Tracklist

Medium 1: Symphonie Nr. 5 c-Moll (Wiener Philharmoniker feat. conductor: Carlos Kleiber), Symphonie Nr. 6 F-Dur (Orchestre Révolutionnaire et Romantique feat. conductor: John Eliot Gardiner)
# Title Rating Length
1 Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio
7:22
2 Symphonie No. 5 c-Moll, Op. 67: II. Andante con moto
10:00
3 Symphonie No. 5 c-Moll, Op. 67: III. Allegro
5:09
4 Symphonie No. 5 c-Moll, Op. 67: IV. Allegro
10:59
5 Symphonie No. 6 F-Dur, Op. 68 "Pastorale": I. "Erwachen heiterer Empfindungen bei der Ankunft auf dem Land". Allegro ma non troppo
11:12
6 Symphonie No. 6 F-Dur, Op. 68 "Pastorale": II. "Szene am Bach". Andante molto mosso
12:00
7 Symphonie No. 6 F-Dur, Op. 68 "Pastorale": III. "Lustiges Zusammensein der Landleute". Allegro
4:49
8 Symphonie No. 6 F-Dur, Op. 68 "Pastorale": IV. "Gewitter, Sturm". Allegro
3:39
9 Symphonie No. 6 F-Dur, Op. 68 "Pastorale": V. "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm" Allegretto
9:16
Medium 2: Symphonie Nr. 7 A-Dur Op. 92 (Wiener Philharmoniker feat. conductor: Carlos Kleiber), Fantasie für Klavier, Chor und Orchester c-Moll Op. 80 (Orchestre Révolutionnaire et Romantique feat. conductor: John Eliot Gardiner)
# Title Rating Length
1 Symphonie No. 7 A-Dur, Op. 92: I. Poco sostenuto. Vivace
13:36
2 Symphonie No. 7 A-Dur, Op. 92: II. Allegretto
8:09
3 Symphonie No. 7 A-Dur, Op. 92: III. Presto
8:15
4 Symphonie No. 7 A-Dur, Op. 92: IV. Allegro con brio
8:43
5 Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Adagio
3:25
6 Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Finale
14:36

Credits

Medium 1: Symphonie Nr. 5 c-Moll (Wiener Philharmoniker feat. conductor: Carlos Kleiber), Symphonie Nr. 6 F-Dur (Orchestre Révolutionnaire et Romantique feat. conductor: John Eliot Gardiner)

clarinet:
Timothy Lines (tracks 5–9)
Lesley Schatzberger (tracks 5–9)
violin:
Sarah Bealby-Wright (tracks 5–9)
Brian Brooks (tracks 5–9)
Adrian Butterfield (violinist) (tracks 5–9)
Ruth Crouch (violinist) (tracks 5–9)
Catherine Ford (tracks 5–9)
Roger Foxwell (tracks 5–9)
Miranda Fulleylove (tracks 5–9)
Jane Gillie (tracks 5–9)
Jennifer Godson (tracks 5–9)
Lucy Howard (tracks 5–9)
Stephen Jones (violinist) (tracks 5–9)
Peter Lissauer (tracks 5–9)
Anna McDonald (violinist) (tracks 5–9)
Stephen Rouse (tracks 5–9)
Stephen Rowlinson (tracks 5–9)
Lucy Russell (violinist) (tracks 5–9)
Gregory Squire (tracks 5–9)
Maurice Whitaker (Violinist) (tracks 5–9)
Elizabeth Wilcock (tracks 5–9)
Hildburg Williams (tracks 5–9)
Katharina Wolff (tracks 5–9)
cello:
Ruth Alford (tracks 5–9)
Lynden Cranham (tracks 5–9)
Timothy Merton (tracks 5–9)
Christopher Poffley (tracks 5–9)
Helen Verney (tracks 5–9)
David Watkin (cellist) (tracks 5–9)
oboe:
Richard Earle (Oboist) (tracks 5–9)
Anthony Robson (oboist) (tracks 5–9)
trumpet:
Phillip Bainbridge (tracks 5–9)
David Blackadder (tracks 5–9)
viola:
Lisa Cochrane (violist) (tracks 5–9)
Peter Collyer (tracks 5–9)
Alan George (tracks 5–9)
Kate Heller (tracks 5–9)
Annette Isserlis (tracks 5–9)
Colin Kitching (tracks 5–9)
Kenneth Mitchell (tracks 5–9)
Rosemary Nalden (tracks 5–9)
bassoon:
Alastair Mitchell (Bassoonist) (tracks 5–9)
Philip Turbett (Bassoonist) (tracks 5–9)
flute:
Rachel Beckett (tracks 5–9)
Janet See (tracks 5–9)
double bass:
Elizabeth Bradley (double bass) (tracks 5–9)
Cecelia Bruggenmeyer (tracks 5–9)
Andrew Durban (tracks 5–9)
Chi-Chi Nwanoku (double bass) (tracks 5–9)
timpani:
John Chimes (percussionist) (tracks 5–9)
piano arranger:
Franz Liszt (tracks 5, 7)
piccolo:
Utako Ikeda (tracks 5–9)
horn:
Susan Dent (Horn player) (tracks 5–9)
Gavin Edwards (Horn player) (tracks 5–9)
Roger Montgomery (Horn player) (tracks 5–9)
balance engineer:
Ulrich Vette (tracks 5–9)
composer:
Ludwig van Beethoven (tracks 5, 7)
Ludwig van Beethoven (1804 – 1808) (tracks 1–4)
Ludwig van Beethoven (1808) (tracks 5–9)
conductor:
Carlos Kleiber (tracks 1–4)
Sir John Eliot Gardiner (1992-10) (tracks 5–9)
editor:
Mark Bücker (recording engineer) (tracks 5–9)
Ingmar Haas (tracks 5–9)
executive producer:
Dr. Andreas Holschneider (tracks 5–9)
Charlotte Kriesch (tracks 5–9)
instruments:
Rainer Hebborn (tracks 5–9)
orchestra:
Wiener Philharmoniker (tracks 1–4)
Orchestre Révolutionnaire et Romantique (1992-10) (tracks 5–9)
producer:
Arend Prohmann (tracks 5–9)
recording engineer:
Reinhard Lagemann (tracks 5–9)
recorded at:
All Saints' Church (Tooting, London) in London, England, United Kingdom (1992-10) (tracks 5–9)
arrangement of:
arrangements:
Finale from Symphony no. 5 (arr. Woodhouse) (track 4)
Symphony no. 5 in C minor, S. 464 no. 5: IV. Allegro (for piano solo, Liszt) (track 4)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (track 1)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements) (track 1)
Symphony no. 5 in C minor, op. 67: II. Andante con moto (for brass, Frackenpohl) (track 2)
Symphony no. 5 in C minor, op. 67: III. Allegro (for brass, Frackenpohl) (track 3)
Symphony no. 5 in C minor, op. 67: IV. Allegro (for brass, Frackenpohl) (track 4)
The 5th (track 1)
is the basis for:
クライシス第4楽章 (Parodius) (track 4)
later versions:
part of:
Symphony no. 6 in F major, op. 68 "Pastoral", S. 464 no. 6 (for piano solo, Liszt) (movement) (tracks 5, 7)
recording of:

Medium 2: Symphonie Nr. 7 A-Dur Op. 92 (Wiener Philharmoniker feat. conductor: Carlos Kleiber), Fantasie für Klavier, Chor und Orchester c-Moll Op. 80 (Orchestre Révolutionnaire et Romantique feat. conductor: John Eliot Gardiner)

balance engineer:
Klaus Scheibe (editor/engineer) (tracks 1–4)
composer:
Ludwig van Beethoven (1808) (tracks 5–6)
Ludwig van Beethoven (1811 – 1812) (tracks 1–4)
conductor:
Sir John Eliot Gardiner (tracks 5–6)
Carlos Kleiber (1975-11 – 1976-01) (tracks 1–4)
engineer:
Jürgen Bulgrin (tracks 1–4)
Jobst Eberhardt (tracks 1–4)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) (tracks 1–4)
orchestra:
Wiener Philharmoniker (1975-11 – 1976-01) (tracks 1–4)
producer:
Hans Weber (producer/engineer) (tracks 1–4)
revised by:
Ludwig van Beethoven (1809) (tracks 5–6)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria (1975-11 – 1976-01) (tracks 1–4)
arrangements:
Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt) (track 2)
Symphony no. 7 in A major, op. 92: I. Poco sostenuto (for piano solo, Beethoven (fragment)) (track 1)
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (catch-all for arrangements) (track 1)
Symphony no. 7 in A major, op. 92: II. Allegretto (catch-all for arrangements) (track 2)
Symphony no. 7 in A major, op. 92: III. Presto (catch-all for arrangements) (track 3)
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (catch-all for arrangements) (track 4)
is the basis for:
Choral Fantasy, op. 80 (alternative improvised introduction no. 1) (improvisation by Robert Levin) (track 5)
Choral Fantasy, op. 80 (alternative improvised introduction no. 2) (improvisation by Robert Levin) (track 5)
Dieron las doce (track 2)
later versions:
Symphony no. 7 in A major, op. 92: II. Allegretto (for piano four hands) (track 2)
Symphony no. 7 in A major, op. 92: III. Presto (for piano four hands) (track 3)
part of:
Symphony no. 7 in A major, op. 92 (movement) (tracks 1–4)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (1975-11 – 1976-01) (track 2)
Symphony no. 7 in A major, op. 92: III. Presto (1975-11 – 1976-01) (track 3)
referred to in medleys: