Lyre & Sonnet

~ Release by 村治佳織 & The Sixteen (see all versions of this release, 2 available)

Tracklist

▼ Medium 1
#TitleArtistRatingLength
1Con amores, la mi madre
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
soprano vocals:
Grace Davidson (soprano) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Con amores, la mi madre (from 2006-07-17 until 2006-07-20)
composer:
Juan de Anchieta
Juan de Anchieta?:??
2Recuerdos de la Alhambra
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Recuerdos de la Alhambra (from 2006-07-17 until 2006-07-20)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega?:??
3"Romancero gitano" 7 Poems by F. Garcia Lorca No.4 Procesión: Procesión
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
bass vocals:
Eamonn Dougan (bass (vocal) & conductor) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Romancero gitano, op. 152: IV. Procesión: a) Procesión (from 2006-07-17 until 2006-07-20)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer:
Mario Castelnuovo‐Tedesco (composer) (in 1951)
part of:
Romancero gitano, op. 152: IV. Procesión
Mario Castelnuovo‐Tedesco?:??
4"Romancero gitano" 7 Poems by F. Garcia Lorca No.4 Procesión: Paso
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Romancero gitano, op. 152: IV. Procesión: b) Paso (from 2006-07-17 until 2006-07-20)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer:
Mario Castelnuovo‐Tedesco (composer) (in 1951)
part of:
Romancero gitano, op. 152: IV. Procesión
Mario Castelnuovo‐Tedesco?:??
5"Romancero gitano" 7 Poems by F. Garcia Lorca No.4 Procesión: Saeta
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Romancero gitano, op. 152: IV. Procesión: c) Saeta (from 2006-07-17 until 2006-07-20)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer:
Mario Castelnuovo‐Tedesco (composer) (in 1951)
part of:
Romancero gitano, op. 152: IV. Procesión
Mario Castelnuovo‐Tedesco?:??
6O quam gloriosum est regnum: Part 1
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
bass vocals:
Jonathan Arnold (from 2006-07-17 until 2006-07-20)
soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
O quam gloriosum est regnum: Part 1 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria?:??
7O quam gloriosum est regnum: Part 2
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
bass vocals:
Jonathan Arnold (from 2006-07-17 until 2006-07-20)
soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
O quam gloriosum est regnum: Part 2 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria?:??
85 preludes: No. 1 in E minor
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 1: Andante espressivo (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos?:??
95 preludes: No. 3 in A minor
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
soprano vocals:
Grace Davidson (soprano) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 3: Andante (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos?:??
105 preludes: No. 2 in E major
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 2: Andantino (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos?:??
115 preludes: No. 4 in E minor
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
soprano vocals:
Grace Davidson (soprano) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 4: Lento (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos?:??
125 preludes: No. 5 in D major
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 5: Poco animato (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos?:??
13Alma redemptoris mater: Part 1
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Alma redemptoris mater: Part 1 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Alma Redemptoris a 5
Tomás Luis de Victoria?:??
14Alma redemptoris mater: Part 2
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Alma redemptoris mater: Part 2 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Alma Redemptoris a 5
Tomás Luis de Victoria?:??
15Canon
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (from 2006-07-17 until 2006-07-20)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, T. 377: I. Canon
Johann Pachelbel?:??
16God Grant We Grace (Talis Canon)
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 8 “God Grant We Grace” (Psalm 67) (from 2006-07-17 until 2006-07-20)
composer:
Thomas Tallis (composer)
part of:
Nine Psalm Tunes for Archbishop Parker’s Psalter
Thomas Tallis?:??
1713 Catalan Folksongs: Canço del lladre
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cançó del lladre (Miguel Llobet guitar arrangement) (from 2006-07-17 until 2006-07-20)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
Cançó del lladre
Miguel Llobet Solés?:??
18Bachianas Brasileiras No. 5: I. Aria
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Bachianas Brasileiras nº 5, W391: I. Aria (Cantilena) (for voice and guitar) (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
arranger:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
version of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
part of:
Bachianas Brasileiras nº 5, W391 (for voice and guitar)
Heitor Villa‐Lobos?:??
19A negrito de cucurumbé
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
alto vocals:
Frances Bourne (British classical mezzo-soprano) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
A negrito de cucurumbé (from 2006-07-17 until 2006-07-20)
composer:
Gaspar Fernandes
Gaspar Fernandes?:??
20Prince Igor: Polovtsian Dance
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: I. Introduction: Andantino, 4/4, A major (no choir) (from 2006-07-17 until 2006-07-20)
composer:
Александр Порфирьевич Бородин (Russian composer)
part of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
Александр Порфирьевич Бородин?:??

Credits

Release

transliterated/translated track listing of:ライア&ソネット by 村治佳織 & ザ・シックスティーン (UK choir)