Seven Classic Albums, Vol. 2

~ Release by Johnny Griffin (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1I Cried for You
double bass [bass]:
Wilbur Ware (in 1956)
drums (drum set):
Buddy Smith (in 1956)
piano:
Junior Mance (in 1956)
tenor saxophone:
Johnny Griffin (in 1956)
instrumental recording of:
I Cried for You (in 1956)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
3:33
2Satin Wrap
double bass [bass]:
Wilbur Ware (in 1956)
drums (drum set):
Buddy Smith (in 1956)
piano:
Junior Mance (in 1956)
tenor saxophone:
Johnny Griffin (in 1956)
3:02
3Yesterdays
double bass [bass]:
Wilbur Ware (in 1956)
drums (drum set):
Buddy Smith (in 1956)
piano:
Junior Mance (in 1956)
tenor saxophone:
Johnny Griffin (in 1956)
instrumental recording of:
Yesterdays (in 1956)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:28
4Riff-Raff
double bass [bass]:
Wilbur Ware (in 1956)
drums (drum set):
Buddy Smith (in 1956)
piano:
Junior Mance (in 1956)
tenor saxophone:
Johnny Griffin (in 1956)
3:07
5Bee-Ees
double bass [bass]:
Wilbur Ware (in 1956)
drums (drum set):
Buddy Smith (in 1956)
piano:
Junior Mance (in 1956)
tenor saxophone:
Johnny Griffin (in 1956)
3:50
6The Boy Next Door
double bass [bass]:
Wilbur Ware (in 1956)
drums (drum set):
Buddy Smith (in 1956)
piano:
Junior Mance (in 1956)
tenor saxophone:
Johnny Griffin (in 1956)
3:15
7These Foolish Things
double bass [bass]:
Wilbur Ware (in 1956)
drums (drum set):
Buddy Smith (in 1956)
piano:
Junior Mance (in 1956)
tenor saxophone:
Johnny Griffin (in 1956)
instrumental recording of:
These Foolish Things (Remind Me of You) (in 1956)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
3:33
8Lollypop
double bass [bass]:
Wilbur Ware (in 1956)
drums (drum set):
Buddy Smith (in 1956)
piano:
Junior Mance (in 1956)
tenor saxophone:
Johnny Griffin (in 1956)
3:03
9What's Happening
recording engineer:
Rudy van Gelder (on 1960-09-02)
producer:
Esmond Edwards
bass:
Victor Sproles (on 1960-09-02)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-02)
piano:
Norman Simmons (on 1960-09-02)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-09-02) and Johnny Griffin (on 1960-09-02)
6:49
10Abundance
recording engineer:
Rudy van Gelder (on 1960-09-02)
producer:
Esmond Edwards
bass:
Victor Sproles (on 1960-09-02)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-02)
piano:
Norman Simmons (on 1960-09-02)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-09-02) and Johnny Griffin (on 1960-09-02)
6:53
11If I Had You
recording engineer:
Rudy van Gelder (on 1960-09-02)
producer:
Esmond Edwards
bass:
Victor Sproles (on 1960-09-02)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-02)
piano:
Norman Simmons (on 1960-09-02)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-09-02) and Johnny Griffin (on 1960-09-02)
recording of:
If I Had You (jazz standard) (on 1960-09-02)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
6:44
1263rd Street Theme
recording engineer:
Rudy van Gelder (on 1960-09-02)
producer:
Esmond Edwards
bass:
Victor Sproles (on 1960-09-02)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-02)
piano:
Norman Simmons (on 1960-09-02)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-09-02) and Johnny Griffin (on 1960-09-02)
7:10
13Pull My Coat
recording engineer:
Rudy van Gelder (on 1960-09-02)
producer:
Esmond Edwards
bass:
Victor Sproles (on 1960-09-02)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-02)
piano:
Norman Simmons (on 1960-09-02)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-09-02) and Johnny Griffin (on 1960-09-02)
6:39
14Hey Jim!
recording engineer:
Rudy van Gelder (on 1960-09-02)
producer:
Esmond Edwards
bass:
Victor Sproles (on 1960-09-02)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-02)
piano:
Norman Simmons (on 1960-09-02)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-09-02) and Johnny Griffin (on 1960-09-02)
7:58
▼ CD 2
#TitleRatingLength
1Party Time
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Victor Sproles (on 1960-09-27)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-27)
piano:
Norman Simmons (on 1960-09-27)
tenor saxophone:
Johnny Griffin (on 1960-09-27)
trumpet:
Dave Burns (trumpet) (on 1960-09-27)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-09-27)
1:18
2Good Bait
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Victor Sproles (on 1960-09-27)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-27)
piano:
Norman Simmons (on 1960-09-27)
tenor saxophone:
Johnny Griffin (on 1960-09-27)
trumpet:
Dave Burns (trumpet) (on 1960-09-27)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-09-27)
instrumental recording of:
Good Bait (on 1960-09-27)
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
12:35
3There Will Never Be Another You
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Victor Sproles (on 1960-09-27)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-27)
piano:
Norman Simmons (on 1960-09-27)
tenor saxophone:
Johnny Griffin (on 1960-09-27)
trumpet:
Dave Burns (trumpet) (on 1960-09-27)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-09-27)
instrumental recording of:
There Will Never Be Another You (on 1960-09-27)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
8:31
4Toe-Tappin'
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Victor Sproles (on 1960-09-27)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-27)
piano:
Norman Simmons (on 1960-09-27)
tenor saxophone:
Johnny Griffin (on 1960-09-27)
trumpet:
Dave Burns (trumpet) (on 1960-09-27)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-09-27)
8:06
5You've Changed
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Victor Sproles (on 1960-09-27)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-27)
piano:
Norman Simmons (on 1960-09-27)
tenor saxophone:
Johnny Griffin (on 1960-09-27)
trumpet:
Dave Burns (trumpet) (on 1960-09-27)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-09-27)
instrumental recording of:
You’ve Changed (on 1960-09-27)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) and Southern Music Publishing Company
7:49
6Low Gravy
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Victor Sproles (on 1960-09-27)
drums (drum set):
Ben Riley (American jazz drummer) (on 1960-09-27)
piano:
Norman Simmons (on 1960-09-27)
tenor saxophone:
Johnny Griffin (on 1960-09-27)
trumpet:
Dave Burns (trumpet) (on 1960-09-27)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-09-27)
recording of:
Low Gravy (on 1960-09-27)
composer:
Jelly Roll Morton
8:11
7Light and Lovely
recording engineer:
Rudy van Gelder (on 1961-01-06)
producer:
Esmond Edwards
bass:
Larry Gales (on 1961-01-06)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-01-06)
piano:
Junior Mance (on 1961-01-06)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1961-01-06) and Johnny Griffin (on 1961-01-06)
recorded at:
Minton's Playhouse in Harlem, New York, New York, United States (on 1961-01-06)
recording of:
Light and Lovely (on 1961-01-06)
publisher:
Richcar Music
12:00
8Straight, No Chaser
recording engineer:
Rudy van Gelder (on 1961-01-06)
producer:
Esmond Edwards
bass:
Larry Gales (on 1961-01-06)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-01-06)
piano:
Junior Mance (on 1961-01-06)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1961-01-06) and Johnny Griffin (on 1961-01-06)
recorded at:
Minton's Playhouse in Harlem, New York, New York, United States (on 1961-01-06)
recording of:
Straight, No Chaser (on 1961-01-06)
composer:
Thelonious Monk
publisher:
Thelonious Music
10:07
9Woody'n You
recording engineer:
Rudy van Gelder (on 1961-01-06)
producer:
Esmond Edwards
bass:
Larry Gales (on 1961-01-06)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-01-06)
piano:
Junior Mance (on 1961-01-06)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1961-01-06) and Johnny Griffin (on 1961-01-06)
recorded at:
Minton's Playhouse in Harlem, New York, New York, United States (on 1961-01-06)
recording of:
Woody ’n’ You (on 1961-01-06)
composer:
Dizzy Gillespie
7:38
▼ CD 3
#TitleRatingLength
1Bingo Domingo
recording engineer:
Rudy van Gelder (on 1961-01-06)
producer:
Esmond Edwards
bass:
Larry Gales (on 1961-01-06)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-01-06)
piano:
Junior Mance (on 1961-01-06)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1961-01-06) and Johnny Griffin (on 1961-01-06)
recorded at:
Minton's Playhouse in Harlem, New York, New York, United States (on 1961-01-06)
4:39
2I'll Remember April
recording engineer:
Rudy van Gelder (on 1961-01-06)
producer:
Esmond Edwards
bass:
Larry Gales (on 1961-01-06)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-01-06)
piano:
Junior Mance (on 1961-01-06)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1961-01-06) and Johnny Griffin (on 1961-01-06)
recorded at:
Minton's Playhouse in Harlem, New York, New York, United States (on 1961-01-06)
instrumental recording of:
I’ll Remember April (on 1961-01-06)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music, MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
9:37
3Gloomy Sunday
bass:
Ron Carter (US jazz double-bassist) (on 1961-07-13)
cello:
Maurice Bialkin (on 1961-07-13) and Charles McCracken (cellist) (on 1961-07-13)
cornet:
Nat Adderley (on 1961-07-13)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-07-13)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1961-07-13)
French horn:
Ray Alonge (french horn) (on 1961-07-13)
guitar:
Barry Galbraith (on 1961-07-13)
piano:
Barry Harris (Jazz pianist) (on 1961-07-13) and Jimmy Jones (jazz pianist, active years 1936-1975) (on 1961-07-13)
tenor saxophone:
Johnny Griffin (on 1961-07-13)
trombone:
Jimmy Cleveland (on 1961-07-13), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-07-13) and Urbie Green (on 1961-07-13)
trumpet:
Ernie Royal (on 1961-07-13)
violin:
Alfred Brown (viola) (on 1961-07-13) and Harry Lookofsky (on 1961-07-13)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-07-13)
instrumental recording of:
Gloomy Sunday (on 1961-07-13)
lyricist:
Jávor László (Hungarian poet)
composer:
Rezső Seress
translator:
Sam M. Lewis (1930s lyricist)
translated version of:
Szomorú vasárnap
4:07
4That Ol' Devil Called Love
bass:
Ron Carter (US jazz double-bassist) (on 1961-07-14)
cello:
Maurice Bialkin (on 1961-07-14) and Charles McCracken (cellist) (on 1961-07-14)
cornet:
Nat Adderley (on 1961-07-14)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-07-14)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1961-07-14)
French horn:
Ray Alonge (french horn) (on 1961-07-14)
guitar:
Barry Galbraith (on 1961-07-14)
piano:
Barry Harris (Jazz pianist) (on 1961-07-14) and Jimmy Jones (jazz pianist, active years 1936-1975) (on 1961-07-14)
tenor saxophone:
Johnny Griffin (on 1961-07-14)
trombone:
Jimmy Cleveland (on 1961-07-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-07-14) and Urbie Green (on 1961-07-14)
trumpet:
Ernie Royal (on 1961-07-14)
violin:
Alfred Brown (viola) (on 1961-07-14) and Harry Lookofsky (on 1961-07-14)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-07-14)
instrumental recording of:
That Ole Devil Called Love (on 1961-07-14)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
3:51
5White Gardenia
bass:
Ron Carter (US jazz double-bassist) (on 1961-07-17)
cello:
Maurice Bialkin (on 1961-07-17) and Charles McCracken (cellist) (on 1961-07-17)
cornet:
Nat Adderley (on 1961-07-17)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-07-17)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1961-07-17)
French horn:
Ray Alonge (french horn) (on 1961-07-17)
guitar:
Barry Galbraith (on 1961-07-17)
piano:
Barry Harris (Jazz pianist) (on 1961-07-17) and Jimmy Jones (jazz pianist, active years 1936-1975) (on 1961-07-17)
tenor saxophone:
Johnny Griffin (on 1961-07-17)
trombone:
Jimmy Cleveland (on 1961-07-17), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-07-17) and Urbie Green (on 1961-07-17)
trumpet:
Ernie Royal (on 1961-07-17)
violin:
Alfred Brown (viola) (on 1961-07-17) and Harry Lookofsky (on 1961-07-17)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-07-17)
3:20
6God Bless the Child
bass:
Ron Carter (US jazz double-bassist) (on 1961-07-17)
cello:
Maurice Bialkin (on 1961-07-17) and Charles McCracken (cellist) (on 1961-07-17)
cornet:
Nat Adderley (on 1961-07-17)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-07-17)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1961-07-17)
French horn:
Ray Alonge (french horn) (on 1961-07-17)
guitar:
Barry Galbraith (on 1961-07-17)
piano:
Barry Harris (Jazz pianist) (on 1961-07-17) and Jimmy Jones (jazz pianist, active years 1936-1975) (on 1961-07-17)
tenor saxophone:
Johnny Griffin (on 1961-07-17)
trombone:
Jimmy Cleveland (on 1961-07-17), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-07-17) and Urbie Green (on 1961-07-17)
trumpet:
Ernie Royal (on 1961-07-17)
violin:
Alfred Brown (viola) (on 1961-07-17) and Harry Lookofsky (on 1961-07-17)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-07-17)
instrumental cover recording of:
God Bless the Child (on 1961-07-17)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:18
7Detour Ahead
bass:
Ron Carter (US jazz double-bassist) (on 1961-07-14)
cello:
Maurice Bialkin (on 1961-07-14) and Charles McCracken (cellist) (on 1961-07-14)
cornet:
Nat Adderley (on 1961-07-14)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-07-14)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1961-07-14)
French horn:
Ray Alonge (french horn) (on 1961-07-14)
guitar:
Barry Galbraith (on 1961-07-14)
piano:
Barry Harris (Jazz pianist) (on 1961-07-14) and Jimmy Jones (jazz pianist, active years 1936-1975) (on 1961-07-14)
tenor saxophone:
Johnny Griffin (on 1961-07-14)
trombone:
Jimmy Cleveland (on 1961-07-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-07-14) and Urbie Green (on 1961-07-14)
trumpet:
Ernie Royal (on 1961-07-14)
violin:
Alfred Brown (viola) (on 1961-07-14) and Harry Lookofsky (on 1961-07-14)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-07-14)
instrumental recording of:
Detour Ahead (on 1961-07-14)
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
4:34
8Good Morning Heartache
bass:
Ron Carter (US jazz double-bassist) (on 1961-07-17)
cello:
Maurice Bialkin (on 1961-07-17) and Charles McCracken (cellist) (on 1961-07-17)
cornet:
Nat Adderley (on 1961-07-17)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-07-17)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1961-07-17)
French horn:
Ray Alonge (french horn) (on 1961-07-17)
guitar:
Barry Galbraith (on 1961-07-17)
piano:
Barry Harris (Jazz pianist) (on 1961-07-17) and Jimmy Jones (jazz pianist, active years 1936-1975) (on 1961-07-17)
tenor saxophone:
Johnny Griffin (on 1961-07-17)
trombone:
Jimmy Cleveland (on 1961-07-17), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-07-17) and Urbie Green (on 1961-07-17)
trumpet:
Ernie Royal (on 1961-07-17)
violin:
Alfred Brown (viola) (on 1961-07-17) and Harry Lookofsky (on 1961-07-17)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-07-17)
instrumental recording of:
Good Morning Heartache (on 1961-07-17)
lyricist:
Ervin Drake (Songwriter)
composer:
Dan Fisher and Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. and Universal/MCA Music (music publisher; do not use as release label!)
4:14
9Don't Explain
bass:
Ron Carter (US jazz double-bassist) (on 1961-07-13)
cello:
Maurice Bialkin (on 1961-07-13) and Charles McCracken (cellist) (on 1961-07-13)
cornet:
Nat Adderley (on 1961-07-13)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-07-13)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1961-07-13)
French horn:
Ray Alonge (french horn) (on 1961-07-13)
guitar:
Barry Galbraith (on 1961-07-13)
piano:
Barry Harris (Jazz pianist) (on 1961-07-13) and Jimmy Jones (jazz pianist, active years 1936-1975) (on 1961-07-13)
tenor saxophone:
Johnny Griffin (on 1961-07-13)
trombone:
Jimmy Cleveland (on 1961-07-13), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-07-13) and Urbie Green (on 1961-07-13)
trumpet:
Ernie Royal (on 1961-07-13)
violin:
Alfred Brown (viola) (on 1961-07-13) and Harry Lookofsky (on 1961-07-13)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-07-13)
instrumental recording of:
Don’t Explain (on 1961-07-13)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
4:46
10Trav'Lin Light
bass:
Ron Carter (US jazz double-bassist) (on 1961-07-14)
cello:
Maurice Bialkin (on 1961-07-14) and Charles McCracken (cellist) (on 1961-07-14)
cornet:
Nat Adderley (on 1961-07-14)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-07-14)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1961-07-14)
French horn:
Ray Alonge (french horn) (on 1961-07-14)
guitar:
Barry Galbraith (on 1961-07-14)
piano:
Barry Harris (Jazz pianist) (on 1961-07-14) and Jimmy Jones (jazz pianist, active years 1936-1975) (on 1961-07-14)
tenor saxophone:
Johnny Griffin (on 1961-07-14)
trombone:
Jimmy Cleveland (on 1961-07-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-07-14) and Urbie Green (on 1961-07-14)
trumpet:
Ernie Royal (on 1961-07-14)
violin:
Alfred Brown (viola) (on 1961-07-14) and Harry Lookofsky (on 1961-07-14)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-07-14)
4:09
11No More
bass:
Ron Carter (US jazz double-bassist) (on 1961-07-13)
cello:
Maurice Bialkin (on 1961-07-13) and Charles McCracken (cellist) (on 1961-07-13)
cornet:
Nat Adderley (on 1961-07-13)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-07-13)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1961-07-13)
French horn:
Ray Alonge (french horn) (on 1961-07-13)
guitar:
Barry Galbraith (on 1961-07-13)
piano:
Barry Harris (Jazz pianist) (on 1961-07-13) and Jimmy Jones (jazz pianist, active years 1936-1975) (on 1961-07-13)
tenor saxophone:
Johnny Griffin (on 1961-07-13)
trombone:
Jimmy Cleveland (on 1961-07-13), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-07-13) and Urbie Green (on 1961-07-13)
trumpet:
Ernie Royal (on 1961-07-13)
violin:
Alfred Brown (viola) (on 1961-07-13) and Harry Lookofsky (on 1961-07-13)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-07-13)
4:01
12Left Alone
bass:
Ron Carter (US jazz double-bassist) (on 1961-07-17)
cello:
Maurice Bialkin (on 1961-07-17) and Charles McCracken (cellist) (on 1961-07-17)
cornet:
Nat Adderley (on 1961-07-17)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-07-17)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1961-07-17)
French horn:
Ray Alonge (french horn) (on 1961-07-17)
guitar:
Barry Galbraith (on 1961-07-17)
piano:
Barry Harris (Jazz pianist) (on 1961-07-17) and Jimmy Jones (jazz pianist, active years 1936-1975) (on 1961-07-17)
tenor saxophone:
Johnny Griffin (on 1961-07-17)
trombone:
Jimmy Cleveland (on 1961-07-17), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-07-17) and Urbie Green (on 1961-07-17)
trumpet:
Ernie Royal (on 1961-07-17)
violin:
Alfred Brown (viola) (on 1961-07-17) and Harry Lookofsky (on 1961-07-17)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-07-17)
instrumental recording of:
Left Alone (on 1961-07-17)
lyricist:
Billie Holiday
composer:
Mal Waldron (American jazz pianist)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:57
▼ CD 4
#TitleRatingLength
1The Kerry Dancers
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ron Carter (US jazz double-bassist) (on 1962-01-29)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-01-29)
piano:
Barry Harris (Jazz pianist) (on 1962-01-29)
tenor saxophone:
Johnny Griffin (on 1962-01-29)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-29)
4:41
2Black Is the Color of My True Love's Hair
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ron Carter (US jazz double-bassist) (on 1961-12-21)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-12-21)
piano:
Barry Harris (Jazz pianist) (on 1961-12-21)
tenor saxophone:
Johnny Griffin (on 1961-12-21)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-12-21)
recording of:
Black Is the Colour (of My True Love’s Hair) (on 1961-12-21)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3103)
6:12
3Green Grow the Rushes
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ron Carter (US jazz double-bassist) (on 1962-01-05)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-01-05)
piano:
Barry Harris (Jazz pianist) (on 1962-01-05)
tenor saxophone:
Johnny Griffin (on 1962-01-05)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-05)
recording of:
Green Grow the Rushes, O (on 1962-01-05)
lyricist and composer:
[traditional] (special purpose artist)
4:35
4The Londonderry Air
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ron Carter (US jazz double-bassist) (on 1962-01-29)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-01-29)
piano:
Barry Harris (Jazz pianist) (on 1962-01-29)
tenor saxophone:
Johnny Griffin (on 1962-01-29)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-29)
recording of:
The Londonderry Air (on 1962-01-29)
composer:
Sir Hamilton Harty
4:54
525 1/2 Daze
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ron Carter (US jazz double-bassist) (on 1962-01-05)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-01-05)
piano:
Barry Harris (Jazz pianist) (on 1962-01-05)
tenor saxophone:
Johnny Griffin (on 1962-01-05)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-05)
4:39
6Oh, Now I See
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ron Carter (US jazz double-bassist) (on 1961-12-21)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-12-21)
piano:
Barry Harris (Jazz pianist) (on 1961-12-21)
tenor saxophone:
Johnny Griffin (on 1961-12-21)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-12-21)
5:09
7Hush-A-Bye
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ron Carter (US jazz double-bassist) (on 1961-12-21)
drums (drum set):
Ben Riley (American jazz drummer) (on 1961-12-21)
piano:
Barry Harris (Jazz pianist) (on 1961-12-21)
tenor saxophone:
Johnny Griffin (on 1961-12-21)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-12-21)
4:53
8Ballad for Monsieur
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ron Carter (US jazz double-bassist) (on 1962-01-05)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-01-05)
piano:
Barry Harris (Jazz pianist) (on 1962-01-05)
tenor saxophone:
Johnny Griffin (on 1962-01-05)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-01-05)
3:34
9Bahia
recorded in:
New York, New York, United States (on 1962-02-05)
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Buddy Catlett (on 1962-02-05)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-02-05)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1962-02-05)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1962-02-05) and Johnny Griffin (on 1962-02-05)
5:55
10Blue Lou
recorded in:
New York, New York, United States (on 1962-02-05)
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Buddy Catlett (on 1962-02-05)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-02-05)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1962-02-05)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1962-02-05) and Johnny Griffin (on 1962-02-05)
4:44
11How Am I to Know
recorded in:
New York, New York, United States (on 1962-02-05)
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Buddy Catlett (on 1962-02-05)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-02-05)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1962-02-05)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1962-02-05) and Johnny Griffin (on 1962-02-05)
4:57
12Ow!
recorded in:
New York, New York, United States (on 1962-02-05)
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Buddy Catlett (on 1962-02-05)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-02-05)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1962-02-05)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1962-02-05) and Johnny Griffin (on 1962-02-05)
recording of:
Ow! (on 1962-02-05)
composer:
Dizzy Gillespie
4:21
13I Wished on the Moon
recorded in:
New York, New York, United States (on 1962-02-05)
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Buddy Catlett (on 1962-02-05)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-02-05)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1962-02-05)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1962-02-05) and Johnny Griffin (on 1962-02-05)
instrumental recording of:
I Wished on the Moon (on 1962-02-05)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
6:41
14Tin Tin Deo
recorded in:
New York, New York, United States (on 1962-02-05)
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Buddy Catlett (on 1962-02-05)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-02-05)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1962-02-05)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1962-02-05) and Johnny Griffin (on 1962-02-05)
recording of:
Tin Tin Deo (on 1962-02-05)
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) and Music Sales Corp. (American copyright holder in both popular and classical music)
5:45
15From This Moment On
recorded in:
New York, New York, United States (on 1962-02-05)
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Buddy Catlett (on 1962-02-05)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-02-05)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1962-02-05)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1962-02-05) and Johnny Griffin (on 1962-02-05)
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1962-02-05)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
6:05