The Complete Lionel Hampton Victor Sessions 1937-1941

~ Release by Lionel Hampton (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1My Last Affair
recorded in:
New York, New York, United States (on 1937-02-08)
alto saxophone:
George Koenig (on 1937-02-08) and Hymie Shertzer (on 1937-02-08)
double bass [bass]:
Harry Goodman (on 1937-02-08)
drums (drum set):
Gene Krupa (on 1937-02-08)
guitar:
Allan Reuss (on 1937-02-08)
piano:
Jess Stacy (on 1937-02-08)
tenor saxophone:
Vido Musso (on 1937-02-08) and Art Rollini (on 1937-02-08)
trumpet:
Ziggy Elman (on 1937-02-08)
vibraphone:
Lionel Hampton (on 1937-02-08)
vocals:
Lionel Hampton (on 1937-02-08)
orchestra:
Lionel Hampton and His Orchestra (on 1937-02-08)
recording of:
My Last Affair (on 1937-02-08)
lyricist and composer:
Haven A. Johnson
2:35
2Jivin' the Vibres
recorded in:
New York, New York, United States (on 1937-02-08)
alto saxophone:
George Koenig (on 1937-02-08) and Hymie Shertzer (on 1937-02-08)
double bass [bass]:
Harry Goodman (on 1937-02-08)
drums (drum set):
Gene Krupa (on 1937-02-08)
guitar:
Allan Reuss (on 1937-02-08)
piano:
Jess Stacy (on 1937-02-08)
tenor saxophone:
Vido Musso (on 1937-02-08) and Art Rollini (on 1937-02-08)
trumpet:
Ziggy Elman (on 1937-02-08)
vibraphone:
Lionel Hampton (on 1937-02-08)
orchestra:
Lionel Hampton and His Orchestra (on 1937-02-08)
recording of:
Jivin' the Vibes (on 1937-02-08)
2:22
3The Mood That I'm In
recorded in:
New York, New York, United States (on 1937-02-08)
alto saxophone:
George Koenig (on 1937-02-08) and Hymie Shertzer (on 1937-02-08)
double bass and double bass [bass]:
Harry Goodman (on 1937-02-08)
drums (drum set):
Gene Krupa (on 1937-02-08)
guitar:
Allan Reuss (on 1937-02-08)
piano:
Jess Stacy (on 1937-02-08)
tenor saxophone:
Vido Musso (on 1937-02-08) and Art Rollini (on 1937-02-08)
trumpet:
Ziggy Elman (on 1937-02-08)
vibraphone:
Lionel Hampton (on 1937-02-08)
vocals:
Lionel Hampton (on 1937-02-08)
orchestra:
Lionel Hampton and His Orchestra (on 1937-02-08)
recording of:
The Mood That I'm In (on 1937-02-08)
writer:
Al Sherman (jazz trombone) and Abner Silver
2:42
4Stomp
recorded in:
New York, New York, United States (on 1937-02-08)
alto saxophone:
George Koenig (on 1937-02-08) and Hymie Shertzer (on 1937-02-08)
double bass:
Harry Goodman (on 1937-02-08)
drums (drum set):
Lionel Hampton (on 1937-02-08)
guitar:
Allan Reuss (on 1937-02-08)
piano:
Jess Stacy (on 1937-02-08)
tenor saxophone:
Vido Musso (on 1937-02-08) and Art Rollini (on 1937-02-08)
trumpet:
Ziggy Elman (on 1937-02-08)
orchestra:
Lionel Hampton and His Orchestra (on 1937-02-08)
3:10
5Buzzin' 'Round With the Bee
recorded in:
New York, New York, United States (on 1937-04-14)
alto saxophone:
Johnny Hodges (on 1937-04-14)
clarinet:
Mezz Mezzrow (on 1937-04-14)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-04-14)
drums (drum set):
Cozy Cole (on 1937-04-14)
guitar:
Allan Reuss (on 1937-04-14)
piano:
Jess Stacy (on 1937-04-14)
trombone:
Lawrence Brown (jazz trombonist) (on 1937-04-14)
trumpet:
Cootie Williams (on 1937-04-14, on 1937-04-17)
vibraphone:
Lionel Hampton (on 1937-04-14)
vocals:
Lionel Hampton (on 1937-04-14)
orchestra:
Lionel Hampton and His Orchestra (on 1937-04-14)
3:07
6Whoa Babe
recorded in:
New York, New York, United States (on 1937-04-14)
alto saxophone:
Johnny Hodges (on 1937-04-14)
clarinet:
Mezz Mezzrow (on 1937-04-14)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-04-14)
drums (drum set):
Cozy Cole (on 1937-04-14)
guitar:
Allan Reuss (on 1937-04-14)
piano:
Jess Stacy (on 1937-04-14)
trombone:
Lawrence Brown (jazz trombonist) (on 1937-04-14)
trumpet:
Cootie Williams (on 1937-04-14)
vibraphone:
Lionel Hampton (on 1937-04-14)
vocals:
Lionel Hampton (on 1937-04-14)
orchestra:
Lionel Hampton and His Orchestra (on 1937-04-14)
recording of:
Whoa Babe (on 1937-04-14)
lyricist and composer:
Larry Clinton
2:53
7Stompology
recorded in:
New York, New York, United States (on 1937-04-14)
alto saxophone:
Johnny Hodges (on 1937-04-14)
clarinet:
Mezz Mezzrow (on 1937-04-14)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-04-14)
drums (drum set):
Cozy Cole (on 1937-04-14)
guitar:
Allan Reuss (on 1937-04-14)
piano:
Jess Stacy (on 1937-04-14)
trombone:
Lawrence Brown (jazz trombonist) (on 1937-04-14)
trumpet:
Cootie Williams (on 1937-04-14)
vibraphone:
Lionel Hampton (on 1937-04-14)
orchestra:
Lionel Hampton and His Orchestra (on 1937-04-14)
recording of:
Stompology
3:03
8On the Sunny Side of the Street
recorded in:
New York, New York, United States (on 1937-04-26)
alto saxophone and saxophone:
Johnny Hodges (on 1937-04-26)
clarinet:
Buster Bailey (on 1937-04-26)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-04-26)
drums (drum set):
Cozy Cole (on 1937-04-26)
guitar:
Allan Reuss (on 1937-04-26)
piano:
Jess Stacy (on 1937-04-26)
vibraphone:
Lionel Hampton (on 1937-04-26)
vocals:
Lionel Hampton (on 1937-04-26)
orchestra:
Lionel Hampton and His Orchestra (on 1937-04-26)
recording of:
On the Sunny Side of the Street (on 1937-04-26)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
instrumental recording of:
On the Sunny Side of the Street (on 1937-04-26)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
3:17
9Rhythm, Rhythm (I Got Rhythm)
recorded in:
New York, New York, United States (on 1937-04-26)
clarinet:
Buster Bailey (on 1937-04-26)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-04-26)
drums (drum set):
Cozy Cole (on 1937-04-26)
guitar:
Allan Reuss (on 1937-04-26)
piano:
Jess Stacy (on 1937-04-26)
saxophone:
Johnny Hodges (on 1937-04-26)
vibraphone:
Lionel Hampton (on 1937-04-26)
orchestra:
Lionel Hampton and His Orchestra (on 1937-04-26)
recording of:
Rhythm Rhythm
2:52
10China Stomp (Chinatown, My Chinatown)
recorded in:
New York, New York, United States (on 1937-04-26)
clarinet:
Buster Bailey (on 1937-04-26)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-04-26)
drums (drum set):
Cozy Cole (on 1937-04-26)
guitar:
Allan Reuss (on 1937-04-26)
piano:
Lionel Hampton (on 1937-04-26) and Jess Stacy (on 1937-04-26)
vibraphone:
Lionel Hampton (on 1937-04-26)
orchestra:
Lionel Hampton and His Orchestra (on 1937-04-26)
recording of:
Chinatown, My Chinatown (on 1937-04-26)
lyricist:
William Jerome (in 1910)
composer:
Jean Schwartz (in 1910)
publisher:
Beuscher and Sim (Related to Éditions Sim)
2:50
11I Know That You Know
recorded in:
New York, New York, United States (on 1937-04-26)
clarinet:
Buster Bailey (on 1937-04-26)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-04-26)
drums (drum set):
Lionel Hampton (on 1937-04-26)
guitar:
Allan Reuss (on 1937-04-26)
piano:
Jess Stacy (on 1937-04-26)
saxophone:
Johnny Hodges (on 1937-04-26)
orchestra:
Lionel Hampton and His Orchestra (on 1937-04-26)
recording of:
I Know That You Know (Caldwell & Youmans) (on 1937-04-26)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
2:58
12I'm Confessin'
recorded in:
New York, New York, United States (on 1937-08-16)
clarinet:
Eddie Barefield (on 1937-08-16)
double bass:
Mack Walker (on 1937-08-16)
drums (drum set):
Cozy Cole (on 1937-08-16)
guitar:
Bobby Bennett (guitar) (on 1937-08-16)
piano:
Clyde Hart (on 1937-08-16)
trumpet:
Jonah Jones (on 1937-08-16)
vibraphone:
Lionel Hampton (on 1937-08-16)
orchestra:
Lionel Hampton and His Orchestra (on 1937-08-16)
3:29
13Drum Stomp (Crazy Rhythm)
recorded in:
New York, New York, United States (on 1937-08-16)
clarinet:
Eddie Barefield (on 1937-08-16)
double bass and double bass [bass]:
Mack Walker (on 1937-08-16)
drums (drum set) and vibraphone:
Lionel Hampton (on 1937-08-16)
guitar:
Bobby Bennett (guitar) (on 1937-08-16)
piano:
Clyde Hart (on 1937-08-16)
trumpet:
Jonah Jones (on 1937-08-16)
orchestra:
Lionel Hampton and His Orchestra (on 1937-08-16)
3:09
14Piano Stomp (Shine)
recorded in:
New York, New York, United States (on 1937-08-16)
clarinet:
Eddie Barefield (on 1937-08-16)
double bass:
Mack Walker (on 1937-08-16)
drums (drum set):
Cozy Cole (on 1937-08-16)
guitar:
Bobby Bennett (guitar) (on 1937-08-16)
piano:
Lionel Hampton (on 1937-08-16) and Clyde Hart (on 1937-08-16)
trumpet:
Jonah Jones (on 1937-08-16)
vibraphone:
Lionel Hampton (on 1937-08-16)
orchestra:
Lionel Hampton and His Orchestra (on 1937-08-16)
instrumental recording of:
Shine (on 1937-08-16)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (, in 1910)
2:58
15I Surrender Dear
recorded in:
New York, New York, United States (on 1937-08-16)
clarinet:
Eddie Barefield (on 1937-08-16)
double bass:
Mack Walker (on 1937-08-16)
drums (drum set):
Cozy Cole (on 1937-08-16)
guitar:
Bobby Bennett (guitar) (on 1937-08-16)
piano:
Clyde Hart (on 1937-08-16)
trumpet:
Jonah Jones (on 1937-08-16)
vibraphone:
Lionel Hampton (on 1937-08-16)
orchestra:
Lionel Hampton and His Orchestra (on 1937-08-16)
instrumental recording of:
I Surrender Dear (on 1937-08-16)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:24
16The Object of My Affections
recorded in:
New York, New York, United States (on 1937-09-05)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1937-09-05)
drums (drum set):
Cozy Cole (on 1937-09-05)
guitar:
Allan Reuss (on 1937-09-05)
piano:
Jess Stacy (on 1937-09-05)
reeds:
Vido Musso (on 1937-09-05)
tenor saxophone:
Art Rollini (on 1937-09-05)
trumpet:
Ziggy Elman (on 1937-09-05)
vibraphone:
Lionel Hampton (on 1937-09-05)
orchestra:
Lionel Hampton and His Orchestra (on 1937-09-05)
recording of:
The Object of My Affection
writer:
Jimmie Grier (US jazz clarinetist), Coy Poe and Pinky Tomlin
3:15
17Judy
recorded in:
New York, New York, United States (on 1937-09-05)
clarinet and reeds:
Vido Musso (on 1937-09-05)
double bass and double bass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (on 1937-09-05)
drums (drum set):
Cozy Cole (on 1937-09-05)
guitar:
Allan Reuss (on 1937-09-05)
piano:
Jess Stacy (on 1937-09-05)
tenor saxophone:
Art Rollini (on 1937-09-05)
trumpet:
Ziggy Elman (on 1937-09-05)
vibraphone:
Lionel Hampton (on 1937-09-05)
vocals:
Lionel Hampton (on 1937-09-05)
orchestra:
Lionel Hampton and His Orchestra (on 1937-09-05)
recording of:
Judy (credited to "Carmichael, Lerner") (on 1937-09-05)
lyricist:
Sammy Lerner
composer:
Hoagy Carmichael
publisher:
Samuel M. Lerner Publications, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and ピアーミュージック (Japan, subsidiary of Nichion)
3:07
18Baby, Won't You Please Come Home
recorded in:
New York, New York, United States (on 1937-09-05)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1937-09-05)
drums (drum set):
Cozy Cole (on 1937-09-05)
guitar:
Allan Reuss (on 1937-09-05)
piano:
Jess Stacy (on 1937-09-05)
reeds:
Vido Musso (on 1937-09-05)
tenor saxophone:
Art Rollini (on 1937-09-05)
trumpet:
Ziggy Elman (on 1937-09-05)
vibraphone:
Lionel Hampton (on 1937-09-05)
vocals:
Lionel Hampton (on 1937-09-05)
recording of:
Baby Won’t You Please Come Home (on 1937-09-05)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:52
19Everybody Loves My Baby
recorded in:
New York, New York, United States (on 1937-09-05)
clarinet and reeds:
Vido Musso (on 1937-09-05)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1937-09-05)
drums (drum set):
Cozy Cole (on 1937-09-05)
guitar:
Allan Reuss (on 1937-09-05)
piano:
Jess Stacy (on 1937-09-05)
tenor saxophone:
Art Rollini (on 1937-09-05)
trumpet:
Ziggy Elman (on 1937-09-05)
vibraphone:
Lionel Hampton (on 1937-09-05)
vocals:
Lionel Hampton (on 1937-09-05)
orchestra:
Lionel Hampton and His Orchestra (on 1937-09-05)
recording of:
Everybody Loves My Baby (on 1937-09-05)
composer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
publisher:
Salabert
2:51
20After You've Gone
recorded in:
New York, New York, United States (on 1937-09-05)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1937-09-05)
drums (drum set):
Cozy Cole (on 1937-09-05)
guitar:
Allan Reuss (on 1937-09-05)
piano:
Jess Stacy (on 1937-09-05)
reeds:
Vido Musso (on 1937-09-05)
tenor saxophone:
Art Rollini (on 1937-09-05)
trumpet:
Ziggy Elman (on 1937-09-05)
vibraphone:
Lionel Hampton (on 1937-09-05)
orchestra:
Lionel Hampton and His Orchestra (on 1937-09-05)
instrumental recording of:
After You’ve Gone (on 1937-09-05)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
3:06
21I Just Couldn't Take It, Baby
recorded in:
New York, New York, United States (on 1937-09-05)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1937-09-05)
drums (drum set):
Cozy Cole (on 1937-09-05)
guitar:
Allan Reuss (on 1937-09-05)
piano:
Jess Stacy (on 1937-09-05)
reeds:
Vido Musso (on 1937-09-05)
tenor saxophone:
Art Rollini (on 1937-09-05)
trumpet:
Ziggy Elman (on 1937-09-05)
vibraphone:
Lionel Hampton (on 1937-09-05)
orchestra:
Lionel Hampton and His Orchestra (on 1937-09-05)
instrumental recording of:
I Just Couldn’t Take It, Baby (on 1937-09-05)
writer:
Mann Holiner and Alberta Nichols
3:10
22My Last Affair (alternate take)
recorded in:
New York, New York, United States (on 1937-02-08)
alto saxophone:
George Koenig (on 1937-02-08) and Hymie Shertzer (on 1937-02-08)
double bass:
Harry Goodman (on 1937-02-08)
drums (drum set):
Gene Krupa (on 1937-02-08)
guitar:
Allan Reuss (on 1937-02-08)
piano:
Jess Stacy (on 1937-02-08)
tenor saxophone:
Vido Musso (on 1937-02-08) and Art Rollini (on 1937-02-08)
trumpet:
Ziggy Elman (on 1937-02-08)
vibraphone:
Lionel Hampton (on 1937-02-08)
vocals:
Lionel Hampton (on 1937-02-08)
orchestra:
Lionel Hampton and His Orchestra (on 1937-02-08)
recording of:
My Last Affair
lyricist and composer:
Haven A. Johnson
2:49
23The Object of My Affections (alternate take)
recorded in:
New York, New York, United States (on 1937-09-05)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1937-09-05)
drums (drum set):
Cozy Cole (on 1937-09-05)
guitar:
Allan Reuss (on 1937-09-05)
piano:
Jess Stacy (on 1937-09-05)
reeds:
Vido Musso (on 1937-09-05)
tenor saxophone:
Art Rollini (on 1937-09-05)
trumpet:
Ziggy Elman (on 1937-09-05)
vibraphone:
Lionel Hampton (on 1937-09-05)
orchestra:
Lionel Hampton and His Orchestra (on 1937-09-05)
recording of:
The Object of My Affection
writer:
Jimmie Grier (US jazz clarinetist), Coy Poe and Pinky Tomlin
3:12
▼ CD 2
#TitleRatingLength
1You're My Ideal
recorded in:
New York, New York, United States (on 1938-01-18)
alto saxophone:
Johnny Hodges (on 1938-01-18)
baritone saxophone:
Edgar Sampson (on 1938-01-18)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1938-01-18)
drums (drum set):
Sonny Greer (on 1938-01-18)
guitar:
Allan Reuss (on 1938-01-18)
piano:
Jess Stacy (on 1938-01-18)
trumpet:
Cootie Williams (on 1938-01-18)
vibraphone:
Lionel Hampton (on 1938-01-18)
orchestra:
Lionel Hampton and His Orchestra (on 1938-01-18)
3:16
2The Sun Will Shine To-night
recorded in:
New York, New York, United States (on 1938-01-18)
alto saxophone:
Johnny Hodges (on 1938-01-18)
baritone saxophone:
Edgar Sampson (on 1938-01-18)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1938-01-18)
drums (drum set):
Sonny Greer (on 1938-01-18)
guitar:
Allan Reuss (on 1938-01-18)
piano:
Jess Stacy (on 1938-01-18)
trumpet:
Cootie Williams (on 1938-01-18)
vibraphone:
Lionel Hampton (on 1938-01-18)
orchestra:
Lionel Hampton and His Orchestra (on 1938-01-18)
3:13
3Ring Dem Bells
recorded in:
New York, New York, United States (on 1938-01-18)
alto saxophone:
Johnny Hodges (on 1938-01-18)
baritone saxophone:
Edgar Sampson (on 1938-01-18)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1938-01-18)
drums (drum set):
Sonny Greer (on 1938-01-18)
guitar:
Allan Reuss (on 1938-01-18)
piano:
Jess Stacy (on 1938-01-18)
trumpet:
Cootie Williams (on 1938-01-18)
vibraphone:
Lionel Hampton (on 1938-01-18)
vocals:
Lionel Hampton (on 1938-01-18)
orchestra:
Lionel Hampton and His Orchestra (on 1938-01-18)
recording of:
Ring Dem Bells (on 1938-01-18)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
3:25
4Don't Be That Way
recorded in:
New York, New York, United States (on 1938-01-18)
alto saxophone:
Johnny Hodges (on 1938-01-18)
baritone saxophone:
Edgar Sampson (on 1938-01-18)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1938-01-18)
drums (drum set):
Sonny Greer (on 1938-01-18)
guitar:
Allan Reuss (on 1938-01-18)
piano:
Jess Stacy (on 1938-01-18)
trumpet:
Cootie Williams (on 1938-01-18)
vibraphone:
Lionel Hampton (on 1938-01-18)
vocals:
Lionel Hampton (on 1938-01-18)
orchestra:
Lionel Hampton and His Orchestra (on 1938-01-18)
recording of:
Don’t Be That Way (on 1938-01-18)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (soundtrack of the 1977 film)
2:36
5I'm in the Mood for Swing
recorded in:
New York, New York, United States (on 1938-07-21)
alto saxophone:
Dave Mathews (on 1938-07-21) and Dave Matthews (jazz saxophonist) (on 1938-07-21)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1938-07-21)
drums (drum set):
Jo Jones (US jazz drummer) (on 1938-07-21)
piano:
Billy Kyle (on 1938-07-21)
reeds and solo alto saxophone:
Benny Carter (on 1938-07-21)
tenor saxophone:
Herschel Evans (on 1938-07-21) and Irving "Babe" Russin (on 1938-07-21)
trumpet:
Harry James (US big band leader, trumpeter & actor) (on 1938-07-21)
vibraphone:
Lionel Hampton (on 1938-07-21)
orchestra:
Lionel Hampton and His Orchestra (on 1938-07-21)
arranger:
Benny Carter (on 1938-07-21)
recording of:
I'm in the Mood for Swing
composer:
Benny Carter
2:48
6Shoe Shiner's Drag
recorded in:
New York, New York, United States (on 1938-07-21)
alto saxophone:
Benny Carter (on 1938-07-21) and Dave Matthews (jazz saxophonist) (on 1938-07-21)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1938-07-21)
drums (drum set):
Jo Jones (US jazz drummer) (on 1938-07-21)
piano:
Billy Kyle (on 1938-07-21)
reeds:
Benny Carter (on 1938-07-21)
tenor saxophone:
Herschel Evans (on 1938-07-21) and Irving "Babe" Russin (on 1938-07-21)
trumpet:
Harry James (US big band leader, trumpeter & actor) (on 1938-07-21)
vibraphone:
Lionel Hampton (on 1938-07-21)
orchestra:
Lionel Hampton and His Orchestra (on 1938-07-21)
recording of:
Shoe Shiner’s Drag (on 1938-07-21)
composer:
Jelly Roll Morton
3:25
7Any Time at All
recorded in:
New York, New York, United States (on 1938-07-21)
alto saxophone:
Dave Matthews (jazz saxophonist) (on 1938-07-21)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1938-07-21)
drums (drum set):
Jo Jones (US jazz drummer) (on 1938-07-21)
piano:
Billy Kyle (on 1938-07-21)
reeds:
Benny Carter (on 1938-07-21)
tenor saxophone:
Herschel Evans (on 1938-07-21) and Irving "Babe" Russin (on 1938-07-21)
trumpet:
Harry James (US big band leader, trumpeter & actor) (on 1938-07-21)
vibraphone:
Lionel Hampton (on 1938-07-21)
orchestra:
Lionel Hampton and His Orchestra (on 1938-07-21)
3:17
8Muskrat Ramble
recorded in:
New York, New York, United States (on 1938-07-21)
alto saxophone:
Dave Matthews (jazz saxophonist) (on 1938-07-21)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1938-07-21)
drums (drum set):
Jo Jones (US jazz drummer) (on 1938-07-21)
piano:
Billy Kyle (on 1938-07-21)
reeds:
Benny Carter (on 1938-07-21)
tenor saxophone:
Herschel Evans (on 1938-07-21) and Irving "Babe" Russin (on 1938-07-21)
trumpet:
Harry James (US big band leader, trumpeter & actor) (on 1938-07-21)
vibraphone:
Lionel Hampton (on 1938-07-21)
orchestra:
Lionel Hampton and His Orchestra (on 1938-07-21)
recording of:
Muskrat Ramble (1926 original instrumental version) (on 1938-07-21)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
3:17
9Down Home Jump
recorded in:
New York, New York, United States (on 1938-10-11)
alto saxophone:
George Oldham (on 1938-10-11)
double bass:
Jesse ‘Po’ Simpkins (on 1938-10-11)
drums (drum set):
Alvin Burroughs (on 1938-10-11)
piano:
Spencer Odom (on 1938-10-11)
reeds:
Omer Simeon (on 1938-10-11)
tenor saxophone:
Bob Crowder (tenor saxophone) (on 1938-10-11) and Budd Johnson (on 1938-10-11)
trumpet:
Walter Fuller (trumpet) (on 1938-10-11)
vibraphone:
Lionel Hampton (on 1938-10-11)
orchestra:
Lionel Hampton and His Orchestra (on 1938-10-11)
3:16
10Rock Hill Special
recorded in:
New York, New York, United States (on 1938-10-11)
alto saxophone:
George Oldham (on 1938-10-11)
double bass:
Jesse ‘Po’ Simpkins (on 1938-10-11)
drums (drum set):
Alvin Burroughs (on 1938-10-11)
piano:
Lionel Hampton (on 1938-10-11) and Spencer Odom (on 1938-10-11)
reeds:
Budd Johnson (on 1938-10-11) and Omer Simeon (on 1938-10-11)
tenor saxophone:
Robert Crowder (Hand drum and percussion. Worked with Art Blakey, Montego Joe and Olatunji) (on 1938-10-11)
trumpet:
Walter Fuller (trumpet) (on 1938-10-11)
vibraphone:
Lionel Hampton (on 1938-10-11)
orchestra:
Lionel Hampton and His Orchestra (on 1938-10-11)
2:47
11Fiddle Diddle
recorded in:
New York, New York, United States (on 1938-10-11)
alto saxophone:
George Oldham (on 1938-10-11)
double bass:
Jesse ‘Po’ Simpkins (on 1938-10-11)
drums (drum set):
Alvin Burroughs (on 1938-10-11)
piano:
Spencer Odom (on 1938-10-11)
reeds:
Budd Johnson (on 1938-10-11) and Omer Simeon (on 1938-10-11)
tenor saxophone:
Robert Crowder (Hand drum and percussion. Worked with Art Blakey, Montego Joe and Olatunji) (on 1938-10-11)
trumpet:
Walter Fuller (trumpet) (on 1938-10-11)
vibraphone:
Lionel Hampton (on 1938-10-11)
orchestra:
Lionel Hampton and His Orchestra (on 1938-10-11)
3:24
12I Can Give You Love
recorded in:
New York, New York, United States (on 1939-04-03)
double bass:
Milt Hinton (on 1939-04-03)
drums (drum set):
Cozy Cole (on 1939-04-03)
guitar:
Allan Reuss (on 1939-04-03)
piano:
Clyde Hart (on 1939-04-03)
reeds:
Leon “Chu” Berry (on 1939-04-03), Jerry Jerome (on 1939-04-03), Russell Procope (on 1939-04-03) and Hymie Shertzer (on 1939-04-03)
trumpet:
Irving Randolph (on 1939-04-03)
vibraphone:
Lionel Hampton (on 1939-04-03)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-03)
2:49
13High Society
recorded in:
New York, New York, United States (on 1939-04-03)
double bass:
Milt Hinton (on 1939-04-03)
drums (drum set):
Cozy Cole (on 1939-04-03)
guitar:
Allan Reuss (on 1939-04-03)
piano:
Clyde Hart (on 1939-04-03)
reeds:
Leon “Chu” Berry (on 1939-04-03), Jerry Jerome (on 1939-04-03), Russell Procope (on 1939-04-03) and Hymie Shertzer (on 1939-04-03)
trumpet:
Irving Randolph (on 1939-04-03)
vibraphone:
Lionel Hampton (on 1939-04-03)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-03)
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally) (on 1939-04-03)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
3:16
14It Don't Mean a Thing
recorded in:
New York, New York, United States (on 1939-04-03)
double bass:
Milt Hinton (on 1939-04-03)
drums (drum set):
Cozy Cole (on 1939-04-03)
guitar:
Allan Reuss (on 1939-04-03)
piano:
Clyde Hart (on 1939-04-03)
reeds:
Leon “Chu” Berry (on 1939-04-03), Jerry Jerome (on 1939-04-03), Russell Procope (on 1939-04-03) and Hymie Shertzer (on 1939-04-03)
trumpet:
Irving Randolph (on 1939-04-03)
vibraphone:
Lionel Hampton (on 1939-04-03)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:15
15Johnny Get Your Horn
recorded in:
New York, New York, United States (on 1939-04-03)
alto saxophone:
Russell Procope (on 1939-04-03)
double bass:
Milt Hinton (on 1939-04-03)
drums (drum set):
Cozy Cole (on 1939-04-03)
guitar:
Allan Reuss (on 1939-04-03)
piano:
Clyde Hart (on 1939-04-03)
reeds:
Leon “Chu” Berry (on 1939-04-03), Jerry Jerome (on 1939-04-03), Russell Procope (on 1939-04-03) and Hymie Shertzer (on 1939-04-03)
tenor saxophone:
Leon “Chu” Berry (on 1939-04-03) and Jerry Jerome (on 1939-04-03)
trumpet:
Irving Randolph (on 1939-04-03)
vibraphone:
Lionel Hampton (on 1939-04-03)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-03)
recording of:
Johnny Get Your Horn and Blow It (on 1939-04-03)
lyricist:
Walter Hirsch
composer:
Lionel Hampton and Charlie Hathaway
3:11
16The Sun Will Shine To-night (alternate take)
recorded in:
New York, New York, United States (on 1938-01-18)
alto saxophone:
Johnny Hodges (on 1938-01-18)
baritone saxophone:
Edgar Sampson (on 1938-01-18)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1938-01-18)
drums (drum set):
Sonny Greer (on 1938-01-18)
guitar:
Allan Reuss (on 1938-01-18)
piano:
Jess Stacy (on 1938-01-18)
trumpet:
Cootie Williams (on 1938-01-18)
vibraphone:
Lionel Hampton (on 1938-01-18)
orchestra:
Lionel Hampton and His Orchestra (on 1938-01-18)
3:08
17It Don't Mean a Thing (alternate take)
recorded in:
New York, New York, United States (on 1939-04-03)
double bass:
Milt Hinton (on 1939-04-03)
drums (drum set):
Cozy Cole (on 1939-04-03)
guitar:
Allan Reuss (on 1939-04-03)
piano:
Clyde Hart (on 1939-04-03)
reeds:
Leon “Chu” Berry (on 1939-04-03), Jerry Jerome (on 1939-04-03), Russell Procope (on 1939-04-03) and Hymie Shertzer (on 1939-04-03)
trumpet:
Irving Randolph (on 1939-04-03)
vibraphone:
Lionel Hampton (on 1939-04-03)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:15
▼ CD 3
#TitleRatingLength
1Sweethearts on Parade
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
Milt Hinton (on 1939-04-05)
drums (drum set):
Cozy Cole (on 1939-04-05)
guitar:
Allan Reuss (on 1939-04-05)
piano:
Clyde Hart (on 1939-04-05)
tenor saxophone:
Leon “Chu” Berry (on 1939-04-05)
vibraphone:
Lionel Hampton (on 1939-04-05)
vocals:
Lionel Hampton (on 1939-04-05)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-05)
recording of:
Sweethearts on Parade (on 1939-04-05)
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
instrumental recording of:
Sweethearts on Parade (on 1939-04-05)
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
3:00
2Shufflin' at the Hollywood
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
Milt Hinton (on 1939-04-05)
drums (drum set):
Cozy Cole (on 1939-04-05)
guitar:
Allan Reuss (on 1939-04-05)
piano:
Clyde Hart (on 1939-04-05)
tenor saxophone:
Leon “Chu” Berry (on 1939-04-05)
vibraphone:
Lionel Hampton (on 1939-04-05)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-05)
recording of:
Shufflin' at the Hollywood
composer:
Lionel Hampton and Allan Reuss
3:06
3Denison Swing
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
Milt Hinton (on 1939-04-05)
drums (drum set):
Cozy Cole (on 1939-04-05)
guitar:
Allan Reuss (on 1939-04-05)
piano:
Lionel Hampton (on 1939-04-05)
tenor saxophone:
Leon “Chu” Berry (on 1939-04-05)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-05)
3:16
4Wizzin' the Wizz
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
Milt Hinton (on 1939-04-05)
drums (drum set):
Cozy Cole (on 1939-04-05)
guitar:
Allan Reuss (on 1939-04-05)
piano:
Lionel Hampton (on 1939-04-05) and Clyde Hart (on 1939-04-05)
tenor saxophone:
Leon “Chu” Berry (on 1939-04-05)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-05)
recording of:
Wizzin the Wizz (on 1939-04-05)
composer:
Lionel Hampton
2:26
5If It's Good
recorded in:
New York, New York, United States (on 1939-06-09)
double bass:
Milt Hinton (on 1939-06-09)
drums (drum set):
Cozy Cole (on 1939-06-09)
guitar:
Danny Barker (on 1939-06-09)
piano:
Clyde Hart (on 1939-06-09)
reeds:
Leon “Chu” Berry (on 1939-06-09), Jerry Jerome (on 1939-06-09), Russell Procope (on 1939-06-09) and Hymie Shertzer (on 1939-06-09)
trumpet:
Ziggy Elman (on 1939-06-09)
vibraphone:
Lionel Hampton (on 1939-06-09)
orchestra:
Lionel Hampton and His Orchestra (on 1939-06-09)
2:51
6Stand by! For Further Announcements (And More Good News)
recorded in:
New York, New York, United States (on 1939-06-09)
double bass:
Milt Hinton (on 1939-06-09)
drums (drum set):
Cozy Cole (on 1939-06-09)
guitar:
Danny Barker (on 1939-06-09)
piano:
Clyde Hart (on 1939-06-09)
reeds:
Leon “Chu” Berry (on 1939-06-09), Jerry Jerome (on 1939-06-09), Russell Procope (on 1939-06-09) and Hymie Shertzer (on 1939-06-09)
trumpet:
Ziggy Elman (on 1939-06-09)
vibraphone:
Lionel Hampton (on 1939-06-09)
orchestra:
Lionel Hampton and His Orchestra (on 1939-06-09)
2:57
7Ain't 'Cha Comin' Home?
recorded in:
New York, New York, United States (on 1939-06-09)
double bass:
Milt Hinton (on 1939-06-09)
drums (drum set):
Cozy Cole (on 1939-06-09)
guitar:
Danny Barker (on 1939-06-09)
piano:
Clyde Hart (on 1939-06-09)
reeds:
Leon “Chu” Berry (on 1939-06-09), Jerry Jerome (on 1939-06-09), Russell Procope (on 1939-06-09) and Hymie Shertzer (on 1939-06-09)
trumpet:
Ziggy Elman (on 1939-06-09)
vibraphone:
Lionel Hampton (on 1939-06-09)
orchestra:
Lionel Hampton and His Orchestra (on 1939-06-09)
recording of:
Ain't Cha Comin' Home?
writer:
Noni Bernardi, Lionel Hampton and Charlie Hathaway
3:19
8Big Wig in the Wigwam
recorded in:
New York, New York, United States (on 1939-06-09)
double bass:
Milt Hinton (on 1939-06-09)
drums (drum set):
Cozy Cole (on 1939-06-09)
guitar:
Danny Barker (on 1939-06-09)
piano:
Clyde Hart (on 1939-06-09)
reeds:
Leon “Chu” Berry (on 1939-06-09), Jerry Jerome (on 1939-06-09), Russell Procope (on 1939-06-09) and Hymie Shertzer (on 1939-06-09)
trumpet:
Ziggy Elman (on 1939-06-09)
vibraphone:
Lionel Hampton (on 1939-06-09)
orchestra:
Lionel Hampton and His Orchestra (on 1939-06-09)
2:31
9Memories of You
recorded in:
New York, New York, United States (on 1939-06-13)
baritone saxophone:
Harry Carney (on 1939-06-13)
cornet:
Rex Stewart (on 1939-06-13)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1939-06-13)
drums (drum set):
Sonny Greer (on 1939-06-13)
piano:
Clyde Hart (on 1939-06-13)
trombone:
Lawrence Brown (jazz trombonist) (on 1939-06-13)
vibraphone:
Lionel Hampton (on 1939-06-13)
orchestra:
Lionel Hampton and His Orchestra (on 1939-06-13)
instrumental recording of:
Memories of You (on 1939-06-13)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:17
10The Jumpin' Jive
recorded in:
New York, New York, United States (on 1939-06-13)
baritone saxophone:
Harry Carney (on 1939-06-13)
bass:
Billy Taylor Sr. (jazz bassist) (on 1939-06-13)
cornet:
Rex Stewart (on 1939-06-13)
drums (drum set):
Sonny Greer (on 1939-06-13)
piano:
Clyde Hart (on 1939-06-13)
trombone:
Lawrence Brown (jazz trombonist) (on 1939-06-13)
vibraphone:
Lionel Hampton (on 1939-06-13)
orchestra:
Lionel Hampton and His Orchestra (on 1939-06-13)
3:15
11Twelfth Street Rag
recorded in:
New York, New York, United States (on 1939-06-13)
baritone saxophone:
Harry Carney (on 1939-06-13)
cornet:
Rex Stewart (on 1939-06-13)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1939-06-13)
drums (drum set):
Sonny Greer (on 1939-06-13)
piano:
Lionel Hampton (on 1939-06-13) and Clyde Hart (on 1939-06-13)
piano [piano (bottom)]:
Clyde Hart (on 1939-06-13)
piano [piano (top)] and vibraphone:
Lionel Hampton (on 1939-06-13)
trombone:
Lawrence Brown (jazz trombonist) (on 1939-06-13)
orchestra:
Lionel Hampton and His Orchestra (on 1939-06-13)
recording of:
Twelfth Street Rag (on 1939-06-13)
lyricist:
Andy Razaf
composer:
Euday L. Bowman
3:09
12When Lights Are Low
recorded in:
New York, New York, United States (on 1939-09-11)
acoustic guitar and guitar:
Charlie Christian (on 1939-09-11)
alto saxophone:
Benny Carter (on 1939-09-11)
double bass:
Milt Hinton (on 1939-09-11)
drums (drum set):
Cozy Cole (on 1939-09-11)
piano:
Clyde Hart (on 1939-09-11)
tenor saxophone:
Leon “Chu” Berry (on 1939-09-11), Coleman Hawkins (on 1939-09-11) and Ben Webster (on 1939-09-11)
trumpet:
Dizzy Gillespie (on 1939-09-11)
vibraphone:
Lionel Hampton (on 1939-09-11)
orchestra:
Lionel Hampton and His Orchestra (on 1939-09-11)
arranger:
Benny Carter (on 1939-09-11)
instrumental recording of:
When Lights Are Low (on 1939-09-11)
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co.
2:14
13One Sweet Letter From You
recorded in:
New York, New York, United States (on 1939-09-11)
alto saxophone:
Benny Carter (on 1939-09-11)
double bass:
Milt Hinton (on 1939-09-11)
drums (drum set):
Cozy Cole (on 1939-09-11)
guitar:
Charlie Christian (on 1939-09-11)
piano:
Clyde Hart (on 1939-09-11)
tenor saxophone:
Leon “Chu” Berry (on 1939-09-11), Coleman Hawkins (on 1939-09-11) and Ben Webster (on 1939-09-11)
trumpet:
Dizzy Gillespie (on 1939-09-11)
vibraphone:
Lionel Hampton (on 1939-09-11)
vocals:
Lionel Hampton (on 1939-09-11)
orchestra:
Lionel Hampton and His Orchestra (on 1939-09-11)
recording of:
One Sweet Letter From You (on 1939-09-11)
lyricist:
Lew Brown and Sidney Clare
composer:
Harry Warren (US composer and lyricist)
3:20
14Hot Mallets
recorded in:
New York, New York, United States (on 1939-09-11)
alto saxophone:
Benny Carter (on 1939-09-11)
double bass:
Milt Hinton (on 1939-09-11)
drums (drum set):
Cozy Cole (on 1939-09-11)
guitar:
Charlie Christian (on 1939-09-11)
piano:
Clyde Hart (on 1939-09-11)
tenor saxophone:
Leon “Chu” Berry (on 1939-09-11), Coleman Hawkins (on 1939-09-11) and Ben Webster (on 1939-09-11)
trumpet:
Dizzy Gillespie (on 1939-09-11)
vibraphone:
Lionel Hampton (on 1939-09-11)
orchestra:
Lionel Hampton and His Orchestra (on 1939-09-11)
recording of:
Hot Mallets (on 1939-09-11)
composer:
Lionel Hampton
2:17
15Early Session Hop
recorded in:
New York, New York, United States (on 1939-09-11)
alto saxophone:
Benny Carter (on 1939-09-11)
double bass:
Milt Hinton (on 1939-09-11)
drums (drum set):
Cozy Cole (on 1939-09-11)
guitar:
Charlie Christian (on 1939-09-11)
piano:
Clyde Hart (on 1939-09-11)
tenor saxophone:
Leon “Chu” Berry (on 1939-09-11), Coleman Hawkins (on 1939-09-11) and Ben Webster (on 1939-09-11)
trumpet:
Dizzy Gillespie (on 1939-09-11)
vibraphone:
Lionel Hampton (on 1939-09-11)
orchestra:
Lionel Hampton and His Orchestra (on 1939-09-11)
recording of:
Early Session Hop (on 1939-09-11)
writer:
Buster Harding and Teddy Wilson
2:41
16I'm on My Way From You
recorded in:
New York, New York, United States (on 1939-10-12)
alto saxophone:
Earl Bostic (on 1939-10-12)
bass:
Artie Bernstein (on 1939-10-12)
drums (drum set):
Sid Catlett (on 1939-10-12)
guitar:
Charlie Christian (on 1939-10-12)
piano:
Clyde Hart (on 1939-10-12)
trombone:
J.C. Higginbotham (on 1939-10-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-10-12)
vibraphone:
Lionel Hampton (on 1939-10-12)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-12)
3:08
17Haven't Named It Yet
recorded in:
New York, New York, United States (on 1939-10-12)
alto saxophone:
Earl Bostic (on 1939-10-12)
double bass:
Artie Bernstein (on 1939-10-12)
drums (drum set):
Sid Catlett (on 1939-10-12)
electric guitar:
Charlie Christian (on 1939-10-12)
piano:
Clyde Hart (on 1939-10-12)
trombone:
J.C. Higginbotham (on 1939-10-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-10-12)
vibraphone:
Lionel Hampton (on 1939-10-12)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-12)
recording of:
Haven't Named It Yet (on 1939-10-12)
writer:
Charlie Christian and Lionel Hampton
2:58
18The Heebie Jeebies Are Rockin' the Town
recorded in:
New York, New York, United States (on 1939-10-12)
alto saxophone:
Earl Bostic (on 1939-10-12)
double bass:
Artie Bernstein (on 1939-10-12)
drums (drum set):
Sid Catlett (on 1939-10-12)
guitar:
Charlie Christian (on 1939-10-12)
piano:
Clyde Hart (on 1939-10-12)
trombone:
J.C. Higginbotham (on 1939-10-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-10-12)
vibraphone:
Lionel Hampton (on 1939-10-12)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-12)
2:44
19Shufflin' at the Hollywood (alternate take)
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
Milt Hinton (on 1939-04-05)
drums (drum set):
Cozy Cole (on 1939-04-05)
guitar:
Allan Reuss (on 1939-04-05)
piano:
Clyde Hart (on 1939-04-05)
tenor saxophone:
Leon “Chu” Berry (on 1939-04-05)
vibraphone:
Lionel Hampton (on 1939-04-05)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-05)
recording of:
Shufflin' at the Hollywood
composer:
Lionel Hampton and Allan Reuss
3:08
20Wizzin' the Wizz (alternate take)
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
Milt Hinton (on 1939-04-05)
drums (drum set):
Cozy Cole (on 1939-04-05)
guitar:
Allan Reuss (on 1939-04-05)
piano:
Lionel Hampton (on 1939-04-05) and Clyde Hart (on 1939-04-05)
tenor saxophone:
Leon “Chu” Berry (on 1939-04-05)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-05)
2:26
21Big Wig in the Wigwam (alternate take)
vibraphone:
Lionel Hampton
orchestra:
Lionel Hampton and His Orchestra
2:33
22Twelfth Street Rag (alternate take)
recorded in:
New York, New York, United States (on 1939-06-13)
baritone saxophone:
Harry Carney (on 1939-06-13)
cornet:
Rex Stewart (on 1939-06-13)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1939-06-13)
drums (drum set):
Sonny Greer (on 1939-06-13)
piano:
Lionel Hampton (on 1939-06-13) and Clyde Hart (on 1939-06-13)
trombone:
Lawrence Brown (jazz trombonist) (on 1939-06-13)
vibraphone:
Lionel Hampton (on 1939-06-13)
orchestra:
Lionel Hampton and His Orchestra (on 1939-06-13)
recording of:
Twelfth Street Rag
lyricist:
Andy Razaf
composer:
Euday L. Bowman
3:08
23When Lights Are Low (alternate take)
recorded in:
New York, New York, United States (on 1939-09-11)
alto saxophone:
Benny Carter (on 1939-09-11)
double bass:
Milt Hinton (on 1939-09-11)
drums (drum set):
Cozy Cole (on 1939-09-11)
guitar:
Charlie Christian (on 1939-09-11)
piano:
Clyde Hart (on 1939-09-11)
tenor saxophone:
Leon “Chu” Berry (on 1939-09-11), Coleman Hawkins (on 1939-09-11) and Ben Webster (on 1939-09-11)
trumpet:
Dizzy Gillespie (on 1939-09-11)
vibraphone:
Lionel Hampton (on 1939-09-11)
orchestra:
Lionel Hampton and His Orchestra (on 1939-09-11)
recording of:
When Lights Are Low
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co.
2:09
24The Heebie Jeebies Are Rockin' the Town (alternate take)
recorded in:
New York, New York, United States (on 1939-10-12)
alto saxophone:
Earl Bostic (on 1939-10-12)
double bass:
Artie Bernstein (on 1939-10-12)
drums (drum set):
Sid Catlett (on 1939-10-12)
guitar:
Charlie Christian (on 1939-10-12)
piano:
Clyde Hart (on 1939-10-12)
trombone:
J.C. Higginbotham (on 1939-10-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-10-12)
vibraphone:
Lionel Hampton (on 1939-10-12)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-12)
2:44
▼ CD 4
#TitleRatingLength
1The Munson Street Breakdown
recorded in:
New York, New York, United States (on 1939-10-30)
double bass:
Artie Bernstein (on 1939-10-30)
drums (drum set):
Slick Jones (on 1939-10-30)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-10-30)
piano:
Lionel Hampton (on 1939-10-30) and Clyde Hart (on 1939-10-30)
reeds:
Toots Mondello (on 1939-10-30)
tenor saxophone:
Jerry Jerome (on 1939-10-30) and Ben Webster (on 1939-10-30)
trumpet:
Ziggy Elman (on 1939-10-30)
vibraphone:
Lionel Hampton (on 1939-10-30)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-30)
3:17
2I've Found a New Baby
recorded in:
New York, New York, United States (on 1939-10-30)
double bass:
Artie Bernstein (on 1939-10-30)
drums (drum set):
Slick Jones (on 1939-10-30)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-10-30)
piano:
Lionel Hampton (on 1939-10-30) and Clyde Hart (on 1939-10-30)
reeds:
Toots Mondello (on 1939-10-30)
tenor saxophone:
Jerry Jerome (on 1939-10-30) and Ben Webster (on 1939-10-30)
trumpet:
Ziggy Elman (on 1939-10-30)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-30)
recording of:
I’ve Found a New Baby
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
2:55
3I Can't Get Started
recorded in:
New York, New York, United States (on 1939-10-30)
double bass:
Artie Bernstein (on 1939-10-30)
drums (drum set):
Slick Jones (on 1939-10-30)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-10-30)
piano:
Clyde Hart (on 1939-10-30)
reeds:
Toots Mondello (on 1939-10-30)
tenor saxophone:
Jerry Jerome (on 1939-10-30) and Ben Webster (on 1939-10-30)
trumpet:
Ziggy Elman (on 1939-10-30)
vibraphone:
Lionel Hampton (on 1939-10-30)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-30)
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:55
4Four or Five Times
recorded in:
New York, New York, United States (on 1939-10-30)
double bass:
Artie Bernstein (on 1939-10-30)
drums (drum set):
Slick Jones (on 1939-10-30)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-10-30)
piano:
Clyde Hart (on 1939-10-30)
reeds:
Toots Mondello (on 1939-10-30)
tenor saxophone:
Jerry Jerome (on 1939-10-30) and Ben Webster (on 1939-10-30)
trumpet:
Ziggy Elman (on 1939-10-30)
vibraphone:
Lionel Hampton (on 1939-10-30)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-30)
recording of:
Four or Five Times
composer:
Byron Gay (in 1928) and Marco H. Hellman (in 1928)
publisher:
EMI Miller Catalog, Inc.
2:49
5Gin for Christmas
recorded in:
New York, New York, United States (on 1939-10-30)
double bass:
Artie Bernstein (on 1939-10-30)
drums (drum set):
Lionel Hampton (on 1939-10-30)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-10-30)
piano:
Clyde Hart (on 1939-10-30)
reeds:
Toots Mondello (on 1939-10-30)
tenor saxophone:
Jerry Jerome (on 1939-10-30) and Ben Webster (on 1939-10-30)
trumpet:
Ziggy Elman (on 1939-10-30)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-30)
2:31
6Dinah
recorded in:
New York, New York, United States (on 1939-12-21)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1939-12-21)
double bass:
Artie Bernstein (on 1939-12-21)
drums (drum set):
Zutty Singleton (on 1939-12-21)
guitar:
Freddie Green (on 1939-12-21)
piano:
Joe Sullivan (piano, USA) (on 1939-12-21)
tenor saxophone:
Coleman Hawkins (on 1939-12-21)
trumpet:
Benny Carter (on 1939-12-21)
vibraphone:
Lionel Hampton (on 1939-12-21)
orchestra:
Lionel Hampton and His Orchestra (on 1939-12-21)
recording of:
Dinah
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
2:46
7My Buddy
recorded in:
New York, New York, United States (on 1939-12-21)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1939-12-21)
double bass:
Artie Bernstein (on 1939-12-21)
drums (drum set):
Zutty Singleton (on 1939-12-21)
guitar:
Freddie Green (on 1939-12-21)
piano:
Joe Sullivan (piano, USA) (on 1939-12-21)
tenor saxophone:
Coleman Hawkins (on 1939-12-21)
trumpet:
Benny Carter (on 1939-12-21)
vibraphone:
Lionel Hampton (on 1939-12-21)
orchestra:
Lionel Hampton and His Orchestra (on 1939-12-21)
recording of:
My Buddy
lyricist:
Gus Kahn (in 1922)
composer:
Walter Donaldson (in 1922)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:47
8Singin' the Blues
recorded in:
New York, New York, United States (on 1939-12-21)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1939-12-21)
double bass:
Artie Bernstein (on 1939-12-21)
drums (drum set):
Zutty Singleton (on 1939-12-21)
guitar:
Freddie Green (on 1939-12-21)
piano:
Joe Sullivan (piano, USA) (on 1939-12-21)
tenor saxophone:
Coleman Hawkins (on 1939-12-21)
trumpet:
Benny Carter (on 1939-12-21)
vibraphone:
Lionel Hampton (on 1939-12-21)
orchestra:
Lionel Hampton and His Orchestra (on 1939-12-21)
recording of:
Singin’ the Blues
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Con Conrad and J. Russel Robinson
2:54
9Shades of Jade
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
3:27
10Till Tom Special
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
recording of:
Till Tom Special (on 1940-02-26)
writer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
3:23
11Flyin' Home
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald) (on 1940-02-26)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
2:59
12Save It, Pretty Mama
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
recording of:
Save It, Pretty Mama (on 1940-02-26)
writer:
Paul Denniker, Joseph M. Davis (US lyricist, producer, publisher & promoter) and Don Redman
3:22
13Tempo and Swing
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
recording of:
Tempo and Swing (on 1940-02-26)
3:22
14House of Morgan
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-10)
double bass:
Wesley Prince (on 1940-05-10)
drums (drum set):
Al Spieldock (on 1940-05-10)
electric guitar:
Oscar Moore (on 1940-05-10)
piano:
Nat King Cole (on 1940-05-10)
vibraphone:
Lionel Hampton (on 1940-05-10)
orchestra:
Lionel Hampton and His Orchestra (on 1940-05-10)
3:11
15I'd Be Lost Without You
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-10)
drums (drum set):
Al Spieldock (on 1940-05-10)
electric guitar:
Oscar Moore (on 1940-05-10)
piano:
Nat King Cole (on 1940-05-10)
vibraphone:
Lionel Hampton (on 1940-05-10)
orchestra:
Lionel Hampton and His Orchestra (on 1940-05-10)
3:00
16Central Avenue Breakdown
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-10)
double bass:
Wesley Prince (on 1940-05-10)
drums (drum set):
Al Spieldock (on 1940-05-10)
electric guitar:
Oscar Moore (on 1940-05-10)
piano:
Nat King Cole (on 1940-05-10) and Lionel Hampton (on 1940-05-10)
orchestra:
Lionel Hampton and His Orchestra (on 1940-05-10)
recording of:
Central Avenue Breakdown (on 1940-05-10)
3:04
17Jack the Bellboy
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-10)
double bass:
Wesley Prince (on 1940-05-10)
drums (drum set):
Lionel Hampton (on 1940-05-10)
electric guitar:
Oscar Moore (on 1940-05-10)
piano:
Nat King Cole (on 1940-05-10)
orchestra:
Lionel Hampton and His Orchestra (on 1940-05-10)
recording of:
Jack the Bellboy (on 1940-05-10)
composer:
Lionel Hampton
2:52
18Dough-Ra-Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-07-17)
double bass:
Wesley Prince (on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
electric guitar:
Oscar Moore (on 1940-07-17)
piano:
Nat King Cole (on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
orchestra:
Lionel Hampton and His Orchestra (on 1940-07-17)
3:07
19Jivin' With Jarvis
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-07-17)
double bass:
Wesley Prince (on 1940-05-17, on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
electric guitar:
Oscar Moore (on 1940-07-17)
guitar:
Oscar Moore (on 1940-05-17)
piano:
Nat King Cole (on 1940-05-17, on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
vocals:
Nat King Cole (on 1940-05-17) and Oscar Moore (on 1940-05-17)
orchestra:
Lionel Hampton and His Orchestra (on 1940-07-17)
recording of:
Jivin' with Jarvis (on 1940-05-17)
recording of:
Jivin' with Jarvis (on 1940-07-17)
2:40
20Blue
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-07-17)
double bass:
Wesley Prince (on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
electric guitar and guitar:
Oscar Moore (on 1940-07-17)
piano:
Nat King Cole (on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
orchestra:
Lionel Hampton and His Orchestra (on 1940-07-17)
2:58
21I Don't Stand a Ghost of a Chance With You
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-07-17)
double bass:
Wesley Prince (on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
electric guitar:
Oscar Moore (on 1940-07-17)
piano:
Nat King Cole (on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
orchestra:
Lionel Hampton and His Orchestra (on 1940-07-17)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (on 1940-07-17)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
2:55
22Dinah (alternate take)
recorded in:
New York, New York, United States (on 1939-12-21)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1939-12-21)
double bass:
Artie Bernstein (on 1939-12-21)
drums (drum set):
Zutty Singleton (on 1939-12-21)
guitar:
Freddie Green (on 1939-12-21)
piano:
Joe Sullivan (piano, USA) (on 1939-12-21)
tenor saxophone:
Coleman Hawkins (on 1939-12-21)
trumpet:
Benny Carter (on 1939-12-21)
vibraphone:
Lionel Hampton (on 1939-12-21)
orchestra:
Lionel Hampton and His Orchestra (on 1939-12-21)
recording of:
Dinah
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
2:39
23Dough-Ra-Me (alternate take)
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-07-17)
double bass:
Wesley Prince (on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
electric guitar:
Oscar Moore (on 1940-07-17)
piano:
Nat King Cole (on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
orchestra:
Lionel Hampton and His Orchestra (on 1940-07-17)
3:09
▶ CD 5