De Pre Historie 1956

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1The Great Pretender
recorded in:
Chicago, Illinois, United States (in 1955-09)
lead vocals:
Tony Williams (1928 - 1992, USA, lead singer of the Platters, Samuel E. Williams)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 8) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 352)
recording of:
The Great Pretender (in 1955-09)
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters52:39
2Don’t Be Cruel
recording of:
Don’t Be Cruel
lyricist, writer and composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
Elvis Presley2:04
3Lisbon Antigua
Nelson Riddle2:35
4I Could Have Danced All Night
Dinah Shore2:28
5Banana Boat (Day‐O)
producer:
Herman Diaz, Jr.
congas:
Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
double bass:
Milt Hinton (on 1955-10-20)
drums (drum set):
Osie Johnson (on 1955-10-20)
flute:
Herbert Levy (on 1955-10-20)
guitar:
Millard Thomas (on 1955-10-20)
choir vocals:
Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (50s US vocalist) (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
lead vocals:
Harry Belafonte (on 1955-10-20)
vocals:
Harry Belafonte
orchestra:
Tony Scott's Orchestra & Chorus (on 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-10-20)
recorded at:
Webster Hall in New York, New York, United States (on 1955-10-20)
recording of:
Day-O (The Banana Boat Song) (Burgess/Attaway version made famous by Harry Belafonte) (on 1955-10-20)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd and Lord Burgess Music Publishing Co.
version of:
Day-O (The Banana Boat Song) (Original folk song)
Harry Belafonte4.753:06
6Don’t Forbid Me
producer:
Randy Wood (producer)
double bass:
Larry Breen (on 1956-11-10)
drums (drum set):
Irv Kluger (on 1956-11-10)
guitar:
Barney Kessel (on 1956-11-10) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-10)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-10)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-10)
vocals:
Pat Boone (on 1956-11-10)
conductor:
Billy Vaughn (on 1956-11-10)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-10)
cover recording of:
Don’t Forbid Me (on 1956-11-10)
lyricist and composer:
Chas. Singleton (composer/lyricist)
publisher:
Roosevelt Music Co., Inc.
Pat Boone2:14
7Tweedlee Dee
cover recording of:
Tweedlee Dee
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. and Unichappell Music
Teresa Brewer2:48
8Poor People of Paris
instrumental cover recording of:
The Poor People of Paris (English adaption of "La Goualante du pauvre Jean") (in 1956-01)
lyricist:
René Gustave Rouzaud
composer:
Marguerite Monnot
translator:
Jack Lawrence (US songwriter)
version of:
La Goualante du pauvre Jean
Les Baxter2:26
9Whatever Will Be, Will Be (Que sera, sera)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
recording of:
Que será, será (Whatever Will Be, Will Be)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
Doris Day2:06
10Hot Diggity
producer:
Joe Carlton
background vocals:
The Ray Charles Singers
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1956-02-02) and The Ray Charles Singers (on 1956-02-02)
orchestra:
Mitchell Ayres and His Orchestra (on 1956-02-02)
arranger:
Joe Reisman
recording of:
Hot Diggity (Dog Ziggity Boom) (on 1956-02-02)
writer:
Al Hoffman and Dick Manning (American songwriter)
Perry Como12:24
11The Rock and Roll Waltz
recording of:
Rock and Roll Waltz (1955 song)
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
composer:
Shorty Allen (jazz musician and songwriter)
publisher:
SBK United Partnership Ltd.
Kay Starr2:48
12Mack the Knife
Louis Armstrong & His All‐Stars3:23
13Let the Good Times Roll
Shirley & Lee2:25
14Giddy‐Up‐a‐Ding‐Dong
Freddie Bell & the Bell Boys2:01
15See You Later Alligator
Bill Haley & His Comets32:46
16Roll Over Beethoven
recording of:
Roll Over Beethoven
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Chuck Berry32:26
17Blueberry Hill
phonographic copyright (℗) by:
Everest Records (classical) and Liberty (a division of UMG Recordings, Inc.) (in 1957)
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:23
18Rock With the Cave Man
Tommy Steele1:56
19Blue Suede Shoes
double bass:
Clayton Perkins (in 1955-12)
drums (drum set):
W.S. Holland (in 1955-12)
guitar:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) and Jay Perkins (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (from 1956 to present)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 5) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 95)
recording of:
Blue Suede Shoes (in 1955-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (Publisher), Carl Perkins Music Inc., Carlin Music Corp., Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:16
20Be‐Bop‐a‐Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐A‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
Gene Vincent & His Blue Caps4.352:35

Credits

Release

compiler:Guy De Pré (Belgian radio DJ)
Discogs:https://www.discogs.com/release/693698 [info]

Release group

part of:De pre historie (series of releases based on the Belgian radio show “De pre historie”) (number: 1956.1) (order: 13)