bo, Pitti-Sing, Pooh-Bah, and Girls)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
2:02
13The Mikado: Act I. “Were you not to Ko-Ko plighted” (Nanki-Poo, Yum-Yum)
baritone vocals:
Geraint Evans (baritone) (in 1957)
soprano vocals:
Elsie Morison (soprano) (in 1957)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no. 9, “Were You Not to Ko-Ko Plighted” (Yum-Yum and Nanki-Pooh)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
2:29
14The Mikado: Act I. “I am so proud” (Poo-Bah, Ko-Ko, Pish-Tush)
baritone vocals:
John Cameron (baritone) (in 1957), Geraint Evans (baritone) (in 1957) and Ian Wallace (English bass-baritone opera singer) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I, no. 10, “I Am So Proud” (Pooh-Bah, Ko-Ko and Pish-Tush)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
2:58
15The Mikado: Act I. “With aspect stern” (Nobles, Girls, Poo-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
baritone vocals:
John Cameron (baritone) (in 1957), Geraint Evans (baritone) (in 1957) and Ian Wallace (English bass-baritone opera singer) (in 1957)
soprano vocals:
Elsie Morison (soprano) (in 1957)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I Finale, no. 11, “The Threatened Cloud Has Passed Away” (Ensemble)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I Finale, no. 11, “With Aspect Stern and Gloomy Stride…” (Ensemble)
recording of:
The Mikado: Act I Finale, no. 11, “With Aspect Stern and Gloomy Stride” (Pooh-Bah, Ko-Ko, Nanki-Poo, Chorus) (first song only of Act I Finale)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I Finale, no. 11, “With Aspect Stern and Gloomy Stride…” (Ensemble)
6:31
16The Mikado: Act I. “Your revels cease” (Katisha, Nanki-Poo, Pitti-Sing, Yum-Yum, Others)
contralto vocals:
Monica Sinclair (Operatic contralto) (in 1957) and Marjorie Thomas (contralto) (in 1957)
soprano vocals:
Elsie Morison (soprano) (in 1957)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act I Finale, no. 11, “For He’s Going to Marry Yum-Yum” (Pitti-Sing, Ensembe)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I Finale, no. 11, “With Aspect Stern and Gloomy Stride…” (Ensemble)
recording of:
The Mikado: Act I Finale, no. 11, “The Hour of Gladness” … “O ni! Bikkuri shakkuri to!” (Katisha, Nanki-Poo, Yum-Yum, Chorus)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I Finale, no. 11, “With Aspect Stern and Gloomy Stride…” (Ensemble)
recording of:
The Mikado: Act I Finale, no. 11, “Ye Torrents Roar!” (Katisha, Yum-Yum, Nanki-Poo, Ensemble)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I Finale, no. 11, “With Aspect Stern and Gloomy Stride…” (Ensemble)
recording of:
The Mikado: Act I Finale, no. 11, “Your Revels Cease!” … “Oh Fool, That Fleest My Hallowed Joys!” (Katisha, Nanki-Poo, Pitti-Sing, Chorus)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I Finale, no. 11, “With Aspect Stern and Gloomy Stride…” (Ensemble)
8:27
CD 2
#TitleRatingLength
1The Mikado: Act II. “Braid the raven hair” (Girls, Pitti-Sing)
contralto vocals:
Marjorie Thomas (contralto) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 12, “Braid the Raven Hair” (Pitti-Sing and Girls)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
3:21
2The Mikado: Act II. “The sun, whose rays are all ablaze” (Yum-Yum)
soprano vocals:
Elsie Morison (soprano) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 13. “The sun, whose rays are all ablaze” (Yum-Yum)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
3:01
3The Mikado: Act II. “Brightly dawns our wedding day” (Yum-Yum, Pitti-Sing, Nanki-Poo, Pish-Tush)
baritone vocals:
John Cameron (baritone) (in 1957)
contralto vocals:
Marjorie Thomas (contralto) (in 1957)
soprano vocals:
Elsie Morison (soprano) (in 1957)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 14, “Brightly Dawns Our Wedding Day” (Yum-Yum, Pitti-Sing, Nanki-Pooh, and Pish-Tish)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
4:18
4The Mikado: Act II. “Here’s a how-de-do!” (Yum-Yum, Nanki-Poo, Ko-Ko)
baritone vocals:
Geraint Evans (baritone) (in 1957)
soprano vocals:
Elsie Morison (soprano) (in 1957)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 15. “Here’s a how-de-do” (Yum-Yum, Nanki-Poo and Ko-Ko)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
1:19
5The Mikado: Act II. “Miya sama, miya sama” (Girls, Nobles, Mikado, Katisha)
bass vocals:
Owen Brannigan (operatic bass) (in 1957)
contralto vocals:
Monica Sinclair (Operatic contralto) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 16, “Mi-ya Sa-ma” … “From Every Kind of Man Obedience I Expect” (Mikado, Katisha, Chorus)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
2:45
6The Mikado: Act II. “A more humane Mikado” (Mikado, Nobles)
bass vocals:
Owen Brannigan (operatic bass) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 17, “A More Humane Mikado” (Mikado, Chorus)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
4:15
7The Mikado: Act II. “The criminal cried” (Ko-Ko, Nobles, Pitti-Sing, Poo-Bah)
baritone vocals:
Geraint Evans (baritone) (in 1957) and Ian Wallace (English bass-baritone opera singer) (in 1957)
contralto vocals:
Marjorie Thomas (contralto) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 18, “The Criminal Cried as He Dropped Him Down” (Ko-Ko, Pitti-Sing, Pooh-Bah, Chorus)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
3:15
8The Mikado: Act II. “See how the Fates their gifts allot” (Mikado, Pitti-Sing, Poo-Bah, Ko-Ko, Katisha)
baritone vocals:
Geraint Evans (baritone) (in 1957) and Ian Wallace (English bass-baritone opera singer) (in 1957)
bass vocals:
Owen Brannigan (operatic bass) (in 1957)
contralto vocals:
Monica Sinclair (Operatic contralto) (in 1957) and Marjorie Thomas (contralto) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 19, “See How the Fates Their Gifts Allot” (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko and Katisha)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
2:04
9The Mikado: Act II. “The flowers that bloom in the spring” (Nanki-Poo, Yum-Yum, Pitti-Sing, Poo-Bah, Ko-Ko)
baritone vocals:
Ian Wallace (English bass-baritone opera singer) (in 1957)
contralto vocals:
Marjorie Thomas (contralto) (in 1957)
soprano vocals:
Elsie Morison (soprano) (in 1957)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 20, “The Flowers That Bloom In the Spring” (Nanki-Pooh, Ko-Ko, Yum-Yum, Pitti-Sing, and Pooh-Bah)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
1:50
10The Mikado: Act II. “Alone, and yet alive” (Katisha)
contralto vocals:
Monica Sinclair (Operatic contralto) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 21 “Alone, and Yet Alive” (Katisha (recitative only, preceding song)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II, no. 21, “Alone, and Yet Alive…” (Katisha)
0:49
11The Mikado: Act II. “Hearts do not break” (Katisha)
contralto vocals:
Monica Sinclair (Operatic contralto) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 21 “Hearts Do Not Break” (Katisha)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II, no. 21, “Alone, and Yet Alive…” (Katisha)
2:01
12The Mikado: Act II. “On a tree by a river a little tom-tit” (Ko-Ko)
baritone vocals:
Geraint Evans (baritone) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 22, “On a Tree by a River” (Ko-Ko) (willow, tit-willow)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
3:05
13The Mikado: Act II. “There is a beauty in the bellow of the blast” (Katisha, Ko-Ko)
baritone vocals:
Geraint Evans (baritone) (in 1957)
contralto vocals:
Monica Sinclair (Operatic contralto) (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 23. “There is beauty in the bellow of the blast” (Katisha and Ko-Ko)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
2:13
14The Mikado: Act II. “For he’s gone and married Yum-Yum” (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
baritone vocals:
John Cameron (baritone) (in 1957) and Geraint Evans (baritone) (in 1957)
contralto vocals:
Marjorie Thomas (contralto) (in 1957)
soprano vocals:
Elsie Morison (soprano) (in 1957)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1957)
vocals:
Glyndebourne Chorus (in 1957)
orchestra:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations) (in 1957)
conductor:
Sir Malcolm Sargent (conductor) (in 1957)
recording of:
The Mikado: Act II, no. 24. Finale “For He’s Gone and Married Yum-Yum” (Ensemble) (first song only in Act II Finale)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II, No 24. Finale “For He’s Gone and Married Yum-Yum…” (Ensemble)
2:05

Credits

Release

orchestra:Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations)
conductor:Sir Malcolm Sargent (conductor)
performer:Glyndebourne Chorus
chorus master:Peter Gellhorn (Conductor, composer, pianist)
composer:Arthur Sullivan (composer)
lyricist:W.S. Gilbert (librettist)
choir vocals:Glyndebourne Chorus
ASIN:US: B000002S3U [info]