| # | Title | Artist | Rating | Length |
|---|
| 1 | Rock and Roll Dreams Come Through | Meat Loaf | 2.5 | 5:10 |
| 2 | Rebel Yell- engineer:
- Michael Frondelli
- producer:
- Keith Forsey
- mixer:
- Dave Wittman
- bass guitar:
- Steve Webster (in 1983)
- bass, guitar and keyboard:
- Steve Stevens (in 1983)
- drums (drum set):
- Thommy Price (in 1983)
- keyboard:
- Judi Dozier (in 1983)
- lead vocals:
- Billy Idol (in 1983)
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1983) and Chrysalis Records, Inc. (in 1983, in 1999)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Rebel Yell by Billy Idol
- recording of:
- Rebel Yell (in 1983)
- lyricist and composer:
- Billy Idol and Steve Stevens
- publisher:
- Boneidol Music, Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. , Rare Blue Music, Rock Steady Music and Warner Chappell Music Ltd.
| Billy Idol | 4.6 | 4:49 |
| 3 | Gimme Some Lovin’- recording engineer and mixer:
- Mike Fraser
- producer:
- Andy Taylor
- bass guitar:
- Mark "Snake" Luckhurst
- drums (drum set):
- Gary 'Harry' James
- guitar:
- Ben Matthews and Luke Morley
- organ:
- Ben Matthews
- lead vocals:
- Danny Bowes
- cover recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| Thunder | 3 | 3:50 |
| 4 | Simply Irresistible | Robert Palmer | 3.6 | 4:14 |
| 5 | Walking on Sunshine | Katrina and the Waves | 3.5 | 3:41 |
| 6 | Kids in America- recording engineer:
- Jeo
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen and Derek von Krogh
- engineer:
- Steve Stewart
- producer:
- Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
- additional keyboard:
- Nick Priessnitz
- bass guitar:
- Derek von Krogh and Martin Russell (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn, Tobias Wörner and Chris North (from 1980 until 1981)
- guitar:
- Thomas Hahn, Charlotte Hatherley, Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen, Derek von Krogh, Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz, M. Janz, N. Janz and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI France (in 1993), EMI Records Ltd. (in 1996, in 2001) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio, RAK Studios in London , England, United Kingdom, Soundmastaz Studios, Studio 77 in Stuttgart, Baden-Württemberg, Germany and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (in 1980)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- Finchley Music Corp.
| Kim Wilde | 4.45 | 3:29 |
| 7 | All Fired Up | Pat Benatar | 5 | 4:29 |
| 8 | Heaven Is a Place on Earth | Belinda Carlisle | 4.05 | 4:06 |
| 9 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim "Watts" Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- part of:
- Back to the Future: the Musical
| Huey Lewis & the News | 4 | 3:55 |
| 10 | Missing You- producer:
- Gary Gersh, David Thoener and John Waite
- phonographic copyright (℗) by:
- EMI Records USA (in 1984)
- edit of:
- Missing You by John Waite
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Everpop Songs, Markmeem Music , Quartet Music Inc., Sony Music Publishing , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), Paperwaite Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.4 | 3:32 |
| 11 | When You Walk in the Room | Paul Carrack | 2.65 | 3:31 |
| 12 | Rush Hour | Jane Wiedlin | | 4:06 |
| 13 | French Kissin’ in the USA | Deborah Harry | 2.65 | 4:12 |
| 14 | We Want the Same Thing | Belinda Carlisle | 3.5 | 4:18 |
| 15 | Mercy Mercy Me | Robert Palmer | 5 | 5:53 |
| 16 | We Close Our Eyes | Go West | 3 | 3:43 |
| 17 | Roll With It | Steve Winwood | | 5:18 |
| 18 | We Belong | Pat Benatar | 4.45 | 3:43 |
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