The Big Bounce

~ Release by George S. Clinton (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Big Bounce Main Title
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Big Bounce Main Title
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:32
2Better Not
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Better Not
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:11
3The Bitches
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Bitches
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:16
4Swimming
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Swimming
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:34
5Glass Jaw
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Glass Jaw
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:04
6Chinaman's Hat
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Chinaman's Hat
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
0:28
7Up to Something
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Up to Something
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:13
8Black Sea
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Black Sea
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:25
9Keiki Vista
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Keiki Vista
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
2:19
10The Con
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Con
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
0:57
11The Wrong House
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Wrong House
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
2:03
12Diving
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Diving
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
0:58
13Upstairs / Downstairs
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Upstairs / Downstairs
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
2:33
14The Show
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Show
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:44
15Heads Up
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Heads Up
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:51
16The Truth
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Truth
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
0:55
17Which Bitch?
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Which Bitch?
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:37
18Special Honk
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Special Honk
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
2:05
19Moonlight
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Moonlight
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:21
20The Bounce
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Bounce
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:33
21The Body
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Body
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
2:31
22A Kiss for Luck
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
A Kiss for Luck
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:17
23Sail Away
recording engineer and mixer:
Steve Kempster
assistant engineer:
Dave Marquette and Tom Hardisty (film score engineer)
producer:
George S. Clinton (US songwriter, composer & session musician)
assistant editor:
Matt Friedman (editor/mixer) and Oliver Hug
editor:
Mike Flicker and Richard Ford (music editor/bassist)
conductor:
George S. Clinton (US songwriter, composer & session musician)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Sail Away
orchestrator:
George S. Clinton (US songwriter, composer & session musician), Rick Giovinazzo and Suzie Katayama
composer:
George S. Clinton (US songwriter, composer & session musician)
1:32

Credits

Release

ASIN:US: B0001EFUPK [info]