Tracklist

CD 1
#TitleArtistRatingLength
1Symphonie "Mathis der Maler": I. Engelskonzert
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
recording of:
Mathis der Maler: I. Engelkonzert. Ruhig bewegt (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith9:06
2Symphonie "Mathis der Maler": II. Grablegung
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
recording of:
Mathis der Maler: II. Grablegung. Sehr langsam (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith4:49
3Symphonie "Mathis der Maler": III. Versuchung des Heiligen Antonius
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
recording of:
Mathis der Maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith14:26
4Konzertmusik für Streichorchester und Blechbläser op. 50 - Erster Teil: I. Mäßig schnell, mit Kraft
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
partial recording of:
Konzertmusik für Streichorchester und Blechbläser, op. 50: I. Mässig schnell, mit Kraft – Sehr breit, aber stehts fliessend (Moderately fast, with power – Very broad, but always flowing) (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1930-11 until 1930-12)
part of:
Konzertmusik für Streichorchester und Blechbläser, op. 50
Paul Hindemith5:30
5Konzertmusik für Streichorchester und Blechbläser op. 50 - Erster Teil: II. Sehr breit, aber stets fließend
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
partial recording of:
Konzertmusik für Streichorchester und Blechbläser, op. 50: I. Mässig schnell, mit Kraft – Sehr breit, aber stehts fliessend (Moderately fast, with power – Very broad, but always flowing) (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1930-11 until 1930-12)
part of:
Konzertmusik für Streichorchester und Blechbläser, op. 50
Paul Hindemith4:10
6Konzertmusik für Streichorchester und Blechbläser op. 50 - Zweiter Teil: III. Lebhaft
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
partial recording of:
Konzertmusik für Streichorchester und Blechbläser, op. 50: II. Lebhaft – Langsam – Im ersten Zeitmass (Fast – Slow – Tempo primo) (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1930-11 until 1930-12)
part of:
Konzertmusik für Streichorchester und Blechbläser, op. 50
Paul Hindemith2:09
7Konzertmusik für Streichorchester und Blechbläser op. 50 - Zweiter Tei: IV. Langsam
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
partial recording of:
Konzertmusik für Streichorchester und Blechbläser, op. 50: II. Lebhaft – Langsam – Im ersten Zeitmass (Fast – Slow – Tempo primo) (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1930-11 until 1930-12)
part of:
Konzertmusik für Streichorchester und Blechbläser, op. 50
Paul Hindemith3:09
8Konzertmusik für Streichorchester und Blechbläser op. 50 - Zweiter Tei: V. Im ersten Zeitmaß - Lebhaft
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
partial recording of:
Konzertmusik für Streichorchester und Blechbläser, op. 50: II. Lebhaft – Langsam – Im ersten Zeitmass (Fast – Slow – Tempo primo) (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1930-11 until 1930-12)
part of:
Konzertmusik für Streichorchester und Blechbläser, op. 50
Paul Hindemith3:30
9Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I.Allegro
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: I. Allegro (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith4:05
10Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. 'Turandot-Scherzo': Moderato - Lebhaft
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: II. Moderato (Turandot: Scherzo) (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
is based on:
Turandot, op. 37, J. 75: 1. Overture
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith7:24
11Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: III. Andantino (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith4:26
12Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-30)
conductor:
Leonard Bernstein (on 1989-04-30)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1989-04-30)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: IV. Marsch (on 1989-04-30)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith4:43