J'aime bien le classique mais il faudra m'aider un peu... !

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Les meilleurs moments : Oeuvres intégrales ou mouvements d'oeuvres
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1Partita no. 3 en mi majeur, BWV 1006 : Prélude
assistant engineer:
Mark Betts
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (on 1996-12-23)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (on 1996-12-23)
recording of:
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (on 1996-12-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach3:34
2Suite pour orchestre no. 3 en ré majeur, BWV 1068 : Air sur la corde de sol
orchestra:
Moscow Virtuosi
conductor:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach5:44
3Cantate no. 140 : « Sleepers Awake »
orchestra:
Philadelphia Orchestra (in 1968-05)
conductor:
Eugene Ormandy (conductor) (in 1968-05)
arranger:
Thomas Frost (classical music producer)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral “Zion hört die Wächter singen” (catch-all for arrangements) (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
Johann Sebastian Bach4:01
4Petite Suite, du Livre d'Anna Magdalena : Menuet en sol, BWV 114
orchestra:
Philadelphia Orchestra (in 1968-05)
conductor:
Eugene Ormandy (conductor) (in 1968-05)
recording of:
Menuet in G major, BWV Anh. 114 (catch all for arrangements)
composer:
Christian Petzold
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Minuet in G major, BWV Anh. 114 (for keyboard)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:38
5Petite Suite, du Livre d'Anna Magdalena : Musette en ré, BWV 126
orchestra:
Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
Musette in D major, BWV Anh. 126 (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Thomas Frost (classical music producer)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:19
6Petite Suite, du Livre d'Anna Magdalena : « Bist du bei mir », BWV 508
orchestra:
Philadelphia Orchestra (in 1968-05)
conductor:
Eugene Ormandy (conductor) (in 1968-05)
arranger:
Thomas Frost (classical music producer)
recording of:
Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements) (in 1968-05)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach3:43
7Petite Suite, du Livre d'Anna Magdalena : Marche en ré, BWV 122
orchestra:
Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1 (catch all for arrangements)
composer:
Carl Philipp Emanuel Bach (German classical composer)
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Marche in D major, BWV Anh. 122, H. 1/1
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:02
8Petite Suite no. 2 (arr. T. Frost) : Prélude, du clavier bien tempéré (Livre 1, no. 17, BWV 862)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 17 in A-flat major, BWV 862: Prelude (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 17 in A-flat major, BWV 862: Prelude
Johann Sebastian Bach1:24
9Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite anglaise no. 3, BWV 808
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I
Johann Sebastian Bach3:41
10Petite Suite no. 2 (arr. T. Frost) : Aria, de la Cantale no. 82 « Ich habe genung »
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland”
Johann Sebastian Bach4:50
11Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite française no. 5, BWV 816
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte
Johann Sebastian Bach1:21
12Petite Suite no. 2 (arr. T. Frost) : Gigue, de la Suite française no. 5, BWV 816
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue
Johann Sebastian Bach2:56
13Toccata et Fugue en ré mineur, BWV 565 (arr. Stokowski) : Toccata
assistant engineer:
Jen Wyler (American sound engineer) (from 1999-10-06 until 1999-10-07)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (from 1999-10-06 until 1999-10-07)
producer:
David Mottley (producer)
orchestra:
Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1999-10-06 until 1999-10-07)
recorded at:
Dorothy Chandler Pavilion (Los Angeles Music Center) in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07)
recording of:
Toccata and Fugue in D minor, BWV 565: Toccata (Stokowski orchestration) (from 1999-10-06 until 1999-10-07)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
part of:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)
Johann Sebastian Bach3:54
14Toccata et Fugue en ré mineur, BWV 565 (arr. Stokowski) : Fugue
assistant engineer:
Jen Wyler (American sound engineer) (from 1999-10-06 until 1999-10-07)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (from 1999-10-06 until 1999-10-07)
producer:
David Mottley (producer)
orchestra:
Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1999-10-06 until 1999-10-07)
recorded at:
Dorothy Chandler Pavilion (Los Angeles Music Center) in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07)
recording of:
Toccata and Fugue in D minor, BWV 565: Fugue (Stokowski orchestration) (from 1999-10-06 until 1999-10-07)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
part of:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)
Johann Sebastian Bach6:11
15Suite pour orchestre no. 2 en si mineur, BWV 1067 : Badinerie
flute:
James Galway (flautist)
conductor:
James Galway (flautist)
performer:
Zagrebački solisti
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach1:25
16In Dulci Jubilo, BWV 751
organ:
E. Power Biggs
recording of:
Choral "In dulci jubilo" (wrongly attributed to Johann Sebastian Bach, as BWV 751)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 751)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
recording of:
In dulci jubilo, BWV 729
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 729)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Johann Sebastian Bach1:51
17"Jesus que ma joie demeure" (de la Cantale no. 147)
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
chorus master:
Richard P. Condie (conductor)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:16
18« Ein' feste Burg ist unser Gott », BWV 302
organ:
E. Power Biggs
recording of:
Choralsatz, BWV 302 "Ein' feste Burg ist unser Gott" (music same as BWV 247: XXXVIII."Das Wort sie sollen lassen stahn")
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 74) and Bach-Werke-Verzeichnis (number: BWV 302)
Johann Sebastian Bach1:31
19Passion selon Saint Matthieu, BWV 244 : « Erbarme dich »
Johann Sebastian Bach6:44
20Cantate no. 156, « Ich steh mit einem Fuss im grabe » : Sinfonia
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) and Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
phonographic copyright (℗) by:
Hänssler Classic (from 1994 to present)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (from 1973-03 until 1973-04)
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach2:49
21Fugue en sol mineur, « Petite »
performer:
Canadian Brass
recording of:
Fugue in G minor, BWV 578 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Fugue in G minor, BWV 578 ("Little")
Johann Sebastian Bach3:42
22Concerto Brandebourgoies no. 2 en fa majeur, BWV 1047 : III. Allegro assai
trumpet:
Mark Gould (American trumpeter)
orchestra:
Philharmonia Virtuosi of New York (associated with Richard Kapp)
conductor:
Richard Kapp (conductor) and Richard Knapp
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach2:48
23Concerto Italien, BWV 971 : Presto
piano:
Rudolf Serkin (pianist) (in 1950)
recorded at:
Prades Festival
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (in 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971
Johann Sebastian Bach3:24
▼ CD 2: Trois chefs-d'oeuvre en intégralité
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1Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Magnificat (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:05
2Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Et exsultavit spiritus meus (soprano II)
producer:
Hans Joachim Daub (producer)
soprano vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:31
3Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion A: « Vom Himmel hoch » (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat in D major, BWV 243: III. Choral Interpolation "Vom Himmel hoch" (from 1979-02 until 1979-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:37
4Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Qui respexit humilitatem (soprano I) - Omnes generationes (choeur)
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
compilation of:
Magnificat BWV 243 in D major, 3. Quia respexit humilitatem by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble'), Helmuth Rilling (conductor) and Magnificat BWV 243 in D major, 4. Omnes generationes by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble'), Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:53
5Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Quia fecit mihi magna (basse I)
producer:
Hans Joachim Daub (producer)
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:11
6Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion B : « Freut euch und jubilieret » (choeur) - Et misericordia (contralto, ténor)
alto vocals:
Helen Watts (contralto)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Albert Krause
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat in D major, BWV 243: VII. Choral Interpolation "Freut euch und jubiliert"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach5:02
7Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Fecit potentiam (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:03
8Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion C : « Gloria in excelsis Deo » (choeur) - Deposuit potentes (ténor)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Albert Krause
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat in D major, BWV 243: X. Choral Interpolation "Gloria in excelsis Deo"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:15
9Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Esurientes implevit bonis (contralto)
producer:
Hans Joachim Daub (producer)
contralto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:06
10Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion D : « Virga jesse floruit » (soprano I, basse II) - Suscepit Israel (sopranos I & II, contralto)
alto vocals:
Helen Watts (contralto)
bass vocals:
Wolfgang Schöne (bass-baritone)
soprano vocals:
Arleen Augér (soprano) and Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach4:59
11Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Sicut locutus est (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:04
12Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Gloria Patri (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:16
13Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : I. Allegro
recorded in:
Marlboro, Vermont, United States (on 1965-07-15)
producer:
Thomas Frost (classical music producer)
cello [cello continuo]:
Leslie Parnas (cellist) (on 1965-07-15)
flute:
Ørnulf Gulbransen (flautist) (on 1965-07-15)
harpsichord [harpsichord continuo]:
Peter Serkin (pianist) (on 1965-07-15)
oboe:
John Mack (oboist) (on 1965-07-15)
trumpet:
Robert Nagel (trumpet player) (on 1965-07-15)
violin:
Alexander Schneider (violinist and conductor) (on 1965-07-15)
orchestra:
Marlboro Festival Orchestra (on 1965-07-15)
conductor:
Pablo Casals (cellist, aka. Pablo Casals) (on 1965-07-15)
recorded at:
Marlboro Music Festival in Marlboro, Vermont, United States (on 1965-07-15)
live recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (on 1965-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach4:16
14Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : II. Andante
recorded in:
Marlboro, Vermont, United States (on 1965-07-15)
producer:
Thomas Frost (classical music producer)
cello [cello continuo]:
Leslie Parnas (cellist) (on 1965-07-15)
flute:
Ørnulf Gulbransen (flautist) (on 1965-07-15)
harpsichord [harpsichord continuo]:
Peter Serkin (pianist) (on 1965-07-15)
oboe:
John Mack (oboist) (on 1965-07-15)
trumpet:
Robert Nagel (trumpet player) (on 1965-07-15)
violin:
Alexander Schneider (violinist and conductor) (on 1965-07-15)
orchestra:
Marlboro Festival Orchestra (on 1965-07-15)
conductor:
Pablo Casals (cellist, aka. Pablo Casals) (on 1965-07-15)
recorded at:
Marlboro Music Festival in Marlboro, Vermont, United States (on 1965-07-15)
live recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (on 1965-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach4:38
15Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : III. Allegro assai
recorded in:
Marlboro, Vermont, United States (on 1965-07-15)
producer:
Thomas Frost (classical music producer)
cello [cello continuo]:
Leslie Parnas (cellist) (on 1965-07-15)
flute:
Ørnulf Gulbransen (flautist) (on 1965-07-15)
harpsichord [harpsichord continuo]:
Peter Serkin (pianist) (on 1965-07-15)
oboe:
John Mack (oboist) (on 1965-07-15)
trumpet:
Robert Nagel (trumpet player) (on 1965-07-15)
violin:
Alexander Schneider (violinist and conductor) (on 1965-07-15)
orchestra:
Marlboro Festival Orchestra (on 1965-07-15)
conductor:
Pablo Casals (cellist, aka. Pablo Casals) (on 1965-07-15)
recorded at:
Marlboro Music Festival in Marlboro, Vermont, United States (on 1965-07-15)
live recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (on 1965-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach2:43
16Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : I. Allegro
orchestra:
Marlboro Festival Orchestra
conductor:
Pau Casals (cellist, aka. Pablo Casals)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
Johann Sebastian Bach10:49
17Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : II. Affetuoso
orchestra:
Marlboro Festival Orchestra
conductor:
Pau Casals (cellist, aka. Pablo Casals)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
Johann Sebastian Bach5:41
18Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : III. Allegro assai
orchestra:
Marlboro Festival Orchestra
conductor:
Pau Casals (cellist, aka. Pablo Casals)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
Johann Sebastian Bach5:29
▼ CD 3: Les meilleurs moments : Oeuvres intégrales ou mouvements d'oeuvres
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1Les Noces de Figaro, K. 492 : Ouverture
orchestra:
The Cleveland Orchestra (on 1957-10-25)
conductor:
George Szell (conductor, pianist, composer) (on 1957-10-25)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1957-10-25)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (on 1957-10-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
Wolfgang Amadeus Mozart4:04
2Concerto pour piano et orchestre no. 21 en ut majeur, K. 467, « Elvira Madigan » : II. Andante
piano:
Alicia de Larrocha (pianist) (from 1991-02-09 until 1991-02-11)
orchestra:
English Chamber Orchestra (from 1991-02-09 until 1991-02-11)
conductor:
Sir Colin Davis (English conductor) (from 1991-02-09 until 1991-02-11)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1991-02-09 until 1991-02-11)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1991-02-09 until 1991-02-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:42
3Sonate pour piano no. 15 en ut majeur, K. 545 : I. Allegro
piano:
Philippe Entremont (French pianist/conductor)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: 1. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
Wolfgang Amadeus Mozart2:23
4Symphonie no. 40 en sol mineur, K. 550 : I. Molto Allegro
orchestra:
Chicago Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:21
5Sonate pour piano en la majeur, K. 331 : Marche Turque (arrangement pour cuivres)
brass:
Canadian Brass
recording of:
Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
Wolfgang Amadeus Mozart2:29
6Sérénade en sol majeur, K. 525, « Une petite Musique de nuit » : I. Allegro
orchestra:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:53
7Requiem, K. 626 : Dies Irae
conductor:
Bruno Weil (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart1:59
8Symphonie concertante en mi bémol majeur, K. 364 : III. Presto
viola:
Shlomo Mintz (violinist, violist and conductor)
violin:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart6:12
9Don Giovanni, K. 527 : « Là ci darem la mano »
baritone vocals [Don Giovanni]:
Ruggero Raimondi (bass-baritone) (from 1978-06 until 1978-07)
mezzo-soprano vocals and soprano vocals [Zerlina]:
Teresa Berganza (mezzo-soprano)
orchestra:
Orchestre du Theatre National de L'Opera Paris and Orchestra of the Paris Opéra (from 1978-06 until 1978-07)
conductor:
Lorin Maazel (conductor) (from 1978-06 until 1978-07)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1978-06 until 1978-07)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1978-06 until 1978-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:17
10Concerto pour Cor no. 4 en mi bémol majeur, K. 495 : III. Rondo. Allegro vivace
French horn:
Mason Jones (French horn player)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:36
11La Flûte Enchantée, K. 620 : "Der Hölle Rache" - Air de la Reine de la Nuit
soprano vocals:
Zdislawa Donat (soprano) (from 1980-09-01 until 1980-09-04)
orchestra:
Wiener Philharmoniker (from 1980-09-01 until 1980-09-04)
conductor:
James Levine (US conductor and pianist) (from 1980-09-01 until 1980-09-04)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1980-09-01 until 1980-09-04)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1980-09-01 until 1980-09-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:57
12Danse Allemande no. 3 en ut majeur, K. 605
engineer:
James Nichols
producer:
Nathaniel S. Johnson and John Pfeiffer (producer and engineer)
orchestra:
Boston Pops Orchestra (, from 1959-05-15 until 1959-05-16)
conductor:
Arthur Fiedler (conductor) (, from 1959-05-15 until 1959-05-16)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (from 1959-05-15 until 1959-05-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart2:45
13Les Noces de Figaro, K. 492 : « Non piu Andrai »
conductor:
Sir Colin Davis (English conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:56
14La Flûte Enchantée, K. 620 : Marche des Prêtres
orchestra:
London Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:11
15Sérénade en ré majeur, K. 320, « Posthorn » : VI. Menuetto ; Trio I ; Trio II
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Sir Colin Davis (English conductor)
recording of:
Serenade no. 9 in D major, K. 320 "Posthorn": VI. Menuetto - Trio I/II
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1779-08-03)
part of:
Serenade no. 9 in D major, K. 320 "Posthorn"
Wolfgang Amadeus Mozart4:58
16Divertimento en ré majeur, K. 251 : I. Allegro molto
orchestra:
Collegium Aureum
recording of:
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": I. Allegro molto
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet"
Wolfgang Amadeus Mozart4:47
▼ CD 4: Un chef-d'oeuvre en intégralité
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1Requiem, K. 626 : I. Introitus - requiem
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart5:58
2Requiem, K. 626 : II. Kyrie
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart52:52
3Requiem, K. 626 : III. Sequenz : Dies Irae
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart52:00
4Requiem, K. 626 : III. Sequenz : Tuba Mirum
bass vocals:
Siegmund Nimsgern (bass-baritone)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Siegfried Jerusalem (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:20
5Requiem, K. 626 : III. Sequenz : Rex Tremendae
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart2:12
6Requiem, K. 626 : III. Sequenz : Recordare
bass vocals:
Siegmund Nimsgern (bass-baritone)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Siegfried Jerusalem (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart6:07
7Requiem, K. 626 : III. Sequenz : Confutatis
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:18
8Requiem, K. 626 : III. Sequenz : Lacrimosa
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart53:33
9Requiem, K. 626 : IV. Offertorium : Domine
bass vocals:
Siegmund Nimsgern (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Siegfried Jerusalem (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:39
10Requiem, K. 626 : IV. Offertorium : Jesu Hostias
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:41
11Requiem, K. 626 : V. Sanctus
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart1:34
12Requiem, K. 626 : VI. Benedictus
bass vocals:
Siegmund Nimsgern (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Siegfried Jerusalem (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart4:59
13Requiem, K. 626 : VII. Agnus Dei
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: VI. Agnus Dei (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:32
14Requiem, K. 626 : VIII. Communio - Lux Aeterna
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: VII. Communio: Lux aeterna (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart6:06
▼ CD 5: Les meilleurs moments : Oeuvres intégrales ou mouvements d'oeuvres
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1Symphonie no. 5 en ut mineur, op. 67 : I. Allegro con brio
Ludwig van Beethoven6:05
2Lettre à Élise (Bagatelle WoO. 59)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:04
3Concerto pour piano et orchestre no. 5 en mi bémolmajeur, op. 73, « L'Empereur » : III. Rondo : Allegro
Ludwig van Beethoven10:37
4Sonate pour piano no. 14 en ut dièse mineur, op. 27 no. 2, « Clair de lune » : I. Adagio sostenuto
Ludwig van Beethoven6:35
5Leonore, Ouverture no. 3, op. 72A
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-10-24)
conductor:
Leonard Bernstein (on 1960-10-24)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (on 1960-10-24)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
Ludwig van Beethoven13:15
6Quatuor à cordes no. 13 en si bémol majeur, op. 130 : V. Cavatina : Adagio molto espressivo
recording of:
String Quartet no. 13 in B-flat major, op. 130: V. Cavatina. Adagio molto espressivo
composer:
Ludwig van Beethoven (German composer) (from 1825 until 1826)
part of:
String Quartet no. 13 in B-flat major, op. 130
Ludwig van Beethoven7:24
7Symphonie no. 9 en ré mineur, op. 125 : IV. Finale : Choeur sur « Ode à la joie » de Schiller
Ludwig van Beethoven24:02
▼ CD 6: Deux chefs-d'oeuvre en intégralité
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1Symphonie no. 5 en ut mineur, op. 67 : I. Allegro
orchestra:
The Cleveland Orchestra (on 1963-10-11, on 1963-10-25)
conductor:
George Szell (conductor, pianist, composer) (on 1963-10-11, on 1963-10-25)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1963-10-11, on 1965-10-25)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (on 1963-10-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (on 1963-10-25)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:36
2Symphonie no. 5 en ut mineur, op. 67 : II. Andante con brio
orchestra:
The Cleveland Orchestra (on 1963-10-11, on 1963-10-25)
conductor:
George Szell (conductor, pianist, composer) (on 1963-10-11, on 1963-10-25)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1963-10-11, on 1963-10-25)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (on 1963-10-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (on 1963-10-25)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:04
3Symphonie no. 5 en ut mineur, op. 67 : III. Allegro - Attaca
orchestra:
The Cleveland Orchestra (on 1963-10-11, on 1963-10-25)
conductor:
George Szell (conductor, pianist, composer) (on 1963-10-11, on 1963-10-25)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1963-10-11, on 1963-10-25)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (on 1963-10-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (on 1963-10-25)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven5:31
4Symphonie no. 5 en ut mineur, op. 67 : IV. Allegro
orchestra:
The Cleveland Orchestra (on 1963-10-11, on 1963-10-25)
conductor:
George Szell (conductor, pianist, composer) (on 1963-10-11, on 1963-10-25)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1963-10-11, on 1963-10-25)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (on 1963-10-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (on 1963-10-25)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:33
5Concerto pour piano et orchestre no. 5 en mi bémol majeur, op. 73, « L'Empereur » : I. Allegro
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven19:36
6Concerto pour piano et orchestre no. 5 en mi bémol majeur, op. 73, « L'Empereur » : II. Adagio
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven8:47
7Concerto pour piano et orchestre no. 5 en mi bémol majeur, op. 73, « L'Empereur » : III. Rondo. Allegro
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven9:58
▼ CD 7: Les meilleurs moments
#TitleArtistRatingLength
1Polonaise en la bémol majeur, op. 53 : « Héroïque »
piano:
Philippe Entremont (French pianist/conductor)
recording of:
Polonaise in A-flat major, op. 53 “Heroique”
composer:
Fryderyk Chopin (composer) (in 1842)
dedicated to:
Auguste Léo
part of:
Works of Fryderyk Chopin by opus number (number: op. 53)
Fryderyk Chopin7:06
2Valse en ré bémol majeur, op. 64 no. 1 : « Minute »
piano:
Олександр Браіловський
recording of:
Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Fryderyk Chopin1:53
3Valse en ut dièse mineur, op. 64 no. 2
piano:
Олександр Браіловський
recording of:
Waltz no. 7 in C-sharp minor, op. 64 no. 2
composer:
Fryderyk Chopin (composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Fryderyk Chopin3:20
4Étude en mi majeur, op. 10 no. 3 : « Tristesse »
piano:
John Browning (American pianist)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
composer:
Fryderyk Chopin (composer) (in 1832)
part of:
Études, op. 10
Fryderyk Chopin4:16
5Étude en ut mineur, op. 10 no. 12 : « Révolutionnaire »
piano:
John Browning (American pianist)
recording of:
Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco
composer:
Fryderyk Chopin (composer) (in 1831)
part of:
Études, op. 10
Fryderyk Chopin2:28
6Étude en la bémol majeur, op. 28 no. 1
piano:
John Browning (American pianist)
recording of:
Étude in A-flat major, op. 25 no. 1 "Aeolian Harp": Allegro sostenuto
composer:
Fryderyk Chopin (composer) (in 1836)
part of:
Études, op. 25
Fryderyk Chopin2:35
7Prélude en mi mineur, op. 28 no. 4 : Largo
piano:
Rudolf Serkin (pianist)
recording of:
Prélude no. 4 in E minor, op. 28: Largo
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin2:24
8Prélude en la majeur, op. 28 no. 7 : Andantino
piano:
Rudolf Serkin (pianist)
recording of:
Prélude no. 7 in A major, op. 28: Andantino
composer:
Fryderyk Chopin (composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin0:48
9Prélude en ut mineur, op. 28 no. 20 : Largo
piano:
Rudolf Serkin (pianist)
recording of:
Prélude no. 20 in C minor, op. 28: Largo
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin1:42
10Fantaisie-Impromptu, op. 66
piano:
Philippe Entremont (French pianist/conductor)
recording of:
Fantaisie-impromptu in C-sharp minor, op. 66
composer:
Fryderyk Chopin (composer) (in 1834)
part of:
Works of Fryderyk Chopin by opus number (number: op. 66)
Fryderyk Chopin5:02
11Sonate no.2 en si bémol mineur, op. 35 : III. Marche funèbre
piano:
Emanuel Ax (pianist)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Fryderyk Chopin8:43
12Nocturne en si majeur, op. 62 no. 1
piano:
Emanuel Ax (pianist)
recording of:
Nocturne no. 17 in B major, op. 62 no. 1: Andante
composer:
Fryderyk Chopin (composer)
part of:
Nocturnes, op. 62
Fryderyk Chopin7:10
13Ballade no. 4 en fa mineur, op. 52
piano:
Emanuel Ax (pianist)
recording of:
Ballade no. 4 in F minor, op. 52
composer:
Fryderyk Chopin (composer) (in 1842)
part of:
Works of Fryderyk Chopin by opus number (number: op. 52)
Fryderyk Chopin11:47
14Mazurka en la mineur, op. 17 no. 4
piano:
傅聰 (pianist)
recording of:
Mazurka no. 13 in A minor, op. 17 no. 4
composer:
Fryderyk Chopin (composer)
part of:
Mazurkas, op. 17
Fryderyk Chopin4:07
15Andante spianato et Grande Polonaise brillante, op. 22
piano:
Emanuel Ax (pianist)
recording of:
Andante spianato et Grande polonaise brillante in E-flat major, op. 22: I. Andante spianato
composer:
Fryderyk Chopin (composer) (in 1834)
part of:
Andante spianato et Grande polonaise brillante in E-flat major, op. 22
Fryderyk Chopin13:37
▶ CD 8: Deux chefs-d'oeuvre en intégralité
▶ CD 9: Les Meilleurs Moments : Grands Airs et chœurs/ Un chef-d'œuvre en intégralité
▶ CD 10: Un chef-d'œuvre en intégralité

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ASIN:FR: B0025UAFBM [info]

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part of:Je n’aime pas… (order: 4)