The Very Best of Back to the Movies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Breaking Free
producer:
Jamie Houston
additional lead vocals [Troy]:
Zac Efron
lead vocals [Gabriella]:
Vanessa Hudgens (American actress and singer)
lead vocals [singing voice of Troy]:
Drew Seeley
phonographic copyright (℗) by:
Walt Disney Records (in 2006)
recording of:
Breaking Free (in 2005)
lyricist and composer:
Jamie Houston
publisher:
Walt Disney Music Company (music publisher, do not use as release label), ヤマハミュージックEH(P+CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Zac Efron & Vanessa Hudgens33:27
2Sandy
producer:
John Farrar
mixer:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
lyricist:
Scott Simon
composer:
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) and Unichappell Music (in 1978)
part of:
Grease (1978 film)
John Travolta3.752:32
3Take My Breath Away
engineer:
Dave Concors, Michael Rosen (US metal producer/engineer) and Tom Whitlock
producer:
Jerry Bruckheimer, Giorgio Moroder and Don Simpson (American film producer, screenwriter, and actor)
mixer:
Giorgio Moroder and Brian Reeves
drums (drum set):
Rob Brill
electric guitar:
Ric Olsen
synthesizer:
Arthur Barrow and John Crawford (Berlin bassist)
lead vocals:
Terri Nunn (Berlin singer)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986)
recorded at:
Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
music videos:
Take My Breath Away by Berlin (US new wave/synthpop)
part of:
TV Cream: Real 100 Best Singles Ever (number: 28)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
lyricist:
Tom Whitlock
composer:
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (ended), Jastian Music Inc. (ended), ワーナー・チャペル音楽出版 Synch事業部 (ended), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) and GMPC (in 1986)
part of:
The 59th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 59)
Berlin3.854:08
4She's Like the Wind (feat. Wendy Fraser)
assistant engineer:
Dan Nebenzal
engineer:
Carmine Rubino
producer:
Michael Lloyd (US guitarist/singer producer)
lead vocals:
Patrick Swayze
vocals:
Wendy Fraser
phonographic copyright (℗) by:
BMG Music (in 1987)
recorded at:
Michael Lloyd Studio in Beverly Hills, California, United States
mixed at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
music videos:
She’s Like the Wind (music video) by Patrick Swayze
recording of:
She’s Like the Wind
writer:
Patrick Swayze (in 1984) and Stacy Widelitz (in 1984)
publisher:
Plainview Diner Music and Very Tony Music
Patrick Swayze53:52
5I Have Nothing
engineer:
David Reitzas
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Mick Guzauski
strings arranger:
David Foster (Canadian music producer, arranger and composer) and Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1993)
recorded at:
Encore Recording Studios in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and The Hit Factory in Manhattan, New York, New York, United States
recording of:
I Have Nothing
writer:
David Foster (Canadian music producer, arranger and composer) and Linda Thompson (American actress, lyricist)
part of:
The 65th Academy Award for Best Original Song (number: 2)
Whitney Houston44:51
6Up Where We Belong
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3:45
7Against All Odds (Take a Look at Me Now)
engineer:
Jeremy Smith (producer/engineer) and Lewis Hahn
producer:
Arif Mardin
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
keyboard:
Rob Mounsey
conductor:
Arif Mardin
recording of:
Against All Odds (Take a Look at Me Now)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Germany GmbH (2008–today), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Collins, Philip Collins Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984), Hit & Run Music (Publishing) Ltd (in 1984) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Phil Collins3.83:24
8Thank You
recording engineer:
Goetz
programming:
Rollo (Rollo Armstrong of Faithless)
producer:
Dido (English singer‐songwriter) and Rollo (Rollo Armstrong of Faithless)
mixer:
Phill Brown (UK engineer)
guitar:
Paul Herman
keyboard and piano:
Mark Bates (member of the band Dusted)
percussion:
Mal Hyde-Smith
recorder and lead vocals:
Dido (English singer‐songwriter)
remix of:
Thank You (Deep Dish remix) by Dido (English singer‐songwriter)
remaster of:
Thank You by Dido (English singer‐songwriter)
recording of:
Thank You (Dido)
writer:
Dido (English singer‐songwriter) and Paul Herman
publisher:
Peermusic France, Submarine Music Ltd., Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Dido4.153:38
9Pure Shores
programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt and Shaznay Lewis
part of:
The Downloader’s Music Source Book (number: 380)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints3.654:28
10Sweetest Goodbye
assistant engineer:
Posie Muliadi and Danny Wright (US engineer)
engineer:
Mike Landolt
producer and mixer:
Matt Wallace (US producer & engineer)
background vocals:
Jesse Carmichael
recording of:
Sweetest Goodbye
lyricist and composer:
Adam Levine (Maroon 5’s lead vocalist)
Maroon 53.254:29
11It Must Have Been Love
edit of:
It Must Have Been Love by Roxette
recording of:
It Must Have Been Love
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette33:52
12Have You Met Miss Jones
recording engineer and mixer:
Al Schmitt
additional engineer:
Jim Brumby (UK engineer) and Tom Jenkins (English sound engineer)
engineer:
Jim Brumby (UK engineer) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
bass trombone:
Dave Stewart (trombonist)
double bass:
Sam Burgess
drums (drum set) [drums]:
Ralph Salmins
electric guitar:
Mitch Dalton
piano:
Dave Arch (pianist, conductor, arranger and composer)
tenor saxophone [tenor saxophones]:
Dave Bishop and Chris White (UK jazz saxophonist)
trombone [trombones]:
Gordon Campbell (trombone), Richard Edwards (trombonist) and Neil Sidwell
trumpet [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner and Paul Spong (trumpetist)
vibraphone:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Robbie Williams3.42:33
13Super Duper Love
phonographic copyright (℗) by:
EMI Music, North America (not for release label use!) (in 2003)
cover recording of:
Super Duper Love (Are You Diggin' on Me?), Part 1
lyricist and composer:
Willie Garner
publisher:
EMI Blackwood/Fratelli Publishing
Joss Stone33:49
14Can't Fight the Moonlight
miscellaneous support:
Sara Lind (task: technical assistant) and Robert Orton (task: technical assistant)
additional engineer:
Austin Deptula, Greg Hunt, Gary Leach and Tim Weidner
engineer and mixer:
Steve MacMillan
producer:
Trevor Horn
bass:
Lee Sklar (bassist, session musician) and Jamie Muhoberac
drums (drum set) [drums]:
Curt Bisquera and John Robinson (session drummer)
guitar:
Tim Pierce (US session guitarist)
keyboard [keyboards]:
Jamie Muhoberac
piano:
Alan Pasqua
background vocals:
Sue Ann Carwell and Niki Harris (US singer and dancer)
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Curb Records, Inc. (holding company - do not use as release label) (in 2000)
recorded at:
Royal Tone Studios and Sarm West Coast in Los Angeles, California, United States
music videos:
Can't Fight the Moonlight (longer version) by LeAnn Rimes (US country & pop singer)
recording of:
Can’t Fight the Moonlight
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs
LeAnn Rimes2.653:35
15Change
recording of:
Change
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Big Life Music Ltd.
Lisa Stansfield4:18
16Check on It
recording of:
Check on It
publisher:
Swizz Beatz (US hip hop producer)
writer:
Angela Beyince, Beyoncé Knowles, Sean Garrett, Kasseem Dean (US hip hop producer) and Stayve Thomas T
publisher:
EMI April Music, Inc., EMI Blackwood Music Inc. (1989-07-24–present) and Hitco South
Beyoncé3:09
17From the Heart
engineer:
Ali Boudris and Mario Luccy
executive producer:
Diane Warren (US songwriter)
producer:
Khris Kellow
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
guitar:
Ali Boudris
recorded at:
Bananaboat Studios in Burbank, California, United States and Realsongs in Los Angeles, California, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
From the Heart
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs
Another Level4:53
18The Trouble With Love Is
producer:
Evan Rogers (musician/producer) and Carl Sturken
phonographic copyright (℗) by:
19 Recordings Limited (not for release label use! record company founded by Simon Fuller) (in 2003)
recording of:
The Trouble With Love Is
writer:
Kelly Clarkson, Evan Rogers (musician/producer) and Carl Sturken
Kelly Clarkson4.53:40
19No Ordinary Love
recording of:
No Ordinary Love
lyricist:
Sade Adu
composer:
Sade Adu and Stuart Matthewman
publisher:
Sony ATV Songs LLC and Sony/ATV Music Publishing UK Ltd.
Sade5:14
20I'm Kissing You
recording of:
Kissing You
writer:
Tim Atack (twin brother of Keith Atack) and Des’ree
part of:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Des’ree3.54:51
▼ CD 2
#TitleArtistRatingLength
1Flashdance... What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) and Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 56)
Irene Cara3.83:55
2Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2)
is based on:
I Want a New Drug
Ray Parker Jr.4.154:05
3Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Publishing Ltd., Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Milk Money Music, Sony/ATV Harmony, Sony/ATV Melody and Sony/ATV Music Publishing Ltd.
part of:
The 57th Academy Award for Best Original Song (number: 2)
Kenny Loggins4.13:46
49 to 5
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2)
Dolly Parton4.052:45
5When the Going Gets Tough
recording of:
When the Going Gets Tough, the Tough Get Going
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange and Billy Ocean
publisher:
BMG Music Publishing Ltd.
Billy Ocean4:02
6Don't You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 25)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
MCA Music Ltd.
Simple Minds4.354:20
7The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:52
8Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Ensign Music Corporation, Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, WB Music Corp. (1929–2019), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Survivor4.453:59
9White Wedding
assistant engineer:
Steve Bates
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher), Chrysalis Music Publishing Ltd. and Rare Blue Music Inc
Billy Idol4.84:12
10Pretty In Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler, Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30)
The Psychedelic Furs4.54:01
11Danger Zone
engineer:
Dave Concors and Tom Whitlock
executive producer:
Michael Dilbeck
producer:
Giorgio Moroder
mixer:
Giorgio Moroder and Brian Reeves
drums (drum set):
John Robinson (session drummer)
guitar:
Dann Huff and Kenny Loggins
keyboard:
Giorgio Moroder
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
synthesizer:
Tom Whitlock
lead vocals:
Kenny Loggins
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986)
recorded at:
Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
recording of:
Danger Zone (Top Gun)
lyricist:
Thomas Whitlock
composer:
Giorgio Moroder
publisher:
Budde Music Inc. (US publisher), Sony/ATV Harmony, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) and GMPC (in 1986)
Kenny Loggins4.353:30
12Living in America
assistant engineer:
Jeff Lord‐Alge
engineer:
Chris Lord‐Alge
producer:
Dan Hartman
bass guitar:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Dan Hartman and Stevie Ray Vaughan
horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral and The Uptown Horns
keyboard:
Dan Hartman
membranophone:
Ray Marchica
background vocals:
Dan Hartman and T.M. Stevens (US bass player Thomas Michael Stevens)
lead vocals:
James Brown (“The Godfather of Soul”)
recording of:
Living in America
writer:
Dan Hartman and Charlie Midnight
publisher:
April Music (publisher), Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. and United Lion Music Inc.
James Brown34:42
13Let's Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Deniece Williams3.64:21
14Together in Electric Dreams
producer:
Giorgio Moroder and Philip Oakey
recording of:
Together in Electric Dreams
lyricist:
Philip Oakey
composer:
Giorgio Moroder
Philip Oakey & Giorgio Moroder2.353:50
15Nothing's Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
part of:
The 60th Academy Award for Best Original Song (number: 2)
Starship4.154:25
16We Don't Need Another Hero
assistant engineer:
Mike Ging
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
saxophone:
Tim Cappello
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
We Don’t Need Another Hero
lyricist and composer:
Terry Britten and Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company) and Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.354:14
17Slave to Love
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry34:10
18Arthur’s Theme
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 54)
Christopher Cross53:49
19Don't Worry Be Happy
producer:
Linda Goldstein
music videos:
Don’t Worry, Be Happy by Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
lyricist and composer:
Bobby McFerrin
publisher:
BMG Music Publishing Ltd.
Bobby McFerrin3.73:50
▼ CD 3
#TitleArtistRatingLength
1Mrs. Robinson
recording of:
Mrs. Robinson
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
Simon & Garfunkel3:39
2Everybody's Talkin'
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation and Third Palm Music
Nilsson42:42
3Oh Pretty Woman
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (publisher) (in 1972)
Roy Orbison4.32:58
4Jailhouse Rock
drums (drum set):
D.J. Fontana (on 1957-04-30)
electric bass guitar:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-04-30)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-04-30)
additional vocals:
The Jordanaires (on 1957-04-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1957) and BMG Music (in 1957)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 67) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 216)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Fujipacific Music, Inc., Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Nichion Synch Division, Silver Seahorse Music LLC and Sony/ATV Songs LLC
Elvis Presley3.452:35
5I Love to Boogie
performer:
T. Rex (UK band)
recording of:
I Love to Boogie
lyricist and composer:
Marc Bolan
publisher:
Wizard (Bahamas) Ltd.
T. Rex2:14
6Feel Good Inc.
programming:
James Dring
mastering:
Howie Weinberg (mastering engineer)
engineer:
Jason Cox (UK production/engineer)
producer:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring and Gorillaz (virtual band)
mixer:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) and Gorillaz (virtual band)
additional guitar and guitar:
Simon Tong (The Verve)
lead vocals:
De La Soul
performer:
De La Soul
music videos:
Feel Good Inc. by Gorillaz (virtual band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 40)
recording of:
Feel Good Inc.
writer:
Damon Albarn, Brian Burton, Jamie Hewlett and Dave Jolicoeur (Plug 2 of De La Soul)
publisher:
80's Kid Music, Chrysalis Music Ltd. (music publisher), EMI Blackwood Music Inc. (1989-07-24–present) and Underground Animals
Gorillaz43:43
7The Devil Went Down to Georgia
assistant recording engineer:
Steve Goostree (audio engineer, producer, mixer/ AV production)
engineer:
Paul Grupp
producer:
John Boylan
assistant mixer:
Dave Rideau and Erik Zobler
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1979) and Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979)
produced for:
Sir Charles Productions
recorded at:
Woodland Studios in Nashville, Tennessee, United States
recording of:
The Devil Went Down to Georgia
writer:
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain and James W. Marshall
publisher:
Songs of Universal, Inc. and Hat Band Music (in 1979)
The Charlie Daniels Band4.353:35
8Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
recording of:
Brown Eyed Girl (from 1967-03 until 1967-11)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.33:01
9Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:53
10Absolute Beginners
co-producer:
Clive Langer and Alan Winstanley (English record producer)
producer:
David Bowie (English singer‐songwriter), Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1986)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
Absolute Beginners
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, RZO Music Ltd and Jones Music (publishers associated with David Bowie) (in 1986)
David Bowie3.95:35
11When the Rainbow Comes
engineer:
Bill Drescher (Producer and sound engineer) and Marc Greene (engineer)
producer:
Marc Tanner
mixer:
Bill Drescher (Producer and sound engineer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at:
Cedar Creek Studios in Austin, Texas, United States and The Village (aka The Village Recorder) in Los Angeles, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
When the Rainbow Comes
lyricist and composer:
Karl Wallinger
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shawn Colvin24:19
12Can't Take My Eyes Off You
vocals:
Andy Williams (US pop/jazz vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Andy Williams43:08
13You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.84:00
14More Than a Woman
producer:
Freddie Perren
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
percussion:
Bob Zimmitti and Paulinho da Costa (Brazilian percussionist)
piano:
Sonny Burke (soul/jazz/funk keyboardist)
cover recording of:
More Than a Woman
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc. and Gibb Brothers Music
Tavares53:13
15Didn't I (Blow Your Mind This Time)
vocals:
The Delfonics (in 1969-11)
orchestra:
The Thom Bell Orchestra (in 1969-11)
mixed at:
Longwear Plating in Long Island, New York, United States (in 1969-11)
recording of:
Didn’t I (Blow Your Mind This Time) (in 1969-11)
writer:
Thom Bell (keyboards, songwriter, producer) (in 1969) and William Hart (of The Delfonics) (in 1969)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:19
16Don’t Leave
additional assistant engineer:
Nick Kirkland
assistant engineer:
Ibi Tijani
engineer:
Dave Burnham (UK recording engineer)
producer:
Rollo (Rollo Armstrong of Faithless) and Sister Bliss
mixer:
Dave Burnham (UK recording engineer), Rollo (Rollo Armstrong of Faithless) and Sister Bliss
additional background vocals and lead vocals and guest lead vocals:
Pauline Taylor
background vocals:
Dido (English singer‐songwriter)
vocals:
Jamie Catto and Pauline Taylor
recording of:
Don’t Leave
writer:
Jamie Catto, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
Faithless24:01
17Waiting in Vain
recording of:
Waiting in Vain
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
Annie Lennox4:06
18To Sir With Love
producer:
Mickie Most (English record producer)
recording of:
To Sir With Love (on 1967-03-20)
lyricist:
Don Black (English lyricist)
composer:
Mark London (musical theater)
publisher:
Screen Gems–EMI Music Ltd.
Lulu52:45
19Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) and Unichappell Music
Ben E. King4.62:58
20Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Bobby Vinton4.352:49
21Raindrops Keep Falling on My Head
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), New Hidden Valley Music Co., PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), フジパシフィックミュージック and フジパシフィックミュージック 第2事業部
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 42)
B.J. Thomas42:59
22From Russia With Love
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
lyricist and composer:
Lionel Bart
publisher:
EMI United Partnership Ltd.
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:35
23As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”) (on 1943-10-11)
lyricist, writer and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
Warner/Chappell Music Taiwan Ltd.
part of:
Casablanca (original soundtrack of the 1942 American film)
Dooley Wilson2:44