Classic Rock Hits

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Working for the Weekend
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer) and Rob Porter
engineer:
Bob Rock and Keith Stein
producer:
Paul Dean (Canadian guitarist) and Bruce Fairbairn
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
drums (drum set):
Matt Frenette
guitar and background vocals:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at:
Mushroom Studios in Vancouver, British Columbia, Canada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Working for the Weekend
writer:
Paul Dean (Canadian guitarist), Matt Frenette and Mike Reno
Loverboy53:42
2Baby Hold On
Eddie Money3:03
3Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Virgin Songs, Inc., Hierophant Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Edgar Winter Group4.54:46
4Two Out of Three Ain’t Bad
engineer, producer and mixer:
Todd Rundgren
bass guitar:
Kasim Sultan
drums (drum set):
John Wilcox
guitar:
Todd Rundgren
piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd and Todd Rundgren
lead vocals:
Meat Loaf
strings arranger:
Kenny Ascher
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
recording of:
Two Out of Three Ain’t Bad
lyricist and composer:
Jim Steinman
Meat Loaf45:25
5Eight Miles High
recording of:
Eight Miles High
writer:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby and Roger McGuinn
publisher:
Gene Clark Music, Reservoir One America, Tickson Music Co. and TRO Essex Music Ltd.
The Byrds3:36
6Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
Toto4.153:57
7Evil Woman
engineer:
Jimmy Iovine and Reinhold Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (from 1975-05 until 1975-06)
cello:
Melvyn Gale (from 1975-05 until 1975-06) and Hugh McDowell (from 1975-05 until 1975-06)
clavinet, Moog and piano:
Richard Tandy (from 1975-05 until 1975-06)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1975-05 until 1975-06)
guitar:
Jeff Lynne (from 1975-05 until 1975-06) and Richard Tandy (from 1975-05 until 1975-06)
violin:
Mik Kaminski (from 1975-05 until 1975-06)
background vocals:
Susan Collins (from 1975-05 until 1975-06), Ellie Greenwich (from 1975-05 until 1975-06), Nancy O'Neill (from 1975-05 until 1975-06) and Margaret Raymond (from 1975-05 until 1975-06)
lead vocals:
Jeff Lynne (from 1975-05 until 1975-06)
conductor:
Louis Clark
arranger:
Louis Clark, Jeff Lynne and Richard Tandy
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975, in 2005) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1975)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1975-05 until 1975-06), Musicland Studios (Munich) in München, Bayern, Germany (from 1975-05 until 1975-06) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975-05 until 1975-06: background vocals)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Evil Woman (from 1975-05 until 1975-06)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present) and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Electric Light Orchestra4.14:20
8More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge
acoustic guitar, bass, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston (US rock band)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Pure Songs (in 1976)
Boston3.954:46
9Carry On Wayward Son
assistant engineer:
Jeff Glixman
engineer:
Bill “Bleu” Evans (engineer)
producer:
Jeff Glixman
acoustic guitar:
Rich Williams (guitarist of Kansas) (from 1975 until 1976)
bass guitar:
Dave Hope (from 1975 until 1976)
clavinet, Moog and synthesizer [Oberheim synthesizer]:
Kerry Livgren (from 1975 until 1976)
drums (drum set) and percussion:
Phil Ehart (from 1975 until 1976)
electric guitar:
Kerry Livgren (from 1975 until 1976) and Richard Williams (guitarist of Kansas) (from 1975 until 1976)
organ, synthesizer and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
piano:
Kerry Livgren (from 1975 until 1976) and Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
viola and violin:
Robby Steinhardt (from 1975 until 1976)
background vocals:
Robby Steinhardt (from 1975 until 1976) and Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976, in 2001)
recorded at and mixed at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1975 until 1976)
recording of:
Carry On Wayward Son (from 1975 until 1976)
lyricist and composer:
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Don Kirshner Music Inc. (from 1976 to present) and EMI Blackwood Music Inc. (1989-07-24–present) (from 1976 to present)
sub-publisher:
フジパシフィックミュージック SBK事業部
Kansas3.75:23
10Cat Scratch Fever
engineer:
Tim Geelan and Wayne Tarnowski
producer:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman and Tom Werman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recording of:
Cat Scratch Fever
lyricist and composer:
Ted Nugent
publisher:
IQ Music Ltd. and Magicland Music
Ted Nugent3.353:40
11Rock and Roll Hoochie Koo
recording of:
Rock and Roll, Hoochie Koo
lyricist and composer:
Rick Derringer
publisher:
Universal Music Careers
Rick Derringer33:44
12Take It on the Run
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar and lead vocals:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
synthesizer:
Neal Doughty
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1980)
recording of:
Take It on the Run
lyricist and composer:
Gary Richrath
publisher:
Slam Dunk Music (work publisher) and 大洋音楽
REO Speedwagon3.754:01
13(Don’t Fear) the Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
Blue Öyster Cult4.555:08
CD 2: Disc 2
#TitleArtistRatingLength
1Down Boys
producer:
Beau Hill
mixer:
John Jansen (US recording engineer and producer)
recording of:
Down Boys
lyricist and composer:
Jani Lane
publisher:
BMG Platinum Songs US, Dixonyou Music, Erik Turner Music, Great Lips Music, Laney Jane Music and Rich McBitch Music
Warrant4.54:01
2Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
strings arranger:
Mick Harvey
publisher:
Kensington Music Ltd., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.83:59
3Tuff Enuff
engineer:
Carey Taylor
producer:
Dave Edmunds
recording of:
Tuff Enuff
lyricist and composer:
Kim Wilson
The Fabulous Thunderbirds43:23
4Flirtin’ With Disaster
recording engineer and mixer:
Gary Ladinsky (engineer)
assistant engineer:
Cary Pritikin and Bill Vermillion
producer:
Tom Werman
recorded at:
Bee Jay Recording Studios in Orlando, Florida, United States and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Flirtin' With Disaster (in 1979)
writer:
Danny Joe Brown (vocalist for Southern rock band Molly Hatchet), Dave Hlubek and Banner Thomas
Molly Hatchet4.355:00
5You’ve Got Another Thing Comin’Judas Priest3.55:09
65309 Jenny
assistant engineer:
Catharina "Mix" Masters (from 1981-07 until 1981-08)
engineer:
Toby Scott (from 1981-07 until 1981-08)
producer:
Jim Keller (member of Tommy Tutone) and Chuck Plotkin
bass guitar [bass]:
Jon Lyons
drums (drum set) [drums]:
Victor Carberry
guitar, piano and lead vocals:
Tommy Heath
guitar [lead guitar]:
Jim Keller (member of Tommy Tutone)
keyboard [keyboards]:
Steve LeGassick
percussion and background vocals [harmonies]:
John Cowsill
vocals:
Jim Keller (member of Tommy Tutone)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States (from 1981-07 until 1981-08)
part of:
Billboard: The 500 Best Pop Songs (number: 494)
recording of:
867‒5309/Jenny
lyricist and composer:
Alex Call and Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:47
7Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler, Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30)
The Psychedelic Furs4.54:01
8And We Danced
recording engineer:
John Agnello (engineer & producer) and William Wittman
assistant engineer:
Carol Cafiero and Dan Nash
producer:
Rick Chertoff
mixer:
David Thoener
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
And We Danced
writer:
Eric Bazilian and Rob Hyman
The Hooters3:48
9The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich, Switzerland and Soundtrade Studios in Solna City, Stockholms län, Sweden
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS‐affiliated) and Seven Doors Music
parody version of:
The Final Sound
Europe4.15:12
10Voices Carry
assistant engineer:
Jeff Lippay and Mike Krowiak
engineer:
Domenic Maita
producer:
Mike Thorne (UK producer & keyboardist)
assistant mixer:
Moira Marquis
mixer:
Bob Clearmountain and Harvey Goldberg
bass guitar:
Aimee Mann
guitar family:
Robert Holmes (guitarist, member of 'Til Tuesday)
membranophone and percussion:
Michael Hausman
piano and synthesizer:
Joey Pesce
vocals:
Aimee Mann, Joey Pesce and Robert Holmes (guitarist, member of 'Til Tuesday)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1985)
recorded at:
RPM Studios in New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
recording of:
Voices Carry
lyricist:
Aimee Mann
composer:
Michael Hausman, Robert Holmes (guitarist, member of 'Til Tuesday), Aimee Mann and Joey Pesce
publisher:
'til tunes associates and Intersong U.S.A. (publisher)
’Til Tuesday4.854:22
11Cum On Feel the Noise
engineer:
Duane Baron
producer:
Spencer Proffer
drums (drum set):
Frankie Banali (US drummer)
electric bass guitar:
Rudy Sarzo
electric guitar:
Carlos Cavazo
keyboard:
Pat Regan (engineer)
lead vocals:
Kevin DuBrow
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pasha
recorded at and mixed at:
Pasha Music House in Hollywood, Los Angeles, California, United States
cover recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd.
sub-publisher:
Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present)
Quiet Riot4.354:52
12Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Publishing Scandinavia AB, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4.454:30
13What I Like About You
producer:
Peter Solley (English pianist, songwriter and producer)
recorded at:
Coconut Recording in Miami, Florida, United States (in 1979-10)
recording of:
What I Like About You (in 1979-10)
writer:
Jimmy Marinos, Wally Palmar and Mike Skill
publisher:
EMI April Music Inc.
part of:
Freaky Friday (2003)
The Romantics4.72:56
CD 3
#TitleArtistRatingLength
1Black Magic Woman
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-04)
congas:
Michael Carabello (on 1970-07-04) and Jose Chepito Áreas (on 1970-07-04)
guitar:
Carlos Santana (on 1970-07-04)
keyboard:
Gregg Rolie (on 1970-07-04)
membranophone:
Michael Shrieve (on 1970-07-04)
timbales:
Jose Chepito Áreas (on 1970-07-04)
vocals:
Gregg Rolie (on 1970-07-04) and Carlos Santana (on 1970-07-04)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-04)
cover recording of:
Black Magic Woman (on 1970-07-04)
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd. and Murbo Music Publishers, Inc.
Santana3.853:17
2Runaway Train
producer:
Michael Beinhorn
recording of:
Runaway Train
lyricist and composer:
Dave Pirner
Soul Asylum4.54:23
3Cult of Personality
engineer:
Paul Hamingson
producer and mixer:
Ed Stasium (US record producer & audio engineer)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 12)
recording of:
Cult of Personality
writer:
Will Calhoun, Corey Glover, Vernon Reid (English-born US guitarist and songwriter) and Muzz Skillings
Living Colour4.44:56
4Mississippi QueenMountain3.752:32
5Fantasy
producer:
Aldo Nova (Canadian Rock Musician)
recording of:
Fantasy
lyricist and composer:
Aldo Caporuscio (Canadian Rock Musician)
publisher:
Sony/ATV Songs LLC
Aldo Nova4:01
6Melissa (live)The Allman Brothers Band5:28
7Walk Like an Egyptian
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michelle Steele
drums (drum set):
Debbi Peterson
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs, Vicki Peterson and Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1985)
recording of:
Walk Like an Egyptian
lyricist and composer:
Liam Sternberg (until 1984-01)
publisher:
Peer International Corporation (BMI)
The Bangles4.23:25
8The House Is Rockin’Stevie Ray Vaughan & Double Trouble42:23
9Barracuda
producer:
Mike Flicker
acoustic guitar:
Nancy Wilson (guitarist/singer of “Heart”) (from 1977-02 until 1977-04)
bass guitar:
Steve Fossen (from 1977-02 until 1977-04)
drums (drum set):
Michael Derosier (from 1977-02 until 1977-04)
electric guitar:
Roger Fisher (US rock guitarist) (from 1977-02 until 1977-04)
guitar and mellotron:
Howard Leese (from 1977-02 until 1977-04)
lead vocals:
Ann Wilson (lead singer of Heart) (from 1977-02 until 1977-04)
arranger:
Heart (rock band, Ann and Nancy Wilson)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
mixed at:
Royaltone Studios in North Hollywood, Los Angeles, California, United States and Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
recording of:
Barracuda (from 1977-02 until 1977-04)
writer:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
Know Music, Of the Roses Music, Strange Euphoria Music and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Heart4.054:24
10Lido Shuffle
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
trumpet:
Chuck Findley (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
recording of:
Lido Shuffle (in 1975-09)
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc. and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 and ヤマハミュージックEH(CM)
Boz Scaggs43:42
11Jimmy Olsen’s Blues
engineer:
Peter Denenberg
producer and mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass:
Mark White (Spin Doctors)
drums (drum set), Hammond organ and percussion:
Aaron Comess
guitar:
Eric Schenkman
vocals:
Chris Barron
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1991)
recording of:
Jimmy Olsen’s Blues
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Mow-B-Jow Music Inc. and Sony/ATV Songs LLC
Spin Doctors3.954:40
12Shapes of Things
engineer:
Ken Scott (UK record producer & engineer)
producer:
Mickie Most (English record producer)
steel guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Rod Stewart
recording of:
Shapes of Things (from 1968-05-14 until 1968-05-26)
writer:
Jim McCarty (UK drummer), Keith Relf and Paul Samwell-Smith
publisher:
EMI Unart Catalog Inc., Them Young Boys Music and Yardbirds Music (also with "Ltd."; publisher; do NOT use as release label)
Jeff Beck Group33:20
13Sweet Jane
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
cover recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
Mott the Hoople4:22
14Hurdy Gurdy Man
recorded in:
London (Greater London), England, United Kingdom (in 1968)
producer:
Mickie Most (English record producer)
acoustic guitar and tambura:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968)
drums (drum set):
Clem Cattini (in 1968)
electric guitar:
Allan Holdsworth (in 1968) and Jimmy Page (in 1968)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
recording of:
Hurdy Gurdy Man (in 1968)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
Donovan53:18

Credits

Release

ASIN:US: B00005NKK9 [info]