Now That’s What I Call Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

Medium 1
#TitleArtistRatingLength
1Tubthumping
engineer:
Neil Ferguson (Chumbawamba)
producer:
Chumbawamba
phonographic copyright (℗) by:
Chumbawamba (in 1997)
phonographic copyright (℗) by:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-09)
edit of:
Tubthumping (album version) by Chumbawamba
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 23)
recording of:
Tubthumping (in 1997)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.43:33
2Bitch
engineer and producer:
Geza X
mixer:
Jim Ebert
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks44:00
3Alone
recording engineer:
John Merchant and Dave O’Donnell
drums (drum set) programming:
Jimmy Bralower and Barry Gibb
assistant engineer:
Jason Goldstein
producer:
Barry Gibb, Maurice Gibb, Robin Gibb and Russ Titelman
assistant mixer:
Joe Lizzi
mixer:
Dave O’Donnell and Russ Titelman
bass synthesizer:
Jeff Bova
drums (drum set) and tambourine:
David Elliott (drummer)
guitar:
Barry Gibb
guitar and keyboard:
Maurice Gibb
hi-hat and tom-tom:
Dave Halpern
keyboard:
Alan Clark (keyboardist) and Robbie Kondor
tambourine:
Ralph MacDonald
vocals:
Barry Gibb, Maurice Gibb and Robin Gibb
phonographic copyright (℗) by:
Barry Gibb (in 1997), Maurice Gibb (in 1997) and Robin Gibb (in 1997)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1997)
recording of:
Alone
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Careers‐BMG Music Publishing, Inc. and Gibb Brothers Music
Bee Gees34:50
4Love Fool
engineer and producer:
Tore Johansson
bass guitar:
Magnus Sveningsson
drums (drum set) and percussion:
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
background vocals:
Magnus Sveningsson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne, Sweden
produced at:
Tambourine Studios in Malmö, Skåne, Sweden
recording of:
Lovefool
lyricist:
Nina Persson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal–Songs of PolyGram International, Inc.
The Cardigans3.73:15
5Got ’til It’s Gone
producer:
Janet Jackson, Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
background vocals and lead vocals:
Janet Jackson
other vocals [rap]:
Q‐Tip (American rapper)
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1997)
samples:
Big Yellow Taxi by Joni Mitchell
edit of:
Got ’til It’s Gone by Janet featuring Q‐Tip (American rapper) & Joni Mitchell
recording of:
Got 'Til It's Gone
writer:
René Elizondo Jr., Janet Jackson, James Harris III (James Harris of Jam & Lewis), Kamaal Ibn John Fareed (American rapper), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) and Joni Mitchell
publisher:
Black Ice Publishing, EMI April Music Inc., Flyte Tyme Tunes and Siquomb Pub. Corp.
Janet Jackson33:39
6I Shot the SheriffWarren G4.354:09
7In Your Wildest Dreams
recording of:
In Your Wildest Dreams (The sun goes down. And the moon comes up…)
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
Blue Raincoat Songs Ltd., BMG Rights Management (France) (not for release label use! file releases under its imprint “BMG (2008–present)), Knighty-Knight Music, Kobalt Music Publishing Ltd. (UK), Mike Chapman Publishing Enterprises, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and フジパシフィックミュージック
Tina Turner3:57
8Hedonism
programming:
Darren Vaz and Skunk Anansie
engineer:
Mr. Colson, GGGarth (Canadian music producer and engineer) and Andrew Scarth
producer:
GGGarth (Canadian music producer and engineer)
assistant mixer:
Chad Bamford and Guido South
mixer:
Joe Barresi (recording engineer, mixer, producer)
bass guitar:
Cass Lewis
drums (drum set) and percussion:
Mark Richardson (UK drummer)
guitar:
Ace (Member of Skunk Anansie)
lead vocals:
Skin (Skunk Anansie singer)
strings arranger:
Wil Malone
recorded at:
Great Linford Manor in Milton Keynes, England, United Kingdom
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
music videos:
Hedonism (Just Because You Feel Good) (uncut version) by Skunk Anansie
recording of:
Hedonism (Just Because You Feel Good)
writer:
Len Arran and Skin (Skunk Anansie singer)
publisher:
Chrysalis Music Ltd. (music publisher)
Skunk Anansie43:27
9Bitter Sweet Symphony
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer and additional mixer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Andrew Loog Oldham, The Verve and Youth (producer/bassist Martin Glover)
lead vocals:
Richard Ashcroft
orchestra:
The Andrew Oldham Orchestra
additional strings arranger:
Wil Malone
samples:
The Last Time by The Andrew Oldham Orchestra
music videos:
Bitter Sweet Symphony by The Verve
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 18), Indie 88: Top 500 Indie Rock Songs (number: 22) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 382)
recording of:
Bitter Sweet Symphony
lyricist and composer:
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Verve4.455:58
10I Wanna Be the Only One
mixer:
Andy Bradfield
guest vocals:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
lyricist:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
composer:
Rhett Lawrence and BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
publisher:
Benny's Music, BMG Songs Inc., EMI Blackwood Music Inc. (1989-07-24–present) and Rhettrhyme Music
Eternal feat. BeBe Winans2.53:37
11MmmBop
programming and engineer:
Mac Quale
additional producer:
Stephen Lironi
producer:
The Dust Brothers (production duo John King & Mike Simpson)
recording of:
MMMbop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.24:01
12Your WomanWhite Town4.14:20
13I Will Survive
assistant engineer:
Scott Reams
engineer:
Joe Johnston (US recording engineer), Craig Long and Kirt Shearer
producer:
CAKE (US alt. rock band)
arranger:
CAKE (US alt. rock band)
recorded at:
Paradise Studios (Sacramento) in Sacramento, California, United States and Pus Cavern in Sacramento, California, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 89)
cover recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
CAKE4.055:11
14Everyday Is a Winding Road
assistant recording engineer:
Ron Black, S. "Husky" Höskulds, Cappy Japngie and John Paterno
recording engineer:
Tchad Blake, Blair Lamb, Bob Salcedo and Trina Shoemaker
producer:
Sheryl Crow (American singer-songwriter and musician)
mixer:
Tchad Blake
drums (drum set):
Michael Urbano
electric bass guitar [bass], Hammond organ [Hammond] and harmonium:
Sheryl Crow (American singer-songwriter and musician)
guitar:
Steve Donnelly and Jeff Trott
harmonium [dueling harmonium]:
Mitchell Froom
sampler [loop]:
Brian MacLeod (American drummer)
guest background vocals:
Neil Finn
vocals:
Sheryl Crow (American singer-songwriter and musician) and Neil Finn
phonographic copyright (℗) by:
A&M Records, Inc. (in 1996)
recording of:
Everyday Is a Winding Road
writer:
Sheryl Crow (American singer-songwriter and musician), Brian MacLeod (American drummer) and Jeff Trott
publisher:
Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (in 1996), Trottsky Music (in 1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1996) and Weenie Stand Music (in 1996)
Sheryl Crow3.84:17
15Starpeople ’97
recording of:
Star People
lyricist and composer:
George Michael
George Michael5:41
16Black Eyed Boy
recording of:
Black Eyed Boy
lyricist and composer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Richard Hynd, Johnny McElhone and Sharleen Spiteri
publisher:
23rd Precinct Music Ltd. and BMG 10 Music Ltd.
Texas3:11
17Who Do You Think You Are
assistant recording engineer:
Adam Brown (UK engineer)
recording engineer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Absolute (UK house/garage/production/songwriting team)
mixer:
Dave Way
instruments:
Absolute (UK house/garage/production/songwriting team)
additional background vocals:
Mary Pearce
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1996)
recording of:
Who Do You Think You Are
writer:
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) and Victoria Beckham (née Adams)
publisher:
19 Music, BMG Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls4.154:00
18Song 2
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
acoustic guitar:
Damon Albarn and Graham Coxon
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set):
Graham Coxon and Dave Rowntree
electric guitar, theremin and background vocals:
Graham Coxon
Hammond organ, keyboard, piano and lead vocals:
Damon Albarn
percussion:
Dave Rowntree
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 15) and Indie 88: Top 500 Indie Rock Songs (number: 57)
recording of:
Song 2
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, FujiPacific Music (S.E. Asia) Ltd. and Warner/Chappell Music Taiwan Ltd.
Blur4.32:02

Credits

Release group

part of:Now That’s What I Call Music! (New Zealand current series, 1997 –) (number: 1) (order: 1)
Wikidata:Q7065736 [info]