The Collection

~ Release by Chicago (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Hard to Say I’m Sorry
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
cover recording of:
Hard to Say I’m Sorry (Chicago song)
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), シンコーミュージック・エンタテイメント, ピアーミュージック (Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部, Double Virgo Music (in 1982) and Foster Frees Music Inc. (in 1982)
53:52
2Baby What a Big Surprise
assistant recording engineer and recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (in 1977)
additional background vocals:
Tim Cetera (in 1977) and Carl Wilson (Beach Boys) (in 1977)
orchestrator:
Peter Cetera, Dominic Frontiere and James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
Baby, What a Big Surprise (in 1977)
orchestrator:
Dominic Frontiere
lyricist and composer:
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
33:04
3You’re the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
3:49
4(I’ve Been) Searchin’ So Long
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
synthesizer:
David Wolinski (from 1973-08 until 1973-12)
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1973-08 until 1973-12)
recording of:
(I’ve Been) Searchin’ So Long (from 1973-08 until 1973-12)
lyricist and composer:
James Pankow (in 1973)
publisher:
Big Elk Music and Make Me Smile Music
54:33
525 or 6 to 4
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) and Lamminations Music (in 1986)
4:52
6Does Anybody Really Know What Time It Is?
engineer:
Fred Catero
producer:
James William Guercio
recorded at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Does Anybody Really Know What Time It Is? (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lamminations Music and Spirit Music Publishing Ltd.
3:21
7Love Me Tomorrow
recording of:
Love Me Tomorrow
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. and Rondor Music (London) Ltd.
5:07
8Along Comes a Woman
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
vocals:
Peter Cetera (in 1984)
arranger:
Peter Cetera and Mark Goldenberg
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
Along Comes a Woman (in 1984)
writer:
Peter Cetera (in 1984) and Mark Goldenberg (in 1984)
publisher:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (in 1984), Fleedleedle Music (in 1984) and Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?) (in 1984)
4:17
9No Tell Lover
engineer:
Jim Boyer (producer/engineer), Lee DeCarlo and Don Gehman
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
mixer:
Jim Boyer (producer/engineer) and Phil Ramone
synthesizer:
Blue Weaver (from 1978-05 until 1978-06)
lead vocals:
Peter Cetera (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
No Tell Lover (from 1978-05 until 1978-06)
writer:
Peter Cetera (in 1978), Lee Loughnane (in 1978) and Danny Seraphine (in 1978)
publisher:
BMG Songs, Inc., COM Music (in 1978), Polish Prince Music (in 1978) and Street Sense Music (in 1978)
4:13
10Wishing You Were Here
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
guitar:
James William Guercio (from 1973-08 until 1973-12)
synthesizer:
David Wolinski (from 1973-08 until 1973-12)
background vocals:
Al Jardine (from 1973-08 until 1973-12), Carl Wilson (Beach Boys) (from 1973-08 until 1973-12) and Dennis Wilson (Beach Boys) (from 1973-08 until 1973-12)
lead vocals:
Terry Kath (member of Chicago) (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1973-08 until 1973-12)
recording of:
Wishing You Were Here (from 1973-08 until 1973-12)
lyricist and composer:
Peter Cetera (in 1973)
publisher:
Big Elk Music and Polish Prince Music
4:35
11Just You ’n’ Me
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera (in 1973-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Just You ’n’ Me (in 1973-02)
lyricist:
James Pankow
composer:
James Pankow (in 1973)
publisher:
Moose Music and Big Elk Music (in 1973)
3:46
12Questions 67 & 68
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-01) and Robert Lamm (in 1969-01)
brass arranger:
Robert Lamm and James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Questions 67 & 68 (in 1969-01)
lyricist and composer:
Robert Lamm
4:53
13I Don’t Want to Live Without Your Love
assistant engineer:
Nick Basich, Michael Hutchinson, Stan Katayama, Jeff Poe and Bob Vogt
engineer:
Daren Chadwick, Ron Nevison and Chas Sandford
producer:
Ron Nevison
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
lead vocals:
Bill Champlin (in 1988)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
I Don't Wanna Live Without Your Love (in 1988)
writer:
Albert Hammond (in 1988) and Diane Warren (US songwriter) (in 1988)
publisher:
Albert Hammond Music, Realsongs and WB Music Corp. (1929–2019)
3:55
14Beginnings
producer:
James William Guercio
recording of:
Beginnings
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Lamminations Music
7:52
15Street Player
cover recording of:
Street Player
writer:
Danny Seraphine and David “Hawk” Wolinski
4:25
16Saturday in the Park
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Saturday in the Park (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. and Warner Chappell North America Ltd.
43:55