Die Zauberflöte

~ Release by Mozart; Te Kanawa, Studer, Araiza, Ramey, Bär, Lind, Van Dam, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Ouverture
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Ouvertüre (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620
Wolfgang Amadeus Mozart6:56
2Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
contralto vocals [Dritte Dame]:
Anne Collins (operatic contralto) (in 1989-07)
mezzo-soprano vocals [Zweite Dame]:
Iris Vermillion (mezzo-soprano) (in 1989-07)
soprano vocals [Erste Dame]:
Yvonne Kenny (Australian soprano) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:02
3Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:44
4Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Aria "He da!... Was da?" (Tamino, Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Dritte Dame]:
Anne Collins (operatic contralto) (in 1989-07)
spoken vocals [Erste Dame]:
Yvonne Kenny (Australian soprano) (in 1989-07)
spoken vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
spoken vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
spoken vocals [Zweite Dame]:
Iris Vermillion (mezzo-soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. Dialog „Papageno!” ... „Aha! Das geht mich an” (Drei Damen, Papageno, Tamino) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:33
5Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:29
6Dialog: 'Schöner Jüngling'
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Dritte Dame]:
Anne Collins (operatic contralto) (in 1989-07)
spoken vocals [Erste Dame]:
Yvonne Kenny (Australian soprano) (in 1989-07)
spoken vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
spoken vocals [Zweite Dame]:
Iris Vermillion (mezzo-soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte, K. 620: Akt I: "Freue dich und fasse Mut, schöner Jungling!" (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Wolfgang Amadeus Mozart0:46
7Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
soprano vocals [Königin der Nacht]:
Cheryl Studer (soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:08
8Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
contralto vocals [Dritte Dame]:
Anne Collins (operatic contralto) (in 1989-07)
mezzo-soprano vocals [Zweite Dame]:
Iris Vermillion (mezzo-soprano) (in 1989-07)
soprano vocals [Erste Dame]:
Yvonne Kenny (Australian soprano) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:27
9Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
tenor vocals [Monostatos]:
Aldo Baldin (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:52
10Dialog: 'Bin ich nicht ein Narr'
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
spoken vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. Dialog „Bin ich nicht ein Narr” (Papageno, Pamina) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:20
11Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
choir vocals:
Ambrosian Opera Choir (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
tenor vocals:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1990)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:23
12Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
bass vocals [Sprecher]:
José van Dam (Belgian operatic bass-baritone) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
treble vocals [Dritter Knabe]:
Christian Günther (boy soprano) (in 1989-07)
treble vocals [Erster Knabe]:
Christian Fliegner (boy soprano / tenor) (in 1989-07)
treble vocals [Zweiter Knabe]:
Markus Baur (Boy soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:49
13Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:00
14No. 8 Finale I: 'Wo willst du, kühner Fremdling, hin?'
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
bass vocals [Sprecher]:
José van Dam (Belgian operatic bass-baritone) (in 1989-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:43
15Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:10
16Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
tenor vocals [Monostatos]:
Aldo Baldin (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:16
17Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:37
18No. 8 Finale I: 'Herr, ich bin zwar Verbrecherin'
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
bass vocals [Sarastro]:
Samuel Ramey (bass-baritone) (in 1989-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
tenor vocals [Monostatos]:
Aldo Baldin (tenor) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:32
19No. 8 Finale I: 'Wenn Tugend und Gerechtigkeit'
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. Schlußchor „Wenn Tugend und Gerechtigkeit” (Chor) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:08
▼ CD 2
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:56
2No. 9a - Dialog: 'Ihr, Diener der grossen Götter'
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Sarastro]:
Samuel Ramey (bass-baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:02
3Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris!" (Sarastro)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
bass vocals [Sarastro]:
Samuel Ramey (bass-baritone) (in 1989-07)
choir vocals [Priester]:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:02
4Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
spoken vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:52
5Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
bass vocals [Zweiter Priester]:
Harry Peeters (Dutch operatic bass-baritone) (in 1989-07)
tenor vocals [Erster Priester]:
Edmund Barham (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:01
6Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
contralto vocals [Dritte Dame]:
Anne Collins (operatic contralto) (in 1989-07)
mezzo-soprano vocals [Zweite Dame]:
Iris Vermillion (mezzo-soprano) (in 1989-07)
soprano vocals [Erste Dame]:
Yvonne Kenny (Australian soprano) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:01
7Die Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Jüngling! Dein standhaft männliches Betragen" (Papageno, Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
spoken vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:39
8Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
tenor vocals [Monostatos]:
Aldo Baldin (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:18
9Die Zauberflöte, K. 620: Act II, Scene VIII. Dialogue "Zurück! O weh!" (Die Königin der Nacht)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Königin der Nacht]:
Cheryl Studer (soprano) (in 1989-07)
spoken vocals [Monostatos]:
Aldo Baldin (tenor) (in 1989-07)
spoken vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:21
10Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
soprano vocals [Königin der Nacht]:
Cheryl Studer (soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:01
11Die Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Sarastro)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
bass vocals [Sarastro]:
Samuel Ramey (bass-baritone) (in 1989-07)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:22
12Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
bass vocals [Sarastro]:
Samuel Ramey (bass-baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:07
13Die Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Papageno, Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
spoken vocals [Sprecher]:
José van Dam (Belgian operatic bass-baritone) (in 1989-07)
spoken vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:40
14Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
treble vocals [Dritter Knabe]:
Christian Günther (boy soprano) (in 1989-07)
treble vocals [Erster Knabe]:
Christian Fliegner (boy soprano / tenor) (in 1989-07)
treble vocals [Zweiter Knabe]:
Markus Baur (Boy soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:35
15Die Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
spoken vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
spoken vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte,: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:47
16Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:41
17Die Zauberflöte, K. 620: Act II, Scene XIX. Monologue "Nicht wahr, Tamino" (Papagena)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:17
18Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
choir vocals [Chor der Priester]:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:42
19Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
spoken vocals [Sarastro]:
Samuel Ramey (bass-baritone) (in 1989-07)
spoken vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:19
20Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
bass vocals [Sarastro]:
Samuel Ramey (bass-baritone) (in 1989-07)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:58
21Die Zauberflöte, K. 620: Act II, Scene XXII - XXIII. Dialogue "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:07
22Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:58
23Die Zauberflöte, K. 620: Act II, Scene XXIV. Dialogue "Da bin ich schon, mein Engel!" (Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
spoken vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:53
24Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
treble vocals [Dritter Knabe]:
Christian Günther (boy soprano) (in 1989-07)
treble vocals [Erster Knabe]:
Christian Fliegner (boy soprano / tenor) (in 1989-07)
treble vocals [Zweiter Knabe]:
Markus Baur (Boy soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:47
25Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
bass vocals [Zweiter Geharnischter]:
Harry Peeters (Dutch operatic bass-baritone) (in 1989-07)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
tenor vocals [Erster Geharnischter]:
Edmund Barham (tenor) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:45
26'Tamino mein, o welch ein Glück'
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:48
27Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandelten durch Feuersgluten" (Pamina, Tamino)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
tenor vocals [Tamino]:
Francisco Araiza (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:13
28Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
soprano vocals [Papagena]:
Eva Lind (soprano) (in 1989-07)
treble vocals [Dritter Knabe]:
Christian Günther (boy soprano) (in 1989-07)
treble vocals [Erster Knabe]:
Christian Fliegner (boy soprano / tenor) (in 1989-07)
treble vocals [Zweiter Knabe]:
Markus Baur (Boy soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:23
29Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
soprano vocals [Papagena]:
Eva Lind (soprano) (in 1989-07)
treble vocals [Dritter Knabe]:
Christian Günther (boy soprano) (in 1989-07)
treble vocals [Erster Knabe]:
Christian Fliegner (boy soprano / tenor) (in 1989-07)
treble vocals [Zweiter Knabe]:
Markus Baur (Boy soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:28
30Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
contralto vocals [Dritte Dame]:
Anne Collins (operatic contralto) (in 1989-07)
mezzo-soprano vocals [Zweite Dame]:
Iris Vermillion (mezzo-soprano) (in 1989-07)
soprano vocals [Erste Dame]:
Yvonne Kenny (Australian soprano) (in 1989-07)
soprano vocals [Königin der Nacht]:
Cheryl Studer (soprano) (in 1989-07)
tenor vocals [Monostatos]:
Aldo Baldin (tenor) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:01

Credits

Release

miscellaneous support:John Constable (pianist) (in 1989-07: task: Musical assistance)
August Everding (opera director) (in 1989-07: task: Arrangement of text & direction of dialogue)
Geraldine Frank (language coach) (in 1989-07: task: German language coach)
Discogs:https://www.discogs.com/release/2063699 [info]
ASIN:US: B00000412K [info]