Farewell Fairbanks

~ Release by Randy Edelman (see all versions of this release, 5 available)

Tracklist

CD 1
#TitleRatingLength
1Concrete and Clay
assistant engineer:
Gaylen Senogles and Tom Wilson (assistant engineer)
engineer and producer:
Bill Schnee
acoustic guitar:
Art Munson, Dean Parks (American session guitarist) and Lee Ritenour
bass guitar:
Reinie Press
drums (drum set):
Nigel Olsson
percussion:
Jim Gordon (US drummer with Derek and the Dominos)
piano and lead vocals:
Randy Edelman (American score composer)
background vocals:
Tom Bahler, Melissa Manchester, Dee Murray, Nigel Olsson and Vini Poncia
brass [horns] arranger and strings arranger:
Jimmy Haskell
arranger:
Randy Edelman (American score composer)
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1975)
recorded at:
Davlen Sound Studios in Universal City, California, United States and Producer’s Workshop in Hollywood, Los Angeles, California, United States
mixed at:
Davlen Sound Studios in Universal City, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
cover recording of:
Concrete and Clay
writer:
Tommy Moeller and Brian Parker
publisher:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
?:??
2Blue Street
assistant engineer:
Gaylen Senogles and Tom Wilson (assistant engineer)
engineer and producer:
Bill Schnee
acoustic guitar:
Lee Ritenour
autoharp:
Ben Benay
bass guitar:
Reinie Press
drums (drum set):
Nigel Olsson
electric guitar:
Art Munson
piano, pipe organ and lead vocals:
Randy Edelman (American score composer)
arranger:
Randy Edelman (American score composer)
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1975)
recorded at:
Davlen Sound Studios in Universal City, California, United States and Producer’s Workshop in Hollywood, Los Angeles, California, United States
mixed at:
Davlen Sound Studios in Universal City, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Blue Street
lyricist and composer:
Randy Edelman (American score composer)
publisher:
EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), Piano Picker Music (in 1975) and Unart Music Corp. (in 1975)
?:??
3The Uptown, Uptempo Woman
assistant engineer:
Gaylen Senogles and Tom Wilson (assistant engineer)
engineer and producer:
Bill Schnee
acoustic guitar:
Dean Parks (American session guitarist)
bass guitar:
Reinie Press
bell tree:
Gary Coleman (US percussionist)
drums (drum set):
Nigel Olsson
electric piano, piano and lead vocals:
Randy Edelman (American score composer)
harp:
Gayle Levant (American studio musician, harpist)
strings arranger:
Nick de Caro
arranger:
Randy Edelman (American score composer)
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1975)
recorded at:
Davlen Sound Studios in Universal City, California, United States and Producer’s Workshop in Hollywood, Los Angeles, California, United States
mixed at:
Davlen Sound Studios in Universal City, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
The Uptown, Uptempo Woman
lyricist and composer:
Randy Edelman (American score composer)
publisher:
EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
?:??
4Highway Affair
assistant engineer:
Gaylen Senogles and Tom Wilson (assistant engineer)
engineer and producer:
Bill Schnee
acoustic guitar:
Dean Parks (American session guitarist) and Lee Ritenour
bass guitar:
Reinie Press
drums (drum set):
Nigel Olsson
electric guitar:
Andrew Gold
percussion:
Gary Coleman (US percussionist)
piano and lead vocals:
Randy Edelman (American score composer)
background vocals:
Tom Bahler, Jimmy Haas (James Edwin Haas, lead vocal "Happy Days" theme song), Dee Murray and Nigel Olsson
strings arranger:
Jimmy Haskell
arranger:
Randy Edelman (American score composer)
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1975)
recorded at:
Davlen Sound Studios in Universal City, California, United States and Producer’s Workshop in Hollywood, Los Angeles, California, United States
mixed at:
Davlen Sound Studios in Universal City, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Highway Affair
lyricist and composer:
Randy Edelman (American score composer)
publisher:
EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
?:??
5Farewell Fairbanks
assistant engineer:
Gaylen Senogles and Tom Wilson (assistant engineer)
engineer and producer:
Bill Schnee
banjo:
Ben Benay
bass guitar:
Reinie Press
drums (drum set):
Nigel Olsson
electric guitar:
Dean Parks (American session guitarist)
organ, piano, synthesizer and lead vocals:
Randy Edelman (American score composer)
background vocals:
Tom Bahler, Jimmy Haas (James Edwin Haas, lead vocal "Happy Days" theme song), Dee Murray and Nigel Olsson
arranger:
Randy Edelman (American score composer)
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1975)
recorded at:
Davlen Sound Studios in Universal City, California, United States and Producer’s Workshop in Hollywood, Los Angeles, California, United States
mixed at:
Davlen Sound Studios in Universal City, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Farewell Fairbanks
lyricist and composer:
Randy Edelman (American score composer)
publisher:
EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
?:??
6You
assistant engineer:
Gaylen Senogles and Tom Wilson (assistant engineer)
engineer and producer:
Bill Schnee
acoustic guitar:
Lee Ritenour
bass guitar:
Reinie Press
drums (drum set):
Nigel Olsson
electric guitar:
Dean Parks (American session guitarist)
organ, piano, synthesizer and lead vocals:
Randy Edelman (American score composer)
solo electric guitar:
Art Munson
strings arranger:
Jimmy Haskell
arranger:
Randy Edelman (American score composer)
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1975)
recorded at:
Davlen Sound Studios in Universal City, California, United States and Producer’s Workshop in Hollywood, Los Angeles, California, United States
mixed at:
Davlen Sound Studios in Universal City, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
You
lyricist and composer:
Randy Edelman (American score composer)
publisher:
EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), Piano Picker Music (in 1975) and Unart Music Corp. (in 1975)
?:??
7Let the Sailors Dance?:??
8Fresh Out’a Love
assistant engineer:
Gaylen Senogles and Tom Wilson (assistant engineer)
engineer and producer:
Bill Schnee
bass guitar:
Reinie Press
clavinet, piano, tack piano and lead vocals:
Randy Edelman (American score composer)
drums (drum set):
Nigel Olsson
electric guitar:
Lee “Quick” Ritenour and Dean Parks (American session guitarist)
synthesizer:
James Newton Howard (American score composer)
background vocals:
Tom Bahler, Jimmy Haas (James Edwin Haas, lead vocal "Happy Days" theme song) and Dee Murray
arranger:
Randy Edelman (American score composer)
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1975)
recorded at:
Davlen Sound Studios in Universal City, California, United States and Producer’s Workshop in Hollywood, Los Angeles, California, United States
mixed at:
Davlen Sound Studios in Universal City, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Fresh Out’a Love
lyricist and composer:
Randy Edelman (American score composer)
publisher:
EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
?:??
9Bring the Baby In With the Bacon
assistant engineer:
Gaylen Senogles and Tom Wilson (assistant engineer)
engineer and producer:
Bill Schnee
bass guitar:
Reinie Press
cymbal [trash cymbal]:
Gary Coleman (US percussionist)
drums (drum set):
Cyd Punyah
electric guitar:
Steve Cropper and Lee Ritenour
piano, rhythm sticks [bamboo sticks] and lead vocals:
Randy Edelman (American score composer)
background vocals:
Tom Bahler, Jackie DeShannon and Dee Murray
brass [horns] arranger:
Jimmy Haskell
arranger:
Randy Edelman (American score composer)
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1975)
recorded at:
Davlen Sound Studios in Universal City, California, United States and Producer’s Workshop in Hollywood, Los Angeles, California, United States
mixed at:
Davlen Sound Studios in Universal City, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Bring the Baby In With the Bacon
lyricist:
Bart Edelman
composer:
Randy Edelman (American score composer)
publisher:
EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
?:??
10A Weekend in New England
assistant engineer:
Gaylen Senogles and Tom Wilson (assistant engineer)
engineer and producer:
Bill Schnee
bass guitar:
Reinie Press
drums (drum set):
Nigel Olsson
electric guitar:
Steve Cropper
piano and lead vocals:
Randy Edelman (American score composer)
vibraphone [vibes]:
Gary Coleman (US percussionist)
background vocals:
Tom Bahler, Melissa Manchester, Nigel Olsson and Vini Poncia
brass [horns] arranger:
Randy Edelman (American score composer)
strings arranger:
Nick de Caro
arranger:
Randy Edelman (American score composer)
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1975)
recorded at:
Davlen Sound Studios in Universal City, California, United States and Producer’s Workshop in Hollywood, Los Angeles, California, United States
mixed at:
Davlen Sound Studios in Universal City, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
A Weekend in New England
lyricist and composer:
Randy Edelman (American score composer)
publisher:
EMI Unart Catalog Inc.
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
?:??

Credits

Release

liner notes:渚十吾
mastering:Doug Sax
illustration:Michael Bryan (illustrator)
distributed by:VIVID SOUND CORPORATION (holding company - file NO releases here!)
mastered at:The Mastering Lab (Hollywood, 1967-2008) in Hollywood, Los Angeles, California, United States
part of:City Breeze Collection (number: 037) (order: 10)
Discogs:https://www.discogs.com/release/8876844 [info]