Slow Motion Vol. 9

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: BMG Intl - Catalog #:

Annotation last modified on 2005-08-21 11:03 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Against All Odds
recording of:
Against All Odds (Take a Look at Me Now)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Germany GmbH (2008–today), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Collins, Philip Collins Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984), Hit & Run Music (Publishing) Ltd (in 1984) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Phil Collins3:26
2From the Heart
Another Level4:54
3Have I Told You Lately
producer:
Bernard Edwards and Rod Stewart
bass guitar:
Bernard Edwards
drums (drum set) [Drums]:
Rave Calmer (drummer)
guitar:
Jeff Golub
keyboard:
Chuck Kentis
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Rod Stewart
strings arranger:
Bruce Miller (US composer and arranger)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) and Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1995)
cover recording of:
Have I Told You Lately
lyricist and composer:
Van Morrison
publisher:
Barrule UK Ltd., BMG Platinum Songs US, Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd., Exile Publishing UK, Gallo Music Publishers, PolyGram Music Publishing, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), フジパシフィックミュージック BMG事業部 and Intersong Music Ltd. (in 1989)
Rod Stewart4:01
4Wherever Would I Be?
Dusty Springfield & Daryl Hall3:52
5Gotham City
R. Kelly4:53
6I Say a Little Prayer
Diana King3:35
7Slave to Love
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.854:27
8Why
recording of:
Why
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. and Universal Music Publishing MGB Ltd.
Annie Lennox4:55
9The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:55
10I Wanna Sex You Up
recording of:
I Wanna Sex You Up
writer:
Bryan Abrams, Mark Calderon, Willie Clarke, Elliot Straite, Bessie Regina Norris, Kevin Thornton and Sam Watters
publisher:
Boybig Publishing, Color Me Blessed Music, EMI Full Keel Music, EMI Longitude Music, Hifrost Publishing and Hip City Music Inc.
Color Me Badd4:07
11Kiss From a Rose
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English-born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs and SPZ Music Incorporated
Seal4:49
12Room With a View
Tony Carey3:21
13Everything’s Gonna Be Alright
sweetbox3:13
14Right Here
recording of:
Right Here
writer:
John Bettis, Brian Alexander Morgan and Steve Porcaro
recording of:
Right Here (Human Nature Remix)
writer:
John Bettis, Brian Alexander Morgan and Steve Porcaro
is based on:
Human Nature
revision of:
Right Here
SWV43:45
15Principles of Lust
partial recording of:
Principles of Lust
lyricist and composer:
Michael Cretu
recording of:
Principles of Lust
lyricist and composer:
Michael Cretu
Enigma3:24
16If You Don’t Know Me by Now
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
background vocals:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s)
lead vocals:
Harold Melvin
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1972, in 1991)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Harold Melvin & The Blue Notes4.153:23
17Tuesday Afternoon
Jennifer Brown4:07
18Lara’s Theme
Maurice Jarre2:27
19A Love So Beautiful
recording of:
A Love So Beautiful
lyricist:
Jeff Lynne
composer:
Roy Orbison
Roy Orbison3:32
▼ CD 2
#TitleArtistRatingLength
1Love Touch
engineer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
recording of:
Love Touch
writer:
Gene Black, Mike Chapman (Australian producer and songwriter) and Holly Knight
Rod Stewart54:04
2Love Hurts
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
Acuff-Rose Music Limited (UK), House of Bryant Publications (publisher; do NOT use as release label), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
Nazareth & Münchner Philharmoniker4:07
3Sweet Dreams (Are Made of This)
engineer:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) and R. Crash
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
performer:
Eurythmics
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1983)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 353) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 357)
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Eurythmics4.23:38
4Feels Like a Woman
recording of:
Feels Like a Woman
writer:
Tena Clark and Zucchero
Zucchero5:14
5Viva Forever
producer:
Matt Rowe and Richard “Biff” Stannard
publisher:
Polygram Music and Windswept Pacific Music
recording of:
Viva Forever
composer:
Victoria Beckham (née Adams), Melanie Brown, Emma Bunton, Melanie C, Geri Halliwell, Matt Rowe, Spice Girls and Richard “Biff” Stannard
publisher:
Polygram Music and Windswept Pacific Music
Spice Girls34:14
6Don’t Let Go (Love)
recording of:
Don't Let Go (Love)
writer:
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) and Rico Wade
En Vogue44:04
7Baby, I Love Your Way
recording engineer and producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
additional programming:
Erik Hansen
programming:
Aaron Zigman (American score composer)
executive producer:
Jeff Aldrich (A&R)
assistant mixer:
Dave Betancourt (engineer)
mixer:
Tom Lord‐Alge
acoustic guitar:
John Goux
alto saxophone:
Warren Hill
bass guitar:
Abraham Laboriel
drums (drum set):
Abraham Laboriel Jr. and John “JR” Robinson (session drummer)
flute and tenor saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar ["Duane Eddy" guitar]:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
guitar [skank guitar]:
Tony “Valentine” Chin
keyboard:
Aaron Zigman (American score composer)
percussion:
Steve Forman (US percussionist)
trombone:
Bill Reichenbach, Jr. (jazz trombonist)
trumpet:
Jerry Hey
background vocals:
James McWhinney
background vocals and lead vocals:
Quino (of Big Mountain)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) and Aaron Zigman (American score composer)
mixed at:
Encore Recording Studios in Burbank, California, United States
cover recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Nuages Artists Music Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Big Mountain4:27
8Chan Chan
Compay Segundo4:18
9Angel
recording engineer, producer and mixer:
Pierre Marchand
double bass:
Jim Creeggan
drum machine:
Pierre Marchand
piano:
Sarah McLachlan
vocals:
Sarah McLachlan
recording of:
Angel (Sarah McLachlan song)
lyricist and composer:
Sarah McLachlan
publisher:
Tyde Music
Sarah McLachlan4.54:31
10Purple Rain
phonographic copyright (℗) by:
NPG Records, Inc. (in 2017)
edit of:
Purple Rain (live, 1983-08-03: Minnesota Dance Theatre, First Avenue Nightclub, Minneapolis, MN, USA, with overdubs) by Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
recording of:
Purple Rain
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music and Island Music Ltd.
Prince & The Revolution14:08
11I’m Kissing You
Des’ree4:04
12Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster
brass and strings arranger:
Paul Buckmaster
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and Apple Publishing Ltd. (from 1970 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Harry Nilsson4.23:20
13Almost Unreal
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Anders Herrlin (in 1993-03) and Alar Suurna (in 1993-03)
producer:
Clarence Öfwerman
mixer:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1993-03)
drums (drum set):
Pelle Alsing (in 1993-03)
electric guitar [electric guitars]:
Jonas Isacsson (in 1993-03)
keyboard [keyboards]:
Clarence Öfwerman (in 1993-03)
background vocals:
Vicki Benckert (in 1993-03) and Staffan Öfwerman (in 1993-03)
vocals:
Vicki Benckert (in 1993-03), Marie Fredriksson (in 1993-03), Per Gessle (Swedish singer and guitarist) (in 1993-03) and Staffan Öfwerman (in 1993-03)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1994)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom (in 1993-03) and Polar Studios in Stockholm, Stockholms län, Sweden (in 1993-03)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
recording of:
Almost Unreal (in 1993-03)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette13:54
14Always On My Mind
bass:
Emory Gordy (on 1972-03-29)
drums (drum set):
Ronnie Tutt (on 1972-03-29)
guitar:
James Burton (guitarist) (on 1972-03-29), Charlie Hodge (on 1972-03-29), Dennis Linde (on 1972-03-29) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-03-29)
percussion:
Jerry Carrigan (US drummer) (on 1972-03-29)
piano:
Glen D. Hardin (on 1972-03-29)
background vocals:
J.D. Sumner & The Stamps (on 1972-03-29)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1972-03-29)
vocals:
J.D. Sumner & The Stamps
horn arranger and strings arranger:
Glen D. Hardin
phonographic copyright (℗) by:
BMG Music (in 1956), BMG Entertainment (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (on 1972-03-29)
cover recording of:
Always on My Mind (on 1972-03-29)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing Co., Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (Hong Kong) Ltd., Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
Elvis Presley3.653:38
15These Arms of Mine
recording of:
These Arms of Mine
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc. and Regent Music Corp. (BMI)
Otis Redding2:32
16Raindrops Keep Fallin’ on My Head
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), New Hidden Valley Music Co., PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), フジパシフィックミュージック and フジパシフィックミュージック 第2事業部
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 42)
B.J. Thomas43:02
17You Don’t Own Me
engineer:
Ben Kape
producer:
Peter Wilson (UK Producer)
bass guitar:
Mick Anker
drums (drum set) [drums]:
Tony Kiley (Blow Monkeys Drummer)
saxophone:
Neville Henry
lead vocals:
Dr. Robert
phonographic copyright (℗) by:
BMG Music (in 1987)
recorded at:
Townhouse III Studio in Battersea, Wandsworth, London (Greater London), England, United Kingdom
cover recording of:
You Don’t Own Me
writer:
John Madara (in 1963) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (in 1963)
publisher:
Merjoda Music Inc. and Unichappell Music, Inc.
The Blow Monkeys43:01
18Circle of Life
Original Sound Project5:13
19Also sprach Zarathustra (Einleitung)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Symphonieorchester des Bayerischen Rundfunks1:45

Credits