Cantatas

~ Release by Johann Sebastian Bach; Karl Richter, Münchener Bach‐Orchester (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Advent un Weihnachten
▶ CD 2: Advent un Weihnachten
▶ CD 3: Advent un Weihnachten
▶ CD 4: Advent un Weihnachten
▶ CD 5: Ostern
▶ CD 6: Ostern
▶ CD 7: Ostern
▶ CD 8: Ostern
▶ CD 9: Ostern
▶ CD 10: Himmelfahrt - Pfingsten - Trinitatis
▶ CD 11: Himmelfahrt - Pfingsten - Trinitatis
▶ CD 12: Himmelfahrt - Pfingsten - Trinitatis
▶ CD 13: Himmelfahrt - Pfingsten - Trinitatis
▶ CD 14: Himmelfahrt - Pfingsten - Trinitatis
▶ CD 15: Himmelfahrt - Pfingsten - Trinitatis
▶ CD 16: Sonntage nach Trinitatis I
▶ CD 17: Sonntage nach Trinitatis I
▶ CD 18: Sonntage nach Trinitatis I
▶ CD 19: Sonntage nach Trinitatis I
▶ CD 20: Sonntage nach Trinitatis I
▶ CD 21: Sonntage nach Trinitatis I
▶ CD 22: Sonntage nach Trinitatis II
▶ CD 23: Sonntage nach Trinitatis II
▶ CD 24: Sonntage nach Trinitatis II
▶ CD 25: Sonntage nach Trinitatis II
▼ CD 26: Sonntage nach Trinitatis II
#TitleArtistRatingLength
1Cantata BWV 130 "Herr Gott, dich loben alle wir": I. "Chor und Choral (Chor-Sopran): "Herr Gott, dich loben alle wir"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
choir vocals:
Münchener Bach‐Chor (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": I. Coro "Herr Gott, dich loben alle wir" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach3:01
2Cantata BWV 130 "Herr Gott, dich loben alle wir": II. Rezitativ (Alt): "Ihr heller Glanz und hohe Weisheit zeigt"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
alto vocals:
Trudeliese Schmidt (mezzo soprano) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": II. Recitativo (Alt) "Ihr heller Glanz und hohe Weisheit zeigt" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:11
3Cantata BWV 130 "Herr Gott, dich loben alle wir": III. Arie (Baß): "Der alte Drache bernnt vor Neid"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": III. Aria (Bass) "Der alte Drache brennt vor Neid" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach4:00
4Cantata BWV 130 "Herr Gott, dich loben alle wir": IV. Rezitativ (Sopran, Tenor): "Wohl aber uns, daß Tag und Nacht"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
soprano vocals:
Edith Mathis (soprano) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": IV. Recitativo (Sopran, Tenor) "Wohl aber uns, daß Tag und Nacht" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:23
5Cantata BWV 130 "Herr Gott, dich loben alle wir": V. Arie (Tenor): "Laß, o Fürst der Cherubinen"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": V. Aria (Tenor) "Laß, o Fürst der Cherubinen" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach4:31
6Cantata BWV 130 "Herr Gott, dich loben alle wir": VI. Choral: "Darum wir billig loben dich"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
choir vocals:
Münchener Bach‐Chor (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": VI. Choral "Darum wir billig loben dich" (in 1976-03)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 131)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:25
7Cantata BWV 80 "Ein feste Burg ist unser Gott": I. Chor: "Ein feste Burg ist unser Gott"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:52
8Cantata BWV 80 "Ein feste Burg ist unser Gott": II. Duett. Arie (Baß) mit Choral (Sopran): "Alles, was von Gott geboren" "Mit unsrer Macht ist nichts getan"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
soprano vocals:
Edith Mathis (soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
9Cantata BWV 80 "Ein feste Burg ist unser Gott": III. Rezitativ (Baß): "Erwäge doch, Kind Gottes, die so große Liebe"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach2:14
10Cantata BWV 80 "Ein feste Burg ist unser Gott": IV. Arie (Sopran): "Komm in mein Herzenshaus"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
soprano vocals:
Edith Mathis (soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:27
11Cantata BWV 80 "Ein feste Burg ist unser Gott": V. Choral: "Und wenn die Welt von Teufel wär"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:05
12Cantata BWV 80 "Ein feste Burg ist unser Gott": VI. Rezitativ (Tenor): "So stehe denn bei Christi blutgefärbter Fahne"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:28
13Cantata BWV 80 "Ein feste Burg ist unser Gott": VII. Duett (Alt, Tenor): "Wie selig sind doch die, die Gott im Munde tragen"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
alto vocals:
Trudeliese Schmidt (mezzo soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:11
14Cantata BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral: "Das Wort sie sollen lassen stahn"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1978-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:37
15Cantata BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina. Molto Adagio
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:48
16Cantata BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Chor: "Gottes Zeit ist die allerbeste Zeit"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:22
17Cantata BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor): "Ach Herr, lehre uns bedenken"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
tenor vocals:
Ernst Haefliger (tenor) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:18
18Cantata BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Arie (Baß): "Bestelle dein Haus"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:19
19Cantata BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Chor und Arioso (Chor-Sopran) mit instrumentalem Choral (Blockflöten): "Es ist der alte Bund"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:30
20Cantata BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Arie (Alt): "In deine hände befehl ich meinen Geist"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:12
21Cantata BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Baß) miot Choral (Chor-Alt): "Heute wirst du mit mir im Paradies sein"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (in 1966-10)
contralto vocals:
Hertha Töpper (mezzo soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
partial recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:10
22Cantata BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Baß) miot Choral (Chor-Alt): "Mit Fried und Freud ich fahr dahin"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
partial recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:45
23Cantata BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Chor: "Glorie, Lob, Ehr und Herrlichkeit"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:00