Kaffee & Bauernkantate

~ Release by Johann Sebastian Bach; Juliane Claus, Martin Krumbiegel, Georg Christoph Biller, Matthias Eisenberg (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Kaffee-Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo "Schweigt stille, plaudert nicht" (Erzähler)
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
tenor vocals:
Martin Krumbiegel (tenor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:40
2Kaffee-Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria "Hat man nicht mit seinen Kindern" (Schlendrian)
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:15
3Kaffee-Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo "Du böses Kind, du loses Mädchen" (Schlendrian, Liesgen)
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:36
4Kaffee-Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria "Ei! wie schmeckt der Coffee süße" (Liesgen)
cello:
Kleif Carnarius (German cellist)
flute:
Ria Tenner (flautist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:32
5Kaffee-Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo "Wenn du mir nicht den Coffee lässt" (Schlendrian, Liesgen)
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:12
6Kaffee-Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria "Mädchen, die von harten Sinnen" (Schlendrian)
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:02
7Kaffee-Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo "Nun folge, was dein Vater spricht" (Schlendrian, Liesgen)
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:56
8Kaffee-Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria "Heute noch, lieber Vater, tut est doch" (Liesgen)
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach7:12
9Kaffee-Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo "Nun geht und sucht der alte Schlendrian" (Erzähler)
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
tenor vocals:
Martin Krumbiegel (tenor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:52
10Kaffee-Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Coro "Die Katze lässt das Mausen nicht" (Terzetto: Liesgen, Erzähler, Schlendrian)
cello:
Kleif Carnarius (German cellist)
flute:
Ria Tenner (flautist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
tenor vocals:
Martin Krumbiegel (tenor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:59
11Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouverture
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:27
12Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Soprano, Basso) "Mer hahn en neue Oberkeet"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:37
13Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Soprano, Basso) "Nu, Mieke, gib dein Guschel immer her"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:48
14Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Soprano) "Ach, es schmeckt doch gar zu gut"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:03
15Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Basso) "Der Herr ist gut"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
16Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Basso) "Ach, Herr Schösser, geht nicht gar zu schlimm"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:07
17Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Soprano) "Es bleibt dabei"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:21
18Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Soprano) "Unser trefflicher, lieber Kammerherr"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:23
19Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Soprano, Basso) "Er hilft uns allen, alt und jung"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:30
20Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Soprano) "Das ist galant"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:07
21Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Basso) "Und unsre gnädige Frau"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:35
22Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:48
23Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Soprano) "Im Ernst ein Wort"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:26
24Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse"
cello:
Kleif Carnarius (German cellist)
flute:
Ria Tenner (flautist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:55
25Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Basso) "Das ist zu klug vor dich"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
26Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Basso) "Es nehme zehntausend Dukaten"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
horn:
Jochen Pleß (German horn player)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:38
27Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Soprano) "Das klingt zu liederlich"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:18
28Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Soprano) "Gib, Schöne, viel Söhne"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
horn:
Jochen Pleß (German horn player)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:29
29Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Basso) "Du hast wohl recht"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:16
30Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Basso) "Dein Wachstum sei feste"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:06
31Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Soprano, Basso) "Und damit sei es auch genug"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:16
32Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Soprano) "Und dass ihr's alle wisst"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:44
33Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Soprano, Basso) "Mein Schatz, erraten"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:32
34Bauern-Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Duetto "Wir gehn nun, wo der Tudelsack"
cello:
Kleif Carnarius (German cellist)
harpsichord:
Matthias Eisenberg (organist, harpsichordist and church musician)
viola:
Erhard Fritz (German viola player)
violin:
Andreas Hartmann (German violinist) and Helge Scholz (German violinist)
bass vocals:
Georg Christoph Biller (conductor) (in 1992-07)
soprano vocals:
Juliane Claus (soprano) (in 1992-07)
conductor:
Matthias Eisenberg (organist, harpsichordist and church musician)
recorded at:
Kloster Isenhagen in Hankensbüttel, Niedersachsen, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1992-07)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:18