Feelin' Good (The Mail on Sunday)

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Promotional release given away over 2 weeks with the British Mail on Sunday newspaper.

Annotation last modified on 2012-01-01 20:50 UTC.

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Gimme Some Lovin'
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1966)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group4.63:00
2Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Bill Withers4.754:08
3I Can See Clearly Now
additional producer:
Jimmy Bralower
producer:
Paul Henton
remixer:
Jimmy Bralower
cover recording of:
I Can See Clearly Now
lyricist and composer:
Johnny Nash
publisher:
Cayman Music, CP Masters B V, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Jimmy Cliff4.53:13
4Shout to the Top
producer:
Paul Weller (English singer-songwriter and musician) and Peter Wilson (UK Producer)
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Style Council34:16
5Angel Eyes
producer:
Roxy Music
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979), Virgin EG Records Ltd. (in 1979) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
Angel Eyes
writer:
Bryan Ferry and Andy Mackay (of Roxy Music)
publisher:
BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1979)
Roxy Music42:51
6Sloop John B
engineer:
Chuck Britz (on 1965-07-12)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar [12-string electric guitar]:
Billy Strange (on 1965-12-29)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1965-07-12)
double bass:
Lyle Ritz (on 1965-07-12)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1965-07-12)
electric bass guitar:
Carol Kaye (on 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1965-07-12) and Jay Migliori (on 1965-07-12)
glockenspiel:
Frank Capp (on 1965-07-12)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1965-07-12), Jerry Cole (on 1965-07-12) and Billy Strange (on 1965-07-12)
tack piano:
Al De Lory (on 1965-07-12)
temple blocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1965-07-12)
lead vocals:
Mike Love (Beach Boys) (from 1965-12-22 until 1965-12-29) and Brian Wilson (Beach Boys co‐founder) (from 1965-12-22 until 1965-12-29)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-07-12, on 1965-12-22, on 1965-12-29)
recording of:
Sloop John B (from 1965-07-12 until 1965-12-29)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI United Partnership Ltd. and New Executive Music
version of:
The John B. Sails
The Beach Boys42:56
7Carrie Anne
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recording of:
Carrie Anne
lyricist:
Allan Clarke (of The Hollies)
writer:
Tony Hicks and Graham Nash
The Hollies42:54
8Circle in the Sand
producer:
Rick Nowels
phonographic copyright (℗) by:
Demon Music Group Ltd. (for release labels, use "Demon Music Group"; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Circle in the Sand
lyricist and composer:
Rick Nowels and Ellen Shipley
publisher:
Screen Gems–EMI Music Ltd., Shipwreck Music (publisher) and Virgin Music (Publishers) Ltd.
Belinda Carlisle3.53:41
9Summertime Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 11), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 73) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 432)
recording of:
Summertime Blues (in 1958-08)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Elvis Presley Music, Gladys Music, Hill and Range Songs, Inc., Rightsong Music, Viva Music, Inc and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.352:00
10Yes Sir, I Can Boogie
producer:
Rolf Soja
recording of:
Yes Sir, I Can Boogie
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Louvigny-Marquee Music Ltd. and Peermusic (UK) Ltd.
Baccara4.754:33
11Would I Lie to You?
producer:
Josh Deutsch
recording of:
Would I Lie to You?
writer:
Michael Leeson (songwriter) and Peter Vale (writer/arranger)
publisher:
BMG VM Music Ltd. (from 2013-05-16 to present)
Charles & Eddie3.23:38
12Summer in the City
additional electric piano:
Artie Schroeck
lead vocals:
John Sebastian
conductor:
Michael Kamen (American score composer)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 393)
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
The Lovin’ Spoonful4.752:39
13Here Comes the Sun
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd.
Steve Harley & Cockney Rebel42:57
14Fantastic Day
producer:
Bob Sargeant
recording of:
Fantastic Day
lyricist and composer:
Nick Heyward
Haircut One Hundred23:16
15Angel of the Morning
phonographic copyright (℗) by:
Castle Communications PLC (not for label use, copyright holder) (in 1968)
cover recording of:
Angel of the Morning
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music (publisher), EMI Blackwood (1989-07-24–present), EMI Songs Ltd. and Unichappell Music
P.P. Arnold223:47