Der Barbier von Bagdad

~ Release by Peter Cornelius; Gottlob Frick, Hilde Rössel-Majdan, Rudolf Schock, Alfred Poell, Sena Jurinac, Erich Majkut, Chor der Wiener Staatsoper, Großes Wiener Rundfunkorchester, Heinrich Hollreiser (see all versions of this release, 1 available)

Annotation

Recorded in Vienna October 1952.

Act I. Zimmer in Nureddins Haus
Act II. Reiches Frauengemach im Hause des Kadi Baba Mustapha

CAST

Der Kalif: Alfred Poell
Baba Mustapha, ein Kadi: Erich Majkut
Margiana, seine Tochter: Sena Jurinac
Bostana, eine Verwandte des Kadi: Hilde Rössel-Majdan
Nureddin: Rudolf Schock
Abul Hassan Ali Ebn Bekar, Barbier: Gottlob Frick
1. Muezzin: Walter Berry
2. Muezzin: Kurt Equiluz
3. Muezzin: Richard Sallaba

Conductor: Heinrich Hollreiser
Orchestra: Grosses Wiener Rundfunkorchester
Choir: Chor der Wiener Staatsoper

Bonus Tracks Gottlob Frick in Arien und Szenen (2.11–2.17):
Recorded in Berlin, 1953
Bass vocals: Gottlob Frick
Conductor: Wilhelm Schüchter
Orchestra: Berliner Symphoniker

Annotation last modified on 2022-12-25 14:12 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Der Barbier von Bagdad: Ouvertüre
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Ouvertüre (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad
Peter Cornelius7:09
2Der Barbier von Bagdad: Akt I. „Sanfter Schlummer wiegt ihn ein“ (Chor der Diener)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
choir vocals:
Chor der Wiener Staatsoper
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt I. „Sanfter Schlummer wiegt ihn ein“ (Chor der Diener) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius5:35
3Der Barbier von Bagdad: Akt I. „So leb’ ich noch!“ (Nureddin) / „Vor deinem Fenster die Blumen“ (Nureddin)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
tenor vocals [Nureddin]:
Rudolf Schock (tenor)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt I. „So leb’ ich noch!“ (Nureddin) / „Vor deinem Fenster die Blumen“ (Nureddin) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius5:57
4Der Barbier von Bagdad: Akt I. „Sei Allahs Frieden über dir mein Sohn“ (Bostana)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
mezzo-soprano vocals [Bostana]:
Hilde Rössel-Majdan (Austrian contralto)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt I. „Sei Allahs Frieden über dir mein Sohn“ (Bostana) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius6:18
5Der Barbier von Bagdad: Akt I. „Ach, das Leid hab’ ich getragen“ (Nureddin)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
tenor vocals [Nureddin]:
Rudolf Schock (tenor)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt I. „Ach, das Leid hab’ ich getragen“ (Nureddin) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius2:55
6Der Barbier von Bagdad: Akt I. „Mein Sohn, sei Allahs Frieden hier auf Erden“ (Abul Hassan)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
bass vocals [Abul Hassan]:
Gottlob Frick (operatic bass)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt I. „Mein Sohn, sei Allahs Frieden hier auf Erden“ (Abul Hassan) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius5:25
7Der Barbier von Bagdad: Akt I. „Bin Akademiker, Doktor und Chemiker“ (Abul Hassan)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
bass vocals [Abul Hassan]:
Gottlob Frick (operatic bass)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt I. „Bin Akademiker, Doktor und Chemiker“ (Abul Hassan) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius3:19
8Der Barbier von Bagdad: Akt I. „Hinaus! Hinaus!“ (Chor der Diener)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
choir vocals:
Chor der Wiener Staatsoper
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt I. „Hinaus! Hinaus!“ (Chor der Diener) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius2:46
9Der Barbier von Bagdad: Akt I. „Ich seh’, durch Strenge werd’ ich ihn nicht los“ (Nureddin)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
tenor vocals [Nureddin]:
Rudolf Schock (tenor)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt I. „Ich seh’, durch Strenge werd’ ich ihn nicht los“ (Nureddin) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius8:10
10Der Barbier von Bagdad: Akt I. „So schwärmet Jugend“ (Abul Hassan)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
bass vocals [Abul Hassan]:
Gottlob Frick (operatic bass)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt I. „So schwärmet Jugend“ (Abul Hassan) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius3:07
11Der Barbier von Bagdad: Akt I. „So hat der Satan dich noch immer hier?“ (Nureddin)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
tenor vocals [Nureddin]:
Rudolf Schock (tenor)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt I. „So hat der Satan dich noch immer hier?“ (Nureddin) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius3:34
▼ CD 2
#TitleArtistRatingLength
1Der Barbier von Bagdad: Akt II. Zwischenakt
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt II. Zwischenakt (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt II
Peter Cornelius4:06
2Der Barbier von Bagdad: Akt II. „Er kommt! Er kommt! O Wonne meiner Brust!“ (Margiana)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
soprano vocals [Margiana]:
Sena Jurinac (soprano)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt II. „Er kommt! Er kommt! O Wonne meiner Brust!“ (Margiana) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt II
Peter Cornelius6:00
3Der Barbier von Bagdad: Akt II. „Allah ist gross und Mohamet sein Prophet“ (Dritter Muezzin)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
tenor vocals [3. Muezzin]:
Richard Sallaba (tenor)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt II. „Allah ist gross und Mohamet sein Prophet“ (Dritter Muezzin) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt II
Peter Cornelius3:49
4Der Barbier von Bagdad: Akt II. „O holdes Bild in Engelschöne“ (Nureddin)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
tenor vocals [Nureddin]:
Rudolf Schock (tenor)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt II. „O holdes Bild in Engelschöne“ (Nureddin) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt II
Peter Cornelius5:27
5Der Barbier von Bagdad: Akt II. „O Nureddin! Geniesse froh dein Glück“ (Abul Hassan)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
bass vocals [Abul Hassan]:
Gottlob Frick (operatic bass)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt II. „O Nureddin! Geniesse froh dein Glück“ (Abul Hassan) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt II
Peter Cornelius6:21
6Der Barbier von Bagdad: Akt II. „Unsel’ger Freund!“ (Abul Hassan)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
bass vocals [Abul Hassan]:
Gottlob Frick (operatic bass)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt II. „Unsel’ger Freund!“ (Abul Hassan) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt II
Peter Cornelius4:14
7Der Barbier von Bagdad: Akt II. „Platz dem Kalifen!“ (Chor)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
choir vocals:
Chor der Wiener Staatsoper
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt II. „Platz dem Kalifen!“ (Chor) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt II
Peter Cornelius5:01
8Der Barbier von Bagdad: Akt II. „Zeig deinen Schatz, mein Kind“ (Kadi)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
tenor vocals [Kadi]:
Erich Majkut (tenor)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt II. „Zeig deinen Schatz, mein Kind“ (Kadi) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt II
Peter Cornelius4:18
9Der Barbier von Bagdad: Akt II. „Er lebt, er lebt, Beherrscher der Gläub’gen“ (Abul Hassan)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
bass vocals [Abul Hassan]:
Gottlob Frick (operatic bass)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt II. „Er lebt, er lebt, Beherrscher der Gläub’gen“ (Abul Hassan) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt II
Peter Cornelius3:09
10Der Barbier von Bagdad: Akt II. „Ergreift den Alten“ (Kalif) / „Heil diesem Hause (Salamaleikum!)“ (Kalif)
recording engineer:
Dr. Hans Sachs (producer) (in 1952-10)
baritone vocals [Der Kalif]:
Alfred Poell (baritone)
orchestra:
Großes Wiener Rundfunkorchester (in 1952-10)
conductor:
Heinrich Hollreiser (conductor) (in 1952-10)
recording of:
Der Barbier von Bagdad: Akt II. „Ergreift den Alten“ (Kalif) / „Heil diesem Hause (Salamaleikum!)“ (Kalif) (in 1952-10)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt II
Peter Cornelius3:36
11Die Entführung aus dem Serail: Akt I. „Wer ein Liebchen hat gefunden“
bass vocals [Osmin]:
Gottlob Frick (operatic bass) (in 1953)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1953)
conductor:
Wilhelm Schüchter (in 1953)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (in 1953)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:28
12Die Entführung aus dem Serail: Akt I. „Solche hergelauf’ne Laffen“
bass vocals [Osmin]:
Gottlob Frick (operatic bass) (in 1953)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1953)
conductor:
Wilhelm Schüchter (in 1953)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (in 1953)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:19
13Die Entführung aus dem Serail: Akt III. „O! wie will ich triumphieren“
bass vocals [Osmin]:
Gottlob Frick (operatic bass) (in 1953)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1953)
conductor:
Wilhelm Schüchter (in 1953)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1953)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:28
14Die Lustigen Weiber von Windsor: Akt II. „Als Büblein klein an der Mutter Brust“
bass vocals [Falstaff]:
Gottlob Frick (operatic bass) (in 1953)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1953)
conductor:
Wilhelm Schüchter (in 1953)
recording of:
Die lustigen Weiber von Windsor: Akt II. Nr. 5. „Als Büblein klein” (Falstaff) (in 1953)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai4:23
15Zar und Zimmermann: Akt I. „O sancta justicia“
bass vocals [vam Bett]:
Gottlob Frick (operatic bass) (in 1953)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1953)
conductor:
Wilhelm Schüchter (in 1953)
recording of:
Zar und Zimmermann: Akt I. Nr. 4 Arie „O sancta justitia!“ (van Bett) (in 1953)
composer and librettist:
Albert Lortzing (composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt I
Albert Lortzing6:30
16Der Waffenschmied: Akt II. „Auch ich war ein Jüngling“
bass vocals [Stadinger]:
Gottlob Frick (operatic bass) (in 1953)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1953)
conductor:
Wilhelm Schüchter (in 1953)
recording of:
Der Waffenschmied: Akt III. „Auch ich war ein Jüngling mit lockigem Haar“ (Arie des Stadinger) (in 1953)
composer and librettist:
Albert Lortzing (composer)
part of:
Der Waffenschmied: Akt III
Albert Lortzing4:04
17Don Carlo: Akt III. „Sie hat mich nie geliebt“
bass vocals [Philipp]:
Gottlob Frick (operatic bass) (in 1953)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1953)
conductor:
Wilhelm Schüchter (in 1953)
recording of:
Don Carlos: IV. Aufzug. "Sie hat mich nie geliebt!" (Philipp) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
part of:
Don Carlos: Akt IV (German translation)
Giuseppe Verdi7:30

Credits

Release

orchestra:Das große Wiener Rundfunkorchester
Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006)
conductor:Heinrich Hollreiser (conductor)
chorus master:Richard Roßmayer
alto vocals:Hilde Rössel-Majdan (Austrian contralto)
baritone vocals:Alfred Poell (baritone)
bass vocals:Walter Berry (bass-baritone)
Gottlob Frick (operatic bass)
choir vocals:Chor der Wiener Staatsoper
soprano vocals:Sena Jurinac (soprano)
tenor vocals:Kurt Equiluz (tenor)
Erich Majkut (tenor)
Richard Sallaba (tenor)
Rudolf Schock (tenor)
Discogs:https://www.discogs.com/release/10222840 [info]
ASIN:US: B00022LSDE [info]