Cantatas, BWV 41–42

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 2 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Kantate, BWV 41 “Jesu, nun sei gepreiset”: I. Coro “Jesu, nun sei gepreiset”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": I. Coro "Jesu, nun sei gepreiset" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach8:56
2Kantate, BWV 41 “Jesu, nun sei gepreiset”: II. Aria (Soprano) “Laß uns, o höchster Gott, das Jahr vollbringen”
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": II. Aria (Soprano) "Laß uns, o höchster Gott, das Jahr vollbringen" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach7:40
3Kantate, BWV 41 “Jesu, nun sei gepreiset”: III. Recitativo (Alto) “Ach! deine hand, dein Segen”
alto vocals:
Marga Höffgen (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": III. Recitativo (Alto) "Ach! deine hand, dein Segen" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach1:22
4Kantate, BWV 41 “Jesu, nun sei gepreiset”: IV. Aria (Tenore) “Woferne du den edlen Frieden”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": IV. Aria (Tenore) "Woferne du den edlen Frieden" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach8:03
5Kantate, BWV 41 “Jesu, nun sei gepreiset”: V. Recitativo (Basso) e Coro “Doch weil der Feind bei Tag und Nacht”
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": V. Recitativo (Basso) e Coro "Doch weil der Feind bei Tag und Nacht" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach1:00
6Kantate, BWV 41 “Jesu, nun sei gepreiset”: VI. Choral “Dein ist allein die Ehre”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": VI. Choral "Dein ist allein die Ehre" (from 1973-03 until 1973-04)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 204)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach2:14
7Kantate, BWV 42 “Am Abend aber desselbigen Sabbats”: I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-02 until 1981-03)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": I. Sinfonia (from 1981-02 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach6:11
8Kantate, BWV 42 “Am Abend aber desselbigen Sabbats”: II. Recitativo (Tenore) “Am Abend aber desselbigen Sabbats”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-02 until 1981-03)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": II. Recitativo (Tenore) "Am Abend aber desselbigen Sabbats" (from 1981-02 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach0:32
9Kantate, BWV 42 “Am Abend aber desselbigen Sabbats”: III. Aria (Alto) “Wo zwei und drei versammelt sind”
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-02 until 1981-03)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": III. Aria (Alto) "Wo zwei und drei versammelt sind" (from 1981-02 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach12:10
10Kantate, BWV 42 “Am Abend aber desselbigen Sabbats”: IV. Choral (Duetto: Soprano, Tenore) “Verzage nicht, o Häuflein klein”
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-02 until 1981-03)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": IV. Choral (Duetto: Soprano, Tenore) "Verzage nicht, o Häuflein klein" (from 1981-02 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach2:04
11Kantate, BWV 42 “Am Abend aber desselbigen Sabbats”: V. Recitativo (Basso) “Mann kann hiervon ein schön Exempel sehen”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-02 until 1981-03)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": V. Recitativo (Basso) "Mann kann hiervon ein schön Exempel sehen" (from 1981-02 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach0:54
12Kantate, BWV 42 “Am Abend aber desselbigen Sabbats”: VI. Aria (Basso) “Jesus ist ein Schild der Seinen”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-02 until 1981-03)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": VI. Aria (Basso) "Jesus ist ein Schild der Seinen" (from 1981-02 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach3:27
13Kantate, BWV 42 “Am Abend aber desselbigen Sabbats”: VII. Choral “Verleih uns Frieden gnädiglich”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-02 until 1981-03)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": VII. Choral "Verleih uns Frieden gnädiglich" (from 1981-02 until 1981-03)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 322)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach2:21

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 14) (order: 14)